Yes, they would've told about the little girl being abused in real life. As for the boy, he said "I got caught…
Nobody else in this thread put their revelatory comments under a spoiler, so neither did I. I'll do so now but, hey, I can't do anything about the other revelatory comments that are above my own.
This is not a typical horror film, it is a story of doubt and fear that comes from the human heart. There is a…
May I say, you rock! Because that was a better analysis than any that I've found elsewhere online, including ones from professional critics. Thank you.
I have friends who had about 2 weeks of parties for their 25th anniversary - they probably had other celebrations…
Even if they had other celebrations, it's still odd to celebrate it at all with 3 underlings they barely know, and no friends/family present. I suspect the casting director just didn't want to pay a couple of extras to play friends/family. But, hey, I get that the whole dinner plot point was designed to get the 2 leads in the kitchen together and, hence, show them growing closer. On that score, it succeeded, so no complaints.
Nice episode. But I couldn't help wondering why the couple celebrating their 25th Anniversary didn't also have some friends and family with them at the dinner. Why would they want to celebrate such an important day with only 3 subordinates from their company? The casting director should've hired at least 3-4 more actors for this scene to play the couple's friends and family. I know it's a minor quibble, but I got stuck on it.
Bokura no Shokutaku and Zenra Meshi are both Japanese and food-related, they are both very well written, directed,…
Well put. I know a guy on MDL who calls Thai BL's "TOOT" -- ie, Turds Out Of Thailand. Of course, there are some exceptions. But let's face it, Thailand is mass producing BL's off a factory assembly line and, thus, they are largely TOOT, lol.
But the Japanese, as you've observed, put more time, thought and care into the production of their BL's. They certainly have better actors, just as both the J-BL's you mentioned do. I would only add that there's a 3rd J-BL that features adult men growing closer via food. That would be one of my faves: "Old Fashioned Cupcake." And this J-BL was also expertly directed with terrific actors. Go Japan!
I can't mention Blueming and this show in the same sentence. It's not possible. Also, I thought it weird the guy…
Yes, gay feature films like No Regret went all out with the sex scenes. But I read up on that movie and learned that it was also a Big Deal when it came out. Now, I don't know about the censorship laws in Korea as points in fact but, like you, I've watched a number of K-BL's as well as Korean Indy gay features and Indy gay shorts. The K-BL's are always more chaste than the gay Indys. Thus, I must assume that K-BL's are abiding by some censorship code that allows them to stream if they don't go too far.
Remember, K-BLs are released on different platforms than those Indy LGBT films that go to the artsy Film Festival route. I'm guessing K-BL's need to cool it if they want wider streaming rights.
Also remember that the first K-BL "Where Your Eyes Linger" was only 3 years ago and had a kiss so chaste it was barely there. So the K-BL's have come a long way with the kissing scenes, but not yet with sex scenes. Although, as I'd said, some K-BL's (eg, Blueming, TES, etc) do a nice job of implying that the leads just had a nice romp. This show did an exceedingly bad job of it.
I can't mention Blueming and this show in the same sentence. It's not possible. Also, I thought it weird the guy…
I don't mind the Rookie's schtick, and rather like the actor's energy. But that's a matter of personal taste, so there's not much to discuss on that note. However, there are other flaws in this show that are a matter of poor direction/writing that can be discussed. For instance, characters usually turn the light back on to indicate that they don't want their lover to be shy, and want to see their naked bodies while having sex. But when they awoke fully clothed I thought, wait, what naked bodies? I considered that maybe all they did was kiss and the Rookie wanted the light on to see the Boss's face while kissing. Ok, that would've worked.
Alas, no, cuz the next scene has the Rookie say with a nod-and-a-wink that they "made ramen last night." Huh? They awoke fully clothed on an un-tussled bed. Is "making ramen" now Korean Code for magic sex wherein a penis can penetrate slacks and boxer shorts without there being any holes in the fabric?
I know these K-BL's have to be more careful than the J-BL's in indicating that gay sex just happened, but dang, there are ways of doing it. Hell, if this director was going to rip off the stage blocking from Blueming, then she should've also ripped off how that show indicated sex in ways the censors would approve (eg, the boys in that show awoke with one of them shirtless and both of them under the covers of a messed up bed). This show, however, appeased homophobic censors to an absurd degree.
You're right, but it's not like Blueming was being original - that's a classic scene construction that you can…
LOL, I forgot how they kept showing it in flashback! It's a shame the show doesn't have a better director because I think the actors are competent, and the guy playing the rookie has some charisma. I think he'd do exceptionally well if he had a better script and better director to guide him.
