Kaptan

I understand.

I don't criticize without saying what's wrong. You didn't read my comment at all. I wrote what happened there as a fill-in-the-blank. Watch the 28th episode and tell me an activation related to the story and I will apologize to you. No. He just came and met with the King. The rest is empty. Don't make wrong comments before watching and reading my comments. Words like where it was were very wrong. If you are defending the screenwriter. You also tell him what he did right. I'm saying this for that section. And I say you are right. You criticized me from the beginning, without reading or understanding. This is not unique to this series. However, there are many empty episodes like this in this series. If the department is going to be filled with soldiers drinking alcohol and chatting nonsense, I should start writing a script. Many people like you won't mind anyway. There may be people who ask what the topic was. And those who say where were we? Or what were we actually watching? What was the purpose of this series, the path it showed us, what we learned. I learned empty conversation. I threw the ball and caught it. When I was bored, I wandered around the countryside. I even made peace with my lover on and off. Even the Prime Minister's daughter from his concubine started to harass the Prime Minister. We'll have a new villain. You know, a kind, helpful, good person suddenly turns into a murdering monster. The Prime Minister also looks at him and smiles. I think he gives permission. From the helpless stepchild. The screenwriter who created a heroic personality is doing this now. The gossipy second brother is almost becoming emperor, he's becoming so skilled. So the screenwriter changes characters. We were confused which character to believe. After making our heroic girl, Lieutenant He, look helpless. Now, when he suddenly appeared before the emperor, he was announced as the glorious general. Don't you see any contradiction? What is this scriptwriter or a few people doing, these scriptwriters? I'm saying it was written by one or two people who don't know about each other. It's such a twisted scenario and some parts are really empty. If you prove to me the fullness of chapter 28, I will apologize to you. But please watch it first and then read my comment.

I agree. I agree the same. I have been criticizing this issue for a long time. My criticisms did not find much response. Some of my friends chose not to believe me and criticize me even though I stated the mistakes, errors, contradictions and empty sections with proof. It made me happy to see someone like you who thinks the same way as me. Thank you.

Yes, it is done a lot. There are many mistakes. If different people write differently, it's more obvious. Because while you're watching the beautiful aspects, suddenly very stupid things happen. So, all this is due to the difference in screenwriters. It never occurred to me. Thank you.

I agree with your opinion. It's starting to happen more in Chinese dramas these days. There is a problem with the scriptwriters.

I find the scriptwriter incompetent or malicious. I believe he did some things on purpose. If he is doing it consciously, there is only one explanation for this, and that is to complete his 40-episode screenwriting contract. In one way or another. For him, it doesn't matter whether it was good, bad, wrong or empty. It fits his mind. I think he doesn't care about the audience or keeping the script more solid.

Episode 28 was a very empty episode. I was criticized a lot here when I talked about the mistakes, errors and emptiness of the scriptwriter. Those who watched this episode said, "What did I watch?" The queen's banquet, games, dancing, idle talk. Li Ni.'s soldiers' conversations, drinking, jokes, flashbacks, a look at past events. It was just a filler-in-the-blank episode. I mean, they said the series had 40 episodes, but it should have been 30 episodes. This clever screenwriter charges extra for 10 episodes, so you should have 5 episodes. It would have been much better if it had run its course and been based on a scenario driven by a modicum of logic and reality. It's a good story. But the way it spread was not fiction. My opinion.

