J-atty

This is a okay piece of work. The perception that without known actors and a large budget it would not be enjoyable is false. The shift between past and present was handled well. From mdl's profiles they appear to not have much experience, but they did well, bringing both time jumps to life.

I like period pieces as it operates within boundaries to create a believable story. The costuming and dance sequences were nice. The acting was good enough. Fone a little more at ease than Tar. Tar/Rak's autocratic biased father to the point that a few slaps was needed but not given. A bit too much, but the authoritative indignation fitting for the period. It's a pity, that death always brings wisdom.

There are some flaws with the script.
It could have been better without expected moments eg the great escape, the bitter intended bride, the banished son living in the same town but the father doesn't care to know. Some unrealistic as Tan, of low birth, is allowed to keep casting spiteful words towards Rak of high nobility, without serious repercussions. Still, it was used as a tool to create conflict in a world that didn’t have any other. They could have cut down on the shrieking. Too much at times from Rak's father and Sandy. Lastly, they are in love but vow to stay by each other's side until death without the physical aspects. Their love for the art is enough. Hmmmm

The changes that occurred were rushed in the last episode but needed to bring it to an end. I would have preferred a more realistic ending but it is what it is. Thankfully they didn't rush Lucky and Sandy's relationship to make it cute.

Despite all the irregularities, this it was okay.