I'm really excited for this, but I hope they change some elements of the movie, especially the ending.
(SPOILERS FOR THE MOVIE AHEAD)
I think the ending where Duri sacrifices her youth and her chance to live an easier and happier second life with a good man in order to save her grandson works well/has an emotional impact in the movie, but it would annoy me too much in a 16-episode drama. I really hope she doesn't go back to her old self at the end and disappear without a word from the life of the guy who liked her so much.
Like, they could still give us the same climax where the grandson has an accident and needs an urgent blood transfusion and Duri chooses to donate her blood to him and thereby give up her youth, but after that—cue ONE YEAR LATER time skip or whatever—I need her to be walking down the street one day and find the magical photo studio again, take another photo, go back to her younger self, and go back to the producer dude.
It's not that I don't understand the message of the movie, which would be undercut to some extent if Malsoon/Duri just got to live out her life again and did it differently, but I like my romance to have a happy ending too much to tolerate angsty/melancholic bullshit like that.
I also need the drama to spend more time on Malsoon's daughter-in-law and I need Malsoon to realise how terrible she was to her and to make up for it by doing nice things for her DIL as Duri. In the movie she got neither punished nor redeemed by the narrative for abusing her DIL (and favouring her son and grandson over her granddaughter). What was the point of showing us her internalised misogyny without doing anything about it? Isn’t seeing that women could and should live better lives one of the big opportunities for growth/personal enlightenment inherent in the premise of giving an old-timey granny a second youth?
Wow tonight’s episode was really sad. And something that’s been bothering me - so what if they don’t make…
I think this is a relic of the Japanese original, which is all about getting into the University of Tokyo. Though of course your point that any good university would be transformative for these kids, not just the top ranked one, applies equally in Japan… Now that I think about it, you see a similar pattern in American shows and films about high school, where characters are often obsessed with getting into their dream school (usually Harvard, Princeton, Stanford, etc.) even though they could probably be just as happy and still succeed in life if they went to, like, Pomona or the University of Virginia. I suppose making one university the end goal is a way to simplify the stakes and amplify the drama.
I want to watch: "In blossom" and "A moment but forever" first (both with Liu Xue Yi) and Ju Jing Yi and Tiffany…
Thanks for the recs! A Moment but Forever is probably not going to be my cup of tea, but In Blossom looks good and I wasn't aware of it, so I added it to my to-watch list.
Couldn't get engaged with it. I could see the acting. Nobody was fully committed to who and when they were supposed…
It's not uncommon for kdramas to display too much wounded national pride and obsession with the past whenever they mention Japan, which I as a foreign viewer don't relate to (and as someone who despises nationalism in all its forms, even as a reaction to historical injustice, I don't like it much either).
However, in this particular case, the drama literally takes place during the Japanese occupation of Korea, when Japan ruled over the peninsula and exploited and oppressed Korean society with remarkable violence and cruelty. This is a historical fact.
What is more, Unit 731, which inspired the human experimentation subplot, is also a historical fact and the show actually shies away from representing the full extent of their evil. Both their methods and the number of people they killed were even more horrific than the drama reveals.
Considering all of this, the show humanises its Japanese characters to a degree I wouldn't necessarily expect from a kdrama. Some of them are shown to be regular people just trying to live their lives within an unjust system that happens to benefit them, and some are shown to be horrified and disgusted by what the Japanese military is doing. I've watched plenty of kdramas that didn't extend quite so much grace to their Japanese characters but portrayed them as categorically evil instead.
Depicting a fictionalised—and softened!—version of a real-life atrocity is not unfair to Japan. Like, they did do all that in the 40s, and the drama takes place in the 40s. What do you want?
If this was a drama about Soviet or Polish characters during WWII and it showed some Nazis committing crimes against humanity that were extensively documented in real life and can be looked up on Wikipedia, I should hope you wouldn't complain that the show was stoking anti-German prejudice.
The drama had some really touching moments, but it also got draggy in episodes 5-6 and frustrating in episode 8, in which all other subplots and characters were suddenly sidelined in favour of Igarashi's illness and death. The drama should have spent less time milking the tearjerker scenes in the finale and a bit more time on the exam results/aftermath and resolving the other characters' personal stories. In particular, Maki and Yuta's romance was concluded very poorly in my view.
Again folks got to just chill out about the marriage of CP. History is replete with both child brides and child…
Are we supposed to find this pairing cute or romantic just because it’s historically believable? People aren’t complaining that matches like this one never happened in the past but that they don’t like it in the drama.
OK, it felt good to see the entire Class 11 back up Li Ran and embarrass that rich bully, but you just know he's going to retaliate with something even worse. The way he's been threatening Li Ran's grandma/aunt (I forgot what their exact relationship is) to get Li Ran to lick his boots is so disgusting.
