J-atty

Nicely Surprised

This is a okay piece of work. The perception that without known actors and a large budget it would not be enjoyable is false. The shift between past and present was handled well. From mdl's profiles they appear to not have much experience, but they did well, bringing both time jumps to life.

I like period pieces as it operates within boundaries to create a believable story. The costuming and dance sequences were nice. The acting was good enough. Fone a little more at ease than Tar. Tar/Rak's autocratic biased father to the point that a few slaps was needed but not given. A bit too much, but the authoritative indignation fitting for the period. It's a pity, that death always brings wisdom.

There are some flaws with the script.
It could have been better without expected moments eg the great escape, the bitter intended bride, the banished son living in the same town but the father doesn't care to know. Some unrealistic as Tan, of low birth, is allowed to keep casting spiteful words towards Rak of high nobility, without serious repercussions. Still, it was used as a tool to create conflict in a world that didn’t have any other. They could have cut down on the shrieking. Too much at times from Rak's father and Sandy. Lastly, they are in love but vow to stay by each other's side until death without the physical aspects. Their love for the art is enough. Hmmmm

The changes that occurred were rushed in the last episode but needed to bring it to an end. I would have preferred a more realistic ending but it is what it is. Thankfully they didn't rush Lucky and Sandy's relationship to make it cute.

Despite all the irregularities, this it was okay.

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Society or Cowardice?

The selfishness of one destroys the life of two. The reason behind their pain is a cowardly excuse as it doesn't hold up at the end. Azusa worked hard to fit in and worked even harder to hurt Yusuke more after they broke up by asking him to take his wedding photos, love someone else and to add not him. Yet, clearly he did this to still see him. Turning the knife slowly and deeper with every word.

I was left angry not with the decision to get married but by including Yusuke like that and giving directives like it's an easy thing to pick up or put down at will. People will do what they choose to do but to tag someone along, especially knowing the pain he previously created, was cruel.

Kenya is a very good actor. In 30 minutes we experienced the binding pain of a refused and controlled love. Even his movements, his walking pace felt painful.

The director did a great job speaking without verbalizing much. The body movements, the still moments, the convo between them is very effective.

Definitely worth the watch.

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Than and His Nine Lives or A Guide To Stupidity, Chet 101

This is what this should be called. Either one would fit cause no way common sense or brain cells were used in this entire series. The sequence of events proved no one cared for their lives at all. The reach for power and revenge was vicious and relentless. Even if most of it was nonsensical.

Than has been injured so many times and still survived that it became laughable. The ring probably gave him the power of instant healing, who knows. Chet, like a petulant child, was giving tantrums left and right and was so crippled by his 'lovely' parents that he couldn't see truth. Pheem literally had to connect the dots like a pre school teacher for him to see what others could. Then, again, 6 feet of handsomeness was daily right infront of him and nothing happened. Pheem, rather than include Than in the final plan, does everything in silence and causes Than more unnecessary emotional pain. Everything else aside, that action was unforgiveable. Thanet, ping ponging between his children, was disgusting on every level. Like why were they all vying to be related to that? The shots fired at everything else but the real targets downgraded the credibilty of the series.

I enjoyed seeing a strong woman. Risa's bodyguard was worthy of her screen time. Daou stood out a little more as he can deliver an emotional sceen with true sincerity. The acting was ok but while I expected it to be dramatic, it was a bit much. Chet and Thanet both throwing their papers in the same frame, caused a few eye rolls and sighs. The plot was fine, even though the end was expected. Risa, plotting her way, without being caught until the end was good, also.

The predictability of every scene really didn't work in its favor but it was not unwatchable. There were a few decent moments. Just not enough to warrant a rewatch.

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More important things to do

The subs are horrible. After reading, you just have to make the best guess possible as to what they meant to convey. Overall, I've seen Yu Bin in much better productions. My Damn Business comes to mind. So this was a let down. The other ml came off as being too direct. There was no real charm to him other than his husky voice and smile. The staged interractions were clumsy. Their physical responses to being touched were decent. There is a something between them. Budget aside, this was lacking in more ways than one. If you like Yu Bin, as he is a consistent actor, give it a watch.

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My Bias is Ae Jun

Ae Jun is a star. He was so adorably cute and personable when no one was looking, that there's no other choice but to like him. His bright smiling eyes brought countless moments of joy as he crushed hard over A-ONE and his ultimate bias Si Yeol. As would anyone bumping completely by accident into their fantasy, he frose but for a moment and retreated within himself. Unwilling to let Si Yeol know how gone he was for him and his inside connections to him, he became an awkward introvert.

