When you consider the awful rumours of sexual violence surrounding celebrities like Ayano Go and how little they've affected their careers, the fact Narimiya Hiroki was forced into retirement over something that didn't hurt anybody is even more of a travesty.
That said, I hope he's enjoying life away from the spotlight and can be himself in peace <3 It sounds like the scrutiny Japanese celebrities endure was hard on him, so if he's really made a new life for himself abroad, that's great and I wish him the best.
That is such an interesting comment. Is this K-drama really adapted from the novel "Little Women" by Louisa May…
I wouldn't either. Some characters are very loosely based on the characters of the novel, but I think the plot, themes and tone are radically different.
That is such an interesting comment. Is this K-drama really adapted from the novel "Little Women" by Louisa May…
The title is a reference to the novel and the drama is also about sisters (3 instead of 4) trying to make their way in the world, but that's where the similarities end.
I actually don't mind the actress switch at all. It makes sense in the world of the drama and the possibility was raised in the very first episode, so it's not like it comes as a last-minute surprise.
Jung Somin is a great actress and I'll miss her, but I'm sure Go Yoonjung will also do well, and I think her appearance suits Naksu's character, so I won't have trouble getting used to Mudeok/Naksu's lines coming out of her mouth.
However, the fact they dragged out the plot so much and left all the good stuff for S2 is annoying. Fingers crossed no one gets amnesia too...
This is a great movie in many ways, and much better than the other instalments in the series—the characters and their motivations, the plot structure, individual scenes, the mood, just everything is so good. Unlike the other live-action RK films, which suffer from the typical limitations of live-action anime adaptations, RK: The Beginning is an affecting drama with some truly awesome sword fights thrown in rather than a vehicle for action scenes and fan service—but I have to say the romance is the highlight for me. It’s so poignant and subtle. It really made me dislike Kaoru’s characterisation as an immature clinger all the more when I marathoned the rest of the series.
We could have had compelling female characters with their own motivations (because Kaoru has no reason to do anything beyond being obsessed with Kenshin, and indeed does nothing except get kidnapped repeatedly) and personal strength and simmering tension between the characters this whole time! We just didn’t… because they had to stick to the source material, I know, but still.
I want to check out this drama but the hate comments I'm seeing from you guys against IS and LLTG is really irritating…
Uh, watch this drama or don't. Saying you're not going to watch it because people are comparing it positively to other dramas is so funny. Is it a threat? Should we care? You're only denying yourself.
Can someone please tell me which/how many episodes the leads spend in each other's bodies? Do they switch several times or once for a longer period of time? I'm not a huge fan of body swap dramas and would like to know how prominent this aspect of it is before I start watching.
Love me a good North Korean-South Korean romantic drama with some action silliness, but I gotta say I feel like Nam Gyuri looks more like an idol than like a tough North Korean officer, while Kim Minseok looks more like a soldier than like a global pop star... A bit funny that their roles here don't match their vibes, but I guess that can be rectified with good styling and acting.
Are there no conflict of interest laws in Japan? In episode 1, Sumiyoshi-sensei is shown representing a husband against his wife and his wife's lover and then taking on the wife's counter-suit against the husband the moment the first case is concluded, which is absurd.
What is more, in episode 6, Tamura is forced by his superiors to represent a client who is suing Tamura's own friends/former clients and to seize 5 million yen from them, supposedly because Tamura knows the most about his friends' business and can use this knowledge against them, and his unwillingness to do so is treated as a professional weakness to be overcome rather than a completely reasonable attitude. In most jurisdictions I'm aware of, not only are solicitors encouraged to refuse cases against either people they know in a private capacity or former clients, but in fact taking on such a case and using privileged knowledge of the opposing party to one's advantage is seen as a grave breach of professional ethics.
I don't know enough about Japanese law to say for sure whether this stuff is as unrealistic as it seems, but I'd be shocked if that's how it worked in real life.
I'm enjoying the main story and like the characters, but the romantic subplot lacks tension and chemistry IMO. Seo Eun-woo is likeable, but she's not very interesting, and there's no conflict between her and Yoo Se-yeop; the premise of her saving his life when he is at his lowest point and subsequently becoming a widow herself and teaming up with him when he is preoccupied with restoring his honour and she is unavailable for marriage offers some potential for slow-burn romantic angst à la Bossam, but so far their relationship progress is unnaturally fast and smooth IMO.
I guess I wish the romantic subplot was handled like in a traditional sageuk as opposed to this sweet and insubstantial fusion sageuk style that is supposed to be more youthful and modern.
I'm on episode 5 now and this is exactly the kind of sexy dark romantic thriller I wish they'd make more often. One thing I'll say about the mystery aspect of it is that I like how the 3 men digging into Touko's past are all pursuing different leads and discovering different parts of the puzzle. All too often in these crime dramas where different people are trying to unravel the same mystery you see them follow parallel lines of investigation, so the viewer just gets the same info over and over again, but not here.
That said, I hope he's enjoying life away from the spotlight and can be himself in peace <3 It sounds like the scrutiny Japanese celebrities endure was hard on him, so if he's really made a new life for himself abroad, that's great and I wish him the best.
Jung Somin is a great actress and I'll miss her, but I'm sure Go Yoonjung will also do well, and I think her appearance suits Naksu's character, so I won't have trouble getting used to Mudeok/Naksu's lines coming out of her mouth.
However, the fact they dragged out the plot so much and left all the good stuff for S2 is annoying. Fingers crossed no one gets amnesia too...
We could have had compelling female characters with their own motivations (because Kaoru has no reason to do anything beyond being obsessed with Kenshin, and indeed does nothing except get kidnapped repeatedly) and personal strength and simmering tension between the characters this whole time! We just didn’t… because they had to stick to the source material, I know, but still.
What is more, in episode 6, Tamura is forced by his superiors to represent a client who is suing Tamura's own friends/former clients and to seize 5 million yen from them, supposedly because Tamura knows the most about his friends' business and can use this knowledge against them, and his unwillingness to do so is treated as a professional weakness to be overcome rather than a completely reasonable attitude. In most jurisdictions I'm aware of, not only are solicitors encouraged to refuse cases against either people they know in a private capacity or former clients, but in fact taking on such a case and using privileged knowledge of the opposing party to one's advantage is seen as a grave breach of professional ethics.
I don't know enough about Japanese law to say for sure whether this stuff is as unrealistic as it seems, but I'd be shocked if that's how it worked in real life.
I guess I wish the romantic subplot was handled like in a traditional sageuk as opposed to this sweet and insubstantial fusion sageuk style that is supposed to be more youthful and modern.