J-atty

Was it the right choice?

It started with a nice simple feel to the story with a hint of the spirit world added for mystery. Fine. There was a close knit rural setting which felt like it was secluded from the outer world at times. It started off well enough with TK and Nan Krai (NK) as childhood best friends now into adulthood. NK harbors a romantic love for TK, who seems oblivious to it. On meeting Victor, TK immediately is smitten and its reciprocated. NK realizes this and although he confesses, TK sees it as a brotherly love confession. NK resolves to wait for him as he knows in his heart, only TK would make him happy. Victor returns home and TK grieves for him. Within that period, NK kisses him and TK gently rebuffs him. His heart has made the choice for him. So far so good. On receiving an invitation from Victor he happily travels to meet him. He arrives to find that Victor had passed away.

Here is where a very sharp turn from credible occurs. He returns home and continues to grieve. After a few days, he goes in search NK after remembering NK's love for him, only to learn he too has died in an accident. Broken and distraught, he rushes to the cave and cries out in anger in his despair. He is given a reboot and returns to the day Victor first arrives. He meets him, with tears aflow, he wishes him well and goes to meet NK who comforts him.

My concerns in the story:
Rather than lose two, he settles for NK in the reboot. Does NK deserve to be a second choice?
After the reboot, why did he make the choice to walk away from Victor when he could have made a different choice and be with him since he knows the time of his demise?
His mother's love for him kept him from growing into a man making his own decisions until it was too late. His counterparts were already working. Why did he still need her permission ?
What was the purpose of the twin San Lian telling him to stay? He has read the diary. He is still a stranger to him. He was close to his brother so he invites his lover to stay? No time period given. A week? A month? Just stay. Really?
He welcomes his own death, and feels content in leaving both behind. In doing so, he still causes pain to NK alone and resolves his.
Is all of this a dream sequence to deal with the losses?

My concerns with the writing:
If this is not a dream:-
How can Victor meet him in the afterlife as someone he loved, for the reboot had occurred which prevented their love story from beginning?
Why on his return, no one told him of NK death? After his grieving had abated, he now remembers his friend? Why didn't he question his absence? Their relationship had been written as close friends, why wasn't he told? This felt like, ok since Victor is dead, let me turn to NK.
If he had settled for NK, didn't NK now have the right to meet him in the afterlife as NK was the one who loved him in both versions? Victor didnt know him as such in the reboot.
Why did the writer opt for the easy way out, rather than choosing a partner and sticking with it? It shows an unwillingness to resolve the situation and straddle the fence between. It didn't solve the situation, it erased it thus nullifying the reason for the whole story.
Why do writers create irritating desperate women as the spurned love? Is this a way to show that it's understandable to refuse her advances?
Why were the conversations at times extremely childish and immature? Poop on his shoes. TK touching Victor in the gallery.
Why wasn't a common language used and understood between TK and Victor? Wasn't this the reason for his hire? This felt truly odd.
Why was the humor not humorous and as for the spurned female, consistently outlandish? A woman can be warm, loving and beautiful and still be refused. Rather than making her a caricature.
Why was it necessary to show 2 nc fantasies? The script shouldn't require 2 as he was not the end game. The first could have been omitted. This created a deeper sense of loss to the viewer and more empathy for him than anyone else as he was the one to lose everything in both versions.

Honestly, there were times that were enjoyable as the 3 mls felt matched. The interractions felt natural. NK with TK and also TK with Victor. The writing overall needed to be better. The acting from some needs to be improved and the script, well...... Scenery was ok as it was basically a tour guide while falling in love. Though this could have shortened a bit to allow for the last episode to not feel crammed. I would have preferred a more realistic ending. Watchable, yes.

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Nothing To See Here....

This has got to be the most boring hearbreak ever. How can a series with such promise be stifled by the uninspiring storytelling. After episode 2 be prepared to sleep through 4 more levels of boredom. Shi Wen and Shin Nan meet. Are about to share their feelings. SW dies. They meet. They share their feeling and fight for their love. He dies. They meet. SN keeps his feelings to himself. SW lives. The ending lines are apt: If we are doomed to be apart, what is the meaning in meeting? Exactly. What was the purpose of this series? How not to meet your soulmate? There isn't any other conclusion.