Si Yeol, on the other hand, was a piece of work. Consumed by an obsession for Ju Ha, and misunderstanding the external relationships, he sets about a plan to hurt Ae Jun. Along the way, when all was told, he succeeded in hurting all involved and more than any other, he hurt himself. Confronted by his actions, he realizes too late after the damage was done, that he had fallen hard for Ae Jun. The bubbly bright smile had captured him.

The kiss. I felt so rewarded by their reconciliation and the kiss. Perfectly soft and tender.

Ju ha has been in fighting mode since the series began. Fighting to understand why Ji Kyusong broke up with him. Fighting his feelings of rejection. Fighting to move on. Fighting to get him back. Fighting to not love him more than he already does. Ji Kyusong, caught at the end with no other excuses, finally gives in. He had loved him so much, he had pushed him away so that he would not have a negative impact on Ju Ha's career. What he forgot to take into consideration was that Ju Ha had a mind of his own and he wanted only him.

It has been a very very very long while that I have seen a Korean bl that was so light and fluffy and bringing so much happiness with and about adults. I cheesed hard when the cast of Jazz For Two made a cameo. I missed them, too. Kevin did a fantastic job in bringing Ae Jun to life. Standing next to the big teddy bear Kang Min, you can't help but fall for their chemistry. No doubt, they worked well together. His towering over him conveyed how much he would protect him. Ae Jun's mini melt downs with Ji Kyusong, brought countless smiles.

While I do appreciate more hard hitting heart wrenching stuff, it's good to switch it up and appreciate a little gem when it catches your eye.

Recommend to watch: Approved!

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When Zai Rong met Lu Xiao

Yes, once again, China has stepped into the arena and delivered. Well, for the expectation from China. Place two decent actors in a scarcely decorated room with the right script and watch soft magic happen. The acting, esthetics, and chemistry between Lawrence Zhang (Zai Rong) and Su Yu Hang (Lu Xiao) carried this short series. Immediately, upon meeting, they held the screen captive. This presented itself as the beginning of the life LX and ZR would share. Do not expect more.

Cornered into an upcoming arranged marriage, ZR seeks the help of LX to extricate himself and live freely. Unfortunately, his family and their connections may not allow for this as there may be severe consequences. The moment ZR looked into LX eyes, he knew he didn't want this to end. LX, an actor, is naturally charming and proceeds to play the part he was hired for. To be ZR love interest. While preparing for a visit from the intended fiancé, LX gives ZR what he craves. A warm ear and genuine attention as they bond. ZR nestles within LX arms and believes that his lifetime love will come. He desperately wants to believe. LX has told him so.

The budget used in the production of this series was not extravagant and truthfully not necessary. All that was needed were these proficient actors, an ocean wall, and two rooms. Together, they made a beautiful couple. The viewer also believes in LX by the way he held and reassured ZR. He was the man for him. Their dance, mesmerizing. The fiancé pleadings and silent exit were gracefully done.

Five episodes were enough for this to be told with little to improve on. No excesses, no lulls, evenly paced. The script was simple but effective to propel the story along. The last episode had a slightly different texture to the previous as it felt performative. The music a bit erratic. Ultimately, everyone involved did well. This was a very nice watch.

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Finally, at the end....

Synopsis: Kevin and Jamie were close school friends who drifted apart before Kevin emigrated to Australia. Kevin was willing to embrace himself and Jamie was not. Years later, Jamie goes to find Kevin after attending a school reunion and hears his ex school mates discussing Kevin's situation. He had been hospitalized at some point for depression. They meet and discuss their lives. Then Jamie asks him if he has any desire to return to Hong Kong. Here the story begins.

Kevin openly talks with Jamie about his need to be on medication to keep him functioning. He accepts this as part of his life. He knows those who see him, recognizes how closed off he is and keep their distance. All except Fai, a teenage gay student, who takes a liking to him. Jamie, who has placed his mementos of their relationship in a box, watches on. After dinner, Fai realizes that Kevin is into Jamie and after a brief altercation, walks away. Kevin, lost and lonely, turns to promiscuous sex to get some sort of feeling within himself. Frustrated, he throws the pills away.

His agitation off of the drugs, the actions he takes, finally culminate in his decision to go back to Australia. There he was at peace. Living in a world in which Jamie is so close but still unavailable to him, proves to be too much. Jamie, previously disengaging himself from his past by dumping his mementos in the bin and proposing to his girlfriend, follows him into the street from another reunion. He can not deny himself or his feelings anymore. He begs him not to leave.

The unknowing element of this film creates the interest. There is a stillness felt throughout which builds to a climax at the end. I loved this film for the realistic depiction of depression. The drugs manage his depression but also diminishes any response to stimulation. He feels empty. Nobody, ever discusses this. Lei Jeun Sek nails it. At every stage, he allows the viewer into his desperate mind and what he is feeling without saying a word. The flashbacks and pacing are perfect. My mainstream heart would have loved to see more interaction between Jamie and Kevin. They acted well with each other but it is with Fai that we get the honest responses. This was definitely a palate cleanser from the generic bl being offered and a good watch. Try it, at least once.

