Modern Romance, Intelligent Women
More mature portrayal of the career driven lives and very different relationships, friendships and families of the main 3 female characters.The hurdles of being in a relationship with a man 10 years younger are portrayed differently from the usual ones, which was so refreshing. The real issues that are hard to face or tackle, even when in love, are considered and doesn't have to do with the judgement of others for a change.
The women in this are all very different, but what links them is their drive, passion, focus and intelligence.
I very much liked the more mature conversations and interaction between Tammy and Park Morgan, which was befitting of a woman and man in their late 30s and 20s respectively.
I loved how one central female's frankly abusive parents and arrogant, audacious, overbearing mother-in-law, were portrayed; such good acting. Loathed them!
My personal favourite character was Scarlett, fabulously brought to life by Lee Da-hee.
The main male characters have an equally modern representation, as none are either phased nor jealous or intimated by clever, feisty and outspoken women. Breath of fresh air.
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Gritty Drama
Perfect casting of great actors, added to a well written script, really make this drama a cut above the rest.It is very hard hitting, with many of the crimes portrayed being distressing and brutal.
The lives of the rookies this story follows, from jobless to serving police officers, is so good.
The stressful, unappreciated and abused role they fill is at the fore, countered by the few corrupted members on the force, who sadly tarnish them all. Couple this with internal politics and an establishment happy to throw those with less power under the bus to meet their needs, makes me wonder how anyone would choose policing as a career.
If this drama is based on the reality of the Korean police and legal system, it is damning. However, it also shows the closeness of a team, of partnerships where they see more of each other than their own loved ones at home and the impact of betrayals on the moral of everyone associated.
The toll the job takes on personal lives is also touched on, with not just the case stories, but those involving the main characters' families being played out too.
Whilst disturbing, incredibly frustrating and upsetting, it is also funny at times and uplifting at others.
I am so pleased I watched it and would recommend this drama to others.
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Blues in various shades
A stonkingly good, multi layered story about life in a close community where many characters were childhood friends.Ups, downs, successes, failures, secrets, love, heartbreak, family, friends, regrets, dreams, forgiveness ~ it is all here.
I never got bored and loved how, whilst there were multiple stories connected to characters, there was a focus in each episode.
The tribulations of life that this series covered, were vast and highlighted issues rarely found in other dramas.
Depression, grudges, a husband beater, aging and pregnancy, to what really impressed me hugely, the challenges of living with and caring for someone with a disability.
The first actress / character I have ever seen in a K-drama, with Downs Syndrome. The prejudices and ignorance faced, in this day and age, which really exist, was shocking and heartbreaking to me. It both hurt me and made me so angry.
I sincerely hope that anyone with a warped attitude and stupidity towards this and other conditions, that watch it, will see how disgusting their behaviour is and educate themselves.
I laughed throughout and in the final episodes, cried. So moving.
Fabulous acting from the whole (GREAT) cast (the kids on it were SO good) and a soundtrack that fitted the style of the characters, their community and lives.
One I would highly recommend and would happily watch again.
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What a refreshing, well written, excellently directed, fabulously paced and realistic programme this is.
It is not at all sentimental, but feels very real and believable ; from the interactions of the main friends and their colleagues and families, to the patients, their problems and the anxiousness of their guardians. There is no overacting, no perfect scenarios, no obvious clichés, but plenty of laughs, some tears and frustrations.
Real doctors, nurses and carers should watch this too, as it portrays the care patients should get, as when they don't, it isn't washed over, but shown honestly and discussed.
The cast has been perfectly chosen and their relationships are very believable and honest.
I cared about all of them, felt invested in every episode and became quickly addicted.
This one of those dramas that stands out, because it is underpinned by talent from every angle; not by special effects, emphasis on gore, over-the-top fight scenes, power crazy CEOs and mistreated characters.
The struggles, tough decisions, stress and bonds of friendship that are played out, are like a breath of fresh air.
I simply cannot wait for 2021 and series 2, and I cannot possibly recommend this drama enough. Simply FABULOUS! Watch it, or lose out ?