The production was just as poor as the script and lackluster acting. The lack of funds is clearly shown in the recycled wardrobe and even more so when it was not changed at all. The mother arrives in one dress and spends days in it as seen when SN is locked away from his lover / step brother. She departs with her husband in the same dress. At least, in these instances, allow the actors to use their own wardrobe. They are not rich so this could have easily been implemented.

SW appears to be clueless to all the events surrounding his deaths. The shows never shows how he gets his rebirth, but like magic he is there waiting to die again. The only continuity is SN. He remembers all the lives. So his purpose is to feel pain at his loss but for everyone else to live blissfully. Really pointless. SW's last death was really hilarious. An overhead light falls, causing a fatal blow to SW as he is on stage giving his speech on winning the prize for his painting. What's funny? He falls, SN rushes to his side and the entire audience and his friends run away leaving them alone. No assistance given whatsoever. The writer of that scene should be made to re-watch it every day for the rest of their lives. The script was going in the same circles with the same conclusion. The director to be fired immediately.

China has produced better than this with probably a lesser budget. Blue Canvas of Youthful Days comes to mind. The actors were like animated caricatures but not giving life to their roles. The unbelief could fill a chasm. Will I recommend this to be viewed, yes. Only if China gets better at producing bls after seeing the reviews of these low funded films and if a person struggles with getting to sleep and needs assistance. Rewatch - definite pass.

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Ohm P maybe

I'll grade it as I see it:
Ohm P = B-
Ohm T = C
Papang = C+
James = C
Leng = D
Kidnap = D

Reason:
Ohm P is a very natural actor. Even with a terrible script he still manages to bring some charm to his character and tries to elevate a series that should have been better fine tuned before filming. I truly love seeing him on screen so he gets a pass, though even here he seems a bit too relaxed. His talent was wasted here.

Ohm T is also adorable. He is believable as a sick brother and brings the humor which really helps. Again, the script would have someone who had open heart surgery up and about in a few days like nothing happened. They should have chosen a different medical condition. (Idk....Temporary paralysis due to trauma from parents death. With Min going bankrupt due to rehabilitation and therapy bills. Min feeling guilty due to him causing their death. At one of Mhen's therapy sessions he meets Q.) This scenario might have been more in line with the acting level displayed here.

Papang is a very proficient support actor. He can fit in many roles and he did okay. The thing is, the industry probably doesn't see him possessing the 'IT' factor to carry a series. Don't get me wrong, I absolutely love him and have never been disappointed with his acting. They know how good he is that's why he's everywhere. I would like to see him more, even as a second lead with something of substance. Another actor's potential wasted.

Title was all over the place with his roles and I do mean roles. First he was Min's agent, then he was part of the underworld, then surprisingly he became a production assistant, then back to being an informant and finally an actor with aspirations of producing his own film. Couldn't they just pick one? You didn't know whether he was coming or going. He brought some comic relief where needed, so he, also, gets a pass. His acting or his roles could have done with a few more workshops.

Leng is new and one of the downsides of the series. Give him time and he will get better but here it was very obvious. He did fit with Ohm but that is because Ohm is a skilled actor. Leng's body language and facial expressions need work. Real hard work. His interactions came across as rehearsed steps and were not fluid. Out of character, he appears to be fun and open with a big dose of charm. Hoping that he can tap into that for future roles. This vehicle was too much for him.

Script - this was a hodgepodge of scenes stitched together with a plot that verred between a love story, a family drama, an action drama and fantasy. Pick two and mix well, not all four. The expectation of it finally hitting its stride never materialized. This is probably the weakest film for Ohm P but as stated before, he is forgiven. Ohm P makes you believe, even a little. Every Friday, Kidnap did not kidnap me, Ohm P did. The terrible script and sub par acting greatly affected the outcome. At the end, the film within the film, saw Ohm's presence shine more than the original film. So that in itself says alot.

It's watchable but no wow factor. Rewatch....Ohmmmmmm maybe.

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Mercy, no.

Tbe intrigue was built on the schemes behind doors and crossed alliances. The reason behind it all began 11 years prior and ended at his death. Along the way, the second generation with their own grandiose plans became the engine of the sub plot. Stripped down, one by one, they all paid the price.

I like the acting, but found the plot a little lacking, the action repetitive and ml a bit tiresome. A John Wick with the same sense of dread and inevitability but without the charm. He came across too flat to be enjoyable for the long haul. I will not lie, I began rooting for the mastermind behind it all but still wanted the man with vengeance to win. How that was going to happen, go figure. Too many wasted fight scenes.

