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This review may contain spoilers
Shadow Love has the flavor of Romeo and Juliet
This review is a journey exploring the universe of sensations and feelings that Shadow Love can lead you to experience. Although the story is simple, it deeply explores love as a powerful experience of strength and resilience, capable of overcoming the most brutal and painful challenges.
Shadow Love is a powerful love story that straddles the real world of the realms and the mystical world of Wulin Mountain.
The series is unforgettable: I laughed, I cried, I vibrated... I went through all the emotions and waited for each episode with a delicious anxiety.
I trusted the plot, and above all, I trusted the signs the story gave toward a happy ending.
All the actors delivered impeccable performances. I hadn't seen any series with Song Yi before, and I had just watched LOTFG (I loved it!), with Cheng Lei, whom I also hadn't seen before: now I feel like I can't live without them both.
The story is easy to understand, flows smoothly, and the plot and subplots are well-organized and fit together seamlessly. It evolves at a good pace, balancing happy, funny, tense, and sad moments. It manages to move the story steadily throughout its 38 episodes, keeping the viewer very engaged, until it reaches the totally satisfying climax. It explores human values and virtues amidst villainy and cruelty, all very well balanced.
The camera wanders, explores and expands angles and frames that enhance the aesthetics and support the wordless narrative, where only the image dialogues with the viewer, both in the amber luminosity of the love scenes, suggesting innocence and purity, and in the dark scenes, where the light-dark contrast emphasizes the focus on the character, amplifies the dramaticity, volume and depth of the environment, recalling works by Rembrandt characterized by the Chiaroscuro (light-dark) style.
In that regard, the cinematographic aesthetics offer a delight for the eyes with countless scenes constructed with art and lyricism that clearly allude to Chinese paintings. These scenes remain etched in the retina like sweet memories.
Song Yi gave greatness and humanity to the character, virtuously conciling femininity with the soldier's unyielding rawness , without losing elegance, always with her bow and arrow, reminiscent of the character Diana, from Roman mythology. She masters facial expressions and gaze from the subtlest to the most evident: I was overcome with sadness in every scene where she cried, and I found myself smiling at the soft light that bathes her entire face when she smiles. She has in her eyes the eloquence of the heart.
There is also a poetic beauty in the scenes where Li Shuang nourishes Jin'An with her own blood, which does not resemble in any way mere vampirism, whose logic is in mere benefit and parasitism, resulting in the discarding of life, but recalls the legend of the pelican who, having nothing to offer its chick, pecks its own breast until it bleeds and feeds it. This image symbolizes sacrifice and dedication, exactly Li Shuang's most striking virtues. Nurturing is such a feminine function, no matter the bond; it's a woman's trait, and this was greatly valued in the character of Li Shuang, a symbol not only of courage but, most especially, of self-sacrifice and self-denial for the greater good.
Cheng Lei overflows with charisma, his penetrating and indefensible gaze magnetizes and leads us to surrender. All three characters he embodies are impetuous, so passionately compelling, that he leaves us no choice: we fall in love with all three. They combine two forces that enchant women: masculinity and sweetness.
Shadow Love's originality is truly impressive! As the episodes progressed, I clearly noticed that the story's construction deviated from the standard plot structure that virtually all dramas follow. An example of this is the way LS acts and behaves: she breaks away from the standard passive woman in love scenes; she surprisingly boldly takes the initiative in these scenes.
There's also a modern touch that makes Shadow Love stand out as a genre, giving Jin'An, when he undergoes the transformation, a superhero character rather than a mere mutation. The character's specific theme song itself has a very positive tone, composed in a typically heroic melodic structure, suggesting a heroic nature (a specific theme song for each character, object, idea or emotion is called 'leitmotiv', free translation 'leading motive', musical resource created by the German composer Richard Wagner). Another touch of originality was to endow this character with an identity that preserved his humanity and defeated Mo Yin's predictions about the loss of self-control, the rupture with himself to give way to an irrational beast. The strength of love prevailed in him, his strongest nature, that of a man in love.
The story conveys this message of extraordinary power that reverberates in real life: love is not just a physical memory within time and susceptible to oblivion, but a transcendental experience, as it transcends the human condition and, therefore, immune to oblivion, regardless of the trauma.
