Zii3

Better Upon 2nd Viewing.

Updated Jan 2024. I watched this again knowing that I had found both characters really unlikable the first time, and was actually able to appreciate the story more. So I've raised my rating from a 4.5 to a 6.5.

While both characters are morally dark grey (cheating and coercion/dub-con/stalking), Otomo does have character growth. The changes are incremental and very subtle until the end when his actions suddenly make the extent of his internal growth obvious. Upon second viewing, I was able to empathize with his character a lot sooner (40min before the ending instead of 7min before).

Imagase, on the other hand, has no growth and is not fleshed out. He was just as 2-dimensional in my second viewing as he was in the first. Also, it's hard *not* to feel like whatever misery he feels, he brought upon himself (multiple times). He may be kind of pitiable, but I still struggled to sympathize with him because he was just one thing on repeat: an obsessed gay man who was very insecure about his straight friend/lover whom he kept pushing into an intimate relationship.

The way Imagase is written remains my biggest dissatisfaction with the film.

As with the first viewing, I was not that invested in the characters because, first, they aren't likeable, and second, because their connection lacks depth and affection (there doesn't seem much reason for them to like each other except for maybe being able to be comfortable around each other, which isn't nothing, but there's not a lot of that shown either). However, already knowing what I didn't like about it, I found the second viewing more mentally intriguing and enjoyable, and was able to better appreciate how the cornered mouse metaphor came into play throughout the story.

Another thing I was able to roll with better the second time around was the very loose sense of time. The movie somewhat disjointedly jumps from scene to scene and exact markers of time (days, weeks, etc) are never mentioned. Knowing where the story was going allowed me to string things together in my head. For the first watch, it was like reading a book with chunks of pages torn out at random; I could piece the story together, but it felt like multiple scenes were missing.

The sex is very realistic and the atmosphere created with light, colors, and cinematography was very well done and cohesive.

GENERAL SPOILER On The Ending:

......

It is an open ending, but I think the pattern of what will happen is pretty clear, only this time there's more hope for stability in it. The only thing left in question, in my mind, is when.

Read More

Ruined By The Writers

Starts strong but became less enjoyable, then the writers completely ruined it in ep 10-12. (General spoiler on this at the bottom of the review.)
Gets more and more cheesy. It's also very heavy-handed and preachy in it's messages. After the two best friends start dating they keep having conversations about things like they're still getting to know each other, instead of having been with each other constantly for 20+ years! One of them doesn't know what the other likes to have for breakfast even though they eat together every day. But it creates a cute scene, so it's okay that it doesn't make sense, right? (Sarcasm) Ridiculous.

*It's like the writers didn't know how to continue with their own premise and so they resorted back to a generic relationship approach.* It was so disappointing. Also, the writer's style is more about 'telling' than it is about 'showing' through actions and interactions. This type of storytelling gets old fast for me.

The acting by all is good. Shi Cheng Xuan as Fu Li is especially good and I was drawn to watch him the most. Chemistry is also satisfying. I really appreciated the two fathers, they were written and acted well.

The secondary couple is cute/sweet but the fast-paced love-bombing by one of them kind of put me off. The family dynamic between them and the laundromat's kid is mostly sweet, but again, very fast-paced.

GENERAL SPOILERS:
The EXTREMELY CONTRIVED and NONSENSICAL plot twist in ep 10, PURELY for the sake of angst, was inexcusable. It was completely unnecessary angst that could only be achieved by making Fu Li act out of character and in the complete opposite to everything he had expressed previously. And then the end of ep 11 resolved it in a cliche manner and in a way that just swept it all under the rug. The whole thing was so inane it made me quite mad with frustration!

In contrast, the sweetness in ep 12 was so over-the-top it made me roll my eyes and cringe. So much so that I actually had to fast-forward through a lot of it.

Read More

Weaknesses Kept Pulling Me Out Of Immersion.

Slow yet mentally intriguing. I really wanted to like this but the frusterating and unbelievable aspects kept accumulating and pulling me out of being immersed in the story. Mentally I was really intrigued by the premise and curious about what would happen so I kept watching. At 7 episodes in, however, it was not really engaging my emotions.

Update: I completed the series on 11/19/23 and episodes 8-11 were the best to me. The story was more focused and things did start to get emotional, mainly due to Bright's acting as Yai. There's also a little less stupidity by characters overall. I did love the change in family dynamics with the mother, that was one thing that was written well. The intimate scenes were full of love and emotions and beautifully shot. I appreciated that the eroticism of undressing each other was frequently included.

