Impressive start to finish
Supernatural suspense crime thriller. I was engaged from the first episode through the last. It's not easy to sustain the tension for 12 hours but the screenwriter, Kim Eun Hee, and directors do just that. The reveals build as we follow two parallel investigations - secular police detectives and a supernatural expert - separately pursuing the 'culprit' behind a series of suspicious suicides. These two avenues collide frequently as they bump into the each other following various evidence and leads. The performance of Kim Tae Ri as the focus of the story deserves praise as exceptionally well done. Her character is both the protagonist and the antagonist.Was this review helpful to you?
Easy Procedural - Contemplative on Marriage and Love
On the surface this is a legal/crime episodic procedural drama. However, oddly there are strong themes regarding love, marriage, and family relationships. I suspect that the lower than expected rating is due in part to people going in with episodic crime expectations and perhaps looking for a stronger romantic entanglement between the leads, and instead getting a healthy dose of almost at times meditative discussions on love and its evolution within a marriage.There are the promised court room cases per episode. These are entertaining with satisfying surprise twists. Of course there is a main story arc involving the two leads and this is interwoven skillfully with several plot arcs involving supporting characters, good and bad.
Symbolism is artfully placed without being too heavy handed. Also enjoyable are the contrasting relationships and character arcs that invite understanding.
A partial spoiler.....
The two 'supporting' main leads have a romantic connection. She is 10 years older than he, and they finally do get together i.e. things are consummated and we're left at the story end with marriage on the horizon. The two main leads have a similar age difference with a gender reversal but things are left open. The contrast between these two couples seems intentional with one hopefully foreshadowing the prospects for the other.
In general on one level an easy and entertaining courtroom procedural that with repeated watching reveals more subtle commentary waiting to be noticed.
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Not Afraid to Deliver the Needed Ending
In this brief six episode story a young woman, extroverted, outgoing, and with an impish love of pranks develops an odd relationship with the new nerdish guy in her homeroom by cajoling him into exchanging names with her as part of a school April Fool’s Day prank. This name change becomes a running connection in their ever closer friendship. They have feelings for each other but for fear of rejection can’t get the couple connection going.He dies and she is devastated realizing that he was the love of her life. She loses the will to live. Then one day four years later her dead love-of-her life appears in front of her. He’s now a grim reaper and he tells her she dies in one week and he plans to spend that week with her.
The six episodes focus on that week with frequent flashbacks filling in their lives’ details. As far as the why and how of grim reapers there’s not much in the way of exposition. The little we do see is an obvious foreshadowing of a key plot twist like a pilot warning passengers to buckle up because of looming turbulence.
Beautiful stories that grab you emotionally don’t always have happy endings. He’s dead and a grim reaper and she’s alive so the prospects for a happy ending aren’t all that rosy.
Despite the grim reaper supernatural element the story doesn’t try to scare nor does it have a focus on the supernatural, but instead plays it straight setting up situations and letting characters and viewers deal with emotional impact.
Can a grim reaper somehow prevent a scheduled death from occurring? What are the repercussions? Grim reaper stories are often about life and not death, about the living struggling with regrets and loss. And sometimes they’re about the dead being given a voice in the story to confront losses they regret from when alive. If you could come back from death to help someone you deeply love, how much would you be willing to sacrifice?
A more timid screenwriter would feel compelled to deliver a pat happy ending. They might warn of horrible outcomes but then by some unlikely twist deliver what most people want and not what the story demands. WBL doesn’t shy away from the needed ending.
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Way Back Love’s emotional touchstones reminded me of another story also centered around using grim reapers to talk about life, a dark comedy called Dead Like Me (2003-2004) 29 episodes over two seasons. The main character is a 18 year old college dropout, Georgia aka George, who dies and is drafted into a local team of grim reapers. George has a hard time adjusting to the daily bloody violent deaths and she rebels. Complicating her transition to an afterlife career as a reaper is that she reaps within walking distance from her still living and grieving family. Her death hits her family hard causing the parents to divorce and her younger 11 year old sister, Reggie, to act out. George rebels against the reaper system dictating non interference with the living by surreptitiously helping Reggie who realizes that as impossible as it might seem her dead older sister is still around.
