Maurizia

Superb production for a lousy story

The cast is fantastic, the visuals - outstanding. Costumes, CGI, music - a real feast. And all this is completely wasted to tell a lousy story with way too many subplots, secondary characters, turns and twists. There is just too much of everything in this narrative: going back in time, visitors from another world, amnesias, fake identities ... you name it. Unfortunately, all of those elements are just thrown down and scrambled without any consistent, premeditated order.
And in the middle of it all you have Luo Yunxi playing superbly, looking so handsome, doing his awsome ballet with weapons and getting such an unsatisfying story line. He could've had a meaningful relationship with a girl, but no - she left. He could've had a meaningful bromance with Fang Yilun, but no - all the moments they have together are way to brief and there is just no time to develop this plot in depth, because of lots of other secondary narratives. He has a group of friends but finally is unable to save any one of them, so the only thing to do is reset the timeline and just disappear from their lives.
What a stupid, anticlimactic ending for LYX.
I am really sorry for him, because he is such a fantastic actor, so fitting to play in costume dramas (like he was born in hanfu), but he is so often wronged by the script.

Read More

It would be much better if the drama ended on 24th episode

The first half was really good and interesting. The fall of the Grand Tutor could end the story and thus the whole drama would have been a lot better. Or, if the producers wanted more conflict and more tension, they could have gone as far as the episode 27 with a final coup by the Tutor helped by this horrible women, Grand Preceptor. And then just destroy their plot, by feigning the emperor's death in cooperation with his younger brother. But no... they just had to have a tragic end. The problem was not with the tragedy itself, but that it seemed really unnecessary and far fetched. The younger prince was completely unconvincing in his collaboration with the Preceptor. He was clearly aware of her scheming, but unreasonably choose to turn against his brother. As if he became completely dumb all of a sudden despite being really intelligent before. And the last straw: the apparition of emperor's mother out of nowhere... And if she could reveal the truth to the Preceptor at the end, why couldn't she do it before the emperors' death? It was just nonsensical: lots of possible exits to have a happy ending, but just going for a sad one.
And the last criticism: the level of primness in this drama is abnormally high. Even in the context of chinese censorship, how this drama is avoiding any warmer scenes... it is unbelievable. They really exagerate here.

Read More

boring drama - an excuse to show the hotness of He Yu

It's a simple love story, but very uneven.
The very choice of the main couple is oddly conceived. He is a walking ideal: physical attributes 10/10 — looks, build, sex appeal — your knees just go weak. On top of that he’s a one-man band: fixes everything, can cook, a master of car racing, a master of boxing, intelligent, easily solves math problems, likes to read. Girls throw themselves at him, but he remains faithful and is mainly interested in pampering his beloved. He is also honest and morally impeccable. People like that simply do not exist. His only “flaw” is that he wants to carry all burdens himself and has a slightly excessive need for self-sacrifice.
By contrast, she mostly provokes irritation. She isn’t stupid, can be clever, and can also make sensible choices. She is stubborn, but also open-minded. However, what stands out most are her unbearable mannerisms: her way of speaking, her facial expressions, and her capriciousness typical of a seven-year-old child. This is annoying and downright uncomfortable, because in the context of a love story it evokes associations that go beyond the limits of what is legal. It is hard to believe that such behavior could appeal to anyone who does not have a tendency toward perverse acts.
The problem of childishness brings up the actress who plays Jiang Mu. If it were not Esther Yu playing this role, would the effect be equally irritating? It is hard to say how much her characteristic way of speaking and making “rabbit in the headlights” faces creates the character, and how much is required by the script. In any case, Jiang Mu is definitely far too childish in her mannerisms, which is one of the biggest flaws of the drama.
The second flaw is the entire background of the story, which is simply boring. Supposedly everything takes place in the criminal world — illegal car races, illegal boxing matches, smuggling — but despite all the dangers the creators failed to create any real tension. The viewer does not feel intrigued or emotionally engaged in these events. In fact, the content of the first 20 episodes could easily be squeezed into five with no loss to the whole.
It only becomes more interesting in the second part, which takes place six years later. The fact that most of the characters who six years earlier functioned in some semi-legal underworld are now doing well and leading fairly law-abiding lives only confirms that the realities of the first part were not believable. In the final episodes we also see a more adult, more mature Jiang Mu, who - in this new version - is much more palatable.
The central topic in this second part is to lead Jin Zhao to discover that carrying burdens alone and lying to the person he loves “for her own good” was a mistake. Once this problem solved, everything ends with a cute happy ending.
In summary, most of the footage is just an excuse, a backdrop for showing off the fantastic shots of He Yu — his looks and his really good acting. A plus is also the large number (for a Chinese drama) of passionate kisses.
Anyone who likes admiring a beautiful body and a handsome face expressing moving emotions will have a lot of pleasure, though they will probably fast-forward through quite a few scenes.
Someone who wants substance from dramas — an interesting story, action scenes, and the like — will probably be bored and disappointed.