Ep 12 was rushed, choppy, not explained well, and thus not very satisfying. The set up for a second season was interesting though and I will probably give it a try out of curiosity if it gets made.

The director and screenwriters have worked together before and their weaknesses are consistent throughout their work. This series is their strongest work to date though. Maybe it helped that they had a whole book as source material to work from.

There's a lot of telling vs showing. It's like we get the highlights but the stuff in-between is skipped over so sense of time is really muddled (and not in an intentional way). Characters will say things like 'we've been together a while now' or ''you've been avoiding me for a while' or 'since this time' and we see the most recent example of being avoided but not the multiple times leading up to the current conversation. Because of this, the emotions of the characters feel rather shallow and mercurial because we don't get to experience the building of their emotions in-step with them.

We see Yai's process of falling for Jom over multiple episodes, but not the other way around. Yes, Jom has to go through some things/emotions before he can fall for someone new, but Yai is obviously drawn to Jom like a magnet and that doesn't feel reciprocated.

At the same time, the way the story is directed and shot is super slow. I would have dropped this series if I didn't have the ability to watch at 1.5 to 2 x the speed. And even then I still skipped through some bits. So the script could have fit in more examples of the main characters interacting and growing their connection with each other.

There's also a huge lack of self-preservation instincts in an era that was even less accepting of queer relationships, which is unbelievable enough to pull me out of the fantasy they are spinning. Especially since they are depicting social sentiments in a serious manner and in-line with an older era. So to have a 20 year old young master (Yai), with a very strict and traditional father, and frequently in the spotlight, who is not at all paranoid about showing affection out in the open or in broad daylight (but will jump apart and act nervous when caught), is ridiculous to me.

GENERAL SPOILERS below.

Example, in a later episode Yai's dad confronts him about his relationship with Jom and tells him his man has been watching them. Yai is alarmed and nervous and says "we never do anything explicit in public". Yet, even knowing the above, the very next day he has his arms half around Jom & is holding his hands out in the porch on the river in broad daylight when, gasp, someone "unexpectedly" comes upon them. JUST like someone did before at that exact spot. It's so reckless it's just dumb and obviously contrived by the writers. It makes the characters seem way less believable AND of low IQ to boot! *Facepalm.

Other things that keep pulling me out of the story:
Jom is acted pretty woodenly and he comes across as a simpleton the way he's written, directed, and acted (seriously, the amount of times he's asked a question and takes 10 to 40 seconds to answer while there's not much going on in his face or behind his eyes is frustrating).

Yai is supposed to be 20 but isn't written or acted like he's that young until a much later episode when young naivete and determination bubble up.

Robert is reportedly able to be charming because he's won over Yai's father, but all we and everyone else sees is a very obviously bad man, which makes that important plot point unbelievable. (And it's a missed opportunity to make in interesting two-faced, charismatic but dangerous antagonist.)

Read More

Healthy relationship dynamic, Good for one watch, Toki is the best.

(General spoilers only.) One of the few highschool-teacher stories I've seen (so far) with a truly well-balanced dynamic. How their strengths and weaknesses line up made them equals and they grow together. I found it sweet, endearing, and non-cringy. This is NOT a sexually charged, passionate, or taboo-focused story.

Overall light, sweet and easy fun that's good for one watch but isn't that memorable (except for Rintaro as Toki).

I really liked and greatly appreciated that Toki and Sahara communicated, supported/encouraged, and TRUSTED each other. They both had character growth and thrived with the attention and care of the other.

FYI: Japanese highschools are 3 years, so Toki being a second year student is equivalent to being a junior (third year) in the USA.

Rintaro as Toki was awesome and always fun to watch. Toki is bigger-than-life yet acted with nuance. Though Toki is wild in the physically over-dramatic Manga-style way (and often funny), multiple aspects of his personality and approach to things are admirable and even mature for his age. He is a 'doer' and doesn't think too deeply, yet he is thoughtful and puts effort into understanding others. He came across as an actual highschooler with a good heart who was a 3-dimensional character and not a caricature. He's sincere, straightforward, and totally lovable.

General Spoilers below.

There was an obvious balance in Toki and Sahara's personalities and their relationship that made their age gap a non-issue (for me anyway). Especially since they consciously kept their interactions PG, and Sahara had them wait until Toki graduated highschool before verbally making their romantic relationship official. There is a brief lip press at that time.

