Ophanin

Park Bo-Young takes up the usual challenge faced by actresses: playing two roles at the same time. She changes her posture, her intonation, her facial expression, her habitus. It's confounding. She goes even further and plays two characters playing each other's roles.
Park Jin-young, you're perfect, go on.

"I feel like I've removed an invisible mask".

Injuring yourself rather than going to work - it's a sad thought for many of us. Yu Mi-rae's job is really awful. It's perfectly normal for bosses to be scum, that's why they're there, they're parasitic filth on the backs of the workers, but what about her stupid colleagues ? Don't unions exist in this universe ? You have to have the mentality of servants and cowards to be so relentless. And HR, they tell us to talk to them if there's the slightest problem... it will always piss me off how much they take us for morons. Don't believe them.

Bore out is terrible, torture for a lot of people; I have to admit that I've never been as fulfilled (in a manner of speaking) as when I was put in jobs where I could read all day without seeing anyone (disabled people are often isolated and shown the exit door).

"The door closed again"

This is a beautiful series, fuelled by kindness. Deep down, everyone is kind. Sometimes we are so bad that we hurt those around us, we become a ball of anger, unable to receive help, but there is a part of light in all of us. The only enemy in this story is this society that breaks us down thanks to those who profit from it. We cry a lot for and with the characters. Always with good reason. In fact, we cry even when these people are happy, genuinely upset at the idea that they are allowing themselves a moment of happiness.

"No matter how pathetic or messy it seems, anything you do to survive is brave" How can you not burst into tears after that ?

The poem invented for the series "The Sea of Sang-Wol" by Kim Ro-Sa brings tears to the eyes, so right and beautiful is its simplicity. The most extreme of sophistication: simple and beautiful. And her story goes straight to the heart. "I was the flaw. Without me in the picture, everything would be perfect" This declaration of love, left hanging in the air for decades and decades... you can't help but break down. So beautiful, so sad. We'd love happy stories for female couples, but the times in which this is happening didn't allow it. Not that it's any easier these days, that said...

"The void left by doubt ended up being filled with courage"

Everything is structured by a strict opposition : town/country, obnoxious/laxist boss, friends who listen/selfish, empathetic/vindictive mother ; and then we discover that these two mothers are broken, that they manage as best they can and their tumultuous friendship helps them grow. Each element takes its own course and feeds the deeply positive and consoling message that the series is so keen to deliver.
In the case of the twins, my initial fear that everything would be based on a teenage misunderstanding was quickly dispelled, and fortunately we're shown that the ground was fertile for depression, and that's by no means the only reason for their situations.
The parallels between teenage and adult life are often devastating. The characters recognise themselves in the misfortune of others and the inevitable decisions that life imposes on us, from which nothing positive can come. Love is never about winning or losing, it's about staying in the same team. You see yourself as a burden, but you help the others not to capsize.

"Why do I end up attacking myself when I should be defending myself?"

The roles of the main characters evolve, we're not taken for fools and everything ends up leading to something, taking care to spare its effects. The script and dialogue are simply perfect. Every monologue at the beginning and end of the episode breaks our hearts. We're not offered a magic solution, we're shown how to move forward one step at a time, a new blank page to fill.

"There is no perfect moment. Nothing is perfect in this world."

Ps: in a role as a wheelchair-bound disabled person, it would have made sense to cast someone who actually is, because it's much harder to find a role in that situation, for all the wrong reasons. Many roles wouldn't even require comedians to be able-bodied and yet disabled people are denied these roles.
Ps 2: Yu Mi-Ji is wearing a t-shirt that says "vos vêtements préférés/your favourite clothes" in French with a nice spelling mistake.

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Being short and having a bit of acne apparently makes you an ugly Chinese woman. These beauty standards are infuriating. I didn't think I could endure this young woman's humiliation throughout the entire series. And I was right.
One might think that, fortunately, this is offset by the fact that the ‘beautiful’ and ‘ugly’ versions of the character are played by the same actress. It's a bit like Ms. Doubtfire, but less problematic, in the end... no ? no, of course not.

To be honest, the male character is very annoying. He thinks he's superior, he behaves badly, and he throws a "you're so ugly" at Su Chengcheng the first time he sees her since their teenage years, even though she is clearly in distress. He uses his position as boss to hit on a stranger by offering her a modelling job. He wants to marry her, she's the woman of his life, he never gives up and calls her constantly... yet she's not interested and he simply doesn't know her. I think there's a name for that kind of behaviour in court. And these are just the very first episodes...