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Utterly captivating
Jan 2025I absolutely loved this period drama. The episodes flew by and I will definitely watch this again one day. Fab characters, and, what I loved most.... great women!
The main female experiences a tragedy as a child and subsequently becomes an assassin, with the goal of exacting revenge.
The male lead was involved in the same tragedy and the two are fated to forever be around each other's lives.
The very first episode is one of the best ever openers, and had me hooked immediately. There is a bath scene towards the end that is just SO good!
The script is more mature than usual, and this made such a difference.
I realise voices are generally dubbed, but I also didn't notice the 'breathiness' that so often stands out to me, especially with the actresses. What I did notice was how bloody cold many of the sets were, with the steam from their breath often being visible!
I honestly didn't find any parts that dragged. The pace was mixed, from battles, fights, and daily life, to the romantic scenes. Whilst romance was an integral part, it didn't swamp things, or feel out of place; at least not to me.
I had so many favourite characters that I cannot list them all. Some grew, some lost their way, others seemed to lose their senses at times. The character I got most whiplash from was the General of Yan, Luomei. Her character was all over the place, purely to move the story in the right direction, but I could forgive that.
I really like the actress, Wu Jinyan, in the FL part of Meilin. There was nothing childish about her at all. Her expressions were subtle when necessary, with her eyes often conveying incredible fierceness. Her character was driven, tough, stubborn, lacked some of tge finer social skills early on, yet was also incredibly lost in so many ways. I felt she craved love, but even as her circumstances changed, she was never weak.
Now, the ML and his character... I have fallen for both! Liu Xueyi was fabulous as Murong Jinghe. Cold on the surface, playing a part, maniacal at times, and totally captivating. He never lost sight of his aims and was a tactical genius.
Concubine Yan was young, immature in life experiences and used to being admired for her looks, BUT, she grew, was sassy, intelligent and not horribly spoilt. I liked her a lot! The slow build of her love was very realistic.
The 'evil' characters were heinously good too, and well acted.
An excellent cast all round.
However, there were several let-downs...
The assassin side of Meilin was lost in the story. There was an occasion near the end where I felt her attire, for example, was all wrong. Regardless of her strength by then, her look just didn't fit.
It was the same with the General of Yan, whose actions didn't fit her personality and outlook, in terms of where her heart took her. Family honour was everything to that character, until it wasn't.
I also found having a younger version of Meilin in some scenes from the past, but then the adult actress in others, bizarre. Meanwhile, the General was portrayed by the same actor throughout. This was noticably inconsistent.
However, in terms of sheer enjoyment and not wanting it to end, I still think this is amongst the best C-dramas I've watched and would recommend it, especially if you're new to them... you'll be spoilt!
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Some different aspects for a Sageuk drama
December 2024Overall, I loved this. It's a classic sageuk drama. However, it is never OTT and all the characters are really good. I didn't find any annoying, although many were absolute barstewards, with others being too easily deceived, and/or misguided.
It does have a gentle pace, but whilst it lacks the action of many other dramas of this type, the plot is clever and aspects were extremely refreshing. There is plenty of intrigue, and intelligent plotting, with those trying to control the King and that position, mistakenly underestimating the person on the throne.
The love side of things is very subtle, but integral to the story, and I found it very romantic at times. The kisses were not at all steamy though, ever. The final one especially, really should have had far more passion. Kang Hee-soo was like a board! Is that the actress, or the director? One really needs a pinch for that :/
It was also very moving on occasion, especially early on, when Jin-han returned from Qing.
There is understated humour from many recognisable supporting character actors, as well as from the King and his guard, Joo Sang-hwa. Two of my favourite characters.
I loved Jo Jung-suk in the lead role; his expressions and habit of slowly closing his eyes when things started to press in on, or anger him, was so good. I really love his acting and find him easy to watch. He rarely fails to draw me in and I've liked a lot of the dramas he's appeared in. Two Cops is still a big favourite.
I don't dislike watching Shin Se-kyung, but I do find her acting quite bland at times. She rarely expresses emotion well and displayed too little passion, which this role was really all about (not just romantic passion, butcthatcof a cause too).
