lilmeow

Great characters but falls on its face towards the end

This show features an ensemble of friends solving mysteries. Band-of-friends adventures can be so much fun, and this show brings out the best of this kind of setup. Namely, it does a good job with characterization, character development, and relationships.

Xiao Beiming, the ML, leads the group. Aside from his starting arrogance and subsequent (predictable) fall from grace, his personality is one of the less developed- sort of a generic leader- but he’s likable enough, and it’s fun to watch him solve cases.

Zhong Xueman, as FL, is solidly middle of the pack for me. She is ok at both brains and brawn, but not the best. She has a hot temper- I know because they say so, though in terms of actions, it comes across more as a mildly unlikable personality. I do, however, like her no-nonsense clothing and styling.

The FL is not totally likable, but that’s okay- she’s actually not that important. It’s almost strange to see her listed as a lead. Everyone in the pack contributes, and they all have their own personality and skills (which, realistically, overlap). The attention to characterization pays off- they are imperfect but likable, and all feel very real. My favorite character is Zhuge Kongyun. He is such a multifaceted peacock, I love him.

Perhaps even more endearing are the solid friendships. Interactions are charming and consistent, but not too sappy. One of my favorite scenes is the argument between Tong Shuang and Xiao Beiming, because it’s so realistic. I could relate to both sides. It felt very human.

At the same time, the romance between the ML and FL is not too prominent, for which I’m glad. I didn’t feel it between them, and don’t think it would have gone well if they had played it up.

Plot-wise, this show has several cases that all fit under a big umbrella case. Some of the answers are really tricky, but luckily, the hero party’s abilities and deductions border on mythical. I usually couldn’t figure it out with them, but I didn’t mind just sitting back and waiting for the answer; the cases were interesting enough and I was always curious about what happened.

But while the plot starts out strong and sucked me in quickly, I found myself losing interest closer to the end. Around episode 30, this show took a nosedive for me.

Essentially, there is only one big overarching mystery, and it is outlined very close to the beginning. This means they spend the majority of the show building up suspense and hype around the actual specifics of what happened. When it’s finally revealed, I found the answer rather anticlimactic. It’s not a bad story- it would make any conspiracy theorist proud- it’s just not worthy of all the build-up. I don’t know why any one of those people along the way couldn’t have just told them.

Which brings me to my next complaint about this show, which is simply too much nonsense. Some nonsense is standard for Cdramas, but this show has too much.

In addition to the aforementioned mythical crime solving, we also get things like deus ex machina solutions (eg how did everyone just happen to be carrying salt when it was needed? Why would a transcript of some random conversation just happen to exist?), nonsensical explanations to mysteries (eg “stagnant lake”, mind control- I can believe in fantastical things, but not when they border on science), and inexplicable behavior (why didn’t Chief Fang just ask for an autopsy in that joint trial?)

And then more fundamentally, we get things like: the case against Xiao Beiming is so full of holes, how are so many people so thoroughly convinced he is the villain? With the FL at the beginning, I tried to overlook it as good idea but poor execution. If only they had made ML’s framed crime more believable, then I'd feel a lot more sympathetic to her behavior. But then, as the idea that the ML is Yesha gets repeated so often by so many “smart” people, I gradually lost patience.

The main conflict itself, when finally revealed, is also full of holes. For something so central to the show, I expected better.

Near the end, the plot took a direction I didn’t particularly like, and they just couldn’t sell me on it. Along with the mounting nonsense, lot of things playing out felt like a farce (the emperor’s behavior, for example). I had a hard time emotionally investing or taking it seriously.

To be clear, it’s not the worse ending. They’re solving mysteries to the end, and that bug guy is hilarious. I just expected the whole thing to be more deep and thoughtful.

Execution-wise, the acting is alright. Wang Xingyue is a pretty good actor, but he looks a little old (strange, as he is not). I think Julia could have more fire and personality. Nobody did badly, but it’s not the best acting I’ve seen. The fight scenes were also kind of sloppy.

This show has lots of sets, lots of props, lots of extras- it’s clearly got a decent budget. I like the style of flashing quick memories, mirroring how our minds work. And I like the music.

But ultimately, based on enjoyment, I can’t quite give it a rave review. I did solidly enjoy a good portion of it; but the show is focused so much on the main conflict/mystery, that when that fails to pack a solid punch, the entire thing falls flat.

ENDING – READ AHEAD ONLY IF YOU WANT TO KNOW, CONTAINS SPOILERS





This show has quite a happy ending. I had thought they might at least kill off some minor characters- you know, for the sake of realism, maybe- but nope. Final villain was not really out to kill.

There are only 10 minutes to show where everyone ends up, but it’s enough to see that all party members achieve personal and/or professional success. It’s actually a pretty good wrap-up.

MORE MAJOR SPOILER AHEAD





I wasn’t too pleased with Tong Shuang being Yesha. It felt like plot twist for the sake of plot twist. He was simply too convincing as the sincere and lovable younger brother, and all his interactions had seemed so genuine. I’m sure the signs were there if I had looked, but I still had a hard time believing- and also didn’t want to believe- that it was all fake.

So this is partly just a me problem, but they still could have sold it better. Especially given how much the show focused on the characters and their bonds, I thought they would at least flesh him out more and humanize him as a villain. There was a little of that, but mostly he just showed up again acting all nasty and mean, and our protagonists didn’t seem to think twice. I guess the show didn’t want us feeling too bad, so made him more clearly evil. There were only a few hints of something deeper.

The thing is, I also didn’t buy into his motivation. His origin story is sad for sure, but it made no sense that the saintly Chief Zhong would adopt one brother and send the other off without a second glance. And while I can’t personally attest, I feel like most people with a difficult past still wouldn’t try to take down an entire nation. That is totally out of scope.

I just wonder why none of these Haiya orphans ever considered that perhaps the most simple, easy, and just form of revenge is to just tell the world what happened. I still don’t understand why they all kept killing themselves rather than trying to spread the word and get people to investigate.

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Kind of funny, sometimes

A Dream Within A Dream starts out a comedy. It’s set up to satire its own medium because the entire premise involves the female lead falling into a third-rate script.

Some jokes are just the occasional quip- eg “we definitely won’t die jumping off this cliff”. But more structurally, some mysterious force keeps pushing the characters to behave a certain way or act out certain “iconic” scenes. As the real story playing out doesn’t quite match the script, some of these “iconic” scenes are twists on the original, while others are just forced against the characters’ will.

At first I thought these scenes were funny, spot on in making fun of over-the-top shows. But after a while, I started to find them annoying. Not only did they get old, but they were also getting in the way of the real story.

And unfortunately, beyond this comedic element, there isn’t much to make this show stand out.

The FL, Song Yimeng, is a bit annoying. She’s got some typical protagonist traits (brave, wants to do the right thing, etc) but she’s just not that likable. A little dumb, a little mean, and not that special.

Song Yimeng’s prejudice against the ML gets frustrating when it persists in the face of all reason. I could never tell if she was actively trying to push him away (fearing their inevitable tragic fate together), or just throwing a temper tantrum each time. I had a hard time believing the former because of an obvious logic hole: either fate can be changed or it can’t, running away vs trying to change it together would be equally (in)effective.

The ML, on his end, somehow keeps coming back to her. I have no idea why he is so devoted. Sure, she was nice to his alter ego, but- aside from the prejudice highlighted by that whole setup- that attraction didn’t seem founded on much either. Overall, I had a hard time feeling invested in their relationship. It simply didn't develop properly.

On the flipside, while we all feel sorry for the ML, “no” means “no”, it doesn’t mean “try harder over and over”. His behavior is not quite restraining order level, but would still be considered extremely annoying IRL.

That aside, the ML is more likable and interesting than the FL. But. The extent to which he is mistreated and misunderstood by everyone around him, and the extent to which he is able to stay a “good guy” in the face of it all, is somewhat ridiculous.

That’s the thing, though. This show has its obvious satire, clearly marked, but it also has plenty of cheesiness and cliché outrageous plot elements in its “real” story. I could never tell if these were satire or actual cheese. I guess I’ll just give it the benefit of the doubt and call it more subtle satire.

There are some likeable side characters. I especially like those three goofballs running the Nightwalkers. I’ve seen Riley and Li Qing in other shows and they were perfect picks. The Type A sister is unique and sadly relatable… I know too many go-getters in real life and found her hilarious (except that one scene). She is not that likeable sometimes, but hey, neither are we. Unfortunately, her relationship seemed a little toxic, making it hard to get behind.

There are also various other fun and interesting characters who get decent screen time. They maintain some of the comedy that otherwise seems to fade as the show goes on, but are far from enough to save it.

The villains are less interesting. By the end when it gets a more unique spin, I had stopped caring. I think the plot started out ok, but somewhere around the fall of one cliché villain and the rise of another, I lost interest.

The acting is all-around quite good. Liu Yuning has lots of fans praising him to the moon in reviews. I agree, he is a good actor with a good range of expressions, but I thought everyone else did well too.

The music is pretty good, though there are some unhinged (unofficial?) pieces that I can’t believe they spent time recording. Costumes are very pretty, settings not bad, no money skimped on extras. And the fight choreo is quite good and well executed- not something I always say! But all these production level things can’t save a lackluster story, or the fact that by the end I was really slogging to finish.

In spite of it all, I do appreciate that they address the transmigration directly in the last 6 or 7 episodes. Too many shows just plop characters into a new setting and call it done. In this case, at first I was rolling my eyes because the FL jumps right in without any question or confusion. But by the end it becomes a central plot element and thematic focal point. Did it always make sense? Of course not, but better than nothing.