On the surface DLM is a comedy but there are some deeper emotions and issues running throughout. But the same question so important in WBL confronts the undead DLM reapers (not only George but her boss, Rube, too) as to how far can a reaper push against the rules and their unseen power, Death, that dictates their reaps.
In early episodes Rube is loudly and aggressively demanding that George follow the rules and stay away from her family. But George hides her meddling with the living. And sometimes she openly rebels. There’s a touching early few scenes in which George in defiance against the big boss, Death, and her reaper boss Rube goes to her family’s front door (not on Halloween) and is confronted by her mother who of course can’t recognize her. To prove her identity George attempts to convey a cherished memory that only the two of them share, but her words come out garbled and her mother chases her away. Later sitting with Rube in a diner she sheepishly confesses her breaking the rules and he uncharacteristically tenderly asks if she can remember that cherished memory. She can’t. And Rube explains that whenever a reaper attempts to use a shared memory to talk to someone they knew when alive, that memory is lost forever. The more the undead try to connect with the living from their former life, the more of that life they lose. Rube says to her that all reapers get to keep from their lives is their memories.
In WBL limited by six episodes the story focuses tightly on the relationship between the two main characters in a romantic dynamic. In DLM with 29 episodes there’s more branching out and while the focus is on George and her family, there a parallel story line that follows Rube and what happened to him and his family some eighty years prior.
Rube died during the Great Depression when to help his wife and daughter (about five years old at the time) he robs a bank and ends up dead, and then is drafted to become a grim reaper. He, like George, breaks the rules and tries to help his family sending an anonymous letter with cash to them. Eighty years later in present day he gets a notice from the US Post Office there’s a letter for him, it’s the letter he had sent and forgotten so long ago. Death that operates on a time scale and with goals beyond human comprehension sidelined that letter and delivered it back to him in the present (to a different return address no less). That his attempt to help his family failed triggers something in good soldier Rube and he rebels himself and covertly finds his now aged daughter. When he arrives at his daughter’s nursing home just before she dies we learn she’s been waiting for and recognizes him (which means she interacted with him after he died and before he sent the letter).
DLM has 29 episodes to work with. There’s an interesting character that we know about only by its manipulations, Death. Rube some eighty years prior was placed near his family and something happened back then that made him into an obedient reaper staying away from his family. Normally reapers are only placed far away from where they lived. One woman on the team died in the state of Georgia, another man in the UK. Then out of blue young George is placed with Rube’s team near her living family. Death returning the letter to Rube triggers a radical change that leads him to a final reconciliation with his now elderly daughter at her death. Why might have been explained in a third season.
By the end of the second season George has become a good soldier, a capable reaper who no longer feels compelled to contact her family and Rube has finally found some peace of mind after having carried personal regrets and perhaps a bitter grudge against God those eighty years. We aren’t allowed to listen in as to what he said to his daughter before she died and after when she passed into the hereafter, but it had a profound impact on Rube.
In DLM reapers look as they did when alive to each other and to ghosts, but to the living they look totally different except on one day and night of each year, Halloween. At that time only people who knew them when alive can see them again in their living appearance. George often visits her own grave and in a key final scene of the second season Reggie on Halloween night sleeps on George’s grave and in the morning dawn light wakes to see her older dead sister standing near her confirming the impossible that her sister is around in a very physical way. When George and Reggie see each other, George turns and walks away*.
Both DLM and WBL are stories in which the dead and the living can interact and deal with those regrets left unspoken. If you liked WBL you’ll probably appreciate DLM.
* PS I liked the two seasons of DLM so much I wrote two novels - season 3 and season 4. If you watch the TV show you might find the novels worth checking out. These are posted at a website called archiveofourown dot org. The first is titled Dead Like Me 2013 and the sequel Dead Like Me 2014.
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Lots of Torture, Then the Revenge
This should be taken as one season of 16 episodes. The break is artificial and you should plan for the whole 16 to get the whole story.It took me a year to get through those first two episodes because of the intense torture of the main character victim. What follows is an elaborate vigilante revenge plot executed on the clique that inflicted that torture so easily.
I had no problem with for example the Judge From Hell, which was an enjoyable experience watching the bad guys get their just consequences. However, this one was so difficult. Perhaps the hard scenes were necessary to justify the slow burn building towards the punishment of an adult group, all well established in their lives, thinking that the crimes they had committed on the main character, and others, were forgotten and that they had escaped.