If you are watching the series, you should ask. Why did Lieutenant He, whom you describe as a hero, become helpless? Suddenly, his helpless stepson, who had not been seen for months, suddenly appeared and commanded the soldiers and tied them to himself. We learn in the next chapter. Fascinated. However, the character of Lieutenant He was introduced as a hero. The fighter fights alongside the warrior, the soldier, and has led and won many battles. The soldier knows and loves himself. Did he suddenly stop loving? Forget the military or the generals? Was everyone stupid?
If he was a hero and a good fighter, why didn't he beat his helpless stepchild, kill him, catch him and tie him up, and then run away? If you say he couldn't do it. Then how did they reach the great general and cure him? Can't anyone who enters there enter the other place? Or is Lieutenant He unable to do this? Then why did you present this woman as a hero to us? A personality that hit everything, fought and fought with everyone suddenly became helpless. Now the new hero has become the helpless stepchild. If you ask why? How will the scriptwriter fill 40 episodes? He created a new hero. Now that hero escaped from the ambush and deceived the second prince. We will watch who else he will deceive. My friend who asks me "Aren't you watching?", are you watching but don't you see these? Do you think it's normal? I do not think so. The scriptwriter contradicted himself. The mistake continues exponentially. In the future, he will deceive the emperor, destroy the country from behind, and declare himself emperor. If you watch like this, this will be the end. Good luck watching it with the scriptwriter. I am watching.

That's the only thing I agreed with. Also, in the next chapter, I learned that the soldiers there were fascinated. That's why I understood that they were against it. However, what I really want to say is that the mistakes continue. And it continues exponentially in the following chapters. I explained this above. It's in the answers I gave to other friends. If you read, the main thing I want to tell you is the mistake and I objected to it continuing. I found it wrong. It's about the characters. The screenwriter contradicts himself with the characters he created. The editing is wrong. If you read it, you will understand.

I agree with what you said. I realized this in the following section. However, as the scriptwriter dictates to us, Lieutenant He or he is a hero. He is a very good fighter, a swordsman, and can fight head to head with men and even Li Ni. He's a very good soldier. The military follows him. wins victories. While this is the case, the stepchild is a helpless and sick person. He is someone who acts completely dependent on Lieutenant He. That's how he introduced it. It was said that this stepchild is dead. He was gone for months. He came suddenly and changed everything that same day. This means that the Lieutenant He character that the scriptwriter introduced to us has emerged as a completely helpless character that never existed. Why doesn't he tackle his stepchild when they are alone? Beat or kill. Or catch and tie. You will say that he cannot do it, his father is in danger. Here's the problem anyway. He knows this. Even though he knows that your stepchild has done everything, he doesn't object. If he was afraid that he would kill his father, I think he should have killed that person. The Lieutenant character that the screenwriter introduced to us could do this. He couldn't. He became helpless. You will say that he couldn't do it anyway. Well then, how did the assistant woman reach the Great General and save the man from the poison? He healed. He's in and out. For some reason, Lieutenant He cannot come out or come to him. Isn't this a contradiction? The wrong constructions of the screenwriter become more and more wrong in the following episodes. Everyone is dying, all the heroes, generals, governors are leaving one by one. The helpless stepchild, on the other hand, escapes from the ambush and continues to deceive everyone he comes across. Do you think it's believable? I think it's wrong. But how will he fill 40 episodes? He will fill the mistakes by multiplying them and making the helpless a hero. I found it wrong. It ruined the reliability and beauty of the series. I would give 9 points. I don't know if I would give it a 6 now. Still watching.

I watched it afterwards. I learned some things. But it does not answer what I fundamentally object to. I explained it at length to my friends above. If you read it, I told you what I found wrong there. Showing our daughter, who was attributed as a hero from the beginning, as helpless, and heroizing the stepchild who is shown as helpless and sick. Great generals and governors were killed. The people who did these are our war-winning heroes, our daughter Lieutenant O and Li Ni. So what happened now that the hero changed? He even went and deceived the second prince. You will see that in the other episodes, there will be no man left that he will not deceive, and he will even reach the level of overthrowing the government. How is it? If you think it's normal, I don't think it's either. I think the scriptwriter's fiction is wrong, I don't agree with you. You may not agree with me either. I am making my statement. You criticize without doing it. This is my opinion.