I mostly didn't mind the time spent on Sahara's past because it highlighted the differences between Nekoto and Toki and further demonstrated why Toki would make a good partner even though he's younger.

What I didn't like:

Takumi as Sahara was okay but not compelling. I liked him but didn't fall for him. He didn't do anything poorly, just didn't have much charisma and felt a little flat in his acting.

The school play bit made me cringe hard. It wasn't necessary and felt like pure contrivance to get an oops-kiss moment. The only thing that made it better than a trip-and-fall accident kiss was the humor of bigger-than-life Toki trying to act demurely as Snow White.

The end felt super rushed. There's a time jump, happy ending scene, and it's over. In that regard, I would have preferred less time spent on Nekoto to get more of Toki and Sahara (or even more of Todo's story since he kind of gets left out after halfway through).

The past connection was a simplistic, cliched, writing cop-out for tying things together. At least it was obvious from early on that it was coming due to little flashbacks and wasn't a complete surprise in the last episode as it is in so many shows.

Read More

So Poorly Executed And Toxic Relationship

Through ep 5/8. Struggles with writing (dialogue, plot, and characters), acting, music, and heavy-handed makeup. It comes off like it's trying really hard but has ended up campy.

Max and Nat do have good chemistry, but that's not enough for me to think positively of this series.

Possible trigger warning if you've ever been in an emotionally abusive relationship, or with a narcissist, or someone who uses an illness to compell you to stay with them.

The script is juvenile. Dialogue is shallow, cliche, repetative, and awkwardly unnatural. Like, "Don't overthink things. It's probably nothing to worry about... You should take this time to really think about your feelings and things." But you just said to stop thinking? *Facepalm.

The plot is convoluted and requires a ridiculous amount of suspension of disbelief. There's a lot of generic/bad elevator music and it's really obvious in spots.

The main character Yi is a compulsive manipulator. It casts an uncomfortable shadow on all the romantic scenes thus far; it feels more like purely selfish coercion. Because of Yi's long-standing and blatent disregard of Khondiao's mental and emotional well-being, it's difficult for me to enjoy the pressured-seduction heavy plot (which is a trope I often enjoy). More on this under the "general spoilers" section at the bottom of review. I really didn't like the emotionally abusive way Yi treated Khondiao in Cutie Pie and he's just as bad here. Though he's supposedly trying to make up for his horrible past treatment, Yi's current approach still includes lies and misdirection, and is not respectful or even thoughtful of Khondiao. *His actions, both previous and current, do not match his sweet words.*

Nat shows some potential as an actor and I'd really like to see what he can do if given a decent script. I most enjoyed the moments when his character starts showing some backbone and pushing back. There's a fire behind his eyes that makes those moments engaging.

Max's acting hasn't improved from Cutie Pie. He postures a lot and his emotions stay on the surface in almost everything he does. In other words, he's not good at pretending. He doesn't internalize and embody what his character experiences.

I am impressed with NuNew; how he manages to infuse such sincerity into his few, inanely-written lines here is beyond me, lol.

Now onto the emotional (and sexual) manipulation. GENERAL SPOILERS below.
If Yi doesn't remember any of his relationship with Khondiao, then it's so not romantic for Yi to all of a sudden start getting heavily sexual with Khondiao. The audience may know that Yi's miraculously and quickly gotten his memories back, but Khondiao doesn't because Yi is purposefully keeping that from him. From that perspective Yi is just a guy, with no emotional attachment, trying to get into Khondiao's pants. And going after that hard. Yi forces attention on Khondiao, and while Khondiao tries to put up boundaries, he keeps relenting to the seduction and sweet-sounding words because he's trauma-bonded and co-dependant on Yi, thinks he loves him, and is touch-starved. When really, there has been nothing redeeming about their relationship for years (or ever).

The approach written for Yi to take in this series is not putting things to rights in a way that is at all respectful to Khondiao. I can't believe Yi truly loves him. To me there is nothing sweet in that dynamic.

Read More

Gentle, sweet, and fluffy romance.

A vertically filmed micro drama (I rate these on their own sliding scale). The story focuses on the interactions between the main leads and how their relationship grows. There are no major interferences or crazy plot shenanigans. It's a gentle love story.

General Spoilers below. Expansion of synopsis that sets up the story at the bottom.

