Zii3

Short & simple but better than nothing while in withdrawal.

Extra 1 is 2min 18sec and Extra 2 is 7min 59sec.
Honestly, there are fan made music videos on YouTube that are more fulfilling, but if you loved the series it's easy to watch these 10 minutes. It doesn't add much, but the show was a 10/10 for me so I'm giving this an 8/10.

Spoilers Below:

Extra 1 is a voice over by QingCang giving a very generalized recap of the 300 years he and Orchid have been together so far. The lines are new but all of the scenes shown are clips taken from the original series (except there's a little bit more of their kiss by the lake after they leave the mortal realm that is shown from a new angle). It's simplistic but still sweet.

Extra 2 is like two music videos. A montage of clips and dialogue from the series play during the first song.
During the second song, that continues and then it shows two things that weren't in Ep 36:

1) Shows Orchid writing something and sending it into the sky while a few lines of Chinese script play onscreen. Unfortunately, iQIYI didn't add translations for the text so I have no idea what it said. Does anyone else know?
Edit June 2025: THANK YOU to JustSuzi24 who gave the translation in a comment to this review 😁

2) Shows the bone moon re-materialize into QingCang, which wasn't shown in Ep36, but his line "I'm back" is left out, and he kisses her on the forehead instead of the lips (which is a visually pretty end tableau but not as satisfying as the original end).

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Neurodivergent Taishin and Trauma Influenced Takara Make a Balanced Pair.

(General spoiler only at bottom of review.) This is a very good watch for people who enjoy character studies, to others it will likely feel slow. It is a slow burn romance with a slice-of-life feel. To me, the unhurried but steady reveal of layers in the lead characters (their natures, inner workings, and how they view each other) and the growing bond between them gripped my attention and I fell more and more for them over time, as they did with each other.

The psychology and nature of both boys was interesting, well thought out and written, and very well acted. They were distinctly different people yet complimented each other well. They both accepted the other as they were and gave emotional support to each other.

To me, Taishin was obviously neurodivergent, not just "a country bumpkin" or stupidly naive. Taishin exhibited many autistic traits and was a great representation of a neurodivergent mind. The screenplay doesn't point it out or discuss it though, so I can understand why this is missed by those who are unfamiliar with it.

The way Taishin follows, approaches, and interacts with Takara makes sense when viewed as Takara becoming a special interest for him (a rough definition of special interest is a long-term fascination). Taishin is candid and straightforward and divulges more than most people would in situations (not having much sense of filtering), doesn't have a good sense of boundaries, has great confusion about dynamics between people and with romantic feelings, difficulty naming or categorizing his own feelings, has difficulty regulating emotions and crying when both sad and happy, mentally overwhelmed easily, slower thought and speech patterns, spinning thoughts, unable to discern hidden or false intentions, has special interests of birds and plants (knowing lots of names and facts about them), and his pet bird was as important as a family member.

What I admired about Taishin was that he was genuine and earnest, he cared about his friends, he could find joy in small things, he showed bravery in approaching things that were potentially daunting (both his hesitancy and determination is shown in things like approaching a group of new people), and even though there were times when he feelt insecure about himself or distressed, he also had a buoyant positive nature.

Takara has a negative, false narrative about himself stemming from childhood experiences that often leads to contradictions in how he responds to Taishin vs what he feels. He is deeply afraid of his own nature, becoming something he hates, and harming others in the process. I don't want to give too much away because unraveling his character and backstory as the show goes on was part of the enjoyment. Ep 9 has more of his POV, which was especially insightful. His character was indiscernable for quite a while but he is understandable by the end.

I found the romance believable and heart-warming, and the way the characters looked at each other was very satisfying. There is some skinship, wonderful hugs and cuddles (some where they just melt into each other), and a few simple yet heart-fluttering lip presses. This is a very gentle romance, not a steamy one.

I liked the secondary characters too. The group of friends was fun and we got to get a good sense of them even though they didn't get a lot of screen time.

There were no annoying aspects of the story for me. The music was fitting though unmemorable.

GENERAL SPOILER ON THE ENDING

... ... ...

I lowered my rating just slightly because the ending felt a little unfinished- the question of what would happen once Takara graduated was too much on my mind to fully enjoy the happy point at which the story chose to stop. It looks like there will be a spin off or special episode that shows more of them though, so if that can resolve the hovering question in a well done way, then I may give a higher mark.

... ... ...

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Cute but also cringy. Watch for the leads.

