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"귀신보다 더 무서운 건 사람이에요."
What could be better than Kim Tae Ri fighting demons? Kim Tae Ri, Oh Jeong Se and Hong Gyeong fighting demons. A truly stellar invincible cast.🔸I feel the beginning could be much more exciting. The story could play with the viewer's expectations regarding the existence of supernatural powers. You could throw in evidence for both humans' and spirits' involvement in a felony, and let the detectives battle with professor Yeom. The middle part is also pretty monotonous and doesn't bear much significance. There is no cat-and-mouse play, no riddles either.
🔸Yet I still appreciate the emotionally and visually beautiful ending. A sneak into the ancient Korean rituals and beliefs made me understand better why many elders believe in spirits and what traditions do they follow.
If you are about to watch Revenant, you might've picked it because of the cast, but be prepared for the thick layer of folklore and many grafic suicides as well.
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Disregarding disabilities
I'm way too late to the party, but I still have my 5 cents. I couldn't finish the drama in over a year, but I wanted to see if it's actually worth anything.🔸The main comparison for Lovely Runner when it was airing was Twinkling Watermelon. But this comparison is absolutely not sustainable. If Twinkling Watermelon actually educated the common viewer about disabilities and accessibility issues, this drama is no more than a joke, and it's infuriating to me. Instead of installing elevators or acessible amenities in the office where wheelchair user Im Sol applied for a job, she just had to grow herself some new legs with magic instead of inconveniencing herself and others.
The drama started as something that had pretentions in that direction but it ended as the most cliche cartoonish production. I am genuinely grossed out. Even of we aren't talking about disabilities, there is nothing of value in this drama, it's extremely repetitive and predictable, and I could only finish it on x2 speed.
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Their personal stories in the waterfall of history
"다 지난 일이야"You won't find any other drama that was made with such love and tremendous attention as Oasis. You won't find any drama as fine-tuned and organic. You won't find any thing sticking out and spoiling the detailed set or the flow. The first episode rating in Korea for Oasis was 6.3% and the final one peaked at 9.7%. These impressive numbers say it all.
🔹️I confess: I've watched the first episode 3 times simply because it's so immaculate and immersive from the very first second that I couldn't keep from going back to it. That musical sequence in slow motion, serving as a gate to the drama world, is the level above any K-drama we are used to seeing. The creators masterfully weave the music and movies of their childhood and teenage years into the layers of long kept secrets and hurtful passions. As nostalgic as Reply 1988 in some way. They made me fall in love with the music band 해바라기 that was popular back then, they made me explore more Korean movies made at that period of time. (You can find my review on Yeong Ja's Heydays here on MDL and on Letterboxd. That was the age-restricted movie the characters watch for the first time together in a theater) And I am still going through the history of South Korea under Park Jeong Hee and Jeon Doo Hwan, though it doesn't seem like the major historical events affect the story here, only the overall economic and social situation.
🔹️I love the quality of Oasis. I can feel the creators put all their warmest memories and souls in it. Especially the fights choreography is so good! I can track all the movements with my eyes, and camera doesn't shake like if the camera operator had a tremor. The gang wars are rampant and spectacular. Crashing glasses, breaking bones! There is a lot of visual humor: some gangster plays dead to not get his a$s beaten up. 😂
🔹️I tried to track the timeline, which is not always defined. The story starts in the late 70s (I calculated, most probably it's 1975) and ends in 1987, the year the current Sixth Republic of Korea was established and the authoritarian rule finally ended after all the years of struggle. It's a very matching background for the drama story. The unrest in society is passed to the teenagers who are becoming adults and learn to navigate their lives in this hectic environment.
Oh, have I already said that Choo Yeong Woo is an acting genius? Yep, I did. On his debut mini drama. I can't believe anyone else could ever play such a complicated and controversial character as Choi Cheol Woong. I will definitely keep an eye on this shining young talent.
P.S. Goddamn I wish there was a second MDL with only reasonable and mature viewers that I could escape to. Looks like the people here don't appreciate ambiguous characters, only simple entertainment, and for some reason think that the screenwriters have to satisfy their whims. I'm not trying to offend you, only those who wrote the mean comments.