You're right, but it's not like Blueming was being original - that's a classic scene construction that you can…
Perhaps it is common to shoot lovers in silhouette, but beyond that, the similarities of this scene and Blueming cannot be attributed to the standard staging for love scenes. I mean, the scenes in Love Mate and Blueming even share the exact same blocking of the steps the actors took took while traversing the set. The 2 boys in each show also dropped their bags at the exact same point after entering the room. Indeed, the entire staging of that scene was copied to the tee, which goes way beyond standard staging of love scenes.
Of course, I am not surprised that a director/writer who'd fill one mere episode with 3 slip-and-catches would also rip off the stage blocking from another BL.
lol. I was aware of the similarities because I just re-watched Blueming this month. Trust me, it's as if the director of Love Mate stole the Blueming director's notes for how to stage that whole love scene.
Wow, the love scene ripped off Blueming in every respect. One, the guys entered a dark room as they walked backward while actively kissing. Two, they both dropped their bags while still engaged in kissing and we could hear the thump of the bags on the ground. Three, the scene was shot in silhouette. Four, there was a blue lit, large curtain in the background of their silhouettes. The difference? Well, Blueming EARNED the emotional investment of the audience by developing both the characters and their relationship before the love scene happened, so we really felt it.
With this show, meanwhile, we just felt, "Ho hum, here's the requisite kissing scene that the screenwriter tossed in because we've reached the mid-mark of the show. Now for the requisite conflict to fill up the final eps before the resolution that finds them happy at the end." Ultimately, the show is packed full of BL tropes (eg, slip-and-catches), while following a tiresome plot formula, and even ripping off another K-BL that did none of the former and was, thus, truly great.
All said, however, these are flaws of the director and writer. The actors themselves brought their game and 100% went for it in that kissing scene.
Perhaps, he was too embarrassed by the tag to remove it right then and there?
But why didn't he remove it when he was at home getting dressed? You see, people often keep tags to return the clothes after wearing them once to a special event. I'm sure this was not the case here, and I was just joking. But it was still funny to me. :)
Ok, so here's what we all really want to know: why did the boss keep the sales tags on his new jacket? Is he planning on getting a refund for it after the date? LOL
Anyone else think of our boys from "Addicted" giving each other the same gloves for Christmas when the boys here gave each other the same scarf? Humm..... Should I be embarrassed that I watch so many BL's that I can cross reference scenes from all of them? lol
".... what we caution ourselves to avoid outside fiction can be an impetus to improving the relationships between…
OMG, we truly are soul sisters from across the Atlantic, because that is one of my fave novels too! I read it first at 13 and thought Heathcliff was so dreamy. Then I read it again as a 30 year old and noticed that the dude was actually a bit of a freak in his adoration of Catherine in the way he just needed to POSESS her.
Hell, he didn't just slap her in a couple of scenes (and she slapped him in ten times as many scenes -- talk about a "toxic" couple, lol), but what he did to Isabella after marrying her for revenge on her brother Edgar was flat out abusive. Then there's that scene of him digging up Catherine's corpse to hug it after they'd buried her! Imagine how this crowd would respond to such a novel nowadays. I bet they put a "trigger warning" in the syllabus before reading it. Ugh.
Let it be said that "Tokyo Rampage" is largely about style. Now, this could easily mean that a movie is superficial. However, the style here is slickly appealing and, moreover, part of the movie's theme about socio-cultural vacuity. In short, it works.
As for the story itself, there's a certain hipster nihilism which would -- just like the movie's surfeit stylishness -- seem a negative element. Yet, no, it's actually handled in a way that's purposeful and, hence, intriguing. Indeed, I enjoyed the ride because I had decided early on that the inscrutable, psychopathic lead's maddeningly repeated line, "Not needed," made him the homicidal cousin to Bartleby in Herman Melville's famous short story, "Bartleby the Scrivener." I am referring, of course, to the inscrutable Bartleby's maddeningly repeated line, "I prefer not to."
Like Bartleby, this character is a blank, and his mission to murder every "Not needed" person in his path does not make us hate him, because one cannot hate a blank space. Meanwhile, the audience is intended to empathize with the other lead, the psychopath's boss (the one sympathetic character in the whole movie), and for the boss the line, "Not needed" eventually begins to register as an existential crisis.
The viewer, just as the boss, begins to squirm under the same frustrating fear and bewilderment each time they hear the line, "Not needed." It's when you realize that you are just as effected by this line as he is that you also realize, son of a bitch, this bizarre, disturbing movie worked. In other words, it achieved precisely what it had set out to achieve.