General spoilers only at bottom of review.
Ep 1-6: Not much plot but cute and sweet with great attraction-tension between leads. A simple, fairly enjoyable, light and easy watch.
Ep 7-10: Cringe-fest! Cliched tropes kept popping up, higher suspension of disbelief required to get through, cheesy moments, corny lines, and more telling vs showing.

The lead actors are good and their chemistry is great; they kept me watching. There was slow building romantic and sexual tension, a decent amount of skinship, and realistic making-out. The actors seemed comfortable with each other and the growing interest and attraction of their characters was believable. Most of the time they managed to elevate the weak screenplay. I would readily watch them if they had another project together.

The plot is basic and extremely predictable, the script is mediocre, and the theme song is decent but over-used and I didn't like most of the rest of the music (either didn't feel like it fit well or it just came across as cheap or cheesy).

Good for binge-watching one time; it's cute and light but the 20min episodes don't have enough of a storyline arc individually to feel satisfying on their own. I won't re-watch it.

Stan Huang is great as Gu Jing and held a lot of energy in his eyes. I found him compelling to watch, even when the character wasn't doing much.

Liu Li is naive to the point that some suspension of disbelief is required to like him! Xuang Chen is good with his doe-eyed innocence. I think whatever annoyances I felt were with the way the character was written, not with the actor. It does take some skill to act so believably clueless.

The lead couple in You Are Mine have a mini cameo in this series. I personally felt like it didn't add much, either to their story or to this one.

Ep 7-10 really lowered my enjoyment with this show. If you can shrug things off and roll with it, you may fare better than I did (I could only do so up to a point).

GENERAL SPOILERS on CLICHÉS below.

In broad strokes, here's what's in store for Ep 7-10:
A love triangle, jealousy hijinks, the "burden" of a family member completely (and ridiculously) getting in the way of the protagonists being together, Gu Jing all of a sudden losing his spine and Liu Li abruptly getting one, characters doing things that impact two people without communicating with the other first, public approval/validation when handling a family matter, public gawking over light PDA, secondary characters getting closer romantically (though no time is really spent on it), and a childhood connection (which is told, not shown)!

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Steamy with a perfect cast in a fun setting!

(I rate vertical dramason their own sliding scale.)
Even though I've seen this plotline a bunch of times, I didn't fast-forward. The focus remained on the leads, and it was a bit refreshing to see this plot set in the Republican era for once; the melodramatic plot shenanigans tied in very well in this setting. And totally worth it for Chen Si in uniforms, and that long cape!

Great acting, especially by the two main leads. They also had great chemistry and seemed perfectly comfortable woth each other. So steamy! And the FL kisses back too. Lots of sexual tension moments and kisses throughout the show (and very realistic, passionate kisses). And the longer makeout scene in bed is memorable. While the FL chooses to give herself to the ML and gives consent multiple times, there are many moments with a strong forced-seduction feel to them as the FL wants to keep their physical relationship a secret and the ML wants to claim her even in risky situations. Very satisfying and, I would say, guilt-free for those who enjoy that trope. It's also clear to the audience pretty quickly, though it takes a long while for the FL to understand it, that the ML wants more than just her body and has loved her for years.

In this version the ML is more ruthless and domineering (also works well for the era it's set in). There are a couple of slightly softer moments with the FL, but the ML retains his edge.

In this version the ML and SML (FL's god-brother) say they are "friends" but it sure doesn't come across that way, lol. More like they tolerate each other. And when the ML starts pursuing the FL, he starts subtly provoking/taunting the SML (because he's jealous and wants to lay claim) and it grows less subtle over time. Chen Si's face is so fun to watch with all of this.

I really liked the SFL's (ML's cousin) reaction to her engagement being called off. She wants real love for herself anyway and won't hang onto someone for less. Her attitude towards the FL afterwards was great and refreshing.

Watched 8/10/25 with very good English subtitles on licensed channel 浪漫短劇社Romantic Drama:
https://youtu.be/LIfcfX7wyMg?si=xmyxn2uOTh-8UF6b

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Also known as Love, Life And Liberation

You might enjoy if you like character-based angst that's well acted, food tidbits from various cuisines, and can find satisfaction in a romance with physical attraction that doesn't actually get physical beyond holding hands.

It's helpful to watch through the credits to the end of each episode because sometimes there's a bit more to see (often a flashback to high school)!

