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6
Pinocchio and the Sorcerer's Stone
Veil of Shadows is a continuation of Guo Jingming's heavily stylized and obsessive exploration of what lies beneath the painted skin. All of the characters in this fantasy mystery romance have multiple identities and layers of hidden darkness and compulsions beneath the veneer of their distractingly gorgeous and alluring personas. Two nine-tailed foxes and a few demon hunters converge on Wei Manor, closing in on the elusive nine-tailed fox demon Xiao Wei—an icon of Guo Jingming's Painted Skin universe.
The first Wei Manor arc brings together the four main characters: the two fox demons, Lu Wuyi and Wu Wangyan, and the demon hunters, Li Jing and Wu Shiguang. This was my favorite arc—a murder mystery in a manor shrouded in secrets, where everyone has hidden motives, fixated on a fox demon, a debt, and an entanglement that should have been extinguished lifetimes ago. I was deeply moved by the Dragon Deity's story and his immense loneliness and profound sacrifice.
The mind-bending second arc, the Starstone Illusion Realm, is a fantastical reimagination of Pangu's myths of creation. It is the arc where I was most invested in all four main characters. I know that Li Jing and Wuyi are supposed to be the main CP of this story, but I found it difficult to buy into this wildly unreal romance between Pinocchio and the sorcerer's (oracle) stone. In both arcs, they fall in love too suddenly. By contrast, I far more enjoyed how initial conflict and distrust blossomed into so much more between Wu Shiguang and Wu Wangyan. I was surprised by Zeng Shunxi and Chen Duling's chemistry—it is the first time I have truly felt him "click" with any of his costars. I have never been a fan of either of their acting, but their portrayals here are convincing and memorable.
Despite her stunning looks and commanding screen presence, Ju Jingyi lost me with her contrived and affected line delivery and that oddly robotic "seductive" tone. That said, this is her best showing in recent years, and I did see many glimpses of the Ju Jingyi I used to like quite a bit. Tan Jiarui had so many roles to play that he had the hardest job. I think he pulled off the two that mattered really well and moved me with the depth of his longing and profound isolation. None of his many other roles, however, were fleshed out enough in the writing to make more than a cursory impression.
As often with Guo Jingming's productions, this is overambitious, tries too hard to be sad and profound, is inspired by too many complex ideas, and is littered with too many plot twists that don't marinate well. I was not amused at how the narrative built up anticipation—"only a dragon can slay a dragon"—only to have it end in a single unwilling stab. The fabulous Wang Duo was completely wasted as Chiwen.
The narrative really nosedives when it decides to indulge in time loops, something the writer and editors clearly do not have the attention to detail or patience for. Killing off characters only to revive them over and over only works the first time. After that, it is a predictable snooze-fest that made me want to drown myself in all the gorgeously contrived crocodile tears. The drama does live up to its genre—in that it is so fantastically incoherent that it is clear even the writers gave up. The final epic "save the world" confrontation couldn't even save the drama.
In a final act of vain preening, the director treats us to a cosplay orgy clearly meant to remind us of how cool and distinct each character he crafted is. Thus, everyone is magically and inexplicably revived in the finale for a final fashion parade cum showdown across time and dimensions, and all logic collapses bombastically. In all the melee, they forgot to give us closure between the four main characters. Like us, they are either left clueless or wondering what the hell happened. This drama starts so promisingly only to conflate spectacularly into something so grandiose that the writers didn't know how to end it. The ending is either everything you imagined it to be or nothing at all.
While I am squarely in the nothing at all camp, I am still willing to rate this an 8.0/10.0 even though 7.5 is probably more fair because I am really tickled by the idea of Pinocchio romancing the stone. Only a Guo Jingming would have the audacity to come up with something like that. It's just too bad he really wasn't able to deliver well on the idea.
The first Wei Manor arc brings together the four main characters: the two fox demons, Lu Wuyi and Wu Wangyan, and the demon hunters, Li Jing and Wu Shiguang. This was my favorite arc—a murder mystery in a manor shrouded in secrets, where everyone has hidden motives, fixated on a fox demon, a debt, and an entanglement that should have been extinguished lifetimes ago. I was deeply moved by the Dragon Deity's story and his immense loneliness and profound sacrifice.
The mind-bending second arc, the Starstone Illusion Realm, is a fantastical reimagination of Pangu's myths of creation. It is the arc where I was most invested in all four main characters. I know that Li Jing and Wuyi are supposed to be the main CP of this story, but I found it difficult to buy into this wildly unreal romance between Pinocchio and the sorcerer's (oracle) stone. In both arcs, they fall in love too suddenly. By contrast, I far more enjoyed how initial conflict and distrust blossomed into so much more between Wu Shiguang and Wu Wangyan. I was surprised by Zeng Shunxi and Chen Duling's chemistry—it is the first time I have truly felt him "click" with any of his costars. I have never been a fan of either of their acting, but their portrayals here are convincing and memorable.
Despite her stunning looks and commanding screen presence, Ju Jingyi lost me with her contrived and affected line delivery and that oddly robotic "seductive" tone. That said, this is her best showing in recent years, and I did see many glimpses of the Ju Jingyi I used to like quite a bit. Tan Jiarui had so many roles to play that he had the hardest job. I think he pulled off the two that mattered really well and moved me with the depth of his longing and profound isolation. None of his many other roles, however, were fleshed out enough in the writing to make more than a cursory impression.
As often with Guo Jingming's productions, this is overambitious, tries too hard to be sad and profound, is inspired by too many complex ideas, and is littered with too many plot twists that don't marinate well. I was not amused at how the narrative built up anticipation—"only a dragon can slay a dragon"—only to have it end in a single unwilling stab. The fabulous Wang Duo was completely wasted as Chiwen.
The narrative really nosedives when it decides to indulge in time loops, something the writer and editors clearly do not have the attention to detail or patience for. Killing off characters only to revive them over and over only works the first time. After that, it is a predictable snooze-fest that made me want to drown myself in all the gorgeously contrived crocodile tears. The drama does live up to its genre—in that it is so fantastically incoherent that it is clear even the writers gave up. The final epic "save the world" confrontation couldn't even save the drama.
In a final act of vain preening, the director treats us to a cosplay orgy clearly meant to remind us of how cool and distinct each character he crafted is. Thus, everyone is magically and inexplicably revived in the finale for a final fashion parade cum showdown across time and dimensions, and all logic collapses bombastically. In all the melee, they forgot to give us closure between the four main characters. Like us, they are either left clueless or wondering what the hell happened. This drama starts so promisingly only to conflate spectacularly into something so grandiose that the writers didn't know how to end it. The ending is either everything you imagined it to be or nothing at all.
While I am squarely in the nothing at all camp, I am still willing to rate this an 8.0/10.0 even though 7.5 is probably more fair because I am really tickled by the idea of Pinocchio romancing the stone. Only a Guo Jingming would have the audacity to come up with something like that. It's just too bad he really wasn't able to deliver well on the idea.
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