Read More

two stories intertwined: one of them is OK, the other one is atrocious

This drama has one huge flaw, which is like a big dirty stain on a dress.
The flaw I'm talking about, is the entire secondary plot—the story of Bing Zhu and Dreamshard Immortal/Pianpian.
If they'd cut out everything related to DI, all the episodes set in her realm, then all of Pianpian’s actions and Bing Zhu’s story and decisions, I would easily give this drama an 8 or maybe even 8.5 out of 10.
Not more, because an additional (though much smaller) burden is the weak chemistry resulting from Tan Songyun’s completely unromantic performance.
But even with this flaw, the story of Hong Ye and Xiao Yao, with their time travels and the backdrop of the human-demon conflict, would be quite enjoyable to watch. Moreover, in the space purified of the pointless secondary plot, they could have add more interactions between the main characters and potentially more episodic stories, like the one with the mountain elf or the squirrel who thought it was human.
The initial relationship between Hong Ye and Xiao Yao could also have been developed so that their feelings wouldn’t appear so suddenly and inexplicably. If it weren’t for that silly Bing Zhu, in the last episode the three powerful demons could have easily survived.
If I were to change things, I’d probably change the ending too, because the current one is mediocre.

Unfortunately, the screenwriter decided to “treat” us to this nightmarish secondary plot, which consists of some of the worst-written characters I’ve ever seen in dramas. Their decisions and behaviors are so utterly illogical that it’s painful to watch. It just doesn’t make sense. Why does Dreamshard Immortal No. 1 imprison Hong Ye, and force Xiao Yao to undergo a ridiculous test where she could lose her life? How would that bring her closer to completing the mirror, which is, apparently, her main goal? It would make more sense to imprison Xiao Yao and tell Hong Ye to bring the mirror to get his beloved back.
And what does Downshard Immortal 2.0, that is, Lu Pianpian, have against demons? Why does she set Bing Zhu against them? If she cares about him, she could arrange a wonderful life for him by manipulating the emperor’s dreams. And if, as DI, she absolutely has to kill someone, why demons and not humans? Humans hurt her much more.
The same goes for Bing Zhu, who has been a victim of human scheming since childhood. But it never even occurs to him to take revenge on those who actually hurt him. Instead, he’s obsessed with killing demons. He seems like a righteous person, but without batting an eye, he follows the orders of that disgusting emperor. His direct subordinate is a vile schemer who nearly gets him killed, but after Pianpian saves Bing Zhu, he continues to serve the emperor and—what’s even more absurd—his subordinate is still the same guy whose nasty character Bing Zhu has experienced firsthand. Why is he such an idiot?
Why does he keep listening to Hei Wu? And he’s not the only one. Hei Wu is generally a hopeless fool who just flails around chaotically, stirring up trouble everywhere, hoping it will somehow harm Hong Ye. But by episode 28, everyone should have realized he’s a psycho who’s not worth listening to or cooperating with, because he just jumps from one disaster to another and causes more problems than he solves. Yet he still manages to sow discord.
And Dali? For ten episodes, she’s Xiao Yao’s close friend. She’s nice and straightforward. Then suddenly, out of nowhere, she becomes a completely different character: false and cunning. Everyone in this side plot behaves illogically, running around like chickens with their heads cut off, and ultimately it’s unclear what they even want, and the whole story is terribly unconvincing. That’s why from episode 26 onward, the drama is much better, because there’s much, much less Bing Zhu, Pianpian, and the whole gang.
So in the end, I rate the whole thing 7/10. And if Neo hadn’t acted in it, I would have dropped it halfway through.