General Spoilers below.
Love, Life And Liberation is a much more fitting title. The title Naked Dining is completely misleading. This is a very PG romance and the only "kiss" is a slight press of lips while one of them is mostly asleep. Even so, the growing mental and physical attraction is felt, especially from Sota. And that's important because he's the character that didn't know he could be attracted to men, and so him falling for Mahiro as more than a friend is believable. It does not feel like "just a bromance" as some other JBL series with similar character progressions do.

Sota's confusion and progression of feelings for Mahiro were well-paced and very believable. His missteps while he struggles with that and his fear of losing Mahiro's friendship may be messy but are understandable.

Mahiro runs away from things a lot, even (or especially) things that he wants, which at first kind of irked me until I thought more about it. It's an instinctive defensive mechanism for fear; to avoid disappointment, rejection, or negative judgment. While this can be frusterating for the audience, there are people who really do behave this way. Mahiro's hesitancy and fear are noticeable even in the high school flashbacks so it seems life has reinforced this response in him. And I can understand him not wanting to be a sexuality "experiment" for the person he's in love with.

There are a LOT of misunderstandings, but they are also at least fundamentally understandable. What's different in this series is that the characters do actually try to communicate with each other! But often their fears lead them to either put on a brave face or to filter what the other person is saying to match what they *expect* to be said. This type of thing actually happens a lot in real life, so even though the misunderstandings are drawn out dramatically, it didn't annoy me too much because I could understand the progression. And the misunderstandings here really have a cascading effect. (They do get resolved satisfactorily.)

The actors were great, especially Kondo Shori as Sota. They made me smile and also tugged so hard at my heartstrings that I teared up. The secondary characters are well acted and likeable too.

The series is character-focused without much plot. I was really happy that they made 12 episodes (20-25min each) instead of 10 because the character and relationship arcs felt complete. The last few episodes didn't feel rushed like many 10 episode BLs do.

The cinematography was good and the music was okay but not memorable.

It left me feeling very satisfied and I could see myself watching this again at some point. Sota's character arc was especially well acted and I'll want to see that again.

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Turn off your brain and feast your eyes!

(I rate vertical dramas on their own sliding scale. General spoilers only.) A sumptuous visual feast! A gorgeous gothic fantasy (but brought into modern times). The costumes, lighting, coloring, and sets creat a cohesive, entrancing mood. I kept pausing scenes just to take in the ambiance and the lovely hues created with lights and post-production coloring. And I like both lead actors, a lot. And did I mention the costumes?! Though, I felt like the ML's weren't quite as successful as the FL's. I have to say, that one outfit of the ML's with the red neck tie and hat gave me Van Helsing feels in a trying-too-hard cringy way that had me laughing out loud, lol. The biggest design miss, in my opinion.

But the story? Ooophf. What a disappointing disaster. Beyond stupid illogic for how the ML treats the FL and lets misunderstandings stay in place for so long. I'm trying not to give away specifics, so I'll just say, if he really wanted to pursue her, all he needed to do was to correct what the SFL said the first time he's introduced to the FL. One sentence, right then, and he wouldn't have had an insurmountable barrier that made the FL despise him for his actions.

But, I guess that had to be in place so that the screenplay could make full use of the forced-seduction trope. Over and over. This seems to be the focus of the thin plot for most of the show.

Now, I love this trope, but it's a little lacking here because there isn't enough "seduction" to balance things well. And definitely not enough of the FL melting into her desires despite her misgivings. When it really feels like the FL doesn't want advances, at least on some deep level, then I start getting uncomfortable with it, even in a fantasy. The FL does have a couple of lines in voice-over about being inexplicably drawn to the ML, but not nearly enough of it comes through in the acting. Part of the burden of that fault lies with the director and screenplay, not just the actress, who in every other way was a good fit for the role.

Zhao Zhen Dong can do obsessive leads so well, but the screenplay let him down in this one, making the character consistently unlikable despite all of ZZD's charm and all of the palpable desire in his gaze.

The SFL is obviously only there to make things more difficult. The ML has plenty of other people he can work with, absolutely no reason for him to keep her around. He never does much about her. It's the FL who takes care of her 10 minutes before the end. [Eye-roll]

I know I mentioned a lot of cons, but is the show still worth watching despite its shortcomings? Yes, for the visuals! Especially if a fan of one of the actors. But only if you can completely turn off your brain! I just recommend watching it at a faster speed or fast-forwarding some parts altogether :)

Story-wise I would rate this a 4/10, but the production effort in everything but the screenplay is so good, and so unique, for a vertical show that I'm giving it a 6/10.