ENDING – READ AHEAD ONLY IF YOU WANT TO KNOW, CONTAINS SPOILERS





I consider this show a comedy (even though it’s not quite by the end), so of course it has a happy ending. We get about half an episode of little skits showing everyone’s happy life together.

As for how we get there… all the script rules just get handwaved away. The world of the script comes to life, and she stays in it- it’s a forceful happy ending where all the complications are bulldozed over.

Of course, it doesn’t have to make sense, since they pull you out another level after that. I guess this is supposed to be the thoughtful, creative aspect of the show, that makes us contemplate reality and the Chuang-tzu butterfly dream. If only I still cared by then.

The scriptwriter showing up near the end got some hate, but I thought it was funny. A last-minute villain out of nowhere, a heroic character (Papa Chu) who is revealed to bad, is exactly the kind of cheap trick these scriptwriters often pull. This one literally put himself in there and tried to make it happen.

But in the end, the final villain is more like the SML, who objects to his fate as a supporting character. Well, that I can understand. However, his gradual descent into madness against all reason made no sense and was out of character. I couldn’t get behind him as a villain and instead lost interest.

If only that were the worst character development in this show, but that credit has to go to the emperor. His 180 from completely abusive and extremely stupid father (kudos to the actor for that sadistic little smile) to World’s Best Dad made my head spin. Huh?

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Self-righteous leads, mildly entertaining mysteries, better towards the end

To start, this female lead is too infallibly good at too many things. I’m not inherently opposed to an OP FL- it’s not realistic, but I’d still happily watch her kick butt as long as I like her.

The problem is, I like more down-to-earth characters, and she is not. She does a lot of moralizing. I don’t disagree with everything she says, but her self-assured, self-righteous tone as she goes on about justice bothered me, especially at the beginning.

I wouldn’t have minded so much if the show acknowledged how naive it all was, e.g. by throwing her a morally complex case that challenges her simplistic ideals. And the show actually does focus a lot on horribly wronged people who seek their own justice. What justice truly means seems to be a theme- but it’s not explored that deeply. Our FL never strays far from her convictions that righteousness will prevail and the law is the way. We’re not here to watch her grow, only to watch her kick butt.

While I’m rolling my eyes at her preaching, the ML is oozing in admiration. She smiles demurely in response. I think the FL is pretentious; the show thinks she’s noble. This is a fundamental disconnect that permeated the show and made it hard for me to enjoy it.

As for the ML himself, he seems tailor-made to be her perfect boyfriend. Super supportive, caring, everything good, etc. He’s also her perfect work partner, with a complementary approach and perspective. Overall I did not find him very interesting. Too artificial.

Their relationship starts early- he’s pretty much a sap for her right from the beginning. While this is unusual for dramas, I think it’s fairly realistic in the present scenario. Their relationship is refreshingly free of misunderstandings, develops at a normal pace, and is ideal in all ways.

Unfortunately, I just did not enjoy their sticky sweet romance. Watching two people you don’t care about be happily in love is boring at best; here, I found it downright cringe. Their romance is full of contrived, overly dramatic scenes. He saves her from every over-the-top situation you can think of (fire, water, assassins, etc). I fast forwarded through a lot of it.

The side characters are alright; I didn’t feel too strongly about anyone. For better or worse, their friends all pair up neatly. This means there are multiple sweet relationships for you to feel good about, though I found some of them a bit cheesy at times.

Looking at the characters and their relationships, this show is actually quite a treasure for female empowerment. There are strong female characters and good relationships between them. Even the ML feels secondary to the FL. It’s just a shame that they overdid the FL’s sainthood to the point where I couldn’t stand it.

Plot-wise, the first half or so of the show covers ~4.5 independent cases, one right after the other. These cases are methodically developed, spanning several episodes each. I like this slower pacing because it gives me time to consider the evidence.

But for some reason, I found these cases incredibly easy to guess. I would inadvertently figure out the culprit based on things like classic drama patterns (eg it’s usually some nice-seeming character that shows up fairly early in), and who’s facial expressions they keep zooming in on. I would then have to wait patiently while the leads continued to put together evidence and act lovey dovey with each other. Overall, the mysteries were still interesting enough, but I wish they had been a little less obvious.

As the plot progresses, the FL’s path is surprisingly smooth. She doesn’t make any real enemies; in fact, she is loved and admired by many powerful people. I don’t necessarily object to her lack of obstacles, since there is plenty of other intrigue. However, I found myself rolling my eyes at everyone doting on her.

The main plot is pretty much just classic palace power struggles, but I thought it was fairly well done. As a result, my rather low opinion of the show improved towards the end. I like the way our leads slowly uncover the backstory, the growing ambiguity, and the way everything falls into place with the final reveal. This last point is particularly fun to watch, and works out so well thanks to the show’s careful setup. If not for the last few episodes, I would have given this show an even lower score.

Acting wise, since I don’t like the FL, I’m tempted to blame the actress, but that might not be fair. I’ll refrain from commenting on acting since I watched a lot of this on 1.25X speed. I did find Ao Rui Peng’s martial arts technique to be surprisingly good- crisp, clean, and solid.

Other production-level stuff (music, settings, costumes, etc) were all decent. Cinematographically, they do some artistic things with camera perspective and reflections. I liked most of it, except for the views upward from inside a cadaver. As if bodies are just empty sacks.

The segways into my final rant. If you are going to pretend to be an expert in a field, you better show me that you’re serious. This girl does not even wear an apron to conduct an autopsy; she ties up her sleeves, but you can still see them dragging across the corpses. Even worse, her idea of an exam is to reach into a small incision and pull out an entire human organ. Uh, ever done a dissection? It’s nowhere that clean and easy.

These may seem like unimportant details. And I get it- “she fearlessly conducted an autopsy while everyone else puked at the side” is all we’re meant to take away. Still, representing a profession without properly doing research is somewhat offensive. Get it right or else don’t try. Personally, I think they should have kept it all off-screen, like Imperial Coroner.

Overall, I appreciate some parts of this show, but mostly I couldn’t stand it. If I’m honest, most of my complaints probably cascade out of not liking the FL- thus cringing at her romance, rolling my eyes at her popularity, picking on her dissection technique, etc. Perhaps if they had been more subtle about her sainthood, I might have enjoyed this show.

ENDING – READ AHEAD ONLY IF YOU WANT TO KNOW, CONTAINS SPOILERS





I consider this a happy ending. All the major protagonists make it through and are launched into happy futures. Not much time is devoted to showing where everyone goes, but it’s enough to give you an idea.

Still, I found the ending surprisingly dark. Not that the show was that light to begin with, but a lot more people died than I expected. It’s as if they decided the cleanest way to tie up loose ends was to kill off all these morally ambiguous characters. And some ending scenes were overly contrived and dramatic… this show really does have a thing for drama.

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Too much cutesy act from this female lead

A lot of people love this show, and a few people hate it. I think these polarized reactions have to do with some very different opinions on the Little Orchid character.

I personally did not like Little Orchid, and I did not like the show that much. Little Orchid is supposed to be young, naïve, and innocent. I admit my personal preferences are factoring in here, but still I think my issue is less with this premise and more with how she is presented.

Orchid’s presentation is very childlike. There are other ways to present such a character that are less over-the-top cutesy. To me, it came across as a cute act, which I found quite annoying. If she were actually 5 years old, I may be less annoyed, but unfortunately she doesn’t look like a child, and even with fairy-time-warped age I think her mental state should be past the toddler phase.

People also complain about her voice. To me, it’s less her voice than the way she uses it. Her tones and cadence are drawn out to match the cute act. I’ve heard Esther’s voice in other contexts and had no problems with it.

I’ve come to realize that this style is fairly typical of Esther, and as people say, “if you don’t like her then don’t watch her shows”. Actually, when she is not doing the cute act (eg in the body swap or Xilan goddess contexts of this show) I think she is fine. Also nothing against Esther herself, she seems like a lovely person outside the show. I just am not a fan of the cutesy acting style. Maybe it’s what they were going for with the Little Orchid character, in which case, I don’t like this character.

I found that, because I did not like Little Orchid, I couldn’t really get behind anything in this show. I couldn’t understand why two guys were so obsessed with her, and unfortunately this meant I spent a lot of the show rolling my eyes. I also couldn’t get behind her CP because I never saw what DFCQ liked about her. If you take out rooting for them and fawning over them, there isn’t that much left to keep a person interested. There were side characters with their own stories, some of them interesting enough, but they weren’t developed enough to carry the show.

Add to this a good deal of nonsense. Sloppiness in xianxia is not new, but this one is on the more extreme end of having a lot of unexplained plot devices that seem like they should be important. What’s going on with those destiny books, why do they require fixing, why are they so important, how exactly does “fate” work in this show, what even is a goddess, what is this primordial spirit thing, on and on… I’ll admit I might have just missed it, I didn’t analyze that carefully. But I’m the audience, world building shouldn’t be MY homework.

It wasn’t quite a visual feast, either. It wasn’t all bad, some pretty shots and good CGI, but also quite a few scenes relying on bad CGI. I felt sorry for actors having to pretend, e.g. like they’re struggling against a strong force. If the force didn’t look so fake, I wouldn’t be sitting here thinking about how they’re filmed.

I watched this show despite knowing it might not be my thing, because I wanted to see what all the fuss was about. I finished it because it wasn’t quite bad enough to drop, and it really does have a lot of hype. It was entertaining enough, but I think it’s hard to really get into a show when you can’t make yourself care about the characters. I just sort of slogged through it. In some senses it was nice because I got more sleep and took care of the rest of my life better, relative to when I’m watching a show I really like and stay up too late binging.