Ultimate lesson, be careful of what you wish for and the means you take to get it. Overall, it was better than most of its genre. It will keep your attention but the mismatch between the ml and the mastermind was very underwhelming. By the end, I was saying, ok die now. Incredible presence by all the actors. Just needed a little more pop in the light and less heaviness in the dark. The ending as it should be.

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Why the wait

This left me with more questions than answers.

The acting and story was good. The use of blind spots and silence were effective. We get the stark reality of what it is to be deaf. Albeit, we know sound and he doesn't.

The questions that remain:
Why did he wait until the other was getting married?
Why was it so important then?
What made them lose contact?
What purpose would it serve now than earlier?
Was it to show that he operated on a different frequency to everyone else?
The symbolism of him at the end being a face in the crowd, then looking back, would suggest regret. When he got the answer at the wedding, his face conveyed everything. Why the ending?

He keeps saying, he is trapped among the crowd.
He traps himself and speaks too late. The word friend has no warmth. It does show how important he was to his friend as the friend continues to practice and use sign language even though they have been separated for five years.

For me, these are the types of films that are rewarding to watch as it creates further thought. It could have been longer.

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Life From The Rooftop

I'm writing this in 2026 so I'm a few years to late to this funny, endearingly sweet, precocious bundle of fear, regret and true friendship wrapped in love. This had the right touch of humor and drama evenly placed throughout. I found myself warmly embracing it for the entirety.

The characters were enjoyable, the story appropriately placed on the roof, the direction light. Heavy enough to make Ha Neul's breakdown at the hospital sympathetic. Jeong Min, his recent ex had gotten into a car accident. Light enough to make his crumble into a blubbering mess with Jeong Yeon, Jeong Min's sister, funny real. I will forever remember the green suit. Oh, how I loved his honesty while still protecting Jeong Min's sexuality. It was his story to tell. The sister's attitude - a huge plus.

Bong Shik's hesitation was palpable. Fear of rejection had him self sabotaging the best situation of a lifetime. Faced with the a choice to accept or walk away from, he falls into the waiting arms of trust, understanding and quiet determination. His living for the present would soon change to planning a future. His passion for growing plants on the rooftop would symbolize how they faced life. Growth happens facing up towards the sun.

I'm also convinced that Korea has the formula to deliver the best in this genre. Their acting skills alone are above the best with Japan being their closest rival. At some points, I was remined of Love In The Big City - the series. Funny and playful with a message. Lastly, I would not change the ending for anything. Nicely completed.

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In Every Universe

This was insightful from beginning to end. Three separate planes but common apsects in alignment with the outcomes. I truly liked the idea of his desire to reinvent himself in different universes hoping for a different future. A different happy. Away from the turmoil of youth and decisions that shape a world he didn’t have the power to control. One singular act with different effects. It was good to see human behaviors rather than contrived ones. I was happy to see the threads used to weave all together. The people he loved and who loved him. He just needed to forgive himself and to live.

A reclusive alcoholic desperate for connection.
An kind hearted alcoholic finally standing up for himself.
A hardworking professor who pulled away from his family.

The similarities: A mother who loved them, a sister who never gave up on him, a love he couldn't forget and literature.

The ending was as it should be and was welcomed. The actors did great. The despondency permeating the film was as it should be. In any universe, your core being will always be true. How you live with yourself will be different. I love this. A really good watch. Something to think about.

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Teacher, do you love me?

I like viewing old movies and most times they are more interesting when we watch them in context. The constructs are different as well as the production style. I went into this thinking that the ending would be full of pain and frustration, and unresolved. Most teacher - student relationships end either badly or ambiguously. I was suprised that this was not the case and was handled with the only outcome that best suit their situation.

The greatest asset of this film was that the players that were introduced were used effectively. Amakami entered the school as a new student and both recognized each other immediately, tho with different responses. Amakami with intrigue and pleasure. Aoi, the teacher, with fright and horror at the thought that he slept with a student. Amakami game of toying with him began.

Here we insert the other characters worth mentioning. Ichiyo and Riku. One spinless and the other ruthless. Ichiyo, Amakami's room mate, immediately was drawn to him while Riku, the school's bully, only felt disgust and jealousy. Amakami's aloofness and popularity irritated him. Coupled with the fact that Amakami refused to sleep with him, this set in motion events that change the lives of both Amakami's and Aoi.

