Too many trigger warnings to mention!
Sep 2023I had read various reviews, but a friend with similar viewing tastes to me, said it was actually a really good story... warped and shocking, but excellently done. So, in I stepped.
Along with the captive, Makoto, the viewer is assaulted pretty quickly.
Chained to a gurney and bound, so begins a relentless regime of horrendous sexual abuse, using a variety of sex aids and the captor's own fingers.
Makoto is kept clean, spends a lot of time alone and is quickly allowed to move around enough (though chained by one ankle), to reach a toilet and table containing water and nutrient / vitamin tabs; no food is given.
Beyond the scenes of assault, we learn what lead Katsuragi Makoto to attempting a drunken suicide, from which he is saved by his captor, Yoda Ryoji.
We also learn why Ryoji appears to be numb to the suffering his intolerable levels of abuse cause, for what he sees as a therapy to awaken Makoto's senses and make him want to live.
It surfaces that both are suffering crushing levels of guilt for similar reasons.
Over time, Makoto begins to form a weird but inescapable bond with Ryoji; it's almost like he has become addicted to the intense pleasure he ultimately experiences, even though at the same time, he is visibly disgusted, shamed and hurt physically by it (for obvious reasons ~ he's a straight guy, so it's going to hurt).
As time goes on, however, and the pain diminishes, he seems to lose the shame and humiliation he felt, too. Ryoji tells him that his desire to live is there (basically, suicide should never have been an option ~ he didn't really want to die).
How this ended, I kind of saw coming and wasn't surprised.
Whilst Ryoji sexually assaulted Makoto multiple times, he actually raped him once and that was the culmination of his 'therapy'. He was then left alone and realises it appears he is able to leave.
The ending is poignant and I find that utterly bizarre; yet it is.
I mean, this should be an impossible piece of work to watch. I actually hate scenes of intense bullying and/or where a character is walked all over and too weak to do anything about it. I've dropped dramas like that, which are actually like a kid's programme compared to this.
So I cannot explain why I felt I just had to finish this and, more to the point, could!
Perhaps it's because there isn't any actual cruelty from Ryoji. He is calm throughout, and explains his actions, even though what he's doing is appalling. He never verbally humiliates Makoto and is totally clinical in his attitude. There is no violence with the sexual acts at all; he does not go out of his way to hurt Makoto (in fact there's an instance where he himself was totally vulnerable).
It really is the most visceral, disturbing and yet compelling thing I've ever watched.
It is not simply BDSM porn, that's for sure.
Totally and utterly warped, but it gets away with it. Just.
I could never watch it again though.
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You don't need to like baseball to enjoy this drama
Although I'd read the synopsis, I wasn't sure exactly what to expect and not being a fan of any sport (except figure skating on occasion), I wondered if I'd get into it. However, being a Namgoong Min fan, I decided to give it a try.Much of the story centred around the statistics, strategies and personalities within the game, so I was surprised when it nevertheless kept both my attention and interest.
That was due entirely to the excellent cast who all portrayed the many characters in this drama, so well.
Namgoong Min as the hyper intelligent, unflappable, no nonsense new Manager, whose appointment shocked everyone at team Dreams.
Never having been a player, many looked down on him and thought he'd be a pushover ~ he was anything but. I loved his lazy way of talking and poker face.
Park Eun-bin as the only female to be appointed as any team's Operations Manager, was perfect. She balanced being feisty and just the right level of tough (as a female in a male dominated environment), whilst retaining an even temperament. Too often women in important positions are portrayed as hard, cold, bitchy and lacking emotion. She was none of those things and that was honestly a breath of fresh of air.
So many other actors' portrayals of their characters made an impression on me as well. Too many to list!
There are so many stories intertwined into the main one, which is the club striving to turn their dismal record of losses around, and giving them a fighting chance of actually winning the league.
We also get corporate politics, with the conglomerate that owns the club (helmed by an old and manipulative Chairman), having a hidden agenda. There's in-fighting within both the club's staff and players. Jealousies, arrogance, misunderstandings and struggles with both fitness and confidence.
Then there are the personal problems many characters contend with, which are revealed as the drama plays out. Some are quite tragic and shed a new light on what drives some of them.
All in all, there is a lot of story that is so well wrapped up in 16 episodes.
Whilst I will admit that some of the scenes involving the strategies and stats of the game and its players, went over my head, that didn't spoil my overall enjoyment and surprise at how good this drama was. Even the ending was well thought out and realistic.
An intelligent and fulfilling watch for sure!