ENDING – READ AHEAD ONLY IF YOU WANT TO KNOW, CONTAINS SPOILERS





It has a happy ending, but it’s not satisfying enough for many fans, because you only get to see the happy part for about 10 seconds. Typical Cdrama. For me, I thought it was so deus ex machina, like I could not see how it would ever work out for our characters and then the scriptwriters just pulled a random miracle out of nowhere- it was a bit lame.

They do attempt to tie up some of the side stories by showing what happens to a few of the more prominent side characters. This is better than nothing, but as I cared about these characters more, I still felt unsatisfied by their half-baked resolutions.

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Lighthearted and fun, solid first half

I’ll preface by saying that I saw Esther in LBFAD and decided her style is not for me. But I still wanted to watch this show because everything else about it seemed like my jam. I love a feel-good, lighthearted xianxia. Since I chose to watch Esther’s show, I did my best not to get annoyed at any cute-acting.

Given this context, I was actually pleasantly surprised by the character of Lin Miaomiao. I found her to be fairly down-to-earth and self-aware, especially in the first half. There’s a bit of the cutsey style, but the things she says are not-dumb and fairly funny, so I actually really liked her. She gets thrown in ridiculous situations and has to muddle her way out. She also has a sad backstory with her dad, but she’s still overall cheerful and good-hearted, which makes her likeable.

The first half was solidly enjoyable. I’ve played a lot of video games and loved the game-related jokes. Miaomiao’s view of a historical setting from a modern perspective adds a good dash of humor; her sometimes-snide commentary is funny, but never mean or rude. The meta-ness of her knowing where the story is “supposed to” go, and trying to direct it, is a fun twist. But it had me wondering the entire time how they would handle the question of what is reality, as the world of the game started to feel more and more real.

The male lead, Mu Sheng, starts off hostile but is soon uncovered to be more emotionally damaged than anything else. Ryan Ding does a great smirk, unfortunately (for me) the character evolves so we see less and less of it as the show goes on. Also in the band are Mu Yao and Liu Fuyi. Their story is a bit less developed and more bland, but I was still happy to see it progress when it did.

That said, the show becomes a bit less fun and enjoyable as it starts to steer away from the meta-ness. Video game references, jokes related to the world being “fake”, and Miaomiao’s awareness and references to her modern world, all but disappear. As my appreciation for Miaomiao declined without her snarky commentary, so did my tolerance for her cute act. Why does she simper and say things extra slow and cutsey when she could just talk like a normal human?

Her loss of self-awareness is not random- it’s explained by the plot- but it does make the show less fun as it turns into more of a classic xianxia story, good vs evil, sad backstories, etc. And the show doesn’t quite have the plot to stand alone in that capacity. It’s a bunch of cliché plot devices, which are fine when you consider that within the show it’s a story written by somebody, but not that fun to watch it play out episode after episode as the main story.

Add to this that I didn’t quite feel the relationship between Miaomiao and Mu Sheng. I don’t know if it’s just the FL’s cutesy style that makes me not want to root for her CP- I can’t understand why he’s so into her, so it feels founded on nothing. (This was, btw, also how I felt about LBFAD.) Or maybe it just didn’t quite develop and build up naturally enough. Either way, not being into the CP unfortunately makes the show less enjoyable.

Stylistically, most of the fighting seems to be wire stunts and CGI (as opposed to wielding “real” (prop) weapons). This is not good or bad, and I thought it’s done pretty nicely. I didn’t quite like Miaomiao’s makeup or all the doodads in her hair (she’s on the road, who’s doing her hair?) but that’s a minor quibble. There was some nice whimsical styling for the different kinds of demons, and other fun details.

I’d give this a rating of 9 for the first half, and maybe 6 for the second (5 would be a show I’m not into, this one I still cared a little), averaging to 7.5. Not modified for the ending; read ahead for my take (contains spoilers).

ENDING – READ AHEAD ONLY IF YOU WANT TO KNOW, CONTAINS SPOILERS





First of all, for a light-hearted show like this, I’d be really surprised if it were anything but a happy ending. And I consider it happy. But many people didn’t like it, probably wanting her to stay with her new reality in the game. I believe this is what happens in the novel source material, but the drama was limited by censorship which bans transmigration.

I spent the entire show wondering how they would handle the dual worlds aspect. To what extent would they make the show’s actual reality have elements of supernatural? The novel went all in, but the show went in the other direction, with the supernatural elements limited to maybe a shared fever dream between Miaomiao and Fu Zhou (if that’s how you interpret it- never quite figured out what happened).

Personally I liked that they maintained a realistic world, because it makes the whole thing so relatable. It’s easy for us viewers to get lost in a story too, but in the end we all have to wake up and deal with our mundane lives again. I like that Miaomiao has to face this same reality as we do. Of course I got attached to the characters and world of the game, but reality- for Miaomiao and us- is that we slowly forget these things and move on.

While watching, I figured the best ending might involve her finding her same friends in her modern world, and I was happy that this is kinda-ish what happened. Do I wish they had shown a bit more of it? Yes. They could have easily shown us an entire episode to tie things up in the modern world, and everyone would have been much happier. They had episodes to spare (under the 40 limit) and no source material tying them down (because they’d already changed so much), so why not? Cdramas seem to feel like the right thing to do is leave viewers wanting more.

By the way, the last couple of episodes were such a mess! I was honestly flabbergasted… I gave up trying to figure out what was going on. Then finally she “wakes up”. At least, if you think of it all as a dream, then that nonsensical stuff makes a lot more sense.

Consistent with the chaos towards the end, bringing in the author came a bit out of left field. I still liked this plot element as a way to tie things together. I just felt that this, like all the other “surprising reveals” crammed into the end, as well as the self-love message (nice message, poorly executed), should have been foreshadowed better throughout the show. It would have felt a lot less chaotic and random if they focused more on developing themes and threads throughout the story, then tying them up at the end, rather than inventing new ones last minute.

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A feel-good show about female empowerment

First of all, do not expect anything resembling realism when it comes to the female lead’s abilities or accomplishments. I read some other reviews beforehand which set my expectations appropriately, and this contributed greatly to my happiness. Do not wonder too hard if time runs differently in this universe, or how xyz is even remotely possible. Just sit back and enjoy the satisfaction of watching these women kick butt.

Now, let us begin.

While the overarching story sets the premise, this show is broken into many smaller standalone story arcs, some as short as a couple of episodes. I didn’t like every story arc, but overall I liked this structure because it meant lots of satisfying closures, and some room to breathe in between.

The theme of female empowerment is embedded throughout. There is a conscious focus on presenting women as their own people beyond their relationships to men (the point of the Bechdel test, actually). Sisterhood stands strong; we do get some typical cattiness, but the women in this story mostly end up very supportive of each other. The extent of societal sexism portrayed at times felt a bit overdone, like they were selling righteous indignation; but as intended, it makes it even more satisfying to watch our characters succeed.

Hua Zhi, the eponymous (Chinese title) FL, is smart, confident, fearless, and kind. She has lots of ideas, and everything she tries goes well. She is a great character to root for because you won’t lose. It’s gratifying to watch her constantly handle situations with skill and heart. But on the flipside, I wasn’t that emotionally invested in her. I was never worried about her; she’s got a ton of plot armor and it’s somehow really obvious from the tone of the show that she always wins.

I was more invested in many of the side characters. A strength of this show is its plethora of likable, multidimensional, and interesting female characters. Many of them get decent development in one or more story arcs, but disappear for the rest. I did hope to see some of my favorites a bit more, but there were enough characters to care about that I didn’t dwell too much.

We also get a lot of side couples, as different members of the household find their matches. A variety of different types of relationships and outcomes are shown. Happily, the show is free of silly love triangles, except the main one.

Not surprisingly, the male protagonists are all allies who support their women. At the beginning I was all for our poor SML, Shen Qi, who did everything he could. For whatever reason, he then went on to disappear for a long time, so I forgot about him. I do feel like he deserved a bit more screentime.

The male lead, Gu Yanxi, is a typical ML combo of badass but kind and supportive. I really liked his relationship with Hua Zhi. Many dramas have an overprotective, overdevoted ML, which I always found a bit much. Gu Yanxi and Hua Zhi seem more normal; they are supportive while each having their own lives. Their very healthy relationship is also impressively drama-free, even when you think there might be some drama.

That said, while I liked Gu Yanxi enough, I actually never felt that interested in him. And so, although I liked the dynamics of their relationship, it was two characters I was not totally invested in, so I wasn’t quite oogling over them.

As for villains… the emperor is the source of problems, but I’d hesitate to call him the villain. The ML is on his side, while Hua Zhi treats him more like a force of nature than an enemy. This emperor is a psychopath with too much power, a bad ruler and a bad father, but he’s also so… human. He’s an interesting character with an interesting role, and I liked that this show does not have a typical good-vs-evil plot.

In terms of acting, overall I think Zhang Jingyi did a great job. Her portrayal of Hua Zhi has been criticized for being too “perfect”. I do think there’s some truth to this, but I wouldn’t pin it all on acting. For example, on occasion she does something not-so-bright (eg mouth off unnecessarily to a powerful person). But it comes across as more heroic than anything else. A little remorse or recognition of “mistake”, by herself or anyone, would have gone a long way to making her a more multi-dimensional character. This could have been accomplished through writing, acting, and/or directing.

For Hu Yitian as Gu Yanxi, there were a few times I thought his expression maybe should have been something else. Overall he was fine, but I think he could work more on nuanced facial expressions. For whatever reason, I just couldn’t care much for this character.

Lu Yuxiao as Shaoyao deserves a special shoutout. It seems the show was going for neurodivergent, which is difficult to portray- I don’t really know what’s accurate, but she did SOMETHING well as I was very invested in this character.