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⚠️Don't repeat, done by professionals ⚠️
So I spent 17 hours watching languid interactions between listless Habaek and his semi alive girlfriend. It was pretty fun sometimes when he was adapting to the new environment (but it is always fun to watch, don't need a special writing skill). But Oh my God, who cheated on casting and chose this actress? She doesn't even look alive most of the time.Overall, had more potential in the beginning. The world of the gods looks pretty cheap and stupid as well. Who was in charge of their costumes and hair? Is that a comic con?
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This review may contain spoilers
"나도 계속 살아가도 돼요?"
🔸️With its lurid intro you'd expect the drama to be mysterious, but its quietness turns out to be lifeless, not menacing as it was intended. There is very little to question in the first episodes. The house starts to smell rotten, literally and metaphorically, and the husband acts overly caring for his wife, pushing to take her depression pills. You'd think he has something to do with the smell, maybe he has buried someone in that garden. Guess what? You're totally right, and that's not even a spoiler. Everything plays out just like any other dark thriller about rich people and their skeletons in the closet.🔸️A lot of viewers didn't bother to watch till the end where we finally get a glimpse on Sang Eun and Joo Ran's relationships. They weren't a mystery but a mess throughout the whole drama with the two women just walking around like zombies and emotionlessly throwing words at each other. How was Joo Ran "not herself" in the beginning? Did she believe her manipulative husband? No. Did she not try to find the truth? No.
I wish we could untangle the lies of emotional abuse as the story goes and cheer for the women to break free of those bonds. Unfortunately, there is nothing to untangle. Everything is as clear as a day for them and for us, therefore worthless.
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"거짓말은 거짓말로 막는 거야".
🔸The 8th episode is when I hoped this burnt cookie flips over and shows us its colorful glazing. Alas! This webdrama seems to arise more questions than answers, and by the middle you don't care enough to unravel them. By "questions" I mean it throws random interactions, circumstances and accidents at the viewer and expects you to edit the drama in your head by yourself. The plot is atrociously incoherent and unconscious. I have never met such disrespectful and humiliating for its viewers drama. Not even Seven First Kisses can compete.Who want what? Who does what? Why? Why aren't all the students at that school high on those cookies? Or why are they? Doesn't that "application coach" have better things to do? Why does everyone hate everyone at school? Did you really think I was gonna believe that idiotic ending? Did you really think I was gonna empathize with all those detestable characters? What do you think I am?
🔸The reason I'm so furious about this webdrama is that such good actors as Choi Hyeon Wook (right after the splendid Twinkling Watermelon), Jeong Da Bin and Nam Ji Hyeon ended up in the hands of a screenwriter who lacks any emotional intelligence whatsoever. The presence of the director of Youth of May didn't help either.
Undoubtedly, there are many people who thoroughly enjoyed the story, but I took it very personal, as you can see. I just can't battle the detestation that kept arising in me with each episode. I gotta admit, it's harder to explain why a movie is bad than to tell how much you love it. It's still the ground to explore for me.
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?A BL with a red flag
With such high ratings for this BL (8.9 on MDL), the last thing I expected was its worldbuilding to fall apart in the very first episode. And not just worldbuilding, but the basic character development as well. Yeo Woon changing his attitude in a blink of an eye while Myeong Ha, who's mission in the game is to make Yeo Woon happy, keeps treating him condescendingly. I can also recall the choice for Myeong Ha in the game to save either Yeo Woon or the grandma from death, and it makes no sense. Why would the game which goal is to make Yeo Woon happy offer to kill him? Ridiculous.🚩Another disturbing issue is Myeong Ha's behavior in confronting the homophobic bullies at school. Myeong Ha kisses the offender on the lips saying "Now you're gay too", therefore demonizing the sexual orientation, and by that moment we don't even know if he is gay too or not. This scene hit me in the head with such internalized homophobia and made me feel uncomfortable to watch the rest while that issue of Myeong Ha is never mentioned again. Aren't BLs supposed to be a safe space at least for gay people? Isn't it one of their purpose along with entertaining heterosexual girls?
By comments of confusion from other viewers, I'm not the only one. There is enough runtime for the show to unfold, 8 episodes for 30-40 minutes, but it doesn't use it right. I genuinely cannot understand why the drama has so many fans if the quality of writing is absolutely incomparable with such BLs that are immersive from the very first scene, e.g. The Eighth Sense, 2023, or the shorter one with the similar concept of videogame dating Our Dating Sim, also released in 2023.
