68
306
8
1
3
10
3
2
1
1
8
1
1
1
2
2
2
1
5
Pretty Boaring
Once upon a time in snowy Linan County, expert butcher Fan Changyu stumbles over a suspicious lump of snow on her way home from work. To her shock and delight, she discovers a gravely injured man whose deathly pale face card screams "too handsome to perish." No self-respecting, recently jilted gal leaves a man who looks like that to freeze to death. So with preternatural strength that belies her dainty stature, she hefts this gorgeously useless sack of frozen flesh over her shoulders and piggybacks him home to Xigu Lane.
This drama is a feast for the eyes. The camera pans leisurely over one fairytale-like idyllic countryside scene after another. It is a fan service extravaganza of stunning face shots of Xie Zheng and Fan Changyu eyeing each other thirstily as they casually beat off petty village villains. Their expressions hint at a complexity that never materializes. Nothing really happens for about seventeen gorgeous episodes loaded with the promise of betrayal and intrigue. The long-winded Linan plot arcs and bucolic themes remind me of The Lady in Butcher's House (2022), which is nowhere near as beautifully shot but is a hell of a lot funnier.
When the plot finally moves, it is like watching a pig run amok in a china shop—I mean, military camp. But the fight scenes are great: fantastic action choreography and thrilling camera angles that will convince you that a short gal viciously wielding a short-range butcher's cleaver can defy physics and defeat an entire invading army of tall men with long-reaching spears and swords. And there is nothing more hilarious than watching a handsome decorated general and his army gallop heroically to the rescue after all the fighting is done by a butcher and her pig squad. For her efforts, she is promoted to the point of inefficiency and made a general and war heroine - yups another dynasty that bites the dust! As for the redoubtable Marquis Wu'an, his formidable military reputation is only told, never earned. The man's greatest accomplishment is hiding his identity from his beloved beyond reason and at the risk of king and country. After the military misadventures cum absurd hidden identity arc, the long-awaited conspiracy finally reveals itself to be overly convoluted and anticlimactic. It is a stretch to call the final antagonist a villain. The drama ends unsatisfyingly, without closure and with a poor semblance of justice.
The main focus of this story is Fan Changyu, who is the Mary Sue of butchers. She is a souped-up martial arts version of Cinderella who traded her glass slippers for a wicked butcher's cleaver. I have always found Tian Xiwei obnoxious, so the fact that I never felt the impulse to sock her in the face is a true testament to Director Zeng Qingjie's ability to make her look a lot lovelier and more likeable than I thought possible. She put a lot of work into her fight scenes, and it showed. I was not impressed by her military antics, but that is on the writing, not the acting. As a CP, her chemistry with Zhang Linghe was good but paled in comparison to Deng Kai and Kong Xue'er's dark passion. While I have never seen Zhang Linghe look so hot in a drama, he is sidelined and reduced to little more than a decorative vase by the narrative. He drew the short straw on action scenes, and Xie Zheng's complex, painful relationship with Wei Yan is not fully explored. It is a pity that this director conjures up such sensational visual impressions that are not fleshed out by the screenwriting.
There are too many mouthwateringly hot clickbait characters in this story, but they all turn into two-dimensional cartoons as the plot unfolds. I stuck around because of how compellingly Deng Kai breathed life into the dark, sadistic, and tortured Qi Min. His intense, obsessive chemistry with the audacious and malicious defiance of Kong Xue'er's Qian Qian lights up the screen with a forbidden sensuality. Both Qi Min and Marquis Wu'an should be fascinating, complex parallel characters with pasts and a real grudge, but lazy writing reduces them both into love brains with questionable motives.
Overall, a pretty boaring romantic fairytale that is bound to check all the boxes for lovers of the genre. Fans of plot- or character-driven stories may find it lacking on many fronts. This might have worked better as a parody or a dark comedy, or if the humor landed better. Yet the visuals are so outstanding that I find it impossible to rate below 8.0 so let's call it 8.0/10.
This drama is a feast for the eyes. The camera pans leisurely over one fairytale-like idyllic countryside scene after another. It is a fan service extravaganza of stunning face shots of Xie Zheng and Fan Changyu eyeing each other thirstily as they casually beat off petty village villains. Their expressions hint at a complexity that never materializes. Nothing really happens for about seventeen gorgeous episodes loaded with the promise of betrayal and intrigue. The long-winded Linan plot arcs and bucolic themes remind me of The Lady in Butcher's House (2022), which is nowhere near as beautifully shot but is a hell of a lot funnier.
When the plot finally moves, it is like watching a pig run amok in a china shop—I mean, military camp. But the fight scenes are great: fantastic action choreography and thrilling camera angles that will convince you that a short gal viciously wielding a short-range butcher's cleaver can defy physics and defeat an entire invading army of tall men with long-reaching spears and swords. And there is nothing more hilarious than watching a handsome decorated general and his army gallop heroically to the rescue after all the fighting is done by a butcher and her pig squad. For her efforts, she is promoted to the point of inefficiency and made a general and war heroine - yups another dynasty that bites the dust! As for the redoubtable Marquis Wu'an, his formidable military reputation is only told, never earned. The man's greatest accomplishment is hiding his identity from his beloved beyond reason and at the risk of king and country. After the military misadventures cum absurd hidden identity arc, the long-awaited conspiracy finally reveals itself to be overly convoluted and anticlimactic. It is a stretch to call the final antagonist a villain. The drama ends unsatisfyingly, without closure and with a poor semblance of justice.
The main focus of this story is Fan Changyu, who is the Mary Sue of butchers. She is a souped-up martial arts version of Cinderella who traded her glass slippers for a wicked butcher's cleaver. I have always found Tian Xiwei obnoxious, so the fact that I never felt the impulse to sock her in the face is a true testament to Director Zeng Qingjie's ability to make her look a lot lovelier and more likeable than I thought possible. She put a lot of work into her fight scenes, and it showed. I was not impressed by her military antics, but that is on the writing, not the acting. As a CP, her chemistry with Zhang Linghe was good but paled in comparison to Deng Kai and Kong Xue'er's dark passion. While I have never seen Zhang Linghe look so hot in a drama, he is sidelined and reduced to little more than a decorative vase by the narrative. He drew the short straw on action scenes, and Xie Zheng's complex, painful relationship with Wei Yan is not fully explored. It is a pity that this director conjures up such sensational visual impressions that are not fleshed out by the screenwriting.
There are too many mouthwateringly hot clickbait characters in this story, but they all turn into two-dimensional cartoons as the plot unfolds. I stuck around because of how compellingly Deng Kai breathed life into the dark, sadistic, and tortured Qi Min. His intense, obsessive chemistry with the audacious and malicious defiance of Kong Xue'er's Qian Qian lights up the screen with a forbidden sensuality. Both Qi Min and Marquis Wu'an should be fascinating, complex parallel characters with pasts and a real grudge, but lazy writing reduces them both into love brains with questionable motives.
Overall, a pretty boaring romantic fairytale that is bound to check all the boxes for lovers of the genre. Fans of plot- or character-driven stories may find it lacking on many fronts. This might have worked better as a parody or a dark comedy, or if the humor landed better. Yet the visuals are so outstanding that I find it impossible to rate below 8.0 so let's call it 8.0/10.
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