The ML is Xiao Zhan. The FL is not announced yet but it's not any of the currently speculated names. The drama…
When you say it's none of the speculated names what do you mean? So far all I have been seeing is Sandra Ma. So according to you, she's not in the high running?
From what I can see so far it's the story of a Chinese gang that resided on the current area that is today Singapore, called Lion City around the 1940s. It tells the story of their past and the present mixing past colonial power that was Malaya at the time, and focuses on their lives, past struggles and how old worlds collide with the current set up and administration.
A bit of context, many of the Indian and Chinese that came to live there were introduced around 1900 or a little earlier mainly from former British colonies or Europeans living in China near port areas like Fujian & Guangzhou. The Indians came mainly from India & Hong Kong.
Main reason I'm excited to watch this drama is because it is from the original script, not adapted from any novel.…
I just want to point out a bit of mis-information that has been repeated again and again regards to The Demon Hunter's Romance. It is the screen writer that has given the interviews but the 'original novel' was not written by her. The original novel was un-finished. Therefore the screen writer was making the ending up regardless. But it was not her original creation. Whether the ending was AI or motivated by (I don't believe this reasoning about budget, makes no sense) budgets, it was very respectful to the drama's beginning and middle parts, making it very coherent rather than force something just to please audiences.
In my opinion, the ending is the correct one, and in the spirit of the original story. If it had been a happy ending, it would not make sense with many of the stories and cases that were presented in a way with a very strong message about relationships between demons and humans. The ending is very fitting.
I saw it with English Subs and thought it was fine. So maybe I'm oblivious to poor translation since I am near…
Yes, it's a bit slow with the new episodes and I have to wait for the subbing and being it is shortish in length, it's over so quickly. I loved the director's past work with The Journey Across the Night, so that's why I'm here to see if this is just as good. So far so good.
OMG!! So much to unpack here --1. I love it's filmed on location2. Who dafuq did the English dubbing? Fire their…
I saw it with English Subs and thought it was fine. So maybe I'm oblivious to poor translation since I am near zero with Mandarin! Melodramatic is the word. It's very addictive...
I noticed that a while back too, and I come to the conclusion that Xianxias are mainly aimed at a younger audience…
I'm taking a break from Xianxias for now. I was only nosing around for people's feedback because I always look at Liu Xueyi's projects. Anyway, enjoy...
I noticed that a while back too, and I come to the conclusion that Xianxias are mainly aimed at a younger audience…
I know what you mean. I see this as the writers' perspective are possibly singing to the youth and to some extent, they may have their biases because they feel they represent the new generation. Sometimes, when they do that at the expense of pitting it against past generations.
This is often seen in modern dramas or even dramas set in the last 30 years. Parents are painted as over-bearing, backwards and generally ignorant and nosey individuals. It's a shame because one of the best romance dramas I have seen was Romance In In The Alley which spent the majority of the time focusing on the older generation and their love.
For Xianxias and Wuxia/historic dramas the heroes are often young and unfortunately, the elders are background baddies most of the time except for the odd mentor/shifu. The older the wiser is not often seen in drama-land I'm afraid!
Why are Chinese gods always silly old people? I really don't understand them. Whenever I see the king, I am so…
I noticed that a while back too, and I come to the conclusion that Xianxias are mainly aimed at a younger audience and there seems to be a childish element of ageism in them. In China I'm told, Xianxias are not normally viewed or respected by the older audiences.
The screenwriters in C and K dramas are really not creative 🤣
It's more the web novels they literally take off the peg from. The insane amounts of dramas that's reeled off from these sub-par novels that a large portion are not even finished because the authors ask the readers how (normally) she wants it to end.
If you look back the last year, the ones able to make a splash are original scripts. And truth is, the productions are lazy because they think if they just "stick" a traffic star in front, the borrowed fandom will do the work. Literally in regards to promotion work. This is where the industry has got up to. The motivation is now, make dramas to make money first and foremost, and it's showing.
Yup fitting ending here. I am satisfied too.A lot of people heard of another ending with slightly different plot,…
Yes I saw that. Personally this type of ending makes the drama more in tuned with both of their characters. Quiet respect for one another. Not at all out of character.
She knows he has to fulfil his duties in the end and he knows it's too much to ask her to go with him because he's seen her attachment to her family, especially her father.
There is also a glimmer of something in the conversation between ML and his father where he gets out the "Taofu" which he says it's broken and the father asks if that's the only one in the final episode.
This scene to me could be the clue that his father may be able to help or look into getting between realms within the 12 year gaps. Only 2 characters know the truth, so that is the hope. My belief is this scene was inserted in there should they consider a second season or for viewers to know hope is still there.
I think the ending was fitting and right. There has to be a trade-off. He saved the FL! Also the rabbit demon ( I cried too much when he died). In fact he saved a lot of characters. SML & SFL, his half brother...
Actually it's open endings so he will comeback to her because they can't live without each other. At least their…
In the scene where ML speaks to father he gets out this black talisman. I can't remember, did he and that to him or just showed him it? I think this is the clue for us if anything since it's only him and FL remembers at this stage. The open ending I feel hinges on this.
I must have skipped something. If anyone knows, how was Liu Guang Cai's character arrested? Was this a deliberate set-up by the Tang family and always part of their plan, or the police independently re-investigated and then found him guilty?
Also, I wanted to highlight the bunny demon actor’s performance because I actually think he nailed it for me.…
He has been in many roles and already quite established in the industry, being a child actor. I think he portrayed his role perfectly here considering I saw his role in playing a more stern character in A Moment But Forever. He made the news just recently topping scores in Central Academy of Drama:
A bit of context, many of the Indian and Chinese that came to live there were introduced around 1900 or a little earlier mainly from former British colonies or Europeans living in China near port areas like Fujian & Guangzhou. The Indians came mainly from India & Hong Kong.
In my opinion, the ending is the correct one, and in the spirit of the original story. If it had been a happy ending, it would not make sense with many of the stories and cases that were presented in a way with a very strong message about relationships between demons and humans. The ending is very fitting.
This is often seen in modern dramas or even dramas set in the last 30 years. Parents are painted as over-bearing, backwards and generally ignorant and nosey individuals. It's a shame because one of the best romance dramas I have seen was Romance In In The Alley which spent the majority of the time focusing on the older generation and their love.
For Xianxias and Wuxia/historic dramas the heroes are often young and unfortunately, the elders are background baddies most of the time except for the odd mentor/shifu. The older the wiser is not often seen in drama-land I'm afraid!
If you look back the last year, the ones able to make a splash are original scripts. And truth is, the productions are lazy because they think if they just "stick" a traffic star in front, the borrowed fandom will do the work. Literally in regards to promotion work. This is where the industry has got up to. The motivation is now, make dramas to make money first and foremost, and it's showing.
She knows he has to fulfil his duties in the end and he knows it's too much to ask her to go with him because he's seen her attachment to her family, especially her father.
There is also a glimmer of something in the conversation between ML and his father where he gets out the "Taofu" which he says it's broken and the father asks if that's the only one in the final episode.
This scene to me could be the clue that his father may be able to help or look into getting between realms within the 12 year gaps. Only 2 characters know the truth, so that is the hope. My belief is this scene was inserted in there should they consider a second season or for viewers to know hope is still there.
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