Whatever business you enter, there must be a goal and a time to achieve it. Amakami's side gig as a prostitute wasn't any different but like any plan, it came with the unexpected. He didn't expect that one of his clients would be his soon to be teacher and the main reason for doing this, would no longer exist. The home he puchased would not be for his lost family. His brother had already forgotten him.

I hold no sympathies for anyone else other than Amakami. Aoi, constantly acting from a position of fear, could do nothing that would help Amakami. Ichiyo's actions proved how desolate he was and Riku's proved how depravity can thrive off of wealth and power.

What I didn't like were the quotes directing the audience on how to feel on the given scenes. Let the work speak for itself. What I liked at the end were the words spoken by Aoi to Amakami.

Amakami: Teacher, do you love me?
Aoi: Maybe
Amakami: Then would you kill me? Living like this will be a burden on us. I like this moment, I want to end it now.
Aoi: Is that so?
Aoi kisses him.
Aoi: Let's go home.

Later
Amakami: Are you going to kiss me again if I say I want to die?
Aoi: That kiss wasn't for a guy who wants to die.

Decent watch. If this is your type of film, I recommend viewing Suddenly Last Summer.

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Did they really......

Did they really make this to be enjoyed or to frustrate the viewer? The format is horrible. I've said this before, 2 min bits do not make a series worth viewing unless it can be seen in its entirety at once. Even if the show has potential, the experience is fragmented which detracts from the fluidity. These are usually uploaded on apps to encourage traction and revenue. Unless, it's worthy of an award, it doesn't make sense to do so with low budget productions. Thankfully, I got to view as a whole.

Having said that, I did like this series mainly because the characters were well thought out and reacted in accordance to the situations as it occurred. The support cast, who are usually just placed to create a credible environment, were used effectively. Plot was not different from the usual school bl but it kept moving at a pace that didn't create boredom. The mls acting was good enough to keep the interest and not solely reliant on visuals. The person behind the betrayal is not forgiven and refreshingly so. This made the character more real in his plight. The sister and mother of the respective mls gave an admirable portrayal of sacrifice though with differing agendas. One for power and wealth. The other for survival and happiness. The hug was truly rewarding.

It was an nice watch

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Wrong Number, Right Connection

This was enjoyable for the most part. This Sukfilm storyline a bit different in that all lose ends were tied up. The weaknesses in this were the background in the pub, a bit of the convo between the mls, and the 2nd ml Wootae. Background was very cheap and Wootae could have done with a little more practice. I would have liked to have seen more of ex Hyeon as he appeared to be the most experienced actor and it showed. The convo and interractions between Seop and his ex Hyeon were the best in terms of acting. I did like Wootae as I enjoyed his direct approach in dealing with his feelings. I also liked the approach of Seop when he said that he was not in the business of messing people up. Here he showed that he would not use Wootae to heal. Kudos to the writer for this. On a small budget, it was good overall. The assumption that this was shot over a day or two, the wardrobe could be better to show the difference in time (averaging 2 weeks +) in the film.

Blue Boys, Bad Guy, Seoul Blues and Checkered Shirt (ending still feels incomplete) are others from Sukfilm that exceed the limited budget.

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When the sides are better than the main

Let's get into this. This series suffered the same fate as Fourever You. Placing popular actors as the main draw who then become the most forgettable. The series as a whole dealt with various issues of love, abandonment, becoming self accepting, true friendship and maturity.

ArcArm.
Their arc lasted the longest and had it not been determination to see it through to the end, it would have been dropped. Friends, close friends, should not act as lovers on film. I stand by this deduction after enduring numerous episodes of tantrums, bad acting and no chemistry whatsoever. The usual enemies to lovers fell very flat and tedious to endure. I will say aging Arc out of the school environment was a good move and allowed the passage of time to develop the other characters.

YothaGun.
This is where the series gains traction and moves in the right direction. Yotha a hot head introvert had a lot to overcome and with the help of Gun does this almost realistically. I say almost because I can not believe a child emotionally and physically stifled for love from a parent can so readily accept and embrace said parent with no residual ill will. Gun shows up and continues to forgive his bad behavior all in the name of love. With the help of Arm, he begs forgiveness and is basically forgiven within the same episode. Let's not forget Gun's parents said "he is the sunshine of the world". The difference between the two feelings can be easily felt. There is a radiance that emits from Gun when he's happy. Gun/Beagle is as loyal as they come. Though the over the top theatrics when he is in beagle mode could have done with a little dimming.