🔸The BL K-drama attempts to tackle such topics as loneliness, ability to rely on another person and ask for help, life regret, and even suicide. However it doesn't go further simply stating them, as the writer doesn't have enough skill to unfold such complicated issues. Especially if you're about to watch this BL with the amazing Death's Game in mind, you will hardly be moved by the plot of Myeong Ha making value of his life in other people.
Overall, there are parts to love about this BL drama, like the adorable actors, but the atrocious and problematic writing doesn't contribute to the mood at all.
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"우리가 끝내지 못한 그 재판 우리 아들이 끝내로 갑니다."
🐽 The story of prosecutor Kang Ho struggling with amnesia and the traffic accident consequences gives a slight feel of Woo Yeong Woo but on a pig farm. It is darker than I expected and lighter than I thought.This is a big step for Lee Do Hyun acting-wise. I feel like he always looked held back and reserved in past dramas, and The Good Bad Mother is finally the room for him to flourish. He has to play three different states of one character: shrewd cold attractive prosecutor, confused childish Kang Ho in a wheelchair, and healthy mother's son in the end after all the challenges he's been through. And Lee Do Hyun does it damn well! The ratings started with 3.6% on the first episode ending with 12% on the final.
"내가 망가지면서 하는 복수는 복수가 아니야. 진짜 복수는 복수하려는 이유조차 생각 안 할 만큼 깨끗하게 있고 보란듯이 잘 사는 거야."
🐽 While the criminal storyline is well-waived, the most heartfelt part of the drama is the life in the village and the characters interactions. I couldn't help but rolled on the floor chuckling anytime Sam Sik or the two Woo Byeok secretaries-turned-salad-farmers appeared on screen. (Yoo In Soo needs more recognition, he's hilarious) I also adore the child actors duo of Ye Jin (Kim So Yoo) and Seo Jin (Park Da On). It's never easy to work with kids, especially to get such a sparkling chemistry from 5-6 year-olds.
The ending didn't make me cry neither of sadness nor of happiness, but The Good Bad Mother will remain one of my favorite dramas memorable for its soft humor, attention to details, engaging plot (who killed WHO?), loveable and energetic characters, and, of course, the cute piglets. 🐖
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Are y'all insane?!? This is the best drama I've seen in ages!
Now, I expected just another All Of Us Are Dead but with aliens, and i never been happier i was wrong! This is not just an action shooter rpg gamelike eliminating monsters. This really is about war. Any war. And it doesn't matter who you fight against in it, it's always the same - crushing people's lives and minds and bringing death everywhere. No rules of an ordinary life work at war, and the show shows it in the best way possible.🔸️I either was a bit confused by switching the setting in the second part. How could the kids be abandoned by all their commanders? 말도 안 돼. But once you forget about it everything starts to feel even more horrifying. The truth is, you are always by yourself, and having and maintaining friendship in such situation is incredibly hard. And we see that in the drama. I was shocked by how agonizing, wistful and painful the drama is. It's better than Saving Private Ryan indeed. Because I can associate myself with those highschoolers.
The sttudents are portrayed perfectly. They learn to cooperate, grieve and think like adults yet they are still playful and full of dreams. The conditions of the war itself are crystal clear. It's not an offensive but a defensive war. So you can easily imagine moral choices one has to made in it.
🔸️The intro gives me shivers every time. It's tragic, and wistful, and horrifying in a very subtle way with characters shown as columns in an album, with only a memory of their past presence left. Kids turning into soldiers, carrying arms instead of future. And you think one guy going mad is stupid? There are real cases in the army of such "accidents", and what lead to them, both the environment and the mental state, are explored here.
🔸️This drama is much harsher than any drama I've ever seen. Much better written as well. Isn't that what always happens at wars? There are so many of them happening right now, look around! Ukraine is right on the edge of Europe. Seeing kids in full military uniform having fun with guns lying around is not a TV show for some people. The atmosphere of this drama is absolutely unique. I feel like this is something I saw in a dream that I forgot right away waking up.
Masterpiece.
"Why did grown ups give us guns? They had to keep us from getting them."
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배신을 하면 공멸하지만 협동을 하면 모두에게 이익이 되는 심리게임.
