Episode 5 was the final straw for me—I’m dropping this series. The ML may dance better than all his bandmates, but acting is clearly not his strength. Or perhaps the problem lies in the character itself—completely unbearable and utterly inhuman. In contrast, his co-star feels much more natural, and honestly, that kind of character should have been the lead.
The FL character is just as insufferable—so much so that she’s nearly unwatchable. She’s weak, sanctimonious, like a modern-day Maria Theresa. I simply don’t buy the idea that someone can endure endless mistreatment just because they’re "enlightened" and "compassionate." There’s a limit to how much abuse one should accept, and no justification makes workplace bullying excusable.
On top of that, she’s a painfully forced and excessively passive character. If this were played for comedy or grotesque satire, it might have worked—but it’s not. The story keeps getting worse, and Episode 6 is outright unwatchable once the generic plot twist is revealed: an employee makes a mistake, someone seeks revenge, and she becomes the target of abuse.
Up to episode 5, the series is excellent, and the actors are also superb individually. I like all the actors; clearly, the characters are something else. Cha Jung Woo stands out from everyone. Despite his character being particularly violent, the more you watch him, the more attractive he becomes, likely due to his acting qualities. There is something special about him, and it seems he should have been given a leading role as a less violent character.
I believe this topic is quite complex and cannot be easily simplified . Japanese art often aims to distill deep narratives and address profound emotions, even in seemingly light-hearted series. In reality, we observe that these characters are frequently perplexed, with their identities significantly shaped by numerous external influences.
Bitch, everything was fine till episode 2 then episode 3 - 4 happened and they lost it, what the actual fuck?…
True, ever since the producer, constantly getting lost in favor of her formula, decided to concoct a second season of "My Star," she feels the need to weary the viewer with a story of characters who turn on themselves and undergo extreme changes to the point of heartbreak. The characters do not understand themselves, and thus the plot also begins to be some kind of mishmash of helplessness and lack of clarity.
I watched six consecutive episodes. Both actors delivered outstanding performances, yet they lacked any romantic chemistry. Particularly in their later interactions as adults, the scenes lacked excitement, possibly due to their characters' incompatibility and their deep immersion into their roles, which made them seem more like friends than lovers. The cinematographic approach didn’t contribute positively either; it was uninspiring and mundane, characterized by a persistent use of dull, gray colors. Although this is a drama, incorporating more vibrant or daylight scenes, similar to those in "My Star," would have enhanced the viewing experience. The series also disappoints by poorly mimicking iconic scenes from classic films, such as the umbrella scene, reducing them to mere shadows of their original brilliance and evoking a sense of nostalgia for a bygone era of superior cinema. I plan to explore these points further in a detailed review once I complete the series.
The CEO is super sketchy, intercepting her in the stairwell, touching her face, proposing a fake relationship.…
It always amazes me how people like you watch live-action manga adaptations and expect them to be realistic. It's live-action manga; it's not supposed to be realistic but exaggerated. That's all the fun and enjoyment of this Japanese style.
Japanese romance dramas really don't show any development in the last decade... still so many plots with this…
Japanese series are the deepest ones out there. Even when dealing with clichés, they always have a touch of the soul. I don't think this series is just a trope; in my opinion, it has wonderful depth, especially as it deals with issues of identity and people facing difficulties. It seems there are many people with such struggles in Japan, so perhaps outsiders might not connect. Additionally, with more translated series available, it might seem like things are changing, but in reality, you're simply exposed to more series than before. There have always been more and less realistic series, but the realistic ones were always rarer, as people often prefer to escape reality, leaning more toward humor and lightness.
The series started really well, but after a few episodes, it became a bit too much in my opinion. They stretched and dragged the story, and I think it would have been better if they had gotten into the relationship halfway through the series and then continued to deal with various issues. However, maybe I feel this way because I watched it in two days—it's more of a series to watch once a week, giving time to connect with the characters. All the actors are lovely, and it's very cute and heartfelt.
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The FL character is just as insufferable—so much so that she’s nearly unwatchable. She’s weak, sanctimonious, like a modern-day Maria Theresa. I simply don’t buy the idea that someone can endure endless mistreatment just because they’re "enlightened" and "compassionate." There’s a limit to how much abuse one should accept, and no justification makes workplace bullying excusable.
On top of that, she’s a painfully forced and excessively passive character. If this were played for comedy or grotesque satire, it might have worked—but it’s not. The story keeps getting worse, and Episode 6 is outright unwatchable once the generic plot twist is revealed: an employee makes a mistake, someone seeks revenge, and she becomes the target of abuse.
Cha Jung Woo stands out from everyone. Despite his character being particularly violent, the more you watch him, the more attractive he becomes, likely due to his acting qualities. There is something special about him, and it seems he should have been given a leading role as a less violent character.
Additionally, with more translated series available, it might seem like things are changing, but in reality, you're simply exposed to more series than before. There have always been more and less realistic series, but the realistic ones were always rarer, as people often prefer to escape reality, leaning more toward humor and lightness.