The most annoying character for me was Kim Myung-ha (Lee Shin-young), whose behaviour at one point, coupled with that of his father, made his reasons for hating the King and seeking revenge, somewhat hypocritical. Such a pious character, when he had little reason to behave that way.
I also felt that later into the drama, Mong-woo (Hee-Soo) should have had more faith in the King... but then, these suspicions are needed for tension and added angst, I suppose.
I must say that the Gidaeryeong was much, much too feminine to be taken as a man, so that might marr viewing, a fair bit, for some. I could overlook it, but at the same time I thought the role should have been acted with at least a glimmer of masculinity. There are many pretty men, but their gender is still recogniseable and in this drama that was needed.
The ending had a number of gaps, but was acceptable, and the latter part of the final episode did feel rushed, in comparison to others.
However, I would still recommend this for sageuk drama lovers; overall, it does not disappoint and there are a few things different to the norm, which gave it that bit more.
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Disappointing story, but loved the cast
July 2024I think I'm going to be in a minority here, as this really didn't do it for me.
I did like the cast a lot. As an aside, I have to say, I find the difference a head of longer hair makes to JKY's features, astonishing. It totally softens his appearance and he looks younger than he does in some of his other roles (which are quite diverse). Took me a minute to recognise him!
I thought the latter half of the drama was better, as the pace picked up, but none of the characters grew on me. Bok I-na got a pass because she was young and surrounded by a selfish bunch of supposed adults, in her terribly dysfunctional family.
Every character in that family annoyed me. All wrapped up in themselves, cold and narcissistic. Whilst they may have lost their powers, it quickly became evident they did nothing wortwhile with them before. The poor father figure was nothing more than a servant and completely taken for granted.
I have only ever watched 2 dramas that involved time-travel, where the plot didn't either cause confusion, or lose its way, and this isn't one of them.
There was just too much of Gwi-ju revisiting specific scenes, refusing to give up on trying to alter events, which his 'superpower' doesn't allow him to do.
He himself seemed to begin to question reality / time, as did Da-hae and to be honest, I was in there with them!
Da-hae's 'family' were unpleasant as well, running a sauna and ruthlessly scamming people on the side. I thought they were all made for each other.
The story attempts to salvage all their personalities, but for me it was too late. I did feel a certain amount of sympathy for Gwi-ju, but more for poor I-na. Regardless of the past, he had a duty of care, but instead wallowed in self-pity. The Grandmother was no better and probably my least favourite character, together with Baek Il-hong.
I found a fair bit of Gwi-ju's bouncing around his past very confusing and most of the time, pointless. The plot feels made up as it goes along at times, with no explanation of why certain things are possible. What lies in the future is another can of worms.
Considering they were born with powers and grew up around them, one would have thought they, and definitely Man-heum herself, would be used to her dreams and how to interpret them; but no.
I found the ending bizarre and simplistic, as well.
The very point of their powers was never touched on either and I certainly couldn't work that out.
Very disappointed; I expected more.
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Haphazard at times
June 2024Google's "in a nutshell" description for this drama reads, "Unsettling, hopeless and cynical", which pretty much sums it up!
Whilst the cast and their acting, is really good, the script is all over the place.
The story keeps haphazardly jumping between the recent past (pre-asteroid) and present, with no warning and little reason for doing so, quite often. This can be confusing and at times I wasn't sure where we were, so to speak.
As news of the asteroid strike breaks and the subsequent countdown to impact begins, we of course see the worst coming out in many people.
From the wealthy and powerful leeching off the ordinary citizens in communities, to secure a way out of Korea (ground zero), to criminal gangs who see ways to make money and exploit the fact law and order has broken down, and it's swiftly become every man for themselves. They seem oblivious to the fact they'll never be able to spend it!
The reactions of some characters to decisions they make, are often inappropriate and/or baffling, given circumstances, reasons and situations. I found this frustrating and irritating.
It does also show a close knit community as well, however, and that stops it being dismal, although it's by no means upbeat.
It is a very weak script, with several plot arcs being speedily concluded, at the cost of the story. Disappointing.
It's a huge shame, because I liked many of the characters, but the build up and the conclusion were incredibly mismatched, even though it made sense.
