Peak indie toku
A genuinely staggering piece of independent tokusatsu filmmaking, Ork is a truly touching look into loss and self-destruction combining the aesthetics of Kamen Rider and the stylings of Shinji Higuchi. If I hadn't known that this was shot entirely on an iPhone I would have genuinely mistaken it for something we often see produced by professionals. It's absolutely beautiful in its imagery, gorgeously crafted, deeply emotional, evocative stunningly choreographed and elaborately staged, not letting any of its limitations hold it back. Wonderfully acted and backed by an incredible score, Ork really has opened my eyes to the wider scope of indie tokusatsu filmmaking. I can see these guys going far, I hope they make another one.Was this review helpful to you?
Another banger of an adaptation
Going into Assignment Kowloon, I was half expecting to see a campy 70s chop-socky interpretation which capitalised more on the success and fame of Sonny Chiba to earn a quick buck. But as it turns out, this is not only a damn fine representation of its source material but a damn fine movie in its own right. Golgo 13 seemingly had two of the best pieces of castings regarding live-action because Sonny Chiba is as much a dead-ringer as Ken Takakura was just for different reasons. Chiba's Golgo is much less human than Takakura's with a stone-faced expression that never leaves his face but makes exceptional use of his skills as a martial artist and stunt performer in some very grounded fight sequences and impressively daring stunt work. Director Yukio Noda makes excellent use of the film's variety of locations, from Hong Kong to Miami back to Japan, and although the film does stutter at first (most notably with some poor editing) it quickly finds its feet and maintains a very stylish atmosphere that simply oozes coolness throughout.Was this review helpful to you?