The character that unexpectedly stood out for me was the husband (Jung Sung Il playing Ha Do Young) of the main villain (Park Yeon Jin). Of everyone he proved himself the noblest of the lot.
The single most impressive performance was that of Im Ji Yeon playing the main villain Park Yeon Jin. I'm not saying you'll be rooting for her at any time, but the actress expresses the internal struggles of the character masterfully as she slowly feels the trap close about her step by step until it shuts with a finality at end. As each step is revealed we can read its impact on her face and her actions.
This one sets a high quality bar for future vigilante revenge stories.
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Fast paced thriller with a hard ending
No spoilers up here. The typical K Drama has a feel good wrap up ending. This one does not and that's ok. The screenwriters here could have taken the easy route and written a 'happy' ending but instead they wrote the right ending for these characters and this story. After the last reveal and you're faced with the finale and perhaps a little shock you'll appreciate what happens and why it had to be that way.The series has its share of action and fight scenes but these never take over and dominate the story and character development. There are too many shows and movies where it feels like a little bit of story wrapped around overly complicated and drawn out action. There were a few isolated cases early on with a bit drawn out fight scenes but once the skills of the main protagonist are established his later performance is marked by efficiency.
The story stayed with me after the finale as I couldn't help but think about the characters and their choices.
Looking forward to rewatching this one.
I'm surprised these screenwriters don't have more credits given how well written this series turned out.
Warning - Below some questions and comments that contain spoilers. These are not nitpicks but after one viewing questions that I didn't see an answer for.
- Young Kim Soo Hyun was consistently shown with blue eyes yet as an adult his eyes were brown. What was the point of the blue eyes?
- Kang Seul Gi was mentioned twice as the biological daughter of Kim Soo Hyun. How and when this came about was never answered, but would partially explain why Soo Hyun prevented Pavel from killing her.
- Do Hyun Jin aka Lee Young Eun was adopted to replace a dead daughter. What happened to her sire? All the kids were created via artificial insemination in order to provide organs for specific powerful clients. Why was she exceptioned? Why did she even have a name i.e. Lee Young Eun vs a number?
Speculation Given the genetics for organ donors of even family members can be dicey it would make sense for the scheme to create more than one kid from each sire for donations. The main antagonist created Kim Soo Hyun to provide a bone marrow transplant for his sister who named him and then died. Perhaps he also sired Lee Young Eun for the same purpose, and when her half sister died he adopted her as a replacement.
That would make her a half sibling to Kim Soo Hyun and the biological aunt for Kang Seul Gi.
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Not Just Another Business Proposal
I tried this with low expectations anticipating a half clone of Business Proposal but with each passing episode was increasingly delighted. While they both have a Cinderella element involving a young woman getting caught up in a difficult relationship with a higher status male, the emphasis is so different.The set up:
The female lead, Yun Seo, together with her little brother, ran away from an abusive drunken father (he beat her and her brother) and drunken mother (she let it all happen) within minutes of finding out she had been accepted into a college. Years later having overcome many obstacles she now works in a major company as a Team Leader.
The youngest member of the team is the male lead, Ju Won, who undergoes severe training as the junior most member. Over time Yun Seo and Ju Won begin a secret relationship that lasts almost two years until she stumbles upon the fact that Ju Won is actually the second son of the Chairwoman of their company who after returning from an extended study abroad was placed incognito inside the company to get on the job training.
And complications ensue:
The first episode opens with the Chairwoman meeting with Yun Seo to tell her to break up with her son for a huge amount of money. The story that unfolds has a lot to say about not only Yun Seo and her difficult upbringing and current situation, but also surprisingly about arranged marriages and the difficulties the upper crust face in finding marriage mates.
The Chairwoman is not an evil person. We learn she is in an arranged marriage with a man who lives in Germany and is not faithful (not that she seems to care). She’s tried to raise her two sons to be cold and calculating to survive in their upper class world.
The story contrasts the evolving relationships of the Chairwoman’s elder son, SiWon, and his wife, with the problems facing his younger brother, Ju Won, and his chosen mate, Yun Seo.