As is often the case with a good cast who give it their all, they carried this drama and made it watchable. Even though I'd never bother watching it again, I can't say I disliked it, but I was very disappointed.
I've said it before and will say it again; if Netflix are going to make K-dramas, they need to stick to the format that is one of the reasons many of us fell in love with them in the first place. A story told completely, in usually 16 to 20eps.
Not 6-12 eps, with no conclusion and a possible S2, but that being dependent on ratings. Or as in this drama, a complete ('Limited') series, but with an inadequate number of episodes in which to give any depth to the story or coherent conclusions.
Great OST and I loved the acting, from all the cast. One would never have known how much YAI must already have been suffering, at this point.
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Classic K-drama style
April 2024I love the cast, which drew me more than the plot, so I wasn't sure it would have me watching in one go (or if I'd even like it and end up dropping). Wrong.
The series has a mix of melodrama, kept from being hard work by some genuinely hilarious moments, with plenty of tension, very good acting by all and a bit of action.
It feels quite 'K-drama classic' in style; think a lot of arm grabbing, and pulling out the way of oncoming dangers, with a little reality being thrown to the wind at times, for thrills/tension purposes.
The characters are also the classic dysfunctional Chaeybol family (a mix of greedy, cold, slightly crazy, inept, naive/not bright, and disappointing/soft heir) and country farming folk.
The evil characters really are and very well acted (well done especially, Lee Mi-Suk), not OTT at all.
The 2 Kims make great leads; they are such good actors and I really liked their chemistry. There were some weak moments in the script, but with them at the helm, I actually wasn't that bothered!
I loved seeing Song Joong-ki in his cameo role, and the way he is described by Hyun-woo's lawyer best friend, using all characters SJK has played in the past, is a touch of brilliance!
Even though there were a couple of eye rolling moments for me, I actually loved this. I unexpectedly binge watched and then decided to wait for final ep before completing, again binging to the end and going to bed at silly o'clock.
The OST is lovely too.
I would certainly recommend it!
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Feel good
March 2024Great cast, great location, great story, great fun! This has everything. Family, community, enduring friendship, loss of purpose and mystery. It's all wrapped up in a more sedate coastal life, where the most exciting thing to happen, outside of the local ssireum (traditional Korean wrestling) team's matches, is a local dog constantly slipping its leash and running off, hotly pursued by the 2 local police beat officers.
The warmth this drama exudes is so lovely. It's a small town, where everyone knows each other's business and when they don't, gossip takes over. In some cases small lives breed small minds, but as happens, many find it hard, or even impossible, to face up to their mistakes and mistreatment of others, when they should know better.
I loved that there was NO stupid, slapstick humour in this, even though it's a comedy-mystery-romance. There are plenty of laughs, generated by daily comings and goings; main character, Kim Baek Doo's, innocent, simple (NOT stupid though), contemplative personality (wonderfully interpreted by Jang Dong Yoon); and the often comicly mundane.
I really liked the coastal setting (filmed in a small area of Pohang, North Gyeongsang), which felt so normal, rather than picture-book pretty. It wasn't unpleasant, by any means, just normal, if that makes sense!
A serious incident leads to the lives of almost everyone in the heart of the town and connected to the ssireum team, being affected one way or another, as tensions build.
The past comes rushing back and some old scars are revealed, to be finally allowed to heal.
Whilst simplistic, it really is a great watch and although I guessed the culprit, it didn't spoil my enjoyment at all (typecasting has a lot to answer for).
The ssireum matches were fabulous and honestly had me twitching in my seat!
Not one character irritated me, even though there's a fair bit of physicality between a few. They get away with it though, because it's not mean or nasty, but out of affection and simply how they interact. Very exuberant.
Most characters are pretty noisy, too; but again, it's how most (not all), speak to each other. Their accent is fabulous. I really found myself engaging with so many of the characters and the cast did themselves proud.
Definitely one to try. I'd happily watch it again.
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Accept it's a fluffy rom-com, not RL, and it'll be a fun watch
Aug 2023A great big squishy ball of fluff, in the traditionally wonderful vain of many successful rom-com K-dramas.