But my favorite acting comes from Hai Yitian. His muted depiction of the emperor- lonely but such a difficult person- conveys a complex character that adds depth to the show. I especially love that momentary look of hurt he gets when somebody says something he doesn’t want to hear. It makes us hope again and again that he’s finally reflecting on himself.

In terms of world-building, this story occurs in some unspecified historical time period, which gives lots of leeway, but they couldn’t seem to keep things consistent. For example, for a society so conservative that unmarried women can’t show their faces, Hua Zhi sure goes on a lot of public dates. In fact, what women are and are not allowed to do is rather inconsistent. However, costumes and styling were fairly good… in particular I thought many of the young women looked very pretty.

Also, for a feel-good romp this show was surprisingly brutal and violent. For example, lots of bloody beatings. And background characters get slaughtered left and right… the choreographer was not messing around, the deaths are fairly graphic. Not gruesome per se, just vivid depictions of stabbing or slicing accompanied by little spurts of blood.

Sidebar rant…this show likes to show off the ML’s fighting prowess by pitting him against many enemies all at once. Such fights are notoriously difficult to choreograph, as in real life a person cannot counter all directions at the same time. The solution? He fights with a few people in front of him while everyone else stands around at ready, conveniently out of focus. …come on, let’s just save the bravado and put him in more realistic situations. I did not swoon for this ML winning 1 vs 50, I just rolled my eyes.

Then again, based on other reviews, it seems everyone else swooned. lol. Well… Hu Yitian’s sword technique seemed ok to me, not bad but didn’t stand out (eg it’s still a little sloppy at times, which is understandable with that many sword strokes). His fist fighting is more MMA style which I personally don’t like as much. I won’t say he’s a good or bad fighter, I just am not sure why so many people are raving about his fight scenes.

Finally: I didn’t know where to fit this in, but I loved the music! Especially those beautiful cello solos. I was so happy to find the instrumental BGMs on youtube so I can play them on repeat.

ENDING – READ AHEAD ONLY IF YOU WANT TO KNOW, CONTAINS SPOILERS





Of course this uplifting, feel-good show has a happy ending, it’s just a matter of how well it’s pulled off. And I’ll say first off that, in terms of closure, it’s one of the better Cdrama endings I’ve seen. We get a good half episode of wrapping things up and telling you where everyone goes. I was satisfied.

MORE MAJOR SPOILER AHEAD





Shows often like to insert some heartache near the end, and in this case I would say it’s the Hua Rong story arc. Although one couple is a relatively small sacrifice, I still found it extremely upsetting. I was really rooting for them. Her death was unnecessary; it did not even follow the themes and patterns of the rest of the show.

And as for the actual ending… well, I really liked Hao Yue. In this show about female empowerment, it’s only fitting that it’s a woman who packs the final punch. And her tirade against the emperor was so on point.

I’ll admit that, for somebody who played such an important role, she did come a bit out of nowhere. I would have liked to see her developed a bit more, and I really wished for a better ending for her. As is, by the end she is neither friend nor foe- more like a disposable plot tool.

Do I wish that, instead of a random assassin showing up in the last few episodes, the emperor finally came around and reversed his rulings? …sure, but that is totally unrealistic. The emperor is that person in your life who will never apologize, will never even recognize that they need to apologize. It’s so brutally realistic, and I think his death was the only way to solve Hua Zhi’s problems.

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A decent watch with good thematic focus

This show is a decent watch, but for me it didn’t quite move beyond just decent. I enjoyed it, but it didn’t set off my imagination or make me fall in love the way my favorites do.

Let’s start with characters. To begin with, I really like Mu Qingge. We get about 5 episodes of her upfront. She is always smiling; nothing can ruffle her. It works so well because it’s paired with a good deal of confidence, ability, and a sort of infallibility. Altogether, you get a warm and kind character who truly loves the world and can save it, too.

Her adopting Su Yishui as a disciple feels a bit like a good-hearted person taking on a difficult foster child. Their relationship really does resemble parent and rebellious child, and later Su Yishui gets a taste of his own medicine. It’s a fun joke in the first third-ish of the show.

While I love Qingge, the FL is more accurately Xue Ranran. An interesting thought exercise: if you take the same awesome personality but strip it of its amazing abilities, what do you get? The answer is, apparently, a really cutsey type character with too many doodads in her hair and a penchant for babbling about her crush to strangers.

Don’t get me wrong. As far as FLs go, Ranran isn’t bad. She’s quite smart- with or without abilities, she’s able to use her plot-armor-level intelligence to work her way through many situations. She’s brave, uses her abilities well, acts with kindness, and is anything but useless.

But she is also really cutsey. At first I thought they changed voice actresses, because her tones were so different from Mu Qingge. It’s not the worst cute-acting I’ve seen, but enough to annoy me. She is also totally obsessed with her crush. I mean, I get that she’s a teenage girl, but it doesn’t make me admire her.

Gosh, I think I missed Mu Qingge as much as those two guys.

Unfortunately, I just couldn’t quite get behind Xue Ranran, which took a lot away from my enjoyment of the show. To be honest, I would have been disappointed if Su Yishui just fell in love with Ranran for who she was. Luckily for me, there’s room to interpret it as him being into Qingge rather than this cute-acting teenage sap. But still- at the point they did get together, I actually lost interest and took some time off watching.

On the other hand, I found Su Yishui, the ML, to be a very compelling character. I’m used to a gradual reveal of backstory, but here we already know the “past” even as the protagonist (Ranran) is still figuring it out. I liked this because it allowed me to appreciate Su Yishui as simultaneously the cold, knowledgeable, and strong figure of authority that Ranran sees him as, as well as the traumatized, guilt-ridden, and despairing lost soul who doesn’t actually have all the answers. It makes for quite a complex character, and I really empathized with him all along the way.

The villains are sort of a rotating cast- including some characters you feel sorry for despite rooting against, leading to some mixed feelings- until the final villain is revealed about ¾ of the way in. The late-reveal final villain works here because it’s foreshadowed throughout, and also ties in well thematically. This villain has the setup to be thought-provoking, but ends up being somewhat one-dimensional and lame by the end, which is too bad.

Characters aside, the plot is decent. It gets a bit loopy at times, like people sacrificing for each other back and forth and back and forth, but “sacrifice” is sort of a theme so I guess it’s only fitting.

And one thing this show does well is maintain good focus on a few decently thoughtful themes. Sacrifice, for example: pretty cliché, practically the definition of drama. But here, as we’ve been with Su Yishui on this entire journey and watched him deal with the aftermath, we start to think a little deeper. By the time he’s lamenting his lack of choice, we’re ready to clap for him because it’s something we’ve started to realize, too.

Other themes and concepts explored include regret and repentance; and the idea of how much a person’s memories make them who they are. These ideas fall obviously out of the main premise, but then later come back in different ways, which is pretty neat.

Overall I give the show a thumbs up for the themes, but by the end I felt like they were beating me on the head with them. These ideas get discussed so often towards the end that they lose some of the original subtlety that made them so thought-provoking.

In terms of world-building, xianxia has never been great about logic and consistency, but I’d say this show ranks in the top half in terms of nonsense. For example, cultivation terms are thrown out helter skelter with no explanation. World truths are introduced and forgotten as needed. Many spells and charms are so specific they could only ever work in the exact context in which they show up, clearly tailored to advance the plotline. etc.

But at least, the constantly shifting tangle of who knows who is whom got so complicated that I couldn’t keep track, thus I was unable to identify any plot holes or inconsistent behavior related to it.

In terms of execution, I thought the acting is quite good. With all of Su Yishui’s personas, Deng Wei convincingly shows quite a bit of range- not just happy vs angry vs cat, but also various levels of cold and authoritative. For Julia Xiang as the female lead, while I found the cute-acting as Ranran a bit annoying, I think that’s more the story / director’s vision and voice acting than the actress herself. I like her adorable smile and her Mu Qingge (I also like the VA’s Mu Qingge). The supporting actors, like Chen Xinhai (Su Yu) and Deng Kai (Wei Jiu), also have good performances, with great facial expressions.

The fighting is ok, a bit of sword fighting and spinning (decently executed) but mostly just arm waving and CGI. The CGI is overall decent- in the better half of what I’ve seen- but sometimes a bit too much, especially in the battles. There is way too much blood spitting.

The settings and music are both not bad, but nothing I kept thinking about after the show was over. I found the costumes to be nice-looking if sometimes highly impractical… so many floaty layers and long trains.

Finally, for better or worse, I didn’t feel as worried watching this as I do with some other shows, probably because there’s a decent amount of plot armor and the show itself just doesn’t feel that dark. Therefore I’d still classify this as light-hearted, despite having some sad stuff. I do wish it had more humor- there were some laughs, but I think they could have done more with this material.

ENDING – READ AHEAD ONLY IF YOU WANT TO KNOW, CONTAINS SPOILERS





This show has a happy ending, including a full half episode of epilogue-type stuff like scenes of their wedding and their happy married life together. It’s not quite at the level of Legend of Shenli which gave us an actual fun story, but still satisfying. Most of the side character stories also get tied up to some extent, though not quite all to my satisfaction.

Mu Qingge comes back for the last 5 or so episodes, both her memories (therefore her person, imho) and her abilities. Apparently this is a break from the novel, where she doesn’t get her memories back until the extra. I’m glad for this change; I would have rated the entire show lower if it were Xue Ranran to the end.

At first, Qingge and Ranran seem more like a split personality, but I think the Qingge traits ended up dominating. This allows her relationship with the ML to evolve into a really amazing, actually equal partnership, which is a joy to watch.

I’m not too big a fan of Ranran, but here I’ll admit she was necessary. Despite the show trying to hint at it, I refuse to believe Mu Qingge fell in love with Yishui. So the only way SYS could get Qingge was for her to also have this dual personality of Ranran.