You are reasonable again. Yes, I agree that the soldier didn't know she was his daughter. In fact, in the next episode, it is seen that those soldiers are fascinated, let alone not knowing. I agree there. But what I really want to say is how they fascinated all the soldiers. Secondly, how is it that our fighter, strategist, heroic daughter is put in this situation against her sick and helpless stepchild? She can't beat that stepchild when they're alone. She can't beat she. He can't even kill her. She can't take prisoners. At least tie it up. Supposedly, this girl is described by the scriptwriter as a hero, she is the one who fights with the soldiers at the front, she is a kung fu master, she competes with Li Ni in the use of swords and arrows, she is good enough to compete with him. The other one was bad too. Why couldn't he do anything to her? Notice I'm saying this when I'm alone. Don't say it's because he thinks about his father. He takes the man and ties him up. Or takes him captive. Don't say you can't do it. Since they entered his father's room and treated him, this must be happening anyway. Why didn't he? Not done. I think the screenwriter should have taken these into consideration, too. I criticized him for not taking it. Now he is correcting these in the following chapters. Which goes on and on and on. Now that helpless stepchild escapes the ambush. He goes and deceives the second prince. The man was transformed from helplessness to heroism into a creature that makes everyone miserable. I understand the scriptwriter. How will he fill 40 episodes? Great generals, governors, famous warriors were killed. This helpless stepchild took their place. I found it ridiculous. Wrong construction in my opinion.

We understand that no soldier knows or cares about our daughter, who is presented as a hero, who is an expert in fighting, a master of strategy, and who fights on the front lines with her soldiers in place of the sick person called her brother, and the generals do not believe her. Suddenly, everyone swears allegiance to the stepchild who has not been seen for months. Do you think it's believable? I think no. I don't agree with you.
However, in the next chapter, we understand that the soldiers there were fascinated, and this was understood thanks to the general's awakening and resistance. Why didn't our daughter defeat the helpless stepchild with her talent when they were alone? Or couldn't? She took no prisoners. Or he didn't kill. So if we get into it, we won't be able to get out. This leaves a lot of space. Section extension efforts. You say the following sections. Those who did this were ambushed, but the stepson escaped again and is now provoking the second prince. What's this? This stepchild is an army on his own. He deceives everyone he meets. It is eaten. He ambushes. It is incapacitating. All heroes. Those who defeated armies and conquered countries are shown as incapable. Don't do it. Also, don't give me advice to watch the next episode. If a mistake continues, it will continue exponentially. That's how it folds. My opinion. Scenario mistakes made by the screenwriter to lengthen the episodes. Of course, he will also fill 40 episodes, it is impossible not to agree with him. However, you make one person seem too superior. You also belittle those you portray as superior. He contradicts himself. Look, even the Great Generals have gone astray. But a helpless, sickly stepchild challenges everyone. No matter how you look at it, this stepchild turns into a hero created by mistake. I think it's a misconstruction.
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The event I described above will be Episode 22. We learn in the 23rd episode that the soldiers of the Cui Army and the two commanders who were shown as examples were fascinated. Because of their magic, the soldier swears allegiance to the stepson. They don't even listen to the Great General. Ultimately, the stepson escaped, thanks to the soldiers of the tribe who cast spells. Now I'm asking why the stepson didn't kill the father, his daughter, and Lini with the archers when he had the chance. He couldn't kill him.
My second question is that this tribal state has such a talent. He defeats everyone by using magic. Why couldn't they become a Kingdom, an Empire, and defeat all the armies? They could not own all the lands. You know what they say, "If your bald had medicine, he would put it on his head." that account. I think the nonsense continues. No, there was no screenwriter. You entered it wrong, your mistake continues.
For example, the girl was a complete swordsman, she was much more advanced than this stepson in swordsmanship and Kung Fu. Even the man's helplessness was in question. He was sick. Has he improved now, but his Kung Fu has reached its peak in 1 month? Does he no longer know any rivals in swordsmanship? So the girl had to defeat him hundreds of times with the character structure that the scriptwriter introduced to us. He might even kill them a few times when they were alone. Let him take it down. None of them did. Our daughter has become helpless. Okay, he thinks about dad. He even thinks he killed his father. He shakes your hand. If he sticks two, the man will be destroyed. The character that the scriptwriter introduced to us was such a person. He was fighting head to head with Li Ni. What happened, screenwriter? Tell us about it.