You get the flashy backdrop of a wealthy family run conglomerate; the main story centres around the successful 5 Star hotel, while also featured are the company's Airline and a high end clothing branch, where each of the FL's 2 besties work.
Within these settings are power struggles, prejudices over education, divorce and social standing, with a smattering of greasy palms, connections and the usual jealousy, spite, bitching and abuse of the have nots/underlings. Some characters are wonderfully nasty and underhand... I was having a right go at the TV on many occasions! ;-D
Then, of course, there is the most important, most focussed on, romance between our drop dead gorgeous ML and effervescently can-do, pretty FL, who when at work speaks in the same way UK announcers did in the 50s ;-D and smiles through 99% of everything that a busy day as Hotel Concierge can throw at her.
Due to a childhood trauma, our ML hates what he sees as the false smiles automatically plastered on the faces of a large percentage of the hotel's staff and refuses to either conform, or acknowledge them.
With our FL gaining success with her attitude and having more and more dealings with our ML, it's very much an enemies to tolerated colleagues, to friends, to lovers.
There is almost every cliché in the book, from one falling into/onto the other, a bike ride, fairground visit and sudden overnight stay, to money getting offered to get rid of people.
There are also the trials and tribulations of the FL's 2 best friends sewn into the story and plenty of light moments with the ML and his dork of an assistant.
This fit absolutely perfectly with what I wanted to watch. There are imperfections (I never really understood why someone who disappeared, did) and realism is often overlooked to make things and people beautiful, and the story work... but the drama is a rom-com and from the very amusing first arrival of our ML, does not set itself up to be anything remotely true to life, so no disappointment in that respect, for me.
There was one scene near the end, with the FL's grandmother (played by a favourite senior actress, Kim Young-ok) that was so touching, I needed tissues.
The music I did find exceedingly odd at times, especially when a group of them visited Thailand... it was almost hilarious, with what sounded like bangra, and Ska!!! I've heard traditional and modern Thai music and it didn't sound like that!
It's no more than a bit of fun, and a great feel-good drama. I quickly ate up every second of it!
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Missed the mark
This very calm and meandering drama has a slightly surreal feel to it.From the FL character of Ji-eum, who has been reborn early this life and has always been able to remember her past lives (with varying degrees of clarity), to the characters she's reconnected with, it's presented as being all rather mysterious.
Ji-eum is quirky, unique and very focussed. Several scenes made me laugh and I liked Shin Hye-sun's portrayal of someone with an extremely old and life-experienced soul, in its new body (loved her in Mr Queen too).
As she reconnects with the now grown up young boy from her tragically cut short last life, various conspiracies and ominous predictions come to light.
The first few episodes I found captivating, but the pace never picked up and the 2 main mysteries that revolved around her, Seo-ha and some of the other characters, kind of fizzled out as they were brought to their conclusion.
It was a nice watch, but I didn't find it in the least exciting, or exhilarating. I was invested, to find out why she was stuck with so many memories, but disappointed in the fact the conclusion in this life was just so 'meh'. There was one bit in the past that did make me gasp though.
The revisits to her past lives were some of the best bits, I thought.
How the other mystery got solved, was again so flat. It felt like imagining you were climbing to a great height, to find you were only on level 2! 😄😬
It totally lacked any punch at all and yet with the plot it carried, there should have been so much more. I have no idea how they managed to lose the momentum entirely. There was more than enough opportunity, but time was instead given to very wordy scenes where she was basically trying to tell Seo-ha who she was, without actually saying it.
I really liked the character of Seo-ha, whose childhood traumas left him scarred in so many ways. He was gentle, clever and had a vulnerability about him, but was not pitiful.
It is a very romantic drama, however, in the nicest way and that, I thought, they got right. The relationships from the past and present, that bind the characters together, I loved. That was the drama's saving grace.
I also liked that Ji-eum's past lives were both male and female, from different continents; they weren't all the same actress in varying guises, which is not what reincarnation is about at all. I would have seen that as a lazy cop out in production.
Overall an OK watch, but it did miss the mark and fell short of what it could have been. The cast did not disappoint, however and the soundtrack was excellent (especially loved ABH's contribution, Colde's 'Star' and Jo Yuri's 'Down'/Juicy Juicy).