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Light and enjoyable
Overall I enjoyed this drama. The synopsis on here is a little 'off' because a big factor in the story is Rembrary wanting to return to his realm and needing to figure out what caused his expulsion in the first place and why. Also some characters are incorrectly named, like The Evil One.The genre is definitely teen, supernatural, comedy, romance, with some emotional and action content; in that order.
The acting was fine, with a watchable cast and story that kept me engaged.
Loved Park Sang-nam as Sa Gam-jae.
Kim Min-Gue (Kue/Gyu/Kyu!) carried the ML role well, making some scenes I would usually find too cringeworthy, bearable.
I would love to see him head up a more substantial drama/role one day... soon I hope.
I am not that familiar with FL, Go Bo-gyeol (playing Kim Dal), but she fit the character well and their chemistry suited their roles, as both were inexperienced and innocent in terms of romance, so it was never going to be 'sizzling'.
The only actors I felt seemed a little uncomfortable in their characters, were Lee Jang-woo (The Evil One) and Cha Joo-young (as the deity, Redrin).
I didn't find it a struggle to finish this at all, so for my personal benchmark, that means it wasn't bad. It's light and easy to watch.
As mentioned before, it does have a 'young' feel, so if you're looking for something a bit deeper, with a more substantial plot, it might miss the mark.
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Different; engaging; surprising
Not at all what I was expecting. I thought it might be some kind of supernatural, light, action/mild horror, comedy. Apart from supernatural, it's none of those.From the moment Shiro/Makoto wakes up from death, on a slab, in hospital, with no memory of any past events, the story is abruptly explained.
We are introduced to a Guardian, who tells Shiro he has died, now inhabits this body and to stay in it and get a second chance at life, he must find out why that person died too. He's given 100 days and 3 chances at answering the question.
The film then follows Shiro's journey as he gets to know the person behind the body he is inhabiting, and struggles to find out why he passed away.
He meets Makoto's disconnected family, a close friend and a crush.
School life is nondescript and it becomes apparent that Makoto was pretty much invisible, with a quiet, socially awkward and weak spirited personality.
Shiro is nothing like that and this is where the story faulters. Apart from 1 character (who still treats it like no big deal), no one seems the slightest bit surprised by the difference.
He's meant to have total memory loss, of which his family and close friend are aware, yet everyone still expects him to know stuff and the interactions don't fit at all.
Due to what Shiro was told about himself, by the Guardian, I also expected his character to be very different and that puzzled me for the whole film, until it was addressed towards the end. In that respect, the story's direction was not at all obvious and pretty engaging.
The outcome was quite a surprise. I think it's intended to make people think, take stock of themselves and their reality, especially when life gets dark.
I actually felt it was quite harsh and yet it offers another perspective that I've never seen before and perhaps when one's mind is not in a place of reason, a person could miss this themselves.
It isn't a film I'd watch again, but the charm and gentleness that Nagao Kento brought to the main character, and the nicely acted supporting roles, lead me to not regetting having watched it one bit.
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I so liked Song Geon-hee in this, playing the King/Princess's brother; I'd not watched him in anything since Missing: The Other Side (S1 ~ I've yet to watch S2) ~ he's Thomas.
The plot is quite fresh ~ a common man who's an attorney, motivated by money, also seeking vengeance, who 'finds himself', a conscience and love ~ though the latter creeps up on him and comes complete with several surprises and a fair bit of angst.
As with many historical dramas, there is, of course, plenty of corruption, power crazy officials, a puppet king struggling to regain the monarchy's power and intrigue by the bucket full.
Being something of a rom-com with a modern feel, kept it light, although there were more than a few scenes that were sad, tragic and with a touch of action thrown in.
The pace was pretty good overall and I was kept engaged. Occasionally, the story did ramble a little, with overly long pauses and the usual irritation of characters acting on their own, not divulging crucial info and thinking they know what's best for everyone. It's forgivable and doesn't spoil things too much. It gets a little cheesy at times though.
I found the ending one that succeeds in leaving the drama's audience satisfied, but after the build-up to it in the penultimate episode, it also felt like a means to that end.
One character's reasons for staying hidden, were never even remotely discussed with the main person affected by their decision ~ if that's not being included as part of the story, leave that kind of reasoning out, rather than have the issue ignored, because there isn't room to address it.
Honestly though, it's not a huge deal, but is something that poked at me!
The music was varied with some quite rocky pieces, but they fit OK for the most part. Even if I didn't think the choices were always appropriate, the music in itself was very good, with some nice ballads too.
A little bit of reality is also included, with the rewritten laws, protecting all, that's focussed on at the end.
Nice drama to welcome Woo Do-hwan back after his military service.