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1 min

Previously stated, I'm not a fan of 1 min episodes. 81 of these were irritating. The plot was not riveting and neither the setting. The very limited budget was evident. The loud shrewish quarreling between the uncle and aunt would make you wonder if there was any love between them. This too was tedious. The acting could have been better as An movements were stiff and unnatural.

The mains complemented each other and this is what kept me watching. Their confessions made for a tender moment.

If a full version without the breaks be uploaded would make a better watch.

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LIFE

If you are looking for a feel good story with no drama this is it. It's simple and formulative. It doesn't surprise in any way and yes, the cook gets his man. Still it left me smiling, and anxiously waiting each week for approx 30 min of cuteness. Isumi and Amasawa delivered every week. Truth be told, it shouldn't take 9 episodes for this series, but I'm glad it did. At a relaxed pace, it showed the internal struggles of one sided love and the courage it took.

College student meets older policeman and ends up cooking for him. Along the journey, Isumi falls in love with Amasawa. Amasawa, not thinking beyond their friendship, doesn't realize until the confession. That's it. Yet, Isumi and Amasawa are a pleasure to watch as they match so well. Think Mitsuya's Planned Feeding with a younger cast. At least, Isumi got his kiss. The main actors are easy to believe in their roles which was a huge plus. No exaggerated interactions beside the usual misunderstandings but they always thought of each other's happiness.

I will miss them as it doesn't take much to fall in love over good food with a smile.

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Thirty Too Late

I have never been so frustratingly angry with a series but real life is exactly like that. We can't go back to right the wrongs especially when we stood silent then and let the evil prevail.

Tae Ju's costly mistake was putting his sister before himself. Younger Tae Ju was rash, righteous and angry. Older Tae Ju was tired, reflective and apologetic. From an objective pov, his sister did not deserve half of the care he gave. How can she call Cha Mun Jin good?

Those lost to the evil that gripped the town never regained what was lost. Lives lost, futures destroyed because politics, pride and public performance fell under severe scrutiny while searching for a solution.

The entire cast did well. Tae Ju and Ji Won's frustrations were felt. Si Yeong became more twisted than Gi Hwan. The cries of Seok Man and Hye Jin's parents were haunting.

This would probably alienate those wanting retribution for all but it ended as it should. Let reality prevail. It didn’t start with perfect intentions and it ended in the same vein.

A very frustrating but satisfying watch.

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Sometimes, when trouble comes knocking, you have to stand and fight.

This was emotional, entertaining, action driven, humorous and a fitting S2. Keeping most of S1 formula with minor improvements. No lagging. A more ruthless villain. The gore, agony, broken limbs and fight scenes were epic. Not going to pretend that it was too graphic, for me it was perfect. They delivered again, one hundred fold.

Sometimes unknown adversaries attack. Your only choice is to fight back. S1 Geon U's mother created the initial access. S2, without provocation or invitation, they came for Geon U. They got beaten but always got back up. The heart of a boxer. What Geon U had to learn the hard way, nasty opponents have to be fought in the same vein.

The brotherhood was stronger than before and beautifully portrayed. U Jin's love for Geon U's mother and vice versa, was heartwarming. The support they gave each other without jealousy was wonderful. Every actor delivered in their performances. The ending would suggest a S3 and I'm looking forward to it. Hopefully, we get to see more of Du Yeong and his knives.

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Nope on many levels

Lack of funds to deliver a believable story
Poor acting from a ml... almost anemic
Poor wardrobe
Repetitive scenery doing nothing
Auxiliary actors line delivery flatter than a flatline.
Posturing
Storyline that dipped and waned at the end.
Unbelievable action moments.
I'm not against ai overall, but here just made me agree with the naysayers.

This could have gone two ways. Either shoot within the budget or do a full ai production, put it on YouTube and monetize the channel. As is, it didn’t work for me. The six is for effort.

I will say that though their visuals were different, they did connect on some level.

Overall, they wanted to do too much with too little.

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Ties That Bind.

I loved the concept and execution. I particularly liked that, like the threads, the story had a spine but also drifted along to the conclusion on it's own beat. The trauma felt was depicted with enough weight to be serious but also light enough to fit within the comedic aspect.

While Kai and Wei worked well together, I'm grateful it was not a romance that needed chemistry but connectivity. This it had in buckets. Just like the characters were not similar so to were the episodes and most resolved within each.

Grandma and Noanan were good people. Grandma wanting him to live his own life and Choanan, a wacky good friend. I was impressed that he never wanted to exploit Kai abilities.