I would not consider this a steamy drama, though there are a couple moments of medium-high sexual tension, and a couple brief kisses with small to medium movements (where the lips touching are actually shown, unlike some of the other productions these two have done together that had none or were head-blocked). It is satisfying how the two characters look at each other, especially later on as the FL falls in love. Her smiles of joy and eyes filled with adoration were lovely and very believable. It was also fun to watch when she decided to woo her husband in return, and try to figure out how to entice him to take further steps with intimacy. The way she got a little embarrassed though nervously excited was adorable and also very realistic.

The ML is quietly steady and a little too perfect, lol, but the FL deserves it. He pampers the FL every single day, often with lots of gifts. He trusts, supports, and encourages the FL.

The actor of the SML deserves a special mention; he gives a fantastic performance! His character is not evil or sadistic, but he's not really likeable. He is a self-absorbed man and has been taking the attention of the FL for granted. While his temperament is not likeable and he is not good husband material, the acting and writing still manage to make him pitiable. It would be really easy to turn this character into a cartoonish caricature, but the actor is nuanced and believable in his delivery, and makes him feel like a real person.

A little more on the set-up synopsis (within the first 7 minutes):
The FL has been chasing the SML since highschool (10 years) and now works as one of his secretaries. They have an ambiguous relationship and one day the FL overhears him say, essentially, that he won't consider her for marriage because she's an adoptive daughter and not on the same level as his family. It's not shown how they meet, but the FL then drunkenly sleeps with the ML, who is another highschool classmate from a wealthy family that is now a CEO. Afterwards, the ML essentially asks her to "take responsibility" for him and marry to keep things above board in the public eye. He persuades her saying she can keep half his property after they divorce. A short while later, when explaining their quick marriage to another, the ML reveals that he has secretly loved the FL since highschool. The FL, however, believes he his just acting for show. Thus begins the story of the ML wooing his wife by showing his sincerity through actions.

Read More

Well done and interesting dom-sub undertones between leads

(I rate vertically filmed micro dramas on their own sliding scale.)
A strong production and a very different story (at the time it came out, it has been repeated multiple times since). I didn't fast-forward anything. A darker/grim story (the main male antagonist, aka SML, is involved in human trafficking for sex and organ harvesting).

To me there were some strong dom-sub undertones in the dynamic between the leads all the way through; it was captivating. ML has the air of a predator but he's not sadistic. FL could be considered a rabbit but she's smarter/sharper than most. There are multiple moments of sexual tension and intimacy. After their first time, the FL mostly welcomes his advances and participates a bit. Kisses are mainly lip presses to small movements but often intense.

Expansion on synopsis:
A student intern needs money to pay for her dad's medical fees and decides to sell some eggs. She accidentally dials the number for the ML doctor who has her come over and scares her into promising not to sell eggs or organs ever. Later they run into each other when she's serving drinks at a bar and gets sexually assaulted and the ML saves her. The ML keeps being drawn to the FL and continues to help her out. The ML becomes the color in the FL's colorless world.

General spoilers below.
It did get a little old that the FL was so strongly swayed by the words of SFL and the ML's mother, determining she wasn't worthy of him and giving up on them instead of listening to the ML who said his world/life meant nothing without her.
I was happy to see in a flashback that the leads actually planned and worked together near the end.

Read More

Naturally sweet romance; two people finding their way back to each other after many years.

A vertically filmed micro drama (I rate these on their own sliding scale). General spoilers only below. Really sweet while staying natural (not going over-the-top), and fully satisfying! The focus remains on the developing relationship between the leads. A calm yet captivating story, especially for those who enjoy slow-burn, long-standing crushes, and rekindling love. There's pursuing, wooing, and flirting as well as supporting and comforting. A bit different than most vertical dramas I've seen, and well written. Mostly from the FL's POV, but there are times with the ML's POV interspersed throughout.

Both leads are good people, genuine, and faithful to eachother. I was easily and fully invested in both of them.

The acting is great (especially Wang GeGe as the FL; her eyes express so many nuances), and the chemistry is palpable and consistent throughout. There is some skinship, hugs, face caresses, and face/neck kisses. No direct lip kisses in this one but I didn't mind in this instance because the romantic and physical tension was satisfying even without them. There are a few suggestive lines of dialogue too later in the story. The FL is enraptured with the ML's hands, he knows, and it's fun to watch him use them to flirt with her.

