Minalapinou

I think you can ignore most of the medical blabber they throw at us. The "psycho" behaviour of the hero is a cover for his fears and the heroïne clearly has a saviour complex, forgetting it's best to help yourself before helping others. On the heroïne violating every ethical codes imaginable : yeah she does and should be banned from practicing, but I think the drama did a good job at showing why she did it, how she fell head over heels for him, and how she paid a hefty price for it, their relationship being more akin to a purgatory than a paradise.

Directing wise it has a legit director in Zhou Jiu Qin, and it shows. He made some much talked-about shorts this year like this one, Dark Side of the Sun, The Love of a Fool, and Debauchery. What can I say, each one is pushing the limits of what verticals can do, getting the best out of their cast (To Love a Fool is often described as the best work of Ma Xiao Yu, same for Zhang Chi here, and even if Towers of Whispers had weak writing IMO, its opening was striking and the drama did a great job at showcasing Jerome Deng's talent). I think he's amazing at directing broken but resilient, unhinged heroes as Zhang Chi's performance was mesmerizing. First he looks like some pop idol picked straight from an edgy hit clip, with his million-dollar teethy smile, perfecltly messy hair strands and see-through mesh tops ( if you want a ref, his styling made me think a lot of the wet, sad, skinny puppy look of TXT's "LO$ER=LO♡ER" era). Second, he plays the "psycho" lover part very well, he's a devoted puppy who will bite if provoked, but since his lover is no angel herself and made the first move, the drama never becomes an endless chase where only the ML is crossing lines. On the contrary, it's the fact that they a are so much alike that makes the heroïne run, as she's not ready to face her own trauma (yet).

The drama could have gone to very dark places in its second part, but it doesn't resist the appeal of using some convenient external evil plots to bring the characters back together. I would have liked them to be a bit more daring (does he really have to be yet another CEO nepo-baby whose family rival is trying to usurp, with an obsessive fiance trying to possess him like a trophy ?) but I guess paying tribute to the format's most used tropes is not the worst choice, as they could have really stumble if they had tried to be more ambitious with the script, since they were already treading dangerous waters with the premise.

So overall I don't think the writing is amazing or that it should be taken seriously about mental health, but for what it is, a dark romance about broken lovers and a heroïne coming to terms with the fact that a "normal" relationship is probably not for her, facing the consequences of her actions and the impact of what she endured on her life, it was damn good.