Su Yu, the crown prince, is the character that left me feeling most conflicted. His good-bad duality is a bit exaggerated and overdone, but I still fell for it and felt bad for him. Ultimately I was satisfied by how his story ended; being able to reclaim his dignity was more than I had expected for him.

I still think the setup of the main baddie and how he’s defeated are lame, and the last two episodes have too much cheese. But I guess the show can’t be deep everywhere. Nothing like a good save-the-world plot to lighten everyone’s mood.

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Surprising dose of wit and humor in a clever revenge story

The Double was one of the top hits of 2024. Everyone was raving. I was afraid it would be really dark, since it is a revenge story, but I ended up surprised by its excellent sense of humor. Don’t get me wrong, this isn’t a lighthearted story, but it’s definitely got some really funny bits.

The dialogue between the ML and FL is particularly clever and witty, and really fun to watch while you gush over them. There is a lot of wordplay and elegant speech, so unfortunately much of it is lost in translation. The language is also on the fancier side, making it harder to pick up if your Chinese isn’t as good (like mine). But translation aside, I think some of it is also hidden meanings. A lot of the dialogue felt like it had some double or triple meanings, and I felt a little dumb as I struggled to follow it all.

Both the FL and ML in this show are really admirable. I’ll refer to the FL as Xue Fang Fei (XFF), though she goes by a few things. She is brilliant, eloquent, and has her head screwed on straight. Her schemes are complicated and clever, and although she can’t control everything, she thinks quickly and always pulls through (some plot armor doesn’t hurt). There were definitely some really sad parts in the story, but I felt comforted knowing that my girl XFF would take revenge on those who deserved it.

XFF shows some strong emotions- not a robot- but she never behaves stupidly. Although the revenge is hers to take, she still acts with compassion, so I had no hesitancies about supporting her 100%. She pretty much just stands up for justice. Any of her enemies that I felt bad for, she seemed to feel a little bad for also.

I also like that she has random moments of being carefree and cheerful, reminding us that she was once a normal person and can still feel joy. Not like some archetype of a femme fatale.

For the ML… I feel like a lot of MLs are written to be as attractive as possible, like they are always handsome, smart, good fighters, supportive of FL, etc. But they really outdid themselves here- this one is a total dreamboat. Xiao Heng is lethal, capable, and composed, a mastermind playing chess (it’s a theme… XFF is smart; she won’t get used against her will).

I’m convinced that a lot of this show’s popularity is due to Xiao Heng fangirls obsessing over him. I totally get it, but also… why bother? Someone like this is way out of my league.

But you know who’s in his league? Xue Fang Fei. So while the two of them are not relatable to average mortals like me, they are such a great match, making it a delight to watch their interactions. They’re not mushy, they have some great banter and a mutual respect, and they are actually good enough for each other.

The side characters showed a lot of promise, but ultimately I was a bit disappointed. There were so many characters I’d liked to see more of- for instance, her pack of four friends- but they mostly just disappeared beyond their story arc. Even recurring characters, like the Ji boys, don’t get much development for themselves. It’s a shame that they made such likeable side characters, only to deny them any extensive stories of their own.

The villains is where I think they put more effort into making multidimensional characters- for better or for worse. It creates some complicated feelings. I personally liked this, although I wouldn’t say it made me feel good. It’s a little spoiler-y so I’ll hide my rant at the end of this review.

As an aside, this emperor is refreshing. He’s young and a real friend to our ML; even more, he’s playing politics like everyone else rather than just wielding a lot of power. This makes him a more sympathetic character than most emperors.

Plot-wise, in addition to the ongoing saga of injustice and revenge, this show relies a lot on squeal-worthy interactions between the ML and FL. These fade a bit in the last quarter or so, and the show gets darker. Like so many other shows, I enjoyed this one a little less as it was approaching its end, but the effect was not as pronounced as some others.

Acting-wise, this cast did well. Wu Jinyan looks a bit older, I think it is hard because a lot of other actors are younger. But she did well- so many lines to memorize! I also don’t think her styling was the greatest- she looks prettier as herself- but the end result was as they said in the show, “not bad looking and your own unique look”.

Many other actors did well too, but I think Wang Xingyue as Xiao Heng stood out. He is a young actor and his career is on the rise after this. He has great facial microexpressions. He also has great presence, and he does this kind of confident, commanding character well. And he did his own voice- that sexy drawl is his own! He could probably work on swordfighting a little, it wasn’t as clean and crisp as I expected.

Stylistically, the director liked to shoot close-ups of peoples’ talking heads with a sort of fisheye lens look. At first I thought he was trying to capture a certain feeling, like the viewer is a little disoriented or the person is too close to their face… but it happened so often, I think it was just director’s style. Personally I wasn’t a fan, but I got used to it.

There are also some plotholes… too many coincidences… I don’t know why I bother mentioning it; it’s every show.

ENDING – READ AHEAD ONLY IF YOU WANT TO KNOW, CONTAINS SPOILERS





I had read some other reviews which warned me I might want to ignore the second half of the last episode. But I figured it couldn’t be that bad, since there is also a 5 min special showing them happily married afterwards.

Well, the reviews were right. The ending is really wtf, like big things happening out of nowhere. The new conflict introduced was only peripherally related to the other 39.5 episodes, but it had big consequence for our beloved characters.

In the book, it’s an entire story arc, much better developed and with a better outcome. I don’t know why the show thought it was a good idea to cram it into 30 min. But on top of this, they seemed to also really want an open ending, so they forced one. IMO, it wasn’t even so much an open ending as it was incredibly confusing and leaning towards sad.

Then, for whatever reason, they tried to backpedal with a Happily Ever After special that completely doesn’t explain how we got there from the ending.

This is one of the worst endings I’ve seen, so I decided to ignore it. I read some summaries of the book ending (and am reading the book now) and will stick with that.

While I’m here, I’ll just rant a bit more about the villains. This show really spun things around in circles. I started out feeling sorry for Shen Yurong, but he kept making so many bad decisions. XFF is fair; she understood he had no choice about some things, but pointed out that he did for others. Although I disliked him by the end, I still appreciate that he is this sort of realistic character- not inherently bad, just made some bad choices that led to more bad choices.

On the other hand… both major female villains, Ji Shuran and Wanning, started out as classical archetype evil characters, not very interesting. I was ready to just hate them 100%. But this turned around too. It was an interesting choice to make them both victims of men… they made choices too, of course, a sad backstory doesn’t absolve them, but I still sympathized.

Wanning’s story in particular hit me hard. Her theme song fits so well, with its major-minor key changes. Although I’m always on XFF’s side, and Wanning was a real psychopath, I still felt that trick with the drug was pretty cruel.

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An existentialist Jianghu adventure

MLC is what I heard somebody described as classic wuxia. It’s got adventure and mystery, good-looking heroes with impressive martial arts abilities, and well-choreographed fight scenes. It's also got a good dash of humor.

I was a bit hesitant going for this show because it has no female lead. I don’t particularly need romance, but I do like a strong FL to root for. However, after watching another show where I felt the romance detracted from an otherwise enjoyable story (Ancient Detective), I decided I could set aside my feminist leanings and just enjoy this story about men.

Ultimately what I really love about this show is its underlying existential crisis. From the beginning, Li Lianhua is waiting for his death. He just wants to tie up a few loose ends first. As I watched, I desperately hoped it would not happen, but I also understood that he was already on this path and it would be a win if he survived rather than a loss otherwise. At least his friends were right there with me, hoping and trying to turn this around.

This show contains a series of mystery cases strung together with an overarching storyline. I felt the cases themselves were a bit of a mess… they were so convoluted that they were hard to follow. There was often no chance of the audience solving it together with the characters, if only because the answer often involves strange magical feats. That aside, it just felt unrealistic that any detective could identify and then put together such a random set of clues to come up with such complicated explanations. But hey, our boy is a genius, so whatever- I just sat back and enjoyed watching them kick butt.

The three main characters are really loveable and where I think a lot of the fanbase lies. The brotherhood and also the humor between them is really great. Li Lianhua’s casual lying is hilarious; people have complained about Cheng Yi mumbling (they all dubbed themselves) but I think it captures Li Lianhua well, and not a problem if you use subtitles! Fang Duobing is sillily naïve and lovable, and Joseph Zeng’s anime-like expressions had me laughing. Xiao Shunyao as Di Feisheng unfortunately gets less screentime, but he is so grumpy badass when he shows up. I think all three actors did a great job capturing the spirit of their characters and making them likable, and their looks and styling all suited their characters well.

The show doesn’t have a female lead, but it does have some female side characters who are not too useless. Fang Duobing’s mom is a fan favorite. Qiao Wanmian, who is Li Lianhua’s ex, got a bit of hate but I actually really sympathized with her situation. I felt her arc was handled very well, a breakup she doesn’t want but has to accept- like the rest of the story, it's sad in a realistic way. I just feel she got a little shortchanged because they could have let her show off a little more. Her one sword strike showed no technique at all. Su Xiaoyong, I saw one snippet from the actress saying “I am you, the audience!” and that’s a good description- Li Lianhua’s fangirl. But in the end, neither she nor the princess actually factors in much (not that I would have wanted some random love story muddling the waters). Probably the strongest female character is Jiao Liqiao, who is batshit crazy and whose sole purpose in life seems to be to get the man she likes. So, across 40 episodes, I’d say this one might not even pass the Bechdel test. But I guess that’s ok, it’s a story about men in a men’s world.

The fighting in this show is well choreographed, aside from a few nonsensical sword strokes. In general it’s also fairly well performed. Unfortunately Di Feisheng doesn’t really fight, he just swings his sword and everyone goes flying. Fang Duobing’s fights look great- this actor seems pretty athletic- but as a character, he leveled up a bit too quickly. I find it unbelievable that he was a sickly child… but, who needs logic.