In the 21st episode, the stepson, who has been absent for a long time, suddenly appears and gives orders to the Cui army. His daughter Cui Lin, who until then had been the second man behind her father, is held responsible for her father's death, along with the man she loves, Li Ni. Now I'm asking the scriptwriter and everyone who wants to answer. How in one day this stepson began to command the troops and blamed his daughter for her father's death and had her arrested. This degree went further with him. Why did the soldiers listen to this stepson? If anyone can answer, welcome. Supposedly his daughter was a hero, the soldiers' number one. She was her father's special daughter. Is the soldier that stupid, come on, the soldier is stupid, other generals. Are the commanders stupid too? The scriptwriter is very cheap labor. I didn't believe such a thing. It's not believable. Very suspicious. No one is saying that Bu Li Ni, for example, has been here for 1 month, she has not behaved in any way harmful, but she was around you? Secondly, the medicine was given to the Great General by the writing girl or Tao Zi. Now what happened and how did his stepson have to give it to him? There are no officers next to this Great General. There is no protection. There is no soldier at the door. No one sees anyone entering or leaving the tent. Suddenly this personality suddenly becomes the number one in the army. And those generals. Intelligent people. Come on, the scriptwriter is not smart. What about them or us??? I would have expected at least someone to object, screenwriter. It didn't happen.

I'm watching episode 31 right now. In the previous episodes, LianXiu's wife wanted to kill Consort Lian and LianXin's son. The child was saved from death, supposedly, thanks to the Prince's foresight. However, the child who replaced him appeared to have been stabbed with a knife. This means that the Fourth Prince's Consort wanted to have Zhao Er killed. The prince ordered death. At that moment, Ms. Lian came in and said, "No, don't kill me." He said something to the effect that my child would be responsible for their deaths. She wanted them not to be executed. The Prince imprisoned the Fourth Consort. There is not even a punishment for her husband, the Prince. After the incident, ZhaoEr was kidnapped. The prince passed away after he was kidnapped. He was replaced by LianXin. While giving gifts to his wives, he gave a dress to his first wife. The dress given as a gift was burned. We saw that the wife of the fourth prince, who was given a death sentence but was imprisoned, covered the gifted dress with a flammable material, so the dress burned during delivery. The first wife and some of the other wives also thought that Lian could do this because she was playing first wife. Now our scriptwriter must be an ignorant idiot who thinks everyone is stupid and he is smart, because in this era, trying to kill a prince's child is a death sentence. There is never any forgiveness. Even if you think that she forgave her child, killing a woman who was not even considered a human at that time was a momentary thing. Anyone who knows history knows this. Guess. Even little kids. If you were to turn an ox and say that this woman tried to kill my child and stabbed her with a knife, what do you think her punishment would be? Even the ox says DEATH. I'm talking about that era. On top of that, the same woman has left the room in which she was imprisoned and continues her dirty work, denigrating people, killing them, slandering and slandering them. So the evil continues as if nothing happened. What do you think of this, screenwriter? Are we worse viewers than oxen? Do we not understand anything? Why do we even bother watching this series? How can a director film this nonsense and have it broadcast as a TV series? The series was given 7.3 points in the lists on this site. If the nonsense continues, it will drop to 6 points or even 5 points. Isn't it a shame for the players? Isn't it a shame for the effort? You'll talk nonsense, people will watch. Will he say oh how nice? Shame on you. I condemn the scriptwriter.