Were you a strategic mastermind in high school? Intelligent enough to build and maintain your own little North Korea in your class and astute enough to instigate a rebellion and tear the empire down? Was your entire school full of lesbians? I don't think so. And that's why we have K-dramas - to see these wild exciting plots come to life!Since the emphasis on the "game" is stated right in the drama title, I felt compelled to compare just how much of a game was the bullying system that Baek Ha Rin created. If we take Johan Huizinga's play theory, the first element of the equation doesn't seem to match. In his definition, a play:
1. Is a voluntary activity.
2. Separated from ordinary life.
3. Has a distinct location and duration.
4. Demands absolute order.
5. Connected with no material interest.
But weren't you free to not download the Pyramid Game app? Myeong Ja Eun automatically becomes one of the victims when she declines to participate in the voting. If you're punished for not playing, that's not really a game anymore, is it? If Pyramid Game was never a game in the first place, it means that Ha Rin's superiority to the rest of the class was superficial, she wasn't even a charismatic leader. This imitation of freedom is often executed in authoritarian and totalitarian states, and all of them are held up by fear, not the mythical "respect" for the dictator.
Rather than having to deal with a consolidated cult, Seong Soo Ji parachutes in a fertile soil for a coup d'etat, and it makes her task in the drama easier. The main part of the story is Soo Ji navigating her way through the new class in the all-girls school that she transferred to. The whole drama is one big trigger warning for violence and school bullying, and you should consider that before watching. The scenes of violence evoked such primary rage in me, good thing they are only on screen. The scale of violence is almost equal to The Glory, and the eerily smooth intro with cool colors and definite shapes is certainly inspired by it.
The best part of the drama is THE GIRLS. Literally every communication between any of them is low-key or high-key sapphic. Our fantastic couple Lim Ye Rim and Shim Eun Jeong steal the spotlight every other episode. Bona's fiery eyes were a whole another character on their own, but my favorite actress is Oh Se Eun playing a firecracker Song Jae Hyeong with a thing for muscular shoulders. She's such a playful and bright little fox, she caught my attention earlier with her memorable performance in Duty After School.
There are many things that felt off in this drama, including the superficial introduction of the prisoner's dilemma, and there's a lot I can't put my finger on. But I don't feel the need to emphasize the bad parts if this beautiful lesbian world is spinning and making us happy!
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I wish I had a girlfriend like Joo In Hae who can bite a vampire.
Such a shame not to make a sunscreen product placement. Everybody knows vampires and Koreans are suckers for sunscreen. And me too. They literally ducked a golden mine.🔸They ducked so many more things in this drama, including believable character development. Shin Do Shik starts as a softie, then he is suddenly obsessed by murder, and then he ends up helping poor sick kids. His character was unsuccessfully begging for a moral choice. Director Na is even more messed up.
Yet the actor Park Kang Hyun performs very well despite this unfortunate TV debut. He has both gentle and evil vibes. As far as I know, he acted in musicals before, and he sings one of the soundtracks here. I'd like to see him in a better project next time.
🔸The screenwriters successfully traded all the charm and quirkiness of the first episodes for cheesy tropes and cliches and an intense "dramatic" La Crimosa remix. How come a guesthouse doesn't have a washing machine? It's just because the two leads need to splash in a basin together and make cute expressions for the camera. With such weak writing In Hae would never love so deeply to be ready to sacrifice her life for the boyfriend. No wonder she never offered.
And what's with that craven ending? Why are we supposed to decide the very last minute what the hell is going on if you can't sum up the story well?
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Phew... Such a rollercoaster. Of disappointment.
This drama stole 4 month of my patience, so I gonna be brief and pinpoint. I was surprised looking at low ratings when I was on the first episodes but by the end I think that even low ratings are too high for it.🔸️For me it's obvious that the main character Sa Hye Joon is based on Park Bo Geom, or at least relies heavily on his persona. He just finished his service the last year right after this drama. I was never a fan of him but I see how his fanbase ramped up the ratings. 8.7% wouldn't be possible with such crooked storytelling if there weren't the two Parks (Park So Dam).
Now, facts only:
▪︎Hye Joon's dad looks like Kim Jeong Il.