Read More

Jane Austin's novel in a Chinese imperial setting

If you are looking for lots of fighting scenes - this drama is not for you. If you are looking for passionate love - this drama is not for you. But if you like well written scripts, consistent, logical, without plot holes, depicting complex relationships and full of interesting, engaging characters - you'll love it.
For me this drama has the vibe of 19th century novels, like Jane Austin's ones, where the background got as much attention in weaving as the main romantic story. All the secondary and tertiary characters are very well written, their actions are motivated and logical, understandable even if not justified. And most of them are not black or white but multifaceted and realistic. Even the righteous main characters are not cristalline: they are cunning and may be ruthless.
I love the pacing of the episodes 1-30: it is not fast, but very even. There are no boring streches you may find in many c-dramas (with, for example, the whole episodes of cooking and eating) and there are no avalaches of events either. The narrative develops in a steady rythm keeping you engaged the whole time.
I would've given this drama 10/10 if it ended on the episode 30. Unfortunately the producers decided to glue other six episodes with a whole new set of characters - much less engaging and "underwritten". Frankly, this whole part would be better off as the season 2 with 20 episodes that would've given them space to really develop the stories of those people.
The acting is fantastic. All the actors really delivered, portraying this little society full of realistic characters and their complex relationships.
It goes without saying that Hou Minghao's playing was - as always - impeccable. With his incredible versatility he is able to play convincingly a lowly scheming servant, and a proud ruthless official. Gulinazha was outstanding in portraying a cool-headed, intelligent and just leader of the family.
The whole cast was great, but I'd like to mention especially Zhang Nan in the masterfully played role of the blind sister, Zhao Yiqin who very convincingly portrayed his character with the unexpected twist and brilliant Li Fei (Richard Li) in the role of a villain.

Read More

Very good tragic drama.

The story is good, consistent and interesting. The characters are convincing and endearing. The chemistry between two heros is excellent. Very good acting by Yan Zixian and Min Xinghan. This is a bromance/light BL drama and it's a great pleasure to watch. It would be really great to have it upgraded to the A category: both the plot and the actors deserve it. There is definitely material for a high budget series. The tragic ending makes sense and is very emotional and I would say satisfying although sad. Unfortunately, to fully appreciate the series one has to pay for subscription on Mango TV, because the free versions available on other websites have awful English AI generated subtitles, to the point of being incomprehensible. It may hinder the exposition of this drama.

Read More

Sad and frustrating.

This drama was an exercise in frustration. While I am not inherently opposed to sad endings, the absence of a single kiss or a heartfelt declaration between the main leads felt profoundly unjust. The narrative seemed to revel in the cruelty of ill-timed moments. He arrived too late to save the child, and the aurora borealis graced the sky only after they chose not to wait any longer. The scene where she is brought home, still clinging to life, and they cross paths without recognizing each other was a masterstroke of poignant despair. The performances were stellar, and the visual artistry was breathtaking. Yet, to deny them even a final moment to bid farewell was nothing short of heartbreaking.

Read More

Unexpectedly great drama

Usually, I don't have high expectations for the short dramas, as they tend to have more plot issues than the long ones.
This is definitely not the case here. "Fortune Writer" has impeccable pacing, lots of very emotional scenes, fantastic chemistry, surprising twists and a quite fresh treatment of some usual tropes.
In this last aspect it resembles "Dream within a dream". The ML is not as awsome as Liu Juning, but the FL is absolutely not worse than Li Yitong, and maybe even better. The secondary characters are not so good, but fortunately they don't occupy too much of screen time, so this doesn't really matter.
The idea of rebelling against the Fate / the Writer (as the narrative takes place inside a book) has been already explored, but in this drama it is presented in a different, very entertaing way.
I especially like the fact that the leads are not intrinsicaly good people and the heroine is not trying to become good person and redeem herself. She is just normal, with flaws and virtues, and just try to save herself.
In some points the plot was showing some inconsistencies or seemed to lack logic, but at the end all of it was resolved in a quite acceptable manner, which is a very good result for a story about fiction characters rebelling against their author, as such concept is already logically challenging.
Overall, I think that this drama really merits more attention and higher rating.

Read More