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Sweet, mature couple.

A vertically filmed micro drama (I rate these on their own sliding scale).
The romance between the leads is very sweet and there's plenty of these moments. It's healthy and balanced. The two support each other emotionally, trust, and look out for each other. Both characters are fairly gentle people, but they have backbones and don't let other people walk all over them.

General Spoilers below.

A fairly realistic approach to domestic abuse and they showed some of the fear the victim can feel. I really liked the line by the FL: "...because with domestic violence, there's only zero times or countless times. And this is the bottom line." What didn't make sense was how the SML was able to freely harass the FL, purposefully cause a car accident, then stalk the FL again with no repercussions or legal restraints. He finally backs off at the end having learned his lesson, but it was really frusterating and disappointing that he was essentially let off the hook.

Some skinship and multiple hugs, though the hugs are upper-body (there's a space kept between lower bodies), and there are no direct kisses. There are a couple flirty moments though, which were enjoyable. The characters were definitely believably in love with each other with their eyes, but their bodies indicated that the actors weren't 100% comfortably relaxed with each other.

I did enjoy the FL's friends, the ML's brother and his wife, and the FL's parents. I also appreciated how multiple characters stood up the the ML's mother.

Overall this is a decent one-time watch, especially if you already like one of the actors, or like sweet and quick romances. I found the plot got more contrived in the second half, but the extended happy ending was a nice way to finish it off.

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Watch for the spunky lead actress, otherwise forgettable.

General spoilers below.
The lead actors have talent especially the FL, the FL character is feisty, strong and optimistic, the SML is likeable and respectful of the FL's feelings and choices, and the ML puts in a lot of effort to win back the FL. However, character progression is choppy, especially for the ML who feels like he's written as a completely different person about half way through. There isn't really any sexual tension, and the few brief kisses are either DFK (dead fish kisses) or head-blocked. There is the typical obsessed SFL who resorts to immoral means to get her guy and there's no retribution or consequences shown for the last drastic thing that she did. There are a few moments of sweetness here and there, and there is a happy ending.

This is a vertically filmed mini series just under 2 hours, and I watched it in "movie" format on YouTube here: https://youtu.be/8C4y-___VBM?si=C9A-MTS2Kw8uDdmH

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An enjoyable 3 hour romance.

Having watched a string of mini series lately, I would say this is definitely good for one watch, though I likely won't re-watch. My rating scale for mini series is more lenient, and this was quite enjoyable with no aggravations, so it merits a high score.
It held my attention, was fairly well written for a mini series, and the dynamic between the characters was fun. I was mentally invested though nothing hit me hard emotionally, so it was an easy watch.

It did require some suspension of disbelief, but I did not feel annoyed at any point while watching. The plot isn't the most intricate but that's not the focus anyway, the focus is on the relationships between characters.

Pros:
- Chemistry between the leads was great and intimate moments/scenes delivered. Desire and dominance is shown by both leads. The love scene in Ep 15 is fairly risqué for a Cdrama (and there's an extra snippet of that scene in the montage of memories in Ep 24).
- FL remained a strong-willed character throughout with great martial arts skills.
- ML is smart, also good at martial arts, falls for FL for who she is, and becomes devoted.
- Nobody was totally evil.
- Nobody acted aggravatingly stupid.
- No delusional third wheels.
- The plot/angst didn't feel overly contrived (even when some suspension of disbelief was needed).

The fighting, music, and costumes were good (the prince's costumes were especially gorgeous).


GENERAL SPOILER ON THE ENDING:

... ... ...

Ep 24: For a rock solid HE, stop at 6:08 in (as they look up at the moon).

Otherwise, the last short scene leaves things open, though a HE can be predicted because the leads love each other. It is in character and presented light-heartedly, just feels rather abrupt for a stopping point.

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Ep 1-5 are the strongest. Light & easy watch with great chemistry.

Ep 1-5 (and 9-10) were better than comments lead me to expect. The story is simple and not that memorable, but if you want an easy watch with sensual, realistic making-out, some sweetness, and decent acting, then you might enjoy this. Or at least parts of it.

Viewing recommendation: If you like jumping back to see the ML's point of view, watch Ep 9-10 after Ep 3; it integrates well with the story at that time. Then Eps 4-5 would have been a satisfying ending to me, so you could stop there. If you want to see the leads navigating their life choices at the end of college watch Ep 7-8. Skip Ep 6 altogether (I explain why in general terms below). Eps 6, 7, & 8 aren't very well written and aren't needed to have a satisfying conclusion.