In all these fight scenes, especially towards the end, I do think there was a bit too much strike-and-pose with hair blowing in the wind. Once upon a time I might have thought it was cool, now I find it cheesy.

Once again, I think the main draw of this show is its existential undertones. I really appreciated, under the very well-done humor and swashbuckling adventure, the sadly realistic tone of the entire saga. Li Xiangyi was a genius and admired by all, but also a legit difficult and arrogant person. Such a character is very realistic, reminding us that people at the top are not always perfect. Li Lianhua lives with guilt and memories and needs to find his peace; this is also something that we ordinary people struggle with. The realistic, life-isn’t-perfect message resonates with us as we navigate our own lives. This alone, to me, gives it a high rating, despite other flaws like nonsensical cases, dismissible female characters, and too much posing.

ENDING – READ AHEAD ONLY IF YOU WANT TO KNOW, CONTAINS SPOILERS





The ending is, controversially, a forced open ending. I think it broke a lot of peoples’ hearts, but at least it gives you the option to believe what you want. Lengthy critical analyses abound on the internet arguing one way or another, I could totally see a high schooler writing a 5-paragraph essay for English class.

Personally, although I wish it were simply a happy ending, I also think that would have been too forced for a show like this and might have cheapened it a bit.

…that aside, I don’t see why he couldn’t have just eaten the flower and then saved everyone else afterwards using yangzhouman. The Styx flower was not even in the book, it was a gimmick added to the drama. It gave us all hope, then was ultimately used to generate dramatic flare. Honestly, the self-sacrifice theme was so overused and tired by this point. In this context, the whole plot device of the Styx flower was also a bit cheap.

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I only liked it at the end

This drama took me almost the entire show to get into it. I kept leaving and coming back for lack of better options (at least these two MLs were pretty good looking, hehheh). Only at the end did I start to like it, just in time for it to be over.

This show features three distinct mysteries in three closed systems, tied together by an overarching plot. The three contained mysteries are done fairly well, with a straightforward structure (a menu of characters from whom to pick) and enough clues to follow along. They were enjoyable to watch, though I might have liked it better if fewer people died. The overarching plot is also a decent story. If you like a show where you can solve mysteries alongside the characters, this one is for you.

My main issue with this show is characters and relationships.

We’ll start with Jian Buzhi, the eponymous (Chinese title) ML and the main character. When I think about how I feel about Jian Buzhi… I just come up blank. He doesn’t have much personality; it’s just fun to watch him solve mysteries.

Zhao Wohuan, the SML (not love triangle SML, just less important male lead SML), is such a puppy. He’s endearing, but just a bit too dumb for me to like that much. At the same time, his fighting development was so unrealistic. I felt almost offended at how quickly he skyrocketed to the top… what a dump on everyone else who worked so hard for so long.

I thought both MLs were acted well. Jian Buzhi looked so happy whenever he solved a mystery, it was adorable. And Zhao Wohuan’s actor captured the puppy feel well. I just didn’t quite like the way they were written.

Relative to the two MLs, the FLs are much less central to the story. Zhan Shiqi (I’ll just call her 17) is the main FL. I found this show for having a strong FL, but she ended up being my least favorite character. I think she’s trying to be an ice queen beauty; but she’s trying too hard to be cool, like she herself thinks she is badass. Too much glaring.

Besides being too cool, Zhan 17 doesn’t have much personality. The bits and pieces of character development she does get are incohesive. Her only notable feature is her whole thing about… wanting to wear pretty clothes? That’s pretty vain, especially for a punchline. On top of it all, I thought her styling was bad (fabulous feather dress aside). Something about it didn’t look good with all the glaring, and this actress has looked better in other shows.

I’ll consider Ming Yue the SFL, although she doesn’t play a huge role. I didn’t care too much for her for most of the show, but at least she’s not around that much.

So I didn’t quite connect with these characters, but the feeling was compounded by some poor relationship building. The bromance between the two MLs was cute- I do love a good bromance- but it came out of nowhere. It was so strong that I mostly forgot it was built on nothing, but once in awhile I’d do a double take and wonder how we got there.

The main romance was even worse. There were a couple overly dramatic scenes and then suddenly they were mooning after each other. Their relationship was founded on nothing, I couldn’t imagine why either one liked the other, and the scenes between them were cheesy. They both needed more personality for this to work.

The romance wasn’t critical to the story, so I did my best to ignore it. But at one point when it got in the way of the bromance, I was so angry I actually stopped watching for about a month. This situation never resolved well; later I learned that the director had deleted some key scenes. Either way, I didn’t buy into their relationship and I didn’t like 17, so I could only do my best to overlook all parts involving them.

The second relationship is based on the SML’s desire to protect a weak and helpless female. The reasons for attraction are all male chauvinist; the only saving grace was that it’s not actually true. Even so, I found it cringey and couldn’t root for it- until I ended up surprised by how well I liked its resolution.

What this show does well, is side characters. New side characters are introduced throughout the plot (eg all the candidates within each mystery), usually with interesting backstories or premises. And happily, several of them stick around or come back after their case is over. This was a huge plus; I don’t like getting attached to characters just to watch them disappear.

Like the bromance and romances, a lot of the friendships became too dedicated too fast. That said, by the end I found myself liking this show quite a bit, and I think it’s because the side characters got more development and I was invested in their stories. The male doctor and female doctor were probably my favorite characters overall.

On the flipside, many other side characters revealed a tragic backstory and then simply died, leaving me feeling sympathetic and sad. And I was looking forward to humanizing all the assassins, but they just kept dying. Lives were a bit too cheap in this show.

In terms of execution, this show was a smaller production, not very high budget. For example, there is only one song- which I happened to really like. A lot of the scenes also conveniently occur in deserted settings, obviating the need for extras. I think they found a good forest and worked it (it’s a nice forest, I agree). Budget is what it is, and I think they did a great job skimping on things that matter less.

I also really liked the fighting style. It’s full of flashy spins and well-done wirework, but I liked best that the moves are clean and solid rather than just having a lot of them in a flurry, like some other shows. Using daily items as weapons is a unique premise, but I think it’s just too hard to make an umbrella look deadly. The actress’s performances weren’t bad, but I thought the umbrella fights looked fake. And what could that umbrella possibly be made out of to be so indestructible?

Overall, I think this show does some things well- especially given their limited budget- but other things less well. Other people seem to really like the character development, so it might just be me personally not connecting with them.

P.S. I know the names are supposed to be ironic and funny, but who would ACTUALLY name their kid 不知 (Don’t Know) or 我還 (I Return)?

ENDING – READ AHEAD ONLY IF YOU WANT TO KNOW, CONTAINS SPOILERS





The show ends in a fairly satisfactory and happy way. All is resolved, no further hard-hitting deaths. The answer to the overarching mystery is also a nice plot twist.

I only say “fairly” satisfactory because it ends on this cliffhanger hinting at a second season, which never came. It looks intriguing, they suck me in, and then… poof. How annoying.

My interest in this show picked up towards the end, I think partly due to the side characters getting more airtime, and partly because I liked how the second couple’s relationship (which I didn’t care for until the end) was resolved. I was afraid Ming Yue would lose her head like some lovestruck girl, but it was nothing that cliché. Their final scene was quite sweet, and I would have liked to see where it went from there.

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Classic xianxia with some great humor and pathos

Legend of Shenli has been described as a classic xianxia, full of tropes. I guess I haven’t watched enough xianxias (<10) because I didn’t really notice.

First of all, I thought the humor for this show was pretty great (at least, right up my alley). Xingzhi, and Shenli’s interactions with him, are lowkey hilarious. There is a lot of random funny stuff. And that chicken is so cute!

Of course, there are also some really sad parts. And this show has an underlying pathos and nostalgic sadness that hits in a gnawing, existential way. But for the most part, I still think of it as a light-hearted show with great humor.

The two main characters dominate this show. For Shenli, the eponymous FL, I liked some things about her and not others, which I guess makes her realistic! I like that her head is screwed on straight and she’s sensible- no chasing after the ML after getting rejected, for example. I like less that she’s so hotheaded. She’s quick to fight and kill; she saves people, but doesn’t seem to have much kindness or compassion. So I wouldn’t say she’s always likeable, but I did really feel for her at times.

As for the ML, Xingzhi… ok, I loved him. It’s not that he doesn’t care about the world… he does. But he is also so full of crap. He is so bored and so cheeky and I found him hilarious. He’s kind of a troll sometimes, but it’s always harmless; he still takes care of things when push comes to shove.

Actually, underneath it all, Xingzhi’s situation is quite sad. But he holds his head high and has accepted it all long ago. It makes for a lovable and sympathetic character you want to root for, and I’m glad he met Shenli.

The show spends some time building up their relationship, which is cute to watch, although the plot pattern of Shenli getting hurt and Xingzhi saving her does repeat one too many times. They end up having a sweet and supportive relationship- mainly him supporting her. Classic, but it’s done well here, with proper character development and buildup.

There are several side characters, some of whom are quite loveable. However, none of them got enough development for me to really be invested in them. I wanted to see more of them, but it didn’t happen. Even the villain is a bit lame- although they do throw a (slightly predictable) wrench in there to make you feel more sad. The main conflict doesn’t win points for originality or interest. In this show, I was most invested in the relationship between the main leads.

In terms of acting, Zhao Liying as Shenli does the action scenes remarkably well. Her fight scenes are fast, crisp, and clean. They are a mix of CGI and choreography (I saw in the BTS that even her spear is CGI!), but still, some of the best I’ve seen. I saw her before in Legend of Fei and wasn’t too impressed (stopped watching, actually), but here she really stood out, even among all the other shows I’ve watched.