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Engaging
First trigger warnings: there is violence (torture, child abuse references, bullying etc) and some quite graphic images.I watched on Viki, where it is titled "The Killer Inside".
This drama had plenty of twists and turns, intrigue, deception, threat and surprises.
I did decide fairly quickly who I thought the culprit was, and turned out right.
However, this drama kept me engaged right the way through and I watched all episodes back-to-back.
The cast was pretty good and suited their roles. Some very unpleasant and messed up characters. A little over-acting at times from some, but not too often. Occasionally it felt a little stilted/awkward too and several scenes were less than credible (the court scenes were a little bizarre - no witnesses or indication of what exactly the trial was of), but overall I thought this a decent watch and needed to know the outcome.
I did also wonder how a character could return to more or less where their life left off, after having been incarcerated for an unknown length of time (clarity around that would have been good). Hey, it is fiction though!
Credit to Yamada Ryosuke and Kawaei Rina, who I thought were very engaging.
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Gripping
Incredibly intense at times, very human and believable, plus moving.A fascinating insight into the very humble beginnings of criminal profiling in S.Korea.
The dreadful way many colleagues and 'higher ups' treated the 3-man team of the profile unit, was disgraceful. From where they were located to how they had to fight every step of the way, until their methods showed results, time after time.
Kim Nam-gil and Jin Seon-kyu were excellent in their character portrayals, worked so well together and their character's totally different personalities complimented each other perfectly.
KNG's character's change through the episodes was a hard watch at times and I really wanted to climb into my TV and give him a hug.
Another character that matured through the series and quietly added so much to their small team dynamic, was Analyst, Jung Woo-joo (Ryeoun), who was a delight.
The different cases they became involved in were very gritty and quite distressing on occasion, ranging from rapists to child abduction and murder. It wasn't quite as gory as some series I've watched, but very unpleasant at times, adding to the reality of just how sick the serial killers they profiled, were. This eventually took a toll on some.
I hated the police's Commissioner General; even though the series spans a number of years starting in the 1990s, his out-of-date behaviour (even for the time) and attitude was shameful. From regularly using physical abuse of his subordinates (who were not low down the pecking order themselves), to demanding results as though evidence and perpetrators could be magically created, he was an embarrassing portrayal of a senior figure in S.Korean law enforcement. He even demanded unsolved murders be blamed on an existing criminal they'd caught, who had nothing to do with them!
Luckily, 2 senior colleagues (Baek Joon-shik and Heo Gil-pyo) were supportive and ensured the profile team were utilised and respected.
The length of this drama was shorter than the norm, but it never felt rushed and the story was almost perfectly told in those episodes.
There was one scene where an alluded murder victim was disposed of, but not covered when the killer confessed and I didn't get that. It was never mentioned.
Likewise, exactly what happened to the people replaced when changes were made in the police hierarchy, once the profile team had their first major success, wasn't made clear.
There was also no follow-up, or any insight into what became of the convicted killers; their sentences weren't even given.
Had those things been clearer, I would have given this series a 10.
The fact this is based on reality and a book written by one of the profilers, makes it all the more compelling.
Recommended!
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Gritty but ultimately disappointing
Not sure whether this was made to shock more than thrill and have us biting our nails. That's how it turned out for me and the shock wasn't, sadly, in a compelling storyline, but the fact it is very different from the vast majority of K-dramas, with sex, nudity, swearing and sex talk.Sadly the sex scenes felt too unnatural and gratuitous in several instances.
I found the plot very disjointed and one particular, very vulnerable, character's actions had me losing all sympathy for her situation and totally lost credibility. Utterly stupid decision making.
The Shamen was.... ??? Really, like, what was her purpose.
The police were a waste of space and screen time; inept and utterly useless.
The actions of supporting characters with the aforementioned vulnerable character in some latter episodes, were frankly unbelievable and totally ruined those scenes for me.
By the end, I was not at all surprised at how weirdly it was left.
The cast were very good (only reason this gets a 6 overall from me), but the story could have been so much more.
I would not watch this again.
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