The only thing that I would have changed would have been the kiss. Actually, I would have added another, showing where it was a real choice and not a lapse in judgement. Also, I needed Kai to smile more. A real cutie when he did.

Probably it's a culture thing but why couldn't Wei charge his father with assault with extortion and allowed it to continue. He was scared and traumatized but also a police officer. At some point he had to face it.

A decent watch.

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Trauma exists, living in it shouldn't be an excuse

I liked this series for the time it took to deconstruct their relationship. Not rushed, evenly paced and realistic. The actors did well and their failings realistically told. It was engaging and introspective to encourage thought but also reactive. One couldn't watch without seeing all their flaws and form opinions.

The both ml, Itsuki and Yuma, were hiding. Yuma from facing the reality of their relationship until the end. He still holds on to a memento, unable to throw it away. Itsuki living in his past trauma and being overly critical of other peoples views of the gay community. He refuses to be the poster boy of a successful gay union but lives freely and comfortably under the one who is fighting the cause.

I treasure Itsuki's honesty but it pops up at his convenience. He is very critical of Yuma and refuses to communicate beyond derision and in so doing fails even in his last interview to see how Yuma has changed. Even at the end it is selfish. Yes, their projected views are incompatible, but who goes along just existing? He knows Yuma types are the one to make the changes in the world but is content to live while they fight. I'm not advocating for him to be always on guard, and fight every pos out there but he seems apathetic and wants to be remembered. For existing? He disrespected him to the point of bringing a lover to their home. A home he contributes nothing financially to as he is unemployed and was offered a space even after they broke up initially. Yuma doing this alone should have stopped him.


Yuma on the other hand still struggles to let go of the ideal. He fights for the positive views of the gay community and would go to lengths to protect it. In so doing, perpetuates a lie and fails himself. He loves Itsuki but their incompatibility works against him. He pushes him but because they communicate ineffectively, or not at all as Itsuki ignores or is apathetic, he doesn't know how to understand where they went wrong. In the end, acceptance and understanding comes too late. I hope he does completely move on from Itsuki, he doesn't deserve it.

Shiho faces adversity on either side and understands at the end her true worth and not the perception. Her boss should be removed. His condescending attitude should not be dealt with. I felt the pain of Naomi and was grateful she apoligized to Shiho. She felt lost and lashed out at the wrong person.

I applaud this series for showing the reality of relationships. Not all work. Not all are balanced. It's okay to move on. It's not okay to be used.

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Some things just can't be fixed

When the preview dropped for this, I was already invested. Now that I've seen it, it was worth it in every way. It was intriguing and captivating. I was mostly awed by the quality of acting. Expected from the main but the support really stepped up and delivered.

Ken and Bright wowed. Ken in the role of Pleo with a limited education, marginalized and constantly ridiculed never gave up til the end. His determination to find the truth created an emotional and electrifying performance.

Bright as Korn, broken and cowered by previous events, found the strength to fight for what was right, no matter the cost. One thing he was sure of, Pleo was the best thing that happened to him and he wasn't going to fail him. Bright embodied the timid Korn.

Linn, as Best, did a wonderful job. There was no love in her heart and it showed. She was the 'best' manipulator and pulled all the tricks out to get whatsoever she wanted. Collateral damage meant nothing to her. While I enjoyed her acting, I welcomed karma. She was very polarizing.

Typhoon, Poom and Noom stand a cut above the rest of the supporting cast with their believable portrayals. Ter, his father and the gambling druggie Man, brought the corruption, violence and proof that the present cannot be changed. It may be different but not changed.

Enjoyable as it was, there are still some things that could have been done differently. The script felt a little dumb with the repetitive lines. It was a bit frustrating with the constant time jumps. Too many actors daring the other to shoot them with the barrel against their forehead. Korn's 2024 deductive skills were a little slow. Why did Pleo choose to live 17 yrs in hiding? I believe this was to keep the timeline correct for the future. But, here I will ask, if Ter was erased in 2024 following the timeline, why couldn't Pleo knowing the date, do differently to stop Korn? Had he tried to come back to the future, he also would have been erased as he was already dead. Those events may not still be possible to exist as it doesn't show Best and Man in the future after his last return. Then, why did the accident still occur as it did? All of that should have been erased as Korn's coworker had an appendectomy and not beaten by Man. Probably, this is just me fishing for a different ending or the script didn't quite capture the events to fix the ending.

Lastly, interjecting the last shoulders touching, Pleo holding Korn's hand with Korn saying that Pleo is the best thing that happened to him, didn’t sit too well with me. Was that done to entice / appease bl fans? They could have used different words to convey brotherhood without alluding otherwise. I'm a bl fan but the script didn’t need it.

I would definitely recommend this series. Action filled, entertaining and acceptable outcome. I really liked it.

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