SiWon is in an arranged marriage. His wife has lived in Paris for the past two years and SiWon, we can tell, is lonely but has adjusted and even appreciates living alone (he goes pantless around the house). His life is disrupted when his wife returns suddenly to cohabit (pants now required).
Over in the other relationship Yun Seo tries to break up with Ju Won as per her agreement with the Chairwoman. However, Ju Won resists both Yun Seo and his mother, the Chairwoman, and fights to keep Yun Seo.
At first his behavior seems a bit pathetic but as the story develops we learn why Ju Won is being entirely rational in his pursuit to keep Yun Seo.
For someone in Ju Won’s upper rich crust it is nearly impossible to find a mate especially one from a lower income level who isn’t swayed by the opportunity to marry into power and money. The Chairwoman cannot imagine that Yun Seo is anything other than a gold digger motivated by marrying into the family for the money.
SiWon failed to find a love match and had to enter an arranged marriage.
Ju Won, however, spent two years being tortured incognito and all on his own wooed Yun Seo into a relationship. In fact once she knew his true identity she didn’t think it could work out so she was receptive to the Chairwoman’s offer. Ju Won at one point bursts out saying he’s not giving her up because the relationship he made with her is the single most worthwhile achievement in his entire life (where everything has been handed to him).
Now that his true identity is out he is destined for an arranged marriage like his elder brother, and Yun Seo represents his one and only chance to ever marry for love. So his refusal to give in to his mother’s demands is entirely rational.
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Top notch comedy
The best thing from among many delightful aspects of this series is the dynamic comedic duo Kim Se Jeong and Seol In Ah. Whenever the scene focus is on these two they generate laughter and this was much more apparent my second time watching. This praise shouldn't be taken as criticising the performances of the other leads. This is a feel good romantic comedy that comes across as fresh and original despite treading some old cliche pathways. The two leading couples have chemistry that works together.PS One personal irritation for situation comedies is when the situations are so badly contrived i.e. people making absurd choices and then scramble to escape. 'Business Proposal' has few like that. What makes much of the humor work is that the choices and resulting situations are usually 'reasonable' enough to be believable. That sets the stage for the comedy talents of the dynamic comedic duo, both together and when working off of their leads, to shine at their best.
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Should you watch?
If you don't mind plot twists and character development you've seen before then this series will reliably entertain. I noticed borrowed elements from 'Goblin' and 'Doom At Your Service' to name two. The walking out of the fire scene midway through was taken from the American series 'Lucifer'.The set up was good, but the follow through weak. For example, the main character is a demon, who it was shown must make deals periodically or perish himself. Ok, but then this was dropped and only alluded to much later. The story twists and turns don't make use of this seemingly important initial set up and constraint. What if he had had to make deals with the human present?
The first third of the episodes had more misses than hits. The balance began to shift in the middle third as we see some entertaining traction. The last third worked much better and had me binging the episodes for the next reveal. The ending seems a bit forced leaving ends loose that naturally come to mind. A big one is the female lead's father, who was not evil and made his deal out of desperation to help his wife, and yet he ends up in hell suffering eternal damnation. And the female lead expresses no concern or remorse over this inconvenient development. I was expecting something to tie this unfortunate circumstance up given all the other feel good endings we witness.
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This review may contain spoilers
Great Story, Ambiguity Improves
This story is at bottom a thousand year long lovers' quarrel, an originally small misunderstanding between two 'monsters'. It's a quarrel with curses thrown around that gets escalated piling one misunderstanding on another and dragging the humans around them into a destiny trap generation after generation of reincarnations. The focus of the present day story is how that tangled mess gets unraveled, and the curses ended.Min Sang Un (MSU)’s dual suicide attempt should have ended the Bulgasals’ time on Earth. Dan Hwal (DH)’s last second Hail Mary Pass kept them alive but created an unstable unbalanced situation dominated by strong dark emotions among the three Bulgasal demigods and human souls entangled in their karma. DH 1,000 years ago was motivated by love which turned to great anger at her betrayal (in his eyes) which gave rise to mutual curses and DH’s creation of the sub Bulgasal Ok Eel Tae (OET) to evade MSU’s dual suicide attempt. This imbalance generated by hatred remained festering for the 1,000 years until at the end, DH rediscovered his love for MSU, and realizing the harm he had caused in his angry reactions a millennium ago, sacrificed himself to prevent any more harm to his human family. The DH that sacrificed himself for the same humans he had cursed so many years before was a different character from the angry Bulgasal at the beginning. And the loss of memories in her last reincarnation allowed MSU to let go of her dark emotions generated by the past events and become willing to sacrifice herself to save DH, another major character arc growth.