Characters act and speak like people in real life might, even the jealous ones. There are no crazy plot shenanigans (there is a little drama here and there but it stays within the realm of plausibility), no violence (apart from a couple of punches), no abuse, no family hate, no long pointless arguments, and no mistaken identities. While there is a 3rd wheel wannabe for the ML, she is not given a lot of screen time or power, and the guys who get crushes on the FL are respectful and get minimal screen time as well. There is one big misunderstanding from back in highschool that takes a while for both leads to open up about, but that is also approached believably.

An easy recommendation for fans of relationship-focused romances. I expect I will also re-watch at some point.

I watched on a licensed channel (浪漫短劇社Romantic Drama) with good English subtitles in Nov 2024: https://youtu.be/OVjp4QDx128?si=fE1zgYw2emTuw-gC

Read More

Okay but lacks follow-through on some aftermaths.

Okay for 1 watch but lacks details in general and follow-through on some aftermaths. The idea of the story is better than it's written/directed execution. 6 episodes.

The two spoilers that I discuss below and the complete lack of follow-up on them REALLY sours my feelings about this series. The flow of the story and editing were consistently choppy, but it raises some good issues and the acting is good (Kiko especially was very natural).

I don’t know if I would recommend this. It's a more realistic, adult story, which I appreciate. However, while it raises some good issues to think/talk about, it also doesn't properly address some of the things it brings up. It just doesn't quite feel finished or complete.

Other reviewers list the positives of the series well, so I won't reiterate. Because the story sensitively handles some other complex issues, it is especially disappointing that the two assaults get swept under the rug.

Spoilers on Trigger Warnings below.

Ep 1 & 2 uncut makes a little difference because there's more of Kiko and Mark's initial interactions during massages that show their growing attraction to each other. But the uncut versions of Ep 4-6 don't add much, except for a few more lines about getting tested and more shots of the rape scene in Ep 6.

Some of Kiko's distress about it is shown when he has flashbacks in Ep 6 but the rape issue is never addressed beyond that. It's not talked about, the perpetrator has no reprocussions (apart from feeling guilty), and Mark never comforts him despite Kiko's line that 'what happened was nothing I wanted' (approximate line, I don't remember the exact wording).

Instead, Mark aggressively goes after Kiko with a hand on his throat in a jealous rage. His scary physical abuse is also not addressed beyond Mark saying sorry for that day in general.

That scene also played up the imbalance in their relationship in an unsettling way; Mark holds all the power in and outside of work and is physically much stronger. At that time, the surest way for Kiko to have a good job and better way of life is to forgive Mark, at least to the extent where Kiko can continue working for him. Even if Kiko wants to forgive because of love, the fact that he doesn't have many options really casts a shadow over that decision.

A decent low-budget production. Apart from the editing, the only technical thing that was distracting was the lighting/coloring. Sometimes one angle would have a blue hue while another angle looked orange (of the same scene). Or the tint/filter on a shot would flicker.

Spoiler On The Ending:

The ending is abrupt; right after a pivitol decision is made by a character, all of a sudden the story jumps years ahead. The characters are in a good place and happy, but it didn't really feel satisfying because it didn't quite feel earned, if that makes sense. It feels like a fairytale ending slapped onto what was a more realistically-approached story. Kiko deserves it certainly, it's just that we aren't shown any of the couple working together to get to that point.

Read More

Slow. Sky and NC Scenes Are Reasons To Watch.

The sceenplay is weak and slow. You could probably watch Ep 1 to get started then skip to Ep 5 or 6 without too much trouble because Ep 2-5 are repetitious and extremely slow burn. Ep 6 is when things start to get somewhat more interesting and emotional. I'm speed-watching about half of this and don't care that much about the two side couples.

The screenplay should have spent more time on the backstory because there's not enough weight and reason behind the brief flashback we get to believably be the crux of Venus's fallout with Sky.

The actor Tod playing Sky is surprisingly good, noticeably better than everyone else once the script actually gives him something with some layers to work with. He's got micro-facial expressions and nuances in face, body, and voice, especially when things are more emotional. He successfully tugged hard at my heartstrings even though the script is not well written. He has potential and I would be interested to see him act again, especially with a better script.

Once Sky and Venus get together there's even less plot but they actually act like boyfriends (unlike a lot of BLs where one partner acts disgusted by anything physical). Sky is in love and horny and they have a lot of sex. And a lot is shown. Someone commented somewhere that the show could have just been called "Sky in Venus", lol.