I watched 6 episodes. Our girl Cui Lin, the character of He, is ripping off the character of Li Ni from the beginning of the series to this episode. Continually. I think our scriptwriter either overdid it or screwed it over a lot. This is too much. How many more episodes will we watch of such a one-sided incident, scriptwriter, do not overwhelm the audience from the beginning. Li Ni also can't get enough of being ripped off. He says he will call to account, but he can't. Don't cast a shadow on the beautiful series. Screenwriter, you are destroying what you wrote with your own hands. Let me tell you. Don't do it.

I knew the series for 26 episodes. It turns out there is a 27th episode, I don't know if it has been delayed or not. When I watched the rest, I said it didn't end well. However, they added a very nice ending. I took back my word. Secondly, I said that Irene Song's tone-old look suits her very well, the two do not suit each other, but her aged version and her portrayal were very nice. The little girl and the way she made the emperor faint were both beautiful scenes. The family came together and it was a happy ending. Thanks...

The selection of nonsense continued in the 24th episode. This time, Miss Lian scolded her male servant, that is, she did something she had never done before, and even told him to break his leg. The first thing that came to my mind was this. If Ms. Lian says these, she has undergone a personality change. Or it's part of the plan. He does it specifically, his maid steals one of his valuables. Again, Miss Nan RuZhen comes and saves that maid. Because she took the stolen item to him and gave it to him. He takes the maid to himself. Is it that simple? Why does Nan RuZhen oppress Miss Lian so much and she can't do anything? There is only one explanation. The scriptwriter would continue like this until the end and annoy people, and then this was a plan. He will say this is what Nan RuZhen did and make sure she is punished. Is there credibility? Miss Lian, who had always been sensitive towards all her servants, suddenly became a dictator. He hangs and cuts. But he is helpless against Miss Nan RuZhen. Shall we believe? What a pity. A screenwriter who literally makes fun of the audience. A screenwriter who makes the audience suffer for his own selfish interests. I condemn him.

I don't think I've ever watched an episode as ugly as the 23rd episode. First, the prince whose daughter committed suicide is still shouting, "I made a promise." So he wants his daughter to marry the man he gave her. She gives poison to the one who saved her daughter. Drink it, he insists. Then, upon insistence, she forgives her daughter but says, "You are not my daughter anymore." I hate it. Supposedly she was his favorite daughter. I mean give up, screenwriter. This is such a disgrace. At least you wouldn't write such words.
Second is the importance attributed to this Nan RuZhen. It was not even clear where the woman came from. It was just inserted by the scriptwriter. Afterwards, Lian was made an enemy. Even though what he did is known, it is still not mentioned. The scriptwriter is deceiving the audience. The same woman causes Lian to miscarry her child during childbirth. Again, it's not his fault. There is still uncertainty. Supposedly they are looking for evidence. So why was his maid killed? Thirdly, was he with someone in the pavilion, a scholar, with Nen RuZhen? The person only remembers the perfume he wore. How ridiculous. It is unclear what was asked and what was said. If this personality is the person shown, he tried to kill Lian and turned out to be a woman. Nan RuZhen is coming to ask for accountability for this. She raids Lian's house. He slaps his servant. She tries to see his belly. She walks into her bed and finds out that she is pregnant. How can she let her mortal enemy into her room so freely? Ms. Lian is showing her belly. Why don't they meet him at the door and drive him away? Why does this lady Liman, who is such a philosopher, remain so simple to her enemy? She just looks at him with her hands tied, unable to do anything. If anyone understands the reason, please explain. Fourthly, her sister's brother, who left her house after betraying her and went to his enemy Nan RuZhen, comes back. She shamelessly says that she came to congratulate her sister. Her older sister had a miscarriage. No, he went into exile. There is nothing left that hasn't been done by Nan RuZhen. Someone tell me what kind of love this is. Screenwriter, are you a narcissist? Or are you the cruel type? Are you crazy? There will be too much to say. There have been too many of these. That's enough bro.