FaiWine
This is the healthiest relationship of all but again with its own drawbacks. Fai being used by a pawn feels emotionally forgotten within the entire family unit. This transfers into being a people pleaser. Wine, who recently became self aware of his sexual preference, becomes his favorite person. Fai offers to teach Wine about love and romance as he believes Wine is still in love with his previous crush. They are drawn to each other, though it it Wine that orchestrates their continued meeting. The notebook is purposely left at the dorm, thereby ensuring the lessons continue without and end in sight. Here Fai learns the meaning of special. While communication is key to a healthy relationship there is a thing as too much talking. The step by step discussion of every detail of their coming together weighed a little heavy at times. This is off set by Fai's ability to make a funny comment to either diffuse a bad situation or hide his feelings. They are perfectly matched and Wine fills the gap left by a cruel mother. She is again forgiven too easily. Fai's nature would not allow otherwise.

PondSand
They met. They felt the attraction. They got together. They stayed together. No drama. No issues. What was the purpose of them being here? Don't get me wrong. I love them as a couple. I love that Pond made Sand feel special with his dumb bunny thoughts. Not everyone can be in a relationship that is intellectually mismatched and this could have been explored more. The only hindrance with this pairing is that Marc has a standoffish way of acting with limited facial reactions. This is the closest I've seen him with anyone as he always comes across as a bro and not a lover. If they can bridge this gap, I'd love to see more as Poon is a delightful character on and off the screen.

KlaoWarit
The side couple who stole the show. This couple is the meat of the series and shows the most growth throughout. The anger, frustration, devotion, reconcilliation, maturity and eventually proposal was what tied the entire series together. Their interactions are as real as can be. Klao, a hot head jealous idiot at the beginning, turned his life around for love. Warit with the patience of a saint held on and was rewarded with a love that matched his. Klao also proved to be a friend worth having. Without knowing the reason of a fight that Gun was in, jumps in without a second thought even though at the time they were arch enemies. The passion between KlaoWarit surpassed all the others and realistically displayed with every look. As an onscreen couple for many years, their bond can be felt almost immediately on meeting. The proposal made my eyes moist when I took into consideration all that they endured to reach to this point.

On viewing the bonding between Yotha and Faifah at the end, I'm a little sad that Newton wasn't included. Though older, he too must have felt hurt. Watching this as a whole, it was not bad at the ending. The final scene ended perfectly. The series was not perfect by any means. How many times is Arc is going to tell Arm he wants him in every aspect of his life? How many times characters are cute? How many times over the top asinine behaviors unbecoming a young adult is displayed? Does Arm speak on shout or only with Arc? Irritating. While the actions of Yotha and Faifah were a direct result of past trauma by their mother, this was dealt with superficially and all is forgiven and well again. The extras were used like a pop up service. Except AouBoom, they all kissed like their lips have castity belts on.

It is worth the watch and for the most part entertaining. Re-watch no. Thai productions can be shortened and still be fun. Something that eludes their production team. Suggestion: Watch the first 10 episodes at 2x speed, nothing will be missed and be more enjoyable. Lesson learned the hard way.

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Cute Disappointment

What started as a cute coming of age series soon turned into a snooze fest around episode episode 4. Other than waiting to see the evolution of his initial attraction for his teacher, there was nothing interesting to see. There was no drama to propel the story or keep the viewer engaged. UH revealed his feelings for his teacher, who after a brief flight, gently turned him down in the most caring way possible. After all UH was his favorite student. It's at this point an overwhelming urge to sleep took hold of me. I actually felt at some point this series was pulling a Benjamin Button. Two teenagers in their final year at school before college with as much exuberance as that of 80 yr olds. Seriously. Writing this, I actually yawned. Yes, it was that dull. The emotions expressed were so contained and soft that even the ending held no real happiness for the viewer beyond them being together. So Ri, his friend, called him clueless and he lived up to it. Very quietly.

DH, his friend and eventual partner, made a bet with him. They would date until graduation with the hope that UH would get over his feelings for his teacher and fall in love with him. The only issue I had with this was that DH was setting himself up for failure and when this happened, proceeded to act very hurt by UH's confusion. Who among us can turn their emotions off and on like a switch, was never in love in the first place or very fickle. Let's go with the former. Their reunion later held no impact. Their admissions of missing each other saw no passion or desire beyond a light kiss.