DH accused MSU of trickery in having herself reborn as twins and he didn’t believe, at first, that she couldn’t remember prior life events. OET made the same accusation and also, at first, did not believe MSU could not remember. From the story we know that in fact she could not. The messy bickering continued over 1,000 years until some higher power perhaps decided the suffering punishment for DH and MSU had gone on long enough and motivated by the desire to have them find their original love intervened by having MSU reborn as twins, one with the bitter revenge filled memories against DH and OET, and the second containing the hidden power (see below) but no memories. The first twin is killed as expected as normal, but the second survives to be discovered by DH who keeps her alive to uncover the mystery hidden by her lost memories. The struggle between them eventually turns from adversarial to one of friendship and finally a rediscovered love from when their immortal relationship ended 1,000 years before.
Why did MSU die? She was shown twice to have special non human powers (further below) reflecting an echo of her original Bulgasal form. But she was very much a part of the original web of mutual curses that bound the three’s existence together, and when the two Bulgasals died her emanated special power ended and she was also fated to pass over from her wound (similar to Do Yoon who survived). That she would die was hinted at in Lee Hy Suk(LHS)’s prophecy that spooked OET to kill the shaman when she said, “The soul will go back to its owner.” In other words OET’s soul would be returned to him from MSU or i.e. she will die.
Do these demigods have souls? Probably not human souls but perhaps something else. And whatever higher deity intervened to bring about the end of the Bulgasal feud, when DH sacrificed himself for the human family he cursed 1,000 years before, when MSU returned to confront OET and sacrificed herself, that triggered the final stage. They all three died, and the original two demigods were allowed to be reborn into human reincarnations, find each other, and hopefully make better choices.
Bulgasals are immortal demigods. The concept of a human soul and who has one becomes important because Bulgasals lack them. There is one human soul first transferred from OET to DH 1,000 years before, and later from DH to MSU 600 years ago.
An aspect that is key to understanding the ending and that is included in the story but not highlighted is that humans who used to be Bulgasal have special powers. We see this three times in the story.
The first example is that of the human DH who 600 years before seemed to have super human abilities to kill monsters beyond anything displayed by his peers. In the womb he scared off the corpse eating monsters and then survived a birth from a dead mother. His childhood was difficult. As an adult the soldiers first said he was cursed by Bulgasul then that he was blessed by Bulgasal and that the monsters feared him as much as they fear the Bulgasul itself.
MSU provides two other present day significant examples. One occurred in an early episode (E3 1:05) when DH was rushing back to the laundry factory to stop a human monster from killing MSU with a knife. He was too late. The monster knocked MSU to the ground and we see the monster prep for his attack, only hesitating to gloat. The scene abruptly shifts from her prone on the ground to the monster sitting on the ground bloodied, battered and cut up with MSU standing over him holding his knife. She abruptly returns to her meeker self and drops the knife which the monster picks up for another try. Only then does DH intervene. MSU doesn’t seem aware of what she did.
The second is much later (E12 minute 43) when MSU is waiting alone in a car in a remote woods for DH to find OET and return. OET managed to phone one of his police henchmen who shows up and attacks MSU stabbing her in the exact place of her twin’s birth scar on her shoulder. (This initiates incremental memory recalls.) DH shows up but again he’s too late. MSU has been stabbed but she fought off the policemen and stabbed him badly. The henchman later says to OET, “She suddenly became strong. She wasn’t herself.”
These three examples point to humans who used to be Bulgasal having unusual latent powers. The incidents involving MSU could have been written around easily. In MSU’s first incident DH could have arrived early enough to intervene. In the second DH could have arrived again soon enough to save her after the first stab wound. This aspect implies that although MSU isn’t Bulgasal now that she once was leaves her more than an ordinary human and very much a part of the Bulgasal triad.
A review of key events at 1,000 years and again at 600 years before.