Finally, the songs... They are profoundly beautiful and frame love with hope, perseverance, resilience, and renunciation. The reward for this challenging pilgrimage faced by Li Shuang and Jin'An could be none other than a Happy Ending, freed from the past to resignify the present. I will miss them so much!
Shadow Love is a powerful love story that straddles the real world of the realms and the mystical world of Wulin Mountain.
The series is unforgettable: I laughed, I cried, I vibrated... I went through all the emotions and waited for each episode with a delicious anxiety.
I trusted the plot, and above all, I trusted the signs the story gave toward a happy ending.
All the actors delivered impeccable performances. I hadn't seen any series with Song Yi before, and I had just watched LOTFG (I loved it!), with Cheng Lei, whom I also hadn't seen before: now I feel like I can't live without them both.
The story is easy to understand, flows smoothly, and the plot and subplots are well-organized and fit together seamlessly. It evolves at a good pace, balancing happy, funny, tense, and sad moments. It manages to move the story steadily throughout its 38 episodes, keeping the viewer very engaged, until it reaches the totally satisfying climax. It explores human values and virtues amidst villainy and cruelty, all very well balanced.
The camera wanders, explores and expands angles and frames that enhance the aesthetics and support the wordless narrative, where only the image dialogues with the viewer, both in the amber luminosity of the love scenes, suggesting innocence and purity, and in the dark scenes, where the light-dark contrast emphasizes the focus on the character, amplifies the dramaticity, volume and depth of the environment, recalling works by Rembrandt characterized by the Chiaroscuro (light-dark) style.
In that regard, the cinematographic aesthetics offer a delight for the eyes with countless scenes constructed with art and lyricism that clearly allude to Chinese paintings. These scenes remain etched in the retina like sweet memories.
Song Yi gave greatness and humanity to the character, virtuously conciling femininity with the soldier's unyielding rawness , without losing elegance, always with her bow and arrow, reminiscent of the character Diana, from Roman mythology. She masters facial expressions and gaze from the subtlest to the most evident: I was overcome with sadness in every scene where she cried, and I found myself smiling at the soft light that bathes her entire face when she smiles. She has in her eyes the eloquence of the heart.
There is also a poetic beauty in the scenes where Li Shuang nourishes Jin'An with her own blood, which does not resemble in any way mere vampirism, whose logic is in mere benefit and parasitism, resulting in the discarding of life, but recalls the legend of the pelican who, having nothing to offer its chick, pecks its own breast until it bleeds and feeds it. This image symbolizes sacrifice and dedication, exactly Li Shuang's most striking virtues. Nurturing is such a feminine function, no matter the bond; it's a woman's trait, and this was greatly valued in the character of Li Shuang, a symbol not only of courage but, most especially, of self-sacrifice and self-denial for the greater good.
Cheng Lei overflows with charisma, his penetrating and indefensible gaze magnetizes and leads us to surrender. All three characters he embodies are impetuous, so passionately compelling, that he leaves us no choice: we fall in love with all three. They combine two forces that enchant women: masculinity and sweetness.
Shadow Love's originality is truly impressive! As the episodes progressed, I clearly noticed that the story's construction deviated from the standard plot structure that virtually all dramas follow. An example of this is the way LS acts and behaves: she breaks away from the standard passive woman in love scenes; she surprisingly boldly takes the initiative in these scenes.
There's also a modern touch that makes Shadow Love stand out as a genre, giving Jin'An, when he undergoes the transformation, a superhero character rather than a mere mutation. The character's specific theme song itself has a very positive tone, composed in a typically heroic melodic structure, suggesting a heroic nature (a specific theme song for each character, object, idea or emotion is called 'leitmotiv', free translation 'leading motive', musical resource created by the German composer Richard Wagner). Another touch of originality was to endow this character with an identity that preserved his humanity and defeated Mo Yin's predictions about the loss of self-control, the rupture with himself to give way to an irrational beast. The strength of love prevailed in him, his strongest nature, that of a man in love.
The story conveys this message of extraordinary power that reverberates in real life: love is not just a physical memory within time and susceptible to oblivion, but a transcendental experience, as it transcends the human condition and, therefore, immune to oblivion, regardless of the trauma.
Finally, the songs... They are profoundly beautiful and frame love with hope, perseverance, resilience, and renunciation. The reward for this challenging pilgrimage faced by Li Shuang and Jin'An could be none other than a Happy Ending, freed from the past to resignify the present. I will miss them so much!
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