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aka: The End of the World With You ~ A surprising and very good watch
Done in typically Japanese fashion; a little quirky, gently paced, complex characters and mature content that never felt gratuitous, as can sometimes be the case in both gay and straight dramas/film.There's nothing like the end of days to make one evaluate the past and face up to stuff. If not for that, I doubt Masumi's previous deception, youthful arrogance and cruelty would have been forgiven at all. I choose to think he changed and learnt from his past, and lonely present. I was rooting for them to have a happily ever after.
I thoroughly enjoyed it and thought Yuma was a delight... the bit where he blows at something, was genius. Very amusing, yet it fit right in.
I thought the Kagami brother/sister characters were excellently played by Idegami Baku and quite moving.
It might not be award winning, but it suited me and my mood perfectly!
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Refreshing, touching and funny!
From the cast, to the humour, to the odd cringey bit, to the empathy, to the sadness... I loved this drama.There were times I pre-empted what would happen, but just didn't care... the delivery was spot on.
It was darkly funny at times and a bit eye brow raising at others.
Our FL has seen most of the women in her life trodden down. She doesn't hate men, but hates marriage, love and relationships, the things she sees as their downfall.
Instead she hooks up with men solely for one-night stands; or friends with benefits, nothing more permitted. She is hugely independent, stands up for women that are bullied by men and can take care of herself via sreet fighting style martial arts.
Our ML is a squeaky clean, handsome, polite, top romance actor, loved by everyone. Everyone except our FL, who hates him after overhearing him having a rant, when his views almost melted her ears.
Humorous events lead to them having to interact more and more, with comical and sometimes touching consequences.
The supporting characters are diverse, from the FL's parents (of a generation where women are subservient, not meant to have any, let alone strong, views), to her best friend who has a knack for falling for the wrong men; to the ML's bestie and manager (wonderfully played by scrummy Kim Ji-hoon), who is so free and easy with both men and women (he behaves in a way rarely seen in K-dramas), that I honestly think the writers wanted people to question... is he gay?.... Is he?... I'm not saying!
The actresses surrounding our ML and colleagues surrounding our FL, are sometimes stereotypical, but never dull (I loved the older actress embroiled in a bitter divorce).
We get action too, with some great (if not always very believable), fight scenes.
I really liked how this drama doesn't get too heavy, kept things mostly light-hearted, yet still manages to convey the imbalance in both the attitudes and consequences to, men v. women 'behaving badly' in the eyes of society; and that 'fans' of celebrities have far too high an opinion of themselves and their 'rights' in the lives of their celebrity crushes, which needs addressing, but never really is.
Also, that taking words and actions out of context, can cause unnecessary conflict and hurt.
With a great cast to boot, it ticked all my boxes and was far more enjoyable and funny than I ever expected.
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A truly vile conglomerate family!
Loved the acting, actors and characters. Really a great cast. I also thought this an original take on the usual underhanded, vulgar and megalomaniacal super rich corporate dramas that get churned out. The switch in time, very intelligent protagonist and the clever, manipulative ways in which he exacted revenge were all very watchable.I couldn't give a 10 because, for me, it was just too much high-powered, super rich wheeling and dealing. There was no let up at all, which I found a struggle at times.
I got that Do-Joon/Hyun-woo's primary goal was obtaining Soonyang, but some kind of breather from the constant business, corporate scheming and jargon, would have made it more enjoyable for me.
Definitely worth watching though and besides my few gripes, the pace suited the story and I thought the ending was excellent.
Shout out for the great young actor, Kim Kang-hoon, who I think we'll be watching for a long time. He's played many diverse kid characters in some great dramas.
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Stereotypes
Overall I enjoyed this drama, which had several plots intertwined and made for an interesting watch.With the cast involved, the level of acting was never going to be in question and none let the drama down.
I liked the threat element of the shady character who targeted people around Choi Chi-yeol (Jung Kyung-ho), which balanced the fluffy romance side quite nicely.
Whilst it made a change for the attractive, well off, successful lead male character, to end up attracted to and falling for, the older, quite dowdy, financially struggling (even though her traditional food business seemed to be thriving) lead female character (LFC), I found it a little uncomfortable to begin with ~ like neither were completely relaxed inthat element of their roles. However it did settle down and they ended up a believable couple.
What really stood in the way for me, was how they styled a beautiful actress, to look SO frumpy... why? She didn't have to be glamorous with a ton of makeup, too short/inappropriate clothes and ridiculous heels, but also not dressed like a granny.
Just because she'd been sporty, worked, brought up a child and looked after her brother, shouldn't mean she has no sense of style, especially when going out on a date. It really aged her too. That is stereotyping.