Was the story told in entirety? Yes, albeit very serene. Did the actors make the roles believable? Yes, again, very softly.
Was anything learnt that wasn't done before? An underwhelming, no.
Will I rewatch? In keeping with the tone of the series, I will gently write, no.

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And that is what they did...

In San's and Xiaowen's minds they are father and daughter and looking at them from the moment they met, no one could say otherwise.

San, a mortician, meets Xiaowen upon her grandmother's death. Xiaowen, not fully understanding what death was, kept looking for her. San was given the task of keeping her as her closest relatives refused her. San, an ex-con, and Xiaowen, still lost, fought every moment they were together. Ultimately, over a period of happenings, misfortunes, and death both smoothed out each other's rough edges and a fierce bond was forged. Each fighting for the other and selflessly becoming each other's protector. The heartbreak would come but so too the immediate forgiveness. He would not fail her again. After all he was BaBa.

Zhu Yilong deserved this win. He gave his all with this performance and it showed. His vulnerability was laid open and with Yang Enyou brought every emotion out. It's fast paced, angry and rough. Yet, still the genuine love between the two was evident in every act. Every gut wrenching emotion was felt.

Go watch!

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Our Damn Business

This was fun. It was light. It was humorous. It was also very predictable. One thing it definitely wasn't, it wasn't boring. From the moment Jin laid eyes on Su An it was off to a great chase of how to get Su An interested in him. From massages to stretches to after work drinking. He tried it all. He was his late night bestie, bad mouthing Su An's exes as if he knew any of them. The one thing he was sure of, he was lost to Su An and the only solution, was to make him his. Su An, fearful of being hurt, was not going to be rushed or played with. Hwang, their office co-worker, resigned himself to be the unwilling viewer and with his penchant of walking in at the wrong time, provided some of the comedic charm.

Jeon Yu Bin (Su An) is a good actor and together with Jung Jae Bin (Jin) had great connectivity. It was a pleasure seeing them interact with each other. Su An's blank stoic expressions were the exact opposite of Jin's continual happiness. Even when angry, his face still invited Su An in.

What I truly liked about this short series was that it knew what it was and didn't have grandiose plans. It kept within the boundaries of a light comedic office romance and every moment wasn't wasted. JYB seems to fit well into these shorts and anyone viewing any would not be disappointed.

It's worth the watch.

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Taboo or To be

Gay teen goes to a bar, mutual attraction occurs, later it turns out to be his homeroom teacher. No hook-up was implied, just eye contact. In the light of day, teacher Hoon sets boundaries but over a year, teen Woo sees every act of sparce kindness as Hoon's continued attraction for him. Woo stalks him. Hoon's job is to interview the parents at home of all the students. Finally, Woo forces the situation to come to a head by physically inserting himself in Hoon's care and doesn't leave. Woo wants an admission from Hoon. Does he remember their previous encounter? Will he admit that he is attracted to him? Will he give in and let Woo into his life? I should mention here, Hoon is 35 and his pursuer Woo is 18.

Before 2020, the legal age of consent in South Korea was 13. The film was made in 2012.

Hmmm, gray area or no?

Woo doesn't take no for an answer. He relentlessly pursues Hoon, blackmailing him into spending time with him with pictures he took of Hoon in the gay bar. Hoon is searching for another teaching position to escape as he recognizes that Woo will not give up. He knows that Woo is forbidden fruit. Woo knows himself. He is gay and he wants him. He understands the position well as his mother knows his orientation. Hoon viciously rebuffs him, and Woo hurt by his words, leaves the car in anger and cries. Finally, Hoon is free. He looks down, finds Woo's forgotten headset and carries it home. He sees Woo enter before him and on his steps he waits.

Gray area:
Though legal, what can an 18 year old teen bring to the table?
Should Hoon resist further as Woo is still in school?
Can 18 form a stable relationship?
2012 gay relationships were still no fully accepted, what would they endure as a couple, being gay, age difference and social status?
If Hoon gives in, how will his job be affected?

The film brings these thoughts to mind and only answers one. You will have to watch the entire film to get it. The actors did a commendable job with their roles. Hoon's frustration with himself and Woo is believable. Woo's dogmatic focused attitude towards the situation is dealt with an 18 year old fervor. I will recommend this film for the questions posed and the actors themselves. Though I liked it, more could have been done. Rewatch - maybe not. In 2024, this comes across more like a period piece from 2012.

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