Oh, and watch for the visuals -- such as the bathes of tomatoes, the swooping down of death crows, and the falling of knives. But especially the falling of the knives. That scene is worth the whole movie alone.
Oh I so agree!My heart was wringing for the boss because he was so sweet about the whole thing. When she ran to…
I didn't even think about those sticky notes, but now that you mention it, yes, that made it even more cruel. And you know she was TOTALLY into writing those because it's all what she wishes was true with Souta, right?
But the Japanese, as you've observed, put more time, thought and care into the production of their BL's. They certainly have better actors, just as both the J-BL's you mentioned do. I would only add that there's a 3rd J-BL that features adult men growing closer via food. That would be one of my faves: "Old Fashioned Cupcake." And this J-BL was also expertly directed with terrific actors. Go Japan!
Remember, K-BLs are released on different platforms than those Indy LGBT films that go to the artsy Film Festival route. I'm guessing K-BL's need to cool it if they want wider streaming rights.
Also remember that the first K-BL "Where Your Eyes Linger" was only 3 years ago and had a kiss so chaste it was barely there. So the K-BL's have come a long way with the kissing scenes, but not yet with sex scenes. Although, as I'd said, some K-BL's (eg, Blueming, TES, etc) do a nice job of implying that the leads just had a nice romp. This show did an exceedingly bad job of it.
Alas, no, cuz the next scene has the Rookie say with a nod-and-a-wink that they "made ramen last night." Huh? They awoke fully clothed on an un-tussled bed. Is "making ramen" now Korean Code for magic sex wherein a penis can penetrate slacks and boxer shorts without there being any holes in the fabric?
I know these K-BL's have to be more careful than the J-BL's in indicating that gay sex just happened, but dang, there are ways of doing it. Hell, if this director was going to rip off the stage blocking from Blueming, then she should've also ripped off how that show indicated sex in ways the censors would approve (eg, the boys in that show awoke with one of them shirtless and both of them under the covers of a messed up bed). This show, however, appeased homophobic censors to an absurd degree.
exact same point after entering the room. Indeed, the entire staging of that scene was copied to the tee, which goes way beyond standard staging of love scenes.
Of course, I am not surprised that a director/writer who'd fill one mere episode with 3 slip-and-catches would also rip off the stage blocking from another BL.
With this show, meanwhile, we just felt, "Ho hum, here's the requisite kissing scene that the screenwriter tossed in because we've reached the mid-mark of the show. Now for the requisite conflict to fill up the final eps before the resolution that finds them happy at the end." Ultimately, the show is packed full of BL tropes (eg, slip-and-catches), while following a tiresome plot formula, and even ripping off another K-BL that did none of the former and was, thus, truly great.
All said, however, these are flaws of the director and writer. The actors themselves brought their game and 100% went for it in that kissing scene.
Hell, he didn't just slap her in a couple of scenes (and she slapped him in ten times as many scenes -- talk about a "toxic" couple, lol), but what he did to Isabella after marrying her for revenge on her brother Edgar was flat out abusive. Then there's that scene of him digging up Catherine's corpse to hug it after they'd buried her! Imagine how this crowd would respond to such a novel nowadays. I bet they put a "trigger warning" in the syllabus before reading it. Ugh.
As for the story itself, there's a certain hipster nihilism which would -- just like the movie's surfeit stylishness -- seem a negative element. Yet, no, it's actually handled in a way that's purposeful and, hence, intriguing. Indeed, I enjoyed the ride because I had decided early on that the inscrutable, psychopathic lead's maddeningly repeated line, "Not needed," made him the homicidal cousin to Bartleby in Herman Melville's famous short story, "Bartleby the Scrivener." I am referring, of course, to the inscrutable Bartleby's maddeningly repeated line, "I prefer not to."
Like Bartleby, this character is a blank, and his mission to murder every "Not needed" person in his path does not make us hate him, because one cannot hate a blank space. Meanwhile, the audience is intended to empathize with the other lead, the psychopath's boss (the one sympathetic character in the whole movie), and for the boss the line, "Not needed" eventually begins to register as an existential crisis.
The viewer, just as the boss, begins to squirm under the same frustrating fear and bewilderment each time they hear the line, "Not needed." It's when you realize that you are just as effected by this line as he is that you also realize, son of a bitch, this bizarre, disturbing movie worked. In other words, it achieved precisely what it had set out to achieve.
Oh, and watch for the visuals -- such as the bathes of tomatoes, the swooping down of death crows, and the falling of knives. But especially the falling of the knives. That scene is worth the whole movie alone.