Same with the autistic brother... fine acting, which said it all and did not need trousers that were way too short and a look that could have been stolen from 1980s Rain Man! Just because a person is autistic, does not mean they have to dress like an overgrown child!
Lazy, lazy styling and woefully prejudiced to my mind.
Yet, on the other hand, what they did with that character's storyline, was a breath of fresh air! Infuriating!
I really liked the interactions and relationships between all the characters, although I do roll my eyes up when the nasty, rich, influential mothers abuse their positions to push their kids and usurp the out-of-place nobody.
1 in particular was not fit to be a mother at all, and how her story ended was not what she deserved... saccharin instead of poison.
A lot was forgiven of low-life characters in the skins of privileged, but not refined by any means, disguises. As usual, no consequences fitting their actions.
One part of the storyline that was completely superfluous to requirements, was the appearance of the LFC's sister. What was the point in that? It added nothing to the story, she was rude, selfish and looked down on everyone, including the daughter she'd abandoned and left to her sister to raise. She came, went and made no difference to the story at all.
I wasn't surpised at all by who the murderer was, but still enjoyed the twists and turns.
An enjoyable watch and whilst I personally wouldn't watch it again, I would still recommend it.
As a footnote, I wonder what all the nUtizens who always make rude and offensive comments about older male leads starring with younger female leads, feel about this main couple, with her being 11 years older than him! No doubt they'll still complain.
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Great FL / Character
I did feel that aspects of this drama were too drawn out (for example, the prescription, death of the previous Crown Prince, some of the lessons), which took away from the feelings of anxiety and threat a little. Old ground was covered once too often, instead of enlarging on other parts of the story, like the shocking (for the time) revelation about one of the princes.At odd times, I also felt the Queen's decisions were out of character and naive, when she wasn't at all (like being too trusting and leaving things too open to opportunity for their enemies).
If not for that, I'd have given a 10/10.
Everything else I loved. Kim Hye-soo as Queen Im Hwa-ryung was brilliant. Certainly not a typical Queen, she was very intelligent, opinionated, witty, feisty and compassionate. Even if she felt it, she never showed jealousy or was unnecessarily bitchy to the King's concubines, but did exert her authority when needed.
The concubines were a proper mixed bunch too.
I loved that whilst tough, the Queen was warm as a mother and didn't push her sons for her own benefit, but for their survival.
The other characters were really mixed and some of the ministers, whilst involved with plots and schemes, were taking sides to protect more than themselves and were not all power crazy; that gave this sageuk a different edge.
Kim Hae-sook (a favourite actress) as the Queen Dowager, with her poker face and fake laughs, was brilliant... the first time I've absolutely loathed her! 😄
One character I felt so sorry for, but they ultimately became their own worst enemy, so full of hate and revenge.
The plot twists, humour, shocks, moving scenes and ending, all combined to make this a really good watch. One I'd happily see again.
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Enjoyable watch
Whilst this drama has a feel-good factor, which rises above the entitled, bitchy, bullying, arrogant character-loaded scenes, it lacks a certain direction.From ep1, viewers are thrown into the action, with no lead-in or concept.
What follows are the struggles, aspirations, fears and realisations of 4 close friends; 3 in the fashion industry and 1 who is constantly dragged into it.
The industry is portrayed as it often is; full of mean, bitchy, cruel, ego-inflated nobodies, who think they are somebodies. Rumours that become fact and a very spoilt celebrity.
The worst, for me, were the "influencers". My goodness, if there are people with that much arrogance, I hope they watch this and see how pathetic their repulsive personalities are.
Stylists who are treated like poop by their 'stars', that in turn do the same to others.
Then, however, there is the camaraderie, honesty (for the most part) and support each of the 4 key characters have for each other.
There's a low-key (for 1/3 of it) love triangle, which tbh, never really felt that important. The weak element of the three's previous behaviour and reasonings were so ridiculous I felt no sympathy or otherwise.
This is a very superficial drama. I feel like the writers and director relied on glitz, sparkle and beauty (like Choi Min-ho with his shirt off), clichés and OTT gay characters, to divert from the non-existant plot and incomplete sub-stories.
So why did I enjoy it nevertheless?... because of the happy ending, the feel good factor and a cast that carried it all off as though it were... Fabulous! Glad I watched it.
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"Don't Call It Mystery" ~ call it quirky!
Loved it. Quirky, compelling, with mixed and intriguing characters that were so well cast. Masaki Suda was SO good. His character portrayal was my favourite and I feel he really made this drama go from "not bad" to "great".It isn't perfect, but so very enjoyable and gripping; I loved the dry wit too.
Kept me engaged all the way through and I binged the whole series very quickly.