The first key event occurs 1,000 years ago when a series of misunderstandings between the two Bulgasals - DH and MSU - result in both near death with wounds to their hearts. MSU’s was self inflicted and DH’s brought about by three humans. DH curses all three humans - one to be reborn and suffer the loss of his arm, the woman to never be able to give birth to healthy children, and the boy to always be reborn into blindness. OET, whose machinations brought about the violent clash, the deaths of many people and the looming end of the two Bulgasals, shows up and leads the dying DH away. A desperate DH takes OET’s soul making OET a Bulgasal (whose heart is unwounded). Before DH dies he orders OET to find him when DH is reborn as a human and make him a Bulgasal again, and to ensure he complies he puts a curse on him leaving him with the dark bleeding hole in his chest and in constant pain.
Another 400 years goes by. We do not know how many times DH is reborn during these four centuries. However, rewatching the events in E1 with the knowledge gained in the E16’s flashbacks an ongoing 400 year struggle between MSU and OET is hinted at. DH was reborn repeatedly. While OET probably did not dare attempt to directly kill DH at any age because he feared triggering another switch back into his original mortal form, he seems to have searched for, found, and then begun murdering the people around the young DH to induce the humans to kill him. MSU, as reluctant to kill humans as she was 1,000 years before, acted to protect DH when she could up to taking a knife in the back and feigning death. This repeated cycle probably angered MSU. She would likely direct her anger at OET for all the killing of humans and at DH for the starting the whole mess to begin with. During DH’s last human life MSU saves him at least twice until this cycle is broken and he is rescued by a passing general (one of three cursed by DH 400 years prior). DH grows up and marries the general’s daughter (the second human cursed by DH) and she bears a son who is blind (the third cursed).
The adult DH, as the adopted son of the general, undertakes a campaign to kill any and all monsters around. Initially his men see him as an evil spirit cursed by Bulgasal and then as he kills many monsters they see him as an evil spirit blessed by Bulgasal. For reasons unclear all of these monsters will only be reborn as humans (and lean toward serial murdering) and hold a grudge to kill anyone carrying DH’s soul (i.e. MSU).
To kill the Bulgasal (DH only knows about one) and remove the curse from himself, his wife, and his son, DH leads a troop to the mountain where the Bulgasal is rumored to reside. This does not go well and most of his troops are murdered by OET along with his wife and son. While grieving over the corpse of his son, MSU approaches from behind and stabs him fatally in the back. While MSU holds the sword in his back we are shown the soul transferring from DH to MSU. DH becomes a Bulgasal and MSU a human. DH in turn stabs MSU twice and there are some more harsh words exchanged (with no explanation as to why she stabbed him, or her connection to the murder and mayhem all about). MSU dies as a human but in the same way that DH did 1,000 years prior when he became human just before his death.
Why she stabs him is the weakest link of the overall series plotting. This weak link is also the main driver for much of the later plot twists. The few words exchanged in the moments before MSU dissolved don’t explain why she protected him before this but tries to kill him now. How did she miss the presence of OET accomplishing all the slaughter finished just moments before?
DH: Why did you do it?
Why did you have to kill my innocent wife and son?
Tell me why.
Tell me why!
MSU: telepathically (This was all your doing.)
(What have you done?)
(You have created more bad karma.)
(And you have brought upon < > another retribution.)
(I despise you.)
(I truly despise you.)
DH: What do you mean?
MSU: (I will be born again with this scar that you have given me.)
Many questions could have been answered in this exchange but the writers (deliberately) left things vague. To begin with DH’s question - Why did she do it?
She clearly states she despises DH which may explain why she blamed him for the murder and mayhem and stabbed him in the back. Perhaps she saved him when he was a child because she has a soft spot for kids who have not yet made bad choices in life - the potential for good. When she encountered him in this situation she concluded he made bad choices and decided to end his human life to be reborn and try again. Much of the later story hinges on this deliberate ambiguity, but the overall story framework would have worked better if at the end we were provided a clear motivation for her decision at that moment to plunge the sword into DH’s back.
Why does she believe this was all his doing? And what is this ‘this’ that he did? The current killing? Or all the bad for the last 400 years? Perhaps she is aware of all the effects on the humans his curses have had for the last 400 years? Did MSU believe that DH killed all those people - his own soldiers and family?
