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Both are great, but if you're deciding where to start, I’d personally go with My Mister. It’s a bit more accessible, while My Liberation Notes can feel a little abstract and slow for some viewers, though it’s also an excellent drama in its own right.

If you get through the first 4 episodes of My Mister, the emotional payoff is incredible. In my opinion it’s one of the most powerful experiences in Korean drama.

As far as I can tell, nothing particularly looks different. If the work hasn’t been seen yet, how would anyone know whether any weight change was necessary for the role?

I completely get this. Mr. Sunshine was one of those dramas that didn’t just end — it lingered. The quiet emotions, the silence between lines, and the way each character carried their own pain all felt deeply human. Eugene Choi and Ae-shin didn’t feel like characters so much as memories.

I felt something very similar when I watched the Korean drama My Mister. Different stories, but the same emotional weight and restraint — the kind that stays with you long after it ends.

Both, in their own ways, felt less like shows and more like experiences.

If you enjoyed this, I also recommend Six Flying Dragons and Tree with Deep Roots.
They’re in the same universe, with Dragons serving as a prequel to Tree, but both can be watched independently.

Six Flying Dragons felt like it was on the same level as Game of Thrones for me — really epic and powerful.
I looked into Mr. Sunshine a bit after your comment, and it really seems like my kind of show, so I’m going to give it a try. Thanks!

Your review of My Dearest was a pleasure to read — you captured so much of what makes the drama feel epic and deeply human. I really enjoyed it as well.

Lately, I’ve found myself drawn to other Korean dramas with a similar emotional depth, like My Liberation Notes, Reply 1988, and Six Flying Dragons — which, honestly, is not only the best historical drama I’ve seen, but one of the best dramas I’ve ever watched, period. I’ve also been watching Light Shop, from the writer of Moving, and I like how it calmly tells stories about people, their pasts, and the things they carry with them in life.

Thanks for sharing your thoughts — I really appreciated your review.

This drama looks good to me too.

“I don’t think that’s the case. I can’t say every core character will show up, but I do think some of the main Moving characters will continue to appear in some way.

Yes, that would be Hidden. I’m not sure if Hidden is the definitive final part of Kang Full’s universe, but as far as I know, it’s considered the latest part of the universe, even though it hasn’t been published yet. And in the original webtoon continuity, the Kang Full universe includes Timing, Bridge, Apartment, and Again before Hidden.

I don’t know the exact direction of the drama yet, so this is only my speculation. My guess is that Bong-seok’s story will continue in Season 3 once the hiatus related to his absence is naturally resolved.
Either way, don’t worry. There’s a high chance that Season 2 will be based on either Timing or Bridge, both of which are excellent stories that are considered just as popular as Moving. Personally, I think Timing delivers the same emotional impact as Moving but with a much tighter and more finely crafted narrative, while Bridge is a genuinely thrilling story.

And just so you know, Timing doesn’t include Bong-seok at all, but it’s widely regarded as one of the best webtoons ever. Youngtak, the time-manipulating character, is absolutely phenomenal.

I’m so glad that you’re taking part in this

It doesn’t seem likely, considering the original webtoon came out around 2015.

I’ve loved the Spirit Fingers webtoon since 2017, so I’m really enjoying the drama too. The one you mentioned sounds interesting — I should check it out.

I absolutely love this show!!!

I’m honestly surprised you said that, because I thought the exact same thing. The part about him eventually betraying her and people blaming him for it—I completely agree. That’s exactly how I see it too.

Isn't it obvious? Jun-seo feels a lot of guilt toward Baek Ah-jin, and she takes advantage of it. Yes, what Jun-seo did was wrong, but he did it for her. On the other hand, is Baek Ah-jin doing anything for Jun-seo?
It’s hard to judge them the same way when their situations and motivations are completely different

The reason is actually pretty simple. Moving and Light Shop both serve as entry points into the Kang Full Universe. But unlike the drama, the original Light Shop webtoon has no direct connection to Moving — the detective is the only subtle hint that the two stories might exist in the same world.

So why did the drama choose to include elements from Moving?
Because adapting the Kang Full Universe one installment at a time, the way the webtoons do, just isn’t realistic for a live-action series. It would take an overwhelming number of seasons to cover everything properly. That’s why the production team decided to unify the universe from the start, allowing the overall narrative to flow more naturally. If each story had been produced completely separately, viewers would’ve had a harder time understanding the larger universe, and interest in the franchise would’ve dropped quickly.
That’s why the drama includes those additional connecting elements.

You all deserve a friend who’s as sweet and supportive as an FL

In recent years, darker, more provocative dramas seem to be gaining popularity, while lighter, feel-good youth-oriented shows like Spirit Fingers don't seem to have the same appeal they once did. Dear X, despite premiering later than Spirit Fingers, has already surpassed it in viewership

Actually, this drama isn't as unpopular in SK as it may seem. The issue is that youth dramas aren't particularly popular in SK. They tend to attract a younger audience or specific fan groups, but generally don't capture much attention from the broader viewing population. 'Lovely Runner' is an exception, as it garnered a lot of attention from female viewers, which contributed to its popularity. Additionally, since this drama is only available on TVING, its limited platform availability makes it harder to reach a wider audience. If it had been available on multiple OTT platforms, it might have attracted more viewers.