I curse Disney and Moving. We now have a spate of super powered characters assaulting us left and right for the foreseeable future. Such is (not) life. Oh well, maybe this will be the one with a great script, well developed, fully formed characters and a narrative that doesn't depend on sensationalism. I depend on the Woo-Bin couple and Netflix.
Very strange direction in this drama made it almost impossible for it to gain momentum. The director seemed obsessed with forcing actors to stay on their marks, limit their movements, limit facial expressions (probably to make continuity easier during the edit), limit vocal expression, it's as if they had to perform in straight jackets.
As such I find it absurd that viewers singled out Han Ye-seul for underperforming - from my point of view she was the most fox-like in the entire cast, the best by far, it would have been awful without her.
HYS is the shining light in this drama, her acting and effervescence were fantastic. Writing wasn't great, very repetitive, totally dragged out. Eric's character comes off as a beta male for most if it, there's no coming back from such ML preposterous behaviour, yet the victim of his misdeeds seems to love him even more each time. He's not a bad actor but doesn't have the charm to get away with it, a bit too straight and serious to play it tongue-in-cheek. But Han Ye-seul keeps it on track, her acting from 2004 to 2011 got better and better. She must have shone just a little too brightly in that period, too pretty to be taken seriously, whatever happened it was a great pity that whoever tried to cancel her managed to slow her down, she was almost unstoppable. Not saying she wasn't great from 2014, a different actress emerged with new qualities.
Oh Netflix, that's deep. Truth and lies? Did an AI write your poster? Try some subtlety, instead of enigmatic buzzwords and vagueness. No words at all is what was required here. And no stupid way of writing Trunk either. In fact, Trunk is just a bad title.
Well she already did explicit scenes on screen watch some korean movie then you will understand every big korean…
Completely right. Don't get me wrong though, she was excellent in White Night as the enigmatic woman, but the role was kind of in the shadows - you've seen it so you know what I mean by that.
Well she already did explicit scenes on screen watch some korean movie then you will understand every big korean…
She's done nothing explicit or gratuitous. The closest you'll see is White Night, everything portrayed is integral to the narrative, nudity is carefully choreographed so as not to be explicit. As far as I know she doesn't have fond memories of the film; from my point of view it's the best film she's been in. Not her best performance in film, that honour goes to The Truth Beneath.
P.s. for anyone in London UK there are 2 showings of The Truth Beneath at the BFI as part of the London Korean Film Festival in early November.
I heard about this on the radio, now I see who she was. I liked her, she had a great presence on screen. I saw her just the other day when I watched a film about a love potion. She'll be missed and remembered well. In fact her scenes beating up Ha Ji-won in Bali have stuck with me for some reason, she had some flair.
Disney top 10. If 5 of their 50 subscribers watch it, it makes the top 10. With 5 viewers. I hear Disney's already lost a million subscribers in South Korea. Just 50 loyal fans left.
This is the second time I’m seeing you make an excessively cheap and vulgar comment about an actress.What is…
Right, he's using the term incorrectly so no need to worry. The story doesn't depend on sexual content at all... but, let's say for argument's sake that it did... I fully agree with what the op is saying, so I'm one of the people that upvoted him. I'm going to add that an esteemed actress, wife and mother *won't* be degrading herself or her family, don't worry.
This is the second time I’m seeing you make an excessively cheap and vulgar comment about an actress.What is…
The casting couch has been a famous and common expression in Hollywood since talking pictures began. I remember David Niven wrote about it in his wonderful book The Moon's a Balloon. There have always been actors and actresses who got parts that way, it doesn't apply in this scenario where we're speculating about the content of a drama, not how roles were won.
As such I find it absurd that viewers singled out Han Ye-seul for underperforming - from my point of view she was the most fox-like in the entire cast, the best by far, it would have been awful without her.
Truth and lies? Did an AI write your poster?
Try some subtlety, instead of enigmatic buzzwords and vagueness. No words at all is what was required here. And no stupid way of writing Trunk either. In fact, Trunk is just a bad title.
P.s. for anyone in London UK there are 2 showings of The Truth Beneath at the BFI as part of the London Korean Film Festival in early November.