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Asian financial crises, slush funds and an undercover probe
The plot is closely based on the 1997 Asian financial crisis and its ripple effects on the South Korean economy. This drama will likely appeal to viewers who have a keen interest in global financial history and the economic ups and downs that shape societies. Otherwise, it may feel a bit exhausting, since it is not your typical office romance or anything remotely similar. I suppose this also explains its relatively low viewership numbers, though not necessarily its ratings.
As far as the pacing is concerned, the first half was quite slow, with too much screen time spent on unnecessary scenes. The story only began to gain some real momentum around episode 11. At times, it felt as if the writer did not have enough strong material and instead stretched the narrative with filler moments, such as a lengthy birthday celebration captured through camcorder recordings.
Park Shin Hye delivered a solid performance as always, though this was certainly not her best work. Whenever she flashed that signature smile, it often felt forced and slightly out of place, occasionally giving off secondhand embarrassment, though that might just be my personal impression. On the other hand, Haan Yoon Kyung was my favorite among the cast. Her appearance, acting skills, and the character she portrayed were all impressive. That said, I do not think there was any weak link in the cast, and even the child actress did a commendable job.
I particularly appreciated how thoughtfully the story navigated the lives and struggles of career-driven women, showing them building meaningful bonds with one another while deliberately avoiding the predictable old-flame rekindling cliché, which felt refreshing. Still, I wish the writers had incorporated more chess sequences into the heist segment to heighten the strategic tension.
Overall, it was a good watch.
As far as the pacing is concerned, the first half was quite slow, with too much screen time spent on unnecessary scenes. The story only began to gain some real momentum around episode 11. At times, it felt as if the writer did not have enough strong material and instead stretched the narrative with filler moments, such as a lengthy birthday celebration captured through camcorder recordings.
Park Shin Hye delivered a solid performance as always, though this was certainly not her best work. Whenever she flashed that signature smile, it often felt forced and slightly out of place, occasionally giving off secondhand embarrassment, though that might just be my personal impression. On the other hand, Haan Yoon Kyung was my favorite among the cast. Her appearance, acting skills, and the character she portrayed were all impressive. That said, I do not think there was any weak link in the cast, and even the child actress did a commendable job.
I particularly appreciated how thoughtfully the story navigated the lives and struggles of career-driven women, showing them building meaningful bonds with one another while deliberately avoiding the predictable old-flame rekindling cliché, which felt refreshing. Still, I wish the writers had incorporated more chess sequences into the heist segment to heighten the strategic tension.
Overall, it was a good watch.
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