Yep, but I feel like the show is setting her up with Li Ran.
Yeah, JQL is a bit immature compared to them. Which is not a bad thing because he's still a kid! But CYS and LR both had to grow up faster than others because of their family situations and would understand each other's feelings if they had an honest conversation about their lives IMO.
Yes, this is also my impression of what is happening between them. I think its a pity the ML's confusion was conveyed…
If people can’t stand a character being angry and insist that male characters never show anger because it’s not model boyfriend behavior, that’s their problem TBH.
The summary sounds promising as far as modern romantic cdramas go and the leads are both charming; I hope the drama will strike a mature and subtle tone and showcase realistic sources of conflict and nuanced characterisation. China has been making some good office and slice-of-life romances in recent years like Fake It Till You Make It and Meet Yourself.
Bro really went from shaking her like a rag doll and screaming in her face that she's a bodysnatcher to piloting a whole makeup service at the corporate level in secret just to make her happy in three episodes. Men are weak!
OK, I'm watching today's episodes and the most pressing question I have at the beginning of episode 9 is WHY IS MS LING STILL WORKING AT THIS HAIR SALON??? She tried to harm the health of a client, which could have resulted in DEATH since she had no idea how severe that person's food allergy was, and on top of that she's clearly a disruptive element in the workplace because she thinks she's too good to be compared to Jiang Xiaoyuan, hates her and puts her down/expresses her displeasure openly all the time while using her seniority to bully the other interns.
Letting her stay on and continue to make trouble after she almost KILLED A CLIENT (on purpose!) just because she's worked there for a long time is NUTS. It was obvious from the moment that whole mess went down that Ms Ling has terrible judgement and wouldn't just stop scheming and antagonising JXY after being publicly humiliated because of her! She's a nightmare employee by any standard.
(SPOILERS FOR THE MOVIE AHEAD)
I think the ending where Duri sacrifices her youth and her chance to live an easier and happier second life with a good man in order to save her grandson works well/has an emotional impact in the movie, but it would annoy me too much in a 16-episode drama. I really hope she doesn't go back to her old self at the end and disappear without a word from the life of the guy who liked her so much.
Like, they could still give us the same climax where the grandson has an accident and needs an urgent blood transfusion and Duri chooses to donate her blood to him and thereby give up her youth, but after that—cue ONE YEAR LATER time skip or whatever—I need her to be walking down the street one day and find the magical photo studio again, take another photo, go back to her younger self, and go back to the producer dude.
It's not that I don't understand the message of the movie, which would be undercut to some extent if Malsoon/Duri just got to live out her life again and did it differently, but I like my romance to have a happy ending too much to tolerate angsty/melancholic bullshit like that.
I also need the drama to spend more time on Malsoon's daughter-in-law and I need Malsoon to realise how terrible she was to her and to make up for it by doing nice things for her DIL as Duri. In the movie she got neither punished nor redeemed by the narrative for abusing her DIL (and favouring her son and grandson over her granddaughter). What was the point of showing us her internalised misogyny without doing anything about it? Isn’t seeing that women could and should live better lives one of the big opportunities for growth/personal enlightenment inherent in the premise of giving an old-timey granny a second youth?
However, in this particular case, the drama literally takes place during the Japanese occupation of Korea, when Japan ruled over the peninsula and exploited and oppressed Korean society with remarkable violence and cruelty. This is a historical fact.
What is more, Unit 731, which inspired the human experimentation subplot, is also a historical fact and the show actually shies away from representing the full extent of their evil. Both their methods and the number of people they killed were even more horrific than the drama reveals.
Considering all of this, the show humanises its Japanese characters to a degree I wouldn't necessarily expect from a kdrama. Some of them are shown to be regular people just trying to live their lives within an unjust system that happens to benefit them, and some are shown to be horrified and disgusted by what the Japanese military is doing. I've watched plenty of kdramas that didn't extend quite so much grace to their Japanese characters but portrayed them as categorically evil instead.
Depicting a fictionalised—and softened!—version of a real-life atrocity is not unfair to Japan. Like, they did do all that in the 40s, and the drama takes place in the 40s. What do you want?
If this was a drama about Soviet or Polish characters during WWII and it showed some Nazis committing crimes against humanity that were extensively documented in real life and can be looked up on Wikipedia, I should hope you wouldn't complain that the show was stoking anti-German prejudice.
Letting her stay on and continue to make trouble after she almost KILLED A CLIENT (on purpose!) just because she's worked there for a long time is NUTS. It was obvious from the moment that whole mess went down that Ms Ling has terrible judgement and wouldn't just stop scheming and antagonising JXY after being publicly humiliated because of her! She's a nightmare employee by any standard.