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A Hometown in Heart is one of those films that causes a conundrum for me. A young boy was abandoned at a temple when he was three years old. Two women wanted to love Do Sung and provide a home for him. But it was the religious leader who feared Do Sung would do reprehensible things if he was let out into the world due to his mother’s “sins.”
Twelve-year-old Do Sung has lived at the Buddhist temple since he was three-years-old. He works from morning until night for the monks. Lonely and sad, he watches as the other boys play in the woods and collect birds. He’s never been allowed to play with them or visit the village in the valley. He desperately longs for his mother, praying she will come for him. The priest never directs any kind words his way. One day a widow who has recently lost her son comes for a memorial. She takes an instant liking to Do Sung and asks the priest if she can adopt him. The priest is concerned that due to the sins of his mother that Do Sung carries, he could be a danger out in the world.
This film was nicely shot for a 1949 film with a lovely mountain setting and strong performances. Except for a few blurry scenes it was obvious that it had been restored. Made before the breakout of the Korean War, it’s a gift that it survived and was taken care of.
I recently watched a film where my religion was displayed as punishing “sinful” women so I have to admit it was nice for another religion to take it on the chin for being unforgiving and judgmental of “sinful” women. Not only was Do Sung’s mom judged harshly but Do Sung also carried her sins. It was very frustrating to watch and at least it felt like an indictment on the priest and not Do Sung, or at least I hope that was the message. The poor boy was warmhearted and desperately wanted his mother or a mother, someone who would speak kind words to him and give him encouragement and affection, something his life was completely devoid of. When Do Sung committed a Buddhist transgression in order to make a gift for the mother he hoped to see one day, you’d have thought he’d slaughtered a village. After everything that happened, the film did end on a hopeful, if not terribly satisfying note.
As much as I disliked the heavy-handed priest, I liked Do Sung’s interactions with the widow and a generous, tearful moment between two women who loved this child. If you enjoy old films, this is one to try.
4 February 2026
Twelve-year-old Do Sung has lived at the Buddhist temple since he was three-years-old. He works from morning until night for the monks. Lonely and sad, he watches as the other boys play in the woods and collect birds. He’s never been allowed to play with them or visit the village in the valley. He desperately longs for his mother, praying she will come for him. The priest never directs any kind words his way. One day a widow who has recently lost her son comes for a memorial. She takes an instant liking to Do Sung and asks the priest if she can adopt him. The priest is concerned that due to the sins of his mother that Do Sung carries, he could be a danger out in the world.
This film was nicely shot for a 1949 film with a lovely mountain setting and strong performances. Except for a few blurry scenes it was obvious that it had been restored. Made before the breakout of the Korean War, it’s a gift that it survived and was taken care of.
I recently watched a film where my religion was displayed as punishing “sinful” women so I have to admit it was nice for another religion to take it on the chin for being unforgiving and judgmental of “sinful” women. Not only was Do Sung’s mom judged harshly but Do Sung also carried her sins. It was very frustrating to watch and at least it felt like an indictment on the priest and not Do Sung, or at least I hope that was the message. The poor boy was warmhearted and desperately wanted his mother or a mother, someone who would speak kind words to him and give him encouragement and affection, something his life was completely devoid of. When Do Sung committed a Buddhist transgression in order to make a gift for the mother he hoped to see one day, you’d have thought he’d slaughtered a village. After everything that happened, the film did end on a hopeful, if not terribly satisfying note.
As much as I disliked the heavy-handed priest, I liked Do Sung’s interactions with the widow and a generous, tearful moment between two women who loved this child. If you enjoy old films, this is one to try.
4 February 2026
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