I was less enamored with her acting. I thought she was a bit stiff and wooden, which is great for the fight scenes but less great for everything else. After I read the book, I realized that sometimes she really is supposed to look blank. Still, I think she could rely less on looking cool and try to be more natural.

For Lin Gengxin as Xingzhi, I really liked his calm, casual delivery of all those hilarious lines. And once in awhile, a hint of a deeper sadness- I thought he did a good job. Unfortunately I wasn’t a huge fan of his styling… he looks better as himself than as Xingzhi. Many of the side characters looked great (both male and female) so I don’t think it’s general about the show, they just could have done a better job with him.

In terms of world-building, this is an imaginative xianxia world that, as typical, you can’t think too hard about lest you start uncovering holes. There is some beautiful CGI and imagery, highlighted by high-contrast vivid colors. The mortal world from the first arc in particular is so lovely, both Shenli and I look back nostalgically on her time spent there.

I do wish this world had more gender balance. Shenli is a woman in a man’s role, a total anomaly (which nobody seems to find odd); I would have liked better a world where women are just empowered, but I guess this is the author’s choice. There are a few other strong female characters (demon lord, the awesome snake serpent) but in general, despite the strong female lead, this is not quite a show for championing feminism.

Somebody’s critical analysis on reddit thought this show has a focus on gender and sexuality. I think this is because there are some bisexual characters in the book, but they were toned down for the show (censorship, I guess) so it’s harder to see. Actually in the book, Furong (the divine lord fiancée) kisses Mofang and has a thing for him, so in that context some things make more sense. In general this show sticks remarkably close to the book, and I think does an excellent job at adapting it to screen; of the changes I saw, the vast majority were improvements.

Finally, I liked the music… songs were great, really help to build the nostalgia for this beautiful world, and I really liked their fight BGMs too.

ENDING – READ AHEAD ONLY IF YOU WANT TO KNOW, CONTAINS SPOILERS





There is a lot of sad stuff at the end- I saw a BTS where they said it was an entire day of crying- but it all turns around for an ultimate happy ending (minus some sacrifices).

In fact, this show has one of THE best endings, because they devote an *entire episode* to an epilogue from the book! Epilogue = watching them happily living their life after the main conflict is over. I don’t know why more Cdramas don’t do this; look how happy all the fans are. It is so great to get this kind of closure for the characters you get so attached to.

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An entertaining detective story, no major complaints but didn’t fully captivate

Chu Chu, the imperial coroner of titular fame, is a bit annoying at the beginning of the show. She comes across as young and wide-eyed, but my major issue with her is that she kept fangirling the ML. She kept gushing and I was so embarrassed for her. It could be either the delivery or the character. I almost stopped watching, but then I read some reviews which validated my annoyance and assured me it would get better, which it did. The fangirling sort of fades away.

The story actually seems to be more about the ML, Xiao Jinyu, who is one of those super-smart MLs who’s constantly outsmarting everyone. He’s also a stern prince, which is a bit tropey, but he’s sickly, which at least is not tropey. Chu Chu has her expertise and presents the evidence; it’s Jinyu who does the deductions and solves the mysteries. He’s also the one who wants them solved and directs their operations… she’s just his very capable coroner. It’s not quite a story about her as the title might imply.

The merry band of friends has other loveable characters (Jing Yi, Leng Yue, and others), each with their own personalities and backstories, though nothing too multidimensional or complicated. The main four are neatly split into two couples with no (or minor) silly love dramas, which is a plus.

The love story between the ML and FL is actually not bad. I did find it weird to watch a child be in a relationship, and found it helpful to try to forget about some of her earlier behaviors. And I liked that the show didn’t focus too heavily on their romance. Many of the conversations between them are just business, nothing too mushy. This left me focusing on the mysteries, which is always fun (and I thought done fairly well in this show), and the political backstory, which required some untangling.

This show is set in the Tang dynasty. Somebody else’s review explained some of the history of the emperors, and I had to keep referring to it as I was watching to avoid total confusion (thank you, fellow drama watchers). This show does use real life historical figures, which is a bold move. I think the story is fairly correct about the overall climate with the eunuchs and power struggles, as well as of course the actual tangled mess succession of emperors, but it makes up things around it.

I did google briefly, but I wasn’t inspired to research to the same extent as for e.g. The Long Ballad. It might be because the historical figures didn’t factor as prominently, or I found them to be less interesting (like srsly, bunch of people killing each other), or maybe just the show was less beautifully done so it didn’t quite set off my imagination. It has a bit of a darker palette, which is not inherently bad but not my preference. And it is, after all, not really a high budget production.

The show doesn’t have a low budget feel per se, though I did notice things like the emperor always being in one room. I think they did well with what they had. The actors and actresses are also less well known, but I think they did fine. A lot of them went to film school, can’t be too bad.

This was a show I enjoyed, with decent humor and fun sprinkled throughout, but the story and characters didn’t fully captivate me. I was entertained but not obsessed. Only as it was nearing its end did I realize how much the characters had grown on me, and that I had enjoyed this show maybe more than I realized.

ENDING – READ AHEAD ONLY IF YOU WANT TO KNOW, CONTAINS SPOILERS





It’s probably not even a spoiler to say that they solve everything and defeat the enemy, and everything works out. I guess the show was not that suspenseful because I don’t remember ever doubting that they would triumph. But if I recall correctly, the ending was even fluffier than I anticipated, with minimal sacrifice. You don’t even feel bad for the enemy, like there was a whiff of that and they snuffed it out. And Chu Chu even gets to keep her job (which was in doubt for a minute). You know what, I don’t mind, sometimes I just want to feel good.

I wasn’t too concerned by lack of resolutions because I was convinced that there was a second season. I wouldn’t have thought this show needed a sequel, but S2 has a page on MDL. Only after I finished and went to look for it, did I realize that it doesn’t exist yet. As of Q1 2025, there are still fans regularly hyping up S2 on MDL… but I’ll believe it when I see it.

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A high-budget production that sets off the imagination

I think what The Long Ballad does best is paint a picture of a time long ago, a land far away. It’s very evocative and really set off my imagination. It also inspired me to spend hours on Wikipedia reading about the Tang dynasty, the Ashina tribe, and so on… later when I checked up reviews, I realized I was not the only one! You know a show is doing something right when it inspires so many people to start googling.

TLB has a high budget feel. I saw some Behind the Scenes videos that discussed the production, set design, costume making, music, etc. A lot of thought and effort went into all these things. I really liked the music, both songs and BGM (which used instruments from around the world). Other details stood out too, like Ashile Sun’s furry costume which had Wu Lei sweating during filming. The presence of such fully produced BTS in and of itself is, I think, another example of all the effort that went into this show.

All the attention to detail really paid off in capturing a certain feeling of a bustling, distant past. This is a good example of lots of little details adding up to elevate a show.

TLB is not just set in a historical time period, but actually features real historical figures and events (thus inspiring my Wikipedia binge). Bold. In general, I think it’s hard for historical fiction to steer too close to real-life figures, because then it’s bound by recorded history. …this show sort of just tossed all that aside and bent history as necessary. I for one didn’t mind as I still enjoyed the story, and we don’t watch Cdramas for logic or historical accuracy.

Character-wise, Li Changge is the eponymous FL and much of the story follows her journey after her world is turned upside down. I personally found her character really irritating for awhile, as she does a lot of drastic, hostile things without first understanding the situation, which is clearly more than what it seems. Perhaps this is all we can expect from a child (the show is vague about her age, which I think is the right move; historically, an unmarried Tang princess would have been too young for this entire thing to work out). However, I’m not that interested in watching children be children.

Luckily she stops short of being truly unlikeable, because through it all she hangs onto her conscience and an overall picture of the greater good. And her difficult personality sets the stage for some character growth. She’s tough and capable, and after she grows up a little I began to see her more as lost than anything else, and then I could sympathize with her.

The male lead, Ashile Sun, is (as I saw somebody describe) the “perfect boyfriend”. He is really badass, but also so sweet to her and always watching out for her. As an aside, the number of coincidental run-ins he has with Li Changge in the first quarter or so of the show, across such a large city/nation, is a stretch even for a drama. Gosh, I wish I were also always randomly running into a hot mysterious stranger.

The thing is, with Changge, Sun, and the romance between them- all three of these things- I liked them and was invested in their story for awhile, but sort of lost interest as the show went on. Luckily, the second couple has a very sweet story that picks up as the first one is getting less interesting. I liked Li Leyan’s character arc because she never pretended to be extraordinary or even capable, but you can see how she was forced to grow. Props to Zhao Lusi for playing, as she herself said, a character very different from her own personality.

There are a lot of other characters in this show, that come, go, and sometimes come back. It’s a great cast and I liked most of them. Except maybe Mimi… sorry, Mimi.

And all the acting was quite good, both from main and side actors. Pay attention, for example, to some of the older actors- some of them were really exceptional.

Technique-wise, this show is not quite a wuxia, so while there are some stunts, there’s a minimum of flying people, flashy choreographed fight scenes with unnecessary spins, and so on. It’s more “realistic”. There is a little sloppiness sometimes (uncontrolled sword strikes, arrows shot from the chest, etc), but the archery at least is mostly solid, (almost) none of those funny arrow grips you see sometimes. I always find it fun to see who rides their own horse; several of the actors here seemed to be decent riders, and Wu Lei stood out enough that I googled and found out he’s been riding since he was young.

Stylistically, this show pays homage to its comic book source material with some manhua cutscenes at key points (still frames in sequence, not moving), as well as random scenes with actors in front of green screens. Some people liked them; I personally did not. But I’m here for the story, so something like that wouldn’t stop me from watching.

