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This review may contain spoilers
The Love that Never Rose
This is no slow burn, this was a no burn.
It went on and on without actually going anywhere or towards anything.
The plot picks up with Ice returning to university after being dismissed a year ago, and Saint has been tasked with taking care of him, making his student life easier. They've actually known each other for a while though, not talked for several years because of something that happened in the past, but now that they're back together, Ice hates Saint, and Saint wants to win Ice back.
Their entire relationship has been riddled with problems since the beginning - everyone is opposed to them being together for some reason or the other, and the entire story is basically how they get over their past to heal as individuals and a couple, and face all the other obstacles to be with each other.
It's a well established, character driven plot, which always has the potential to be great! But my goodness the pace moved slower than a turtle. Whether it was the conflict resolution or the movement of their romance, it felt like I was the one moving heavy furniture across a room, each episode was a push and a pull, and so much of a struggle.
It's not the worst blunder, especially if you can write brilliant characters. Except..
They weren't really written to be the best.
No argument that both Ice and Saint were quite complex and flawed characters who had good development, but what use is it when the writers seem to have a trauma complex that neither of them can get past?
Saint is always perturbed by his father's presence in his life, which is suffocating, annoying and straight up infuriating. His father's actions made him lose the love of his life, and when he meets him again, the aforementioned love wants nothing to do with him. He has to gain back Ice's trust and defy his father's orders to ensure he doesn't get trapped again. And he was written well.
But Ice.. oh Ice.
He wasn't even the lead in his own story.
He meets someone he loves in a life where he has no one to love him, and gets told that this guy doesn't want him either. He is assaulted, thrown out of space that should've kept him safe, faces the consequences of someone else's actions and comes back to university as a broken man, only to continue breaking everyday because he's dating a POS, and the people who ruined his life the first time around are back in it.
The writers took a hold of this and went ๐ฉ๐ฐ๐ธ ๐ค๐ข๐ฏ ๐ธ๐ฆ ๐ฃ๐ณ๐ฆ๐ข๐ฌ ๐ฉ๐ช๐ฎ ๐ง๐ถ๐ณ๐ต๐ฉ๐ฆ๐ณ?
The man could not catch a break, shots from every direction at all times, like the writers actually hated him. Everytime I saw a glimpse of growth, they just dumped more trauma on him to wreck him more and more until I could take it no more.
Honestly, I reduced my rating just based off of the fact that they absolutely butchered a character who should've carried the story.
If it wasn't for Ja's absolute knockout of a performance as Saint - adorable, charming and enigmatic - I would once again be rating this much lower, but thank you Ja. The rest of the actors were not bad performers by any means, but they barely had the chance to actually showcase their skills or flesh out their characters.
Especially Tae as Ice.. who was the actual main character and deserved much better writing than he got (as covered above) but he did a decent job.
The frustration you feel towards all the characters never really goes away though, because of the bad plot. The affinity towards some of them may come from the fact that they are leads, but the amount of conflict itself is off-putting. Did we really need the dirtbag ex? Or the movie shoot that spans for episodes in a bid to bring the leads closer, only to push them further apart? Or the father who has no boundaries and is an insensitive manipulative jerk just because he cares about his son? Noo
(On that note - let's also stop writing terrible parents a redemption arc? I pray all things in holy BL, let's stop giving horrid human beings redemption just because they shed a few crocodile tears)
The most frustrating thing is not the conflict, but how each one was handled. If you're going to have soooo many things they need to overcome, why not start with actually having the leads talk to each other? If your story is going to be riddled with problems that you can easily face together, why not do it? Or if it's your burden to bear, why avoid the confrontation? It's right in front of you!! Again, the character writing taking a serious blow, we get one step forward and ten steps back for 12 episodes.
The finale was the miserable now that tied it all together - a happy ending for all for the sake of giving one, or forgiveness I guess? This show was filled with horrid, horrid people who should have rotted in prison or in their own misery but yay to extreme pardoning complexes I guess.
This love should've set seven รฉpisodes ago, but oh well. Don't waste your time on this and if you absolutely must? 2x speed is your friend.