No, I didn't get very far into the series. That guy annoyed me, I don't want to know what Chengcheng sees in him and how they will end up together. Then I read that it promotes generative AI. That's it, I'm done. So this is a totally arbitrary and undeserved bad rating I'm giving to this CDrama. No one should take it into account. (As with all my reviews, for that matter)

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Capitalist propaganda goes a long way. I prefer it when the great King Vidor adapts Ayn Rand's rubbish, at least it's imbued with an old-fashioned charm linked to the Film Noir style, and then : it's funny in its grotesque sincerity.

But here, it's all literal, which is embarrassing for everyone... Well done, brave small business owners, true fathers of families, we owe you everything. We love working for you. Thank you again for all the risks you take without any compensation, you are true saints on Earth. We live off you and live comfortably by sucking your blood, we have an easy life thanks to you, the heroes of modern times.

I gave up on episode 3. I'm sure the romance and plot twists are very well done, thanks to Minha Kim, who undoubtedly brings a deep sensitivity to her character. But I'd rather spend my time on something other than an ode to work and exploitation.

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Someone save me from myself.

At first, you don't understand a thing. In episode 4 there's a big reveal and I was sitting there thinking "Who on earth are these people ?". You get swept along by all these plot twists, for a while. The problem is that after 10 episodes I still don't understand who's attacking whom and what dangers we've been facing from the start.

Both leads are convincing and clever. And as is often the case in C-dramas, here we find a strong, independent female character. I started watching for Zhou Yiran, the master of secret admirers. And I stayed for Bao Shangen, as beautiful as funny. Let's hope she gets better, she only has two expressions, poor thing.

The music rocks. The opening and closing credits alone are killer. The cinematography is, of course, stunning, with plenty of gorgeous wide shots in magical settings. You get used to that pretty quickly in these kinds of productions. On the other hand, you have to accept that martial arts superpowers as a reality. And then, apparently, you get around on the back of an eagle... Right... And you face giant snakes… Ok... Warning ! That's the signal to start considering a strategic retreat. So this is where the adventure ends for me.

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If you want to understand why this actress, Ha Young, is highly criticisized right now : watch this.
The way people talk about their past and their family matters. You can't have this extremely dark history and speak this casually about it. (by trying of deny it) It means that you don't care. Not only her but the all family should lose all the money they made on a pile of corpses and give it to their victims. Especially when they show how much they don't give a damn. It's not (just) a story of an actress victims of a smear campaign. (of course, some people will take advantage of this to indulge their misogyny. Of course.)

When she talks in interviews about her family's pride, about the four generations of doctors, while obviously avoiding the subject, she must have known that it would come back to haunt her and them. Her handwritten letter of apology can't make up for that. Because it's not a matter of sincerity. She isn't responsible for her family's past, no, but she's particularly proud of it. Growing up surrounded by criminals and pretending you didn't know ? ... Please. Stop it.

It's a story of : "Forget it, it's the past." It's only the past for those who benefited from it. The far right wants everyone to forget. Japan certainly doesn't want this to be an issue. Why have those guilty of crimes against humanity alongside the Japanese never been held accountable ? And why did they continue to kill "communists" (independence activists) ? Why did they continue to monopolize the economy today ? Because the U.S. kept them in their positions, and their grandchildren now come to boast about the honor of belonging to their illustrious family and star in cute and funny K-dramas.
This is unbearable for many people. We all can understrand that.

What about the show, though ? It premieres a few days before Korea's Independence Day celebration. But the show itself ? It's really nonsensical and unhealthy. The guy lies, but since he's so handsome, it's ok, it doesn't matter. I dropped it very quickly. (second episode) All this amnesia stuff is starting to get old.

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I'm not saying this to show off or take the moral high ground (if you like this CDrama, good for you), but this is just not acceptable. Episode 1 is sublime, with its fights, its twists and turns, its hyper-edgy and fast-paced editing; it's spectacularly done. In episode 2, we see a man kidnapping and beating up a woman. And we're supposed to accept this enemy to lover trope ? Excuse me ? (eventually, we'll try to justify the unacceptable by saying that she's attacking him too. But this scam is starting to become obvious. Don't even try that)

No, no, no, I'm stopping here. I absolutely did not expect to see that with this poster, this synopsis, this first episode. I don't understand how anyone can subject themselves to this.

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