Perhaps the three - DH, MSU, and OET - became bound in a web of curses tying their destinies together such that the only solution to end the bad karma was for all three to die. Humans who were once a Bulgasal retain some shadow of the power and also remain in the web of curses. The human MSU was tied to OET because she had his original soul which was further tied to DH’s original curse on OET (i.e. his dark hole) and when the two of them died any protection that had been extending to her failed making her succumbing to her wound inevitable.
There was an imbalance created by DH’s taking of OET’s soul to evade the end of the two Bulgasals. That was further complicated by OET’s attempts to evade taking back his soul and even more so when MSU (either by accident or design) stepped in to switch with DH turning him back into a Bulgasal.
If she reincarnated eight times in 600 years then it is likely that the human DH over his 400 years would have reincarnated several times also, but OET failed to seek him out and change him back into Bulgasal probably because he did not want to become a sickly mortal human again. Instead he seems to have deliberately sought DH out and induced humans to kill him. DH seems to have foreseen this reluctance and layered his curse so that OET could not relieve his suffering by retaking his soul back from anyone other than DH. This is the likely reason that whenever OET tries to crush/break MSU’s (OET’s) soul he feels crushing pain. However, he can kill her which does nothing to relieve his suffering and she just reincarnates.
There’s lots of sand in the destiny gears. Over a 400 year period OET failed to restore DH. It’s possible that MSU deliberately (or accidentally?) stepped into the stalemate between OET and DH by taking DH’s OET soul herself. Once this happened OET needed (or eventually ((600 years)) came to believe he needed) the renewed DH Bulgasal to intervene somehow. OET believed that if DH killed MSU then that would somehow remove his dark hole and allow him to attain his goal of remaining as Bulgasal with DH as Bulgasal. More likely DH’s original curse prevented OET from ever resolving his dark hole problem even if DH had cooperated.
In E13 the shaman LHS delivers a prophesy to OET which triggers him to kill her. This prophecy ties together elements from E1 through events in E16. She said,
1) An evil spirit will come from the dark hole.
2) The evil spirit that fed off its father’s blood will rise up from the dark hole.
3) The evil spirit opened the dark hole.
4) And now, it is coming to close it.
5) The soul will go back to its owner. x 2
OET only knows and is obsessed with the dark hole that DH gave him 1,000 years ago. But we having seen the final episodes know that the line #1 dark hole is probably the well that DH will be thrown into. DH is the evil spirit (in E1 600 years ago his soldiers called him the evil spirit who kills monsters) that will feed off his father's blood and then rise up from the dark hole i.e. the well. DH is the evil spirit that opened the dark hole in OET's chest 1,000 years ago and whose actions will soon close it. The soul that will go back to its owner is OET's soul currently residing in MSU. This line prophesies her death so that OET's soul can return to OET in the afterlife.
Weak points aside I have no complaint about the overall story in part because the deliberate ambiguities make it more interesting.
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Turned Into an Anti Gun Rant
This an odd duck of a series that posits what would happen if oppressed and wronged people suddenly received guns in the mail. The show doesn't withhold suspense with violent retribution by people with grudges against the guilty and innocent alike. In other words the writers in this fantasy world see lots and lots of random mindless gun violence breaking out.I suspected the between the lines and sometimes obvious anti-gun messaging creeping up but enjoyed the action and story nonetheless. However at the end the messaging becomes obvious and heavy handed.
Living in a US state where obtaining guns is extremely easy IF you haven't committed any crimes I find the message just plain wrong headed. Criminals generally can only get guns illegally here. The odd truth about guns is that they go far to protecting people from violence from people who don't respect the law. A researcher, John Lott, decades ago wrote a book that captured this effect called "More Guns Less Crime" in which he analyzed county by county crime statistics comparing states and counties where guns are restricted vs less restricted and discovered the causal correlation between people having more legal guns and there being less crime.
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AARO: All-Domain Anomaly Resolution Office
2 people found this review helpful
Clumsy at Best
I pushed through two episodes of this one, so it's possible there might be, however unlikely, something redeeming showing up later. The awkward directing, acting, script, and ersatz music at times don't bode well and can't be fixed by some later plot twist because they are the problem.The marketing spin and basic elements promise something interesting, but the execution is amateurish and clumsy.
When the lead character was introduced with three different angled shots I got a really bad feeling that the director is to put it politely, full of himself, and most all that followed confirmed that.
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