The intimacy between the leads is both hot and sweet. The kisses contain emotions and are realistic. And there are a lot of them (in Ep 1-5, not so much after that). Very satisfying in that regard.

GENERAL SPOILERS below.

Notes for Ep 1-5:
The ML lead's revenge thing is short lived once he and the FL talk through their mutual misunderstandings from 4 years ago. They are uncertain of their footing but really sweet and do communicate (even if there are lags in communication it's not super drawn out or unresolved ).

I liked how the ML and FL never wavered in their affection, and really appreciated how the ML *didn't* get upset at the FL when he learned that the SML had forced a kiss on her. I was expecting all the usual unreasonable jealousy clichés, but the ML handled that whole scene/situation really well.

Kazuha (SML) and and Nina are horrible "friends" to Kaeda. Their one-sided feelings, for the FL and ML respectively, are obviously not reciprocated yet they do morally grey things because they can't accept that. They are the most annoying and trope-filled thing about this show.

Skip Ep 6 because almost the whole thing revolves around Nina being nasty in ridiculous ways. At the end she's given excuses and understanding and not only forgiven, but praised. I get the point they were trying to make, but she didn't deserve such consideration, and the writing was really ham-handed with it. It detracted from the story instead of adding value.

Ep 7-8 are full of telling vs showing and thus feel rushed, a bit empty, and not that satisfying (in my opinion). The writing is clunky and the time skips don't help.

I can see re-watching parts of Ep 1-5 (& 9-10) at some point, but I won't re-watch the rest.

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Main couple is fun in 1st half, but best romance is the second couple's in 2nd half.

Good for one watch. Fun premise and some interesting characters.

Very slow start but otherwise Ep 4-20 were great, Ep 21-29 were okay, and Ep 30-40 were mediocre. Despite the weaknesses, there was an addictive quality and always something that kept me binge-watching to the end, though I did fast-forward more and more in Ep 30-40.

Fun premise. A few unlikable characters that do have character and moral growth. Melodramatic in a mostly fun way. Had more of a soap opera feel in Ep 30-40.

The chemistry between the leads wasn't great. A lot of that had to do with the way Ling Cen was written and Eugenie Liu's portrayal. She was bland and flat. It was okay for the first half but in the second half, her character became irritating because there wasn't enough emotional depth to keep me invested in her character. It didn't help that I watched this immediately after Lost Romance in which Marcus Chang had fantastic chemistry with that female lead and that actress had great emotional and expression range.

The sister Jing Fan and Yu Quan were always awesome. Great characters, great acting, and good chemistry and romance. They were what I was most invested in for the 2nd half of the show. Loved them.

The girl's parents were well written. Their concern for their kids was well balanced with trying to respect and support their own decisions.

There were some positive messages about queer love too.

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Adrift Characters Find Determination In Unusual Somber Yet Hopeful Tale

Cinematography 7, Lighting 9. GENERAL SPOILERS ALLUDED TO below.
I started out hating Ritsu, as Nishini does, and normally I'd have a hard time forgiving that kind of character if they made those choices as an adult, but he's a stupid, young 20 year old. I have seen people in real life change their priorities by their 30s, especially when fueled by regrets. With the 10 years that have passed since they've seen each other and the looming end of the world in 7 days, the story manages to make Ritsu's imperfect-redemption possible. It's not a fairytale, and Ritsu's character does NOT get a knight-in-shining-armor make-over. And I think that makes the story more real and compelling.

The extenuating circumstances (the end of the world) acts like a pressure cooker; puting force behind Ritsu's contrition and speeding up Nishini's absolution. Each episode smartly reveals to Nishini and the audience a little more of who the present Ritsu is, how his past impacted him, and how he's being more thoughtful (it's subtle, but it’s there). He's still a flawed person, but Nishini's shifting attitude towards him is, at the very least, understandable. I was with Nishini all the way and able to feel happy and satisfied for the solace they find in each other as some of their wounds are soothed.

The series does a good job overall balancing some really heavy topics with hope (in various forms but can't explain without giving too much away!). Trigger warnings for suicidal ideation and attempts (with a pill, non-graphic). Plus some existential ruminations, as one might expect with the end of the world in sight. Even though the ending is positive and life-affirming, it would have been too hard-hitting for me to get through if I had watched it while in a severely depressed state myself.