▪︎After the 8th episode Hye Joon already achieved everything somehow and starts earning millions and riding a luxurious car out of blue because the drama producers have signed a promotion contract with BMW.
▪︎The story goes nowhere after he reaches success. Hye Joon obviously doesn't give a damn about scandals, so why should I?
▪︎Endless dialogues about feelings and morals that sound like even the actors are sick of them. As if the characters were zen Buddhist monks. Cut to 1 hour per episode, nothing to lose.
▪︎Army sucks. Stealing 2 years of life. I got it.
▪︎WTF? "Hi how are u"? This is the ending?!?
I started watching Record Of Youth when I felt bad and needed motivation. Mistake. Please, don't watch this drama if you're having hard times. It's not motivating, it's manipulative.
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Not bad enough!
This show is what theater kids rehab looks like. And you know, I'm not complaining. They had good time, I had good time. We're even.Chicken Nugget doesn't necessarily shoot for the moon, nor does it classify as absurdism - more like fooling around. You could ask the producers why did they make this drama, and they would most probably answer "Because we wanted to and we could", and this would be completely fair. But for me personally, Ryu Seung Ryong's affiliation with fried chicken will never go away after this.
But why? Still, why? The conflicts in the plot were very forced, like the most idiotic scene of the fight with aliens. Aliens also had no reason popping up in Joseon. And why, at all, was this long story about Kim Yoo Jeong being a chicken nugget told? The last episode basically pushed the red button and erased all the remaining significance of the drama. It's telling you almost straight out that you wasted 5 hours of your life for nothing. "Thank you, dear viewers, you may go home now."
The chicken intro though is such a killer 🔥
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"잊기 싫어. 기억하고 싶어."
Have you ever wondered what your closest friends would feel like if you died? What would they do? How would they remember you? Moreover, would you want to witness their grief yourself while being around them as a completely different person? Those are the challenges the main character Ban Ji Eum has to navigate on a daily basis.🔸️The drama explores grief and the ways to cope with it - letting people go or holding onto them at all costs. Do dearest memories outweigh traumas? Should we live in the moment and forgive? Ji Eum has 19 lives worth of suffering, and worth of happy moments too, but she can't erase one and keep another. She has to make a choice between her long desired happiness and her friends' wellbeing. I feel like the plot relies too heavily on inyeon 인연, but I like that the characters still have to overcome challenges in their next lives to end up together, like Secretary Ha and Cho Won.
🔸️The drama is heartwarming, not heartbreaking, and it kept me engaged very well. Except for the truck accident for which I still don't understand the motive. I absolutely adore the child actors who all did an outstanding job, and not just for their age. Shin Hye Seon is truly amazing, especially in the emotionally intense final episodes. And Ahn Dong Goo? Where did this guy come from? He has an incredible quiet energy.
But I was more interested, how did Ji Eum's gender identity and sexual orientation change as Ji Eum was reborn in both female and male bodies?
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사람은 지키질 준 제가 있으면 버틸수 있지 않습니까?
It is such a weird creature, this drama. I'd say, a chameleon. It nearly falls apart for not having a clear distinct theme. It doesn't try to catch attention by any means but develops the story steadily. It could be rather a good point if the drama wasn't so ephemeral.🔸️The story starts off with a premise of a detective, continues with attempts to get Hwan and Jae Yi together, concludes with restoring historical justice for the kingdom's falsely accused people. It could be a story about a female detective in Joseon who dresses up in man clothes and helps poor people, and we would know what we're watching. And, correct me if I'm wrong, but the motive for the murder of Min family was never revealed? We know who did it, but why?
🔸️Yet the supporting characters in the drama are great, from the ministers to Lee Hwan's closest friend Han Seong On. The couple of Myeong Jin and Ga Ram is genuinely funny and sincere. The actors did a great job. It also put on my radar the young actor Heo Won Seo (Tae Gang role), and I will watch where his career will go.
Overall, Our Blooming Youth feels like a good cupcake without any cream or sprinkles. It might taste well, but people won't eat it if there are more appetizing foods around. The poster and the title are so bland and tell nothing. Even the OST for the drama is almost nonexistent. The finishing music sounds crispy, but there is not a single song, only instrumentals. Having Park Hyeong Shik in the cast is not enough to get high ratings. I have an impression we saw just the first draft of the drama.
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