I really hope there is a S2, as there were a number of loose ends and unanswered questions 🤞🤞
Really annoying that the minimum review characters is so high... I've written all I feel I need to, but can't post 😕 Try again...
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Sweet
It won't win awards, wasn't thrilling or outstanding, but, if you want a sweet, gentle, easy to watch romance, you cannot go wrong with this.Nicely acted, the usual mix of small countryside village characters, with the city lover who somewhat looks down his nose at their lifestyle. Until, of course, he meets a woman who changes his view.
With the ML being a vet who's thrown from treating pampered pets to large livestock, there are some witty moments and one particularly heart wrenching scene.
There's a bit of a love 🔼 but no nastiness.
Overall a decent, relatively short (at 12 eps), feel-good series. Worth a watch to pass the time.
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Refreshing
I was captivated from the get-go and became thoroughly engrossed in this series.Out of 16 eps, only one made me cringe a bit and that's probably more about my own discomfort over certain situations than the story!
An excellent cast, especially Park Eun-bin; without her extraordinary acting, which made Attorney Woo just that, this series could have failed.
However, this is a drama. It is not a reality programme centring around an actual lawyer who lives with autism, going about her daily life and work representing those that can afford it, at a high end legal firm.
S.Korea seem to be introducing characters with disabilities more (I thought the character in Our Blues, actually played by an actress with Downs Syndrome, was really ground breaking, yet rarely got mentioned). I hope it educates people (shocking they are so far behind), that treating those who are different to the 'norm' badly and dismissing members of society with any form of disability, or looking down on them, is unacceptable and shows poor and ignorant behaviour.
I think it is highly unlikely one would see many of the scenarios in real life, however, the way in which the programme brought to the fore Young Woo's different (often enlightening) perspective on things, was a joy. It showed that whilst she struggles with understanding human emotion, that didn't mean the character has none, and also felt hurt or concerned for others, just in a different way.
There are autistic savants (I have a cousin-once-removed that is, but he is more severely affected by it at the same time), so her amazing memory is not a step too far. Her obsessions, OCD and discomfort with human contact, I thought were well represented. I also applauded the episode showing the fact not all people with same disorder will be identical ~ there are different levels and the more severe cases are nothing like Young-woo.
Incorporating a romantic element for the character was good to see as well ~ why shouldn't or can't people care about and date someone with autism, if it works? However, whilst it touched on the fact Joon Ho was going to have to work harder at the relationship, would experience discrimination toward her (and their relationship) and would definitely feel lonely and frustrated at times, that aspect was rather romanticized. I think the reality would be more difficult, but equally, if it can work, hugely rewarding for both.
Issues of abandonment were upsetting, I thought and one character was/is irredeemable and not fit to parent. Young-woo definitely gets used, very coldly.
Sometimes aspects went a step too far out of what would be possible and the legal cases did at times feel like their authenticity was secondary, but overall it is a compelling series and I look forward to the developments in S2, even though we'll be waiting for some time.
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Enjoyable but haphazard plot
Enjoyable and gripping; love the cast and acting, the idea, OST and pace.All the usual sageuk plotting, scheming, jealousy, nasty characters and intrigue, peppered with humour, warmth and romance.
Cheon-ki was pretty capable and bubbly with a can-do attitude. Loved the supporting characters at the art school.
Ha Ram was quite melancholic and gentle, but with a darker side too ~ so well portrayed by Ahn Hyo-seop. His personal servant, Man Soo, was a favourite character (even though a small part), so well played by Kim Hyun-Mok ~ I just loved him 😁
Icing on the cake, is the dark fantasy element, which is a genre I really like and some interesting deities.
The leads worked well together and both are favourites of mine. AHS's voice is something else too, with a unique depth to it.
The reason I couldn't give 10/10, was because of a few holes in the plot.
Fantasy is one thing, but I got irritated by how easily a supposedly blind character could navigate stuff from walking freely to asking for written documents.
Also by how stupid Cheon-ki could be at times, in relation to getting when a character was possessed or themselves (black smoke and clawed hands should be a give away, surely?!)
Some of the scenes between her and her father I found a bit too melodramatic and the number of times she shrieked "abeoji, abeoji" made me want to scream!
I also found it hard to follow why Mawang only appeared at certain times when 2 characters touched and not others.
Finally, the reviewed second version of ep.1, put right after ep.1, totally ruined the flow of the programme for me (I watched on Viki). It duplicated so much of the drama and if I'd realised, I would have left viewing it until after I'd finished. It just did not fit there and would not have ruined the drama watching it later. Bizarre really.
Glad I watched it though.
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