Seto Toshiki completely redeemed himself from his simplistic acting in Senpai, This Can't Be Love. He portrayed a wonderful range of nuanced emotions in face, voice, and body in this series. Nakata Keisuki was a good match with him. He's a little more subdued but it works for his character and he and Seto have good chemistry together. The other actors were great in their roles too, there were no weak links.

The intimate scenes, of which there are a few, are definitely NC-17. They are more rough than artistic, and the actors seem pretty comfortable with each other so their interactions are believable.
I SO appreciate the line "...it feels so good." Finally, a 'bottom' character who expresses that it's pleasurable (and pain free)! As it can be, if properly prepared! It aggravates me how many BLs treat "being the bottom" like it's humiliating, painful, or a chore.

The time the characters are at a cabin was my least favorite part of the series. Not a huge deal, but the plot felt more contrived during this part, some character decisions didn't quite make sense, and the pacing felt slower.

The music was beautiful, sentimental, somber, and hopeful. It blended with scenes well and enhanced emotions. I will listen to this soundtrack as background music.

I love asianblreviews very thoughtful, insightful, and well-worded review of this series. I recommend reading that too. Full review here: https://asianblreviews.wordpress.com/2023/03/21/bokura-no-micro-na-shuumatsu-review-bl/

SPOILER ON THE ENDING:

I loved how they shot this and at what point they decided to stop filming. It's meaningful to have Nishini and Ritsu facing a new dawn together. Symbolic of the new and hopeful path of their relationship, as well as their individual selves that have done some healing and been reforged; ready to face life again individually as well as together.

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Lovely Slice-Of-Life Epilogue.

General spoiler only at bottom of review.
Cute and sweet, slice-of-life epilogue to the series. It's simple and light and I found myself smiling a lot. It’s a nice and very satisfying end cap to the series story. I wouldn't recommend it unless you've seen the series first, otherwise you'll be missing the emotional foundation of the main couple's bond. The secondary couple were less annoying to me in the movie (and didn't get much screen time, which I was fine with).

I appreciated how Adachi and Kurosawa learned to communicate better with each other and started to approach things in their lives as a team.

The lead actors are so good with their eyes and facial expressions. Everything is 100% believable until there's close romantic physical touch, then it feels ever so slightly stiff. Even so, there are some nice hugs and the way they look at each other holds so much emotion.

The cinematography is nice but the music is not memorable.

GENERAL SPOILERS.
The introduction to the families was a nice blend of realism and fantasy. Some realistic tensions were brought up, but then were resolved fairly quickly, which kept the overall tone of the movie bright. The family members with concerns showed a lingering internal worry even as they made efforts to be accepting, which I thought was a nice, more realistic touch than doing a 180 in 5 min.

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Sweet and A Bit Different

The plot was different and made the twists unexpected. Cuteness, sweetness, and light angst. Because there was a lot to cover in the plot and only eight 15min episodes, the story zipped by. Because of this it was difficult for the emotional journey and relationship to build, but it was satisfying enough in this short story format. It kept my interest from beginning to end; I did not fast-forward through any parts.

Son Woo Hyeon was the most impressive of the actors. He suffused his character with an endearing puppy-dog energy, but was able to play serious moments with weight and intensity where it called for it. Kim Kang Min worked fairly well for the role he was cast in, but was a little flat.

At first, the dead-fish-kiss made an appearance and I was worried that would be all we got, but the lead's romantic interaction became more life-like at the end.

I think this is the first rom-com I've seen that shows some mutual grooming as a love language, or at least the first one that has registered as such as I watched it. I know couples that do this, it's just rarely talked about. So that was interesting.

Music worked but was unremarkable.

Fun for one watch but I don’t think I'll need to see it again.

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Toxic Angst On Repeat

Unrelentingly toxic, homophobic, and emotionally abusive dynamic between the lead characters. And started off with the sexual harassment of a character who happened to be a victim of pedophilia (an issue which is brought up near the beginning but then never discussed again, which is weird and frustrating. The dude obviously needs a therapist). Also romanticization of over-the-top jealousy.

Their dynamic does not improve enough over time to be considered sweet in any way. The same issues kept coming up with little improvement in how the characters reacted. I did watch the whole thing hoping for more character growth but was left disappointed. Acting is middle-of-the-road. The leads are a bit flat in emotions they are able to portray; they do well with extremes but lack range and nuance. I don’t remember the music. I was unable to like, let alone fall in love, with these characters.

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