I’ll just close off by saying that this is not a lighthearted, feel-good show. It’s not as dark or depressing as some shows can be, and has some fun moments (like that whacko COVID dance), but I cried more than I laughed. After watching this, I had to cheer myself up by watching only lighthearted shows for several months.

ENDING – READ AHEAD ONLY IF YOU WANT TO KNOW, CONTAINS SPOILERS





The ending is mostly happy, and does sort of tie things up as well as give you a hint as to where some of the characters end up. I wouldn’t exactly call it satisfying, but by Cdrama standards it’s not that bad. I had read in some other reviews that it’s an open ending, so I thought they would just tie up the main conflict and that’s that. What we got I would consider to be a bit more than an open ending, so it’s already better than I expected… but that’s a low bar.

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Beautiful setting and music, mildly frustrating plot

I’m not sure why this show is broken into Part 1 and Part 2, except to get around the 40 episode limit. It’s not a natural break in the story. I’m rating on the whole package of Part 1 + 2.

This show really tugged on my heartstrings. Beautiful scenery, beautiful music, beautiful people, all trying so hard- I wanted so much for everyone to find happiness, and I really cried for them and hoped very hard.

Which is great and all, except at a point it became a bit much. I was constantly worried or feeling bad for the characters. Too much self-sacrifice with bad results, and good intentions executed not-quite-right causing misery and heartbreak all around. I honestly felt really frustrated watching some of it. In particular I remember fast forwarding through about 10 episodes desperately looking for the moment when their misunderstandings would finally be resolved, and it kept not happening- by the time it did, it felt like the show was mostly over. Just too much frustrating heartache, though of course it does get redeemed later.

I think part of it is just the source material, as a big chunk of the novel does indeed have them torturing each other. At least the drama does a good job softening this relationship (eg giving them some happy moments together first, making him doubt her betrayal, having some friends there to express the frustration I shared, etc). This comes at the expense of some logic, such as one too many pearls, exchanged a bit too early.

Besides the main couple and their angst-filled saga, there’s an overall save-the-world arc that develops in the latter half. It’s slightly cliché and also not in the book, making it an interesting intentional choice. Dramas seem to really like to turn things into good-vs-evil.

Also given a bigger role in the drama are lots of good looking side characters with their own stories. I personally really liked Xue Sanyue and Li Shu, I was really rooting for them. The little butterfly was cute, but I didn’t quite like how her story evolved (the whole desperately seeking male attention arc she had). For Lin Haoqing, I thought his liking the FL was cliché and I sort of wish they stuck to the book on this one, but it’s still nice to see a more complex character.

These characters, and others, were fairly well developed. I thought the show did a good job with side characters. For better or worse, many of them end up paired up. But, many of their stories also made me cry. It was honestly a bit much… I spent too much of this show feeling sad.

Angsty story aside, this show is quite beautifully done. The scenery is magical, and I especially love the northern lands and the feelings they invoke. I have to give a big shoutout to the music. Of course music is subjective, but I absolutely loved the piano BGMs. I do think it was a bit overused, because the music would start before a scene got going and foreshadow what was coming, which was like a bunch of micro spoilers over and over. However, I still think the music was very evocative, and I might have stopped watching if this music didn’t keep pulling me back.

Styling for humans (costumes, hair, makeup) was well done. Everyone looked good, and it’s always fun to watch good looking people. I thought the acting was also quite good, from main and side characters alike. I heard Dilraba lost a lot of weight to portray the tortured form of Yunhe and I admire this dedication.

Overall, although it doesn’t feel right to rate down a show for not showing me artificially happy scenes just because I want them- sad shows that make you feel your emotions, aren’t necessarily a bad thing- I still can’t deny that I spent a lot of this show feeling worried, frustrated, and otherwise angsty, which is not enjoyable.

ENDING – READ AHEAD ONLY IF YOU WANT TO KNOW, CONTAINS SPOILERS





It’s an overall happy ending. What I think they do well, is they do roughly tie things off and show what happens to many of the side characters. I could have used more, but it’s already better than a lot of Cdramas.

What they do less well, is how they tie off the main characters’ story. The last 5 minutes give you their happy resolution, though it makes no sense. You have to google and find some snippets of deleted script that explain what happened. Why would they cut such important scenes?

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Main relationship grows well, rest of it is alright

I almost stopped watching this show. I was expecting a smart and capable female lead, but within a few episodes she was screaming and wailing while still being full of herself. Maybe it was supposed to be funny, but I didn’t find it funny. At the same time, I found the male lead to be rude and unlikeable. Even though the FL was legit obnoxious and annoying, the total contempt he directed at her still made me angry. And I don’t think this was the best styling for Allen (ie he didn’t even look good while he was being an asshole).

I’m glad I stuck it out, because it did improve significantly. It took me almost 20 episodes to get into this show. Both characters grew on me, and their slowly building relationship ended up being a highlight. I even started to find the ML better and better looking, haha.

Strong female leads are my jam, and Jinxia did alright. She becomes more down-to-earth and likeable, just a cheerful person trying to do her job… I think she’d be an excellent coworker. And she is shown to be capable in her own right. Unfortunately her abilities are pretty much overshadowed by the ML’s at all times. Ah well.

I wasn’t sure at first how I felt about their boss-subordinate relationship. There’s a reason these are problematic and banned in modern times- unequal power dynamic, relationship affecting work, etc. Luckily it’s handled pretty well. Even as she idolizes him, she keeps her head screwed on straight, and he also maintains his professional bounds. Whether the screenwriters actually considered it or not, I did notice that he confirms it’s mutual before doing anything (otherwise the unequal power dynamic is a problem). His love feels very selfless; no need to assert. After they get together, their dynamic becomes more typical overprotective and overdevoted ML, which I liked less, but it happens fairly late in the show.

More problematic, perhaps, is the male characters who do not go away after being rejected. Personally I found it very irritating. Xiao Xie is annoying but mostly harmless, actually thought Jinxia handles him pretty well. Yang Yue, on the other hand, should have a restraining order against him and be arrested for stalking. Some of the things he says would be modern day sexual harassment. In real life his behavior would be considered creepy and inappropriate; is it supposed to be cute just because it’s in a show? I’m actually a little upset that his unwelcome and disrespectful behavior somehow paid off. I understand it was a sexist society, but as a viewer I had a hard time rooting for this character who’s supposed to be a “good guy”.

There’s also quite a lot of mention of sexual violence in this show. I have no opinion about it, I just found it somewhat surprising because I haven’t seen it much in other shows.

As for the actual story… it’s alright. There are many story arcs but in the end it all comes together under one villain, Yan Shifan, who is not particularly morally complex (eg I never felt sorry for him), but who is quite crafty and also very smarmy. There is the mystery of the FL’s past, which is interesting enough as it unfolds, but in the end I have to subtract points for it (see section on the Ending, contains spoilers).

I feel the strength of this story is really the main couple’s relationship. The story arcs seemed most interesting as a mechanism to watch their relationship develop, leaving a slight void after they finally get together. I wish they had developed some side stories a bit more, especially with many potential great side characters who came to nothing. For example, I would have loved to see more development of the sisterhood between Zhai Lanye and Shangguan Xi.

Stylistically, I was not a huge fan of the director’s style of shooting peoples’ eyes up close. I saw people making comments about Allen’s X-rated stares, I honestly think it was just this stylistic choice which personally I was not a fan of. That aside, I do think Allen did a good job and I could see his character’s emotions evolve. He’s able to convey subtle emotions without overacting.

Technique-wise, the fighting is flashy but decent, and many actors and actresses in this show seem to have some degree of training. Some are better and some are worse; Seven Tan has a nice crescent kick, great flexibility. The choreography doesn’t exactly display supposed skill differentials (eg FL is a great fighter until suddenly she gets beaten badly) but that’s a minor quibble.

World-building is well done. This show is set in the Ming dynasty, which means it’s in the past but not too far back. It’s fun to see signs of modernization that aren’t in more historical Cdramas, like the beginning of guns. I also like that there is no random supernatural phenomenon or unexplained plot devices; although there are some logic leaps and unbelievable developments, at least everything supernatural has an explanation. A little realism is more suitable for a show like this, which dared to declare a specific historical period. And the costumes were gorgeous, especially the embroidered uniforms that give this show its title in Chinese.

ENDING – READ AHEAD ONLY IF YOU WANT TO KNOW





In typical Cdrama style, the story gets a bit rushed at the end with too many rapid fire twists and turns. Although I saw it coming, I was a little upset they killed off a well-loved character for seemingly not-great reasons. And the final defeat of the main baddie is more a whimper than a bang.

The ultimate ending is happy, but we only get about 10 seconds of seeing them happy together. I had to find the novel online and read its appendices to get closure. I recommend doing this, it made a huge difference for me.

MORE MAJOR SPOILER AHEAD





My main issue is with how the story of her past plays out at the end. I felt very frustrated watching it. Perhaps I just have a hard time resonating because I didn’t grow up in a culture like this. The concept that, because of familial ties, people can be guilty for things they didn’t do or even know of, is so clearly ingrained in all the characters that I’ve tried to accept it as a premise, but I still have a hard time sympathizing with their choices.

Why did he break up with her without telling her- why not let her make her own decisions? But her reaction when she found out- was that really her character all along, and what about their relationship that I was so invested in? And why did he feel the need to pointlessly self-destruct? Could he maybe have done a better job trying to figure out what she actually wanted?

I think the book handles it a bit better (not just her giving him the cold shoulder), but the full-blown last-minute implosion is actually right from the source material. Not an excuse, though; dramas can and do change things. I do think I would be less frustrated if I also felt, intuitively, that family guilt should be inherited, but right now I just feel like I’m missing something that would make all this make sense.

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