It went on and on without actually going anywhere or towards anything.
The plot picks up with Ice returning to university after being dismissed a year ago, and Saint has been tasked with taking care of him, making his student life easier. They've actually known each other for a while though, not talked for several years because of something that happened in the past, but now that they're back together, Ice hates Saint, and Saint wants to win Ice back.
Their entire relationship has been riddled with problems since the beginning - everyone is opposed to them being together for some reason or the other, and the entire story is basically how they get over their past to heal as individuals and a couple, and face all the other obstacles to be with each other.
It's a well established, character driven plot, which always has the potential to be great! But my goodness the pace moved slower than a turtle. Whether it was the conflict resolution or the movement of their romance, it felt like I was the one moving heavy furniture across a room, each episode was a push and a pull, and so much of a struggle.
It's not the worst blunder, especially if you can write brilliant characters. Except..
They weren't really written to be the best.
No argument that both Ice and Saint were quite complex and flawed characters who had good development, but what use is it when the writers seem to have a trauma complex that neither of them can get past?
Saint is always perturbed by his father's presence in his life, which is suffocating, annoying and straight up infuriating. His father's actions made him lose the love of his life, and when he meets him again, the aforementioned love wants nothing to do with him. He has to gain back Ice's trust and defy his father's orders to ensure he doesn't get trapped again. And he was written well.
But Ice.. oh Ice.
He wasn't even the lead in his own story.
He meets someone he loves in a life where he has no one to love him, and gets told that this guy doesn't want him either. He is assaulted, thrown out of space that should've kept him safe, faces the consequences of someone else's actions and comes back to university as a broken man, only to continue breaking everyday because he's dating a POS, and the people who ruined his life the first time around are back in it.
The writers took a hold of this and went ๐ฉ๐ฐ๐ธ ๐ค๐ข๐ฏ ๐ธ๐ฆ ๐ฃ๐ณ๐ฆ๐ข๐ฌ ๐ฉ๐ช๐ฎ ๐ง๐ถ๐ณ๐ต๐ฉ๐ฆ๐ณ?
The man could not catch a break, shots from every direction at all times, like the writers actually hated him. Everytime I saw a glimpse of growth, they just dumped more trauma on him to wreck him more and more until I could take it no more.
Honestly, I reduced my rating just based off of the fact that they absolutely butchered a character who should've carried the story.
If it wasn't for Ja's absolute knockout of a performance as Saint - adorable, charming and enigmatic - I would once again be rating this much lower, but thank you Ja. The rest of the actors were not bad performers by any means, but they barely had the chance to actually showcase their skills or flesh out their characters.
Especially Tae as Ice.. who was the actual main character and deserved much better writing than he got (as covered above) but he did a decent job.
The frustration you feel towards all the characters never really goes away though, because of the bad plot. The affinity towards some of them may come from the fact that they are leads, but the amount of conflict itself is off-putting. Did we really need the dirtbag ex? Or the movie shoot that spans for episodes in a bid to bring the leads closer, only to push them further apart? Or the father who has no boundaries and is an insensitive manipulative jerk just because he cares about his son? Noo
(On that note - let's also stop writing terrible parents a redemption arc? I pray all things in holy BL, let's stop giving horrid human beings redemption just because they shed a few crocodile tears)
The most frustrating thing is not the conflict, but how each one was handled. If you're going to have soooo many things they need to overcome, why not start with actually having the leads talk to each other? If your story is going to be riddled with problems that you can easily face together, why not do it? Or if it's your burden to bear, why avoid the confrontation? It's right in front of you!! Again, the character writing taking a serious blow, we get one step forward and ten steps back for 12 episodes.
The finale was the miserable now that tied it all together - a happy ending for all for the sake of giving one, or forgiveness I guess? This show was filled with horrid, horrid people who should have rotted in prison or in their own misery but yay to extreme pardoning complexes I guess.
This love should've set seven รฉpisodes ago, but oh well. Don't waste your time on this and if you absolutely must? 2x speed is your friend.
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