The two actors are pretty comfortable with each other but the chemistry feels one-sided; Tod successfully conveys attraction and desire (outside of intimate scenes as well as during) but Cheque struggles with this.

Cheque as Venus is pretty flat. It kind of works for the character (who's cautious and has his defensive walls high) but it's obvious that he's a newbie actor. He's not awful, but because he's lacking nuances he gets boring.

I may watch the intimate scenes here as a bandaid of sorts after watching an unsatisfying BL series with disguised homophobia (any where the "boyfriend" thinks physical, or even romantic, intimacy is gross).

Read More

Languid Countryside Friendship

Cute and simple, but it used clichéd short-cuts to tell the story and was ultimately not that memorable. I didn't feel like I wasted my time on this, and it did bring a gentle smile to my face, but I won't watch it again. You might enjoy it if you're in the mood for something gentle, innocent, straightforward, sometimes cute, and with a focus on parental figures and finding purpose.

The acting was decent but the actors weren't given that much to work with. Most characters are pretty 1-dimensional. We learn more about Yamato by what other people say about him in exposition than anything else. That's telling and not showing a story, so it's hard to feel emotionally engaged with it. The main character, Mitsuomi, fairs a bit better because the story follows him, but his character arc is, sadly, very predictable with nothing new.

The pacing is languid, which suits the characterization of the countryside vs the city, but the end wraps up so quickly that there's a noticeable imbalance in the arc of the story, character, and relationship progression. The soft cinematography with naturescapes as cut scenes suits the mood, but I can easily see why some people find this movie too slow.

The lead actors are able to convey a basic, growing friendship with unexpected curiosity for more, but the screenplay gives them very little beyond that. The character interactions are written simply so there's not much depth to their self-discovery and not much sense of romance.

Using instrumental British Isle folk songs (like The Water Is Wide) for the background music was an interesting choice. It goes with the countryside theme, but it felt odd to me. Probably because my mind could'nt disassociate what I recognized from the culture it came from to let it blend fully with this Japanese story.

Read More

Great Cinematography, Weaknesses With The Rest.

The cinematography was thoughtful, visually well-balanced, and frequently beautiful in composition (even with grittier settings). The rest of it was okay but had weaknesses and I won't watch again. I didn't feel like it was a waste of time though, so maybe give it a try if you're in the mood for something simple, short, indie, and overall sweet.

FYI: If you watch on YouTube the first episode is actually titled "Ep 0", NOT Ep 1! (At least that's how it is on the Jupiter Entertainment channel in the USA.)

What I loved: The cinematography.
What I liked: The sweet bit with the post-its and how comfortable the actors seemed in their intimate scenes.

The acting was decent but no one was compelling. The music was forgettable but not distracting either. I was glad with how it ended for everyone but I wasn't that emotionally invested.

The weaknesses:

There are six 13-22 min episodes and it's all over the place. The way the story jumps around (between couples and in time) is confusing and transitions are very abrupt. There's too much story for the time constraints. The plotlines and emotional arcs for the two main couples feel very rushed.

The hetero couple seemed so random and out of place; their brief and cryptic scenes didn't add anything of value. I couldn't figure out their purpose. The time on them would have been much better spent on the two main couples.

There is some awkwardness to the English subtitles that seem to be a translation issue so I'll give the script the benefit of the doubt on how natural the dialogue is. The content of what's said, though, is fairly simple and unmemorable (no really deep or moving conversations).

Read More

(I rate vertical dramas on their own sliding scale. General spoilers only.) Okay for one watch if looking for a sweet, gentle romance. Way too much time with the excessively annoying and delusional SML. Who wouldn't give up until 9 minutes before the end!!! Ugh. You could fast-forward his scenes without missing much (he's the same as many other vertical shows; completely predictable). The actor wasn't terrible, but he didn't have the acting skills to squeeze any feelings of pity from me.

The leads are very sweet to each other. The FL grows comfortable and then falls in love with the ML at a good pace. The ML is kind, thoughtful, trustful, and encouraging. The FL is thoughtful of him and his feelings as well.

There are couple of good kisses and hugs, though not a lot, even after they profess love to each other. There was something new for their first time sleeping together: the leads held a condom between their lips (together- one on each end) to rip it open. First time I've seen that.

Both leads fit their roles well. But neither had many layers. The ML actor does not have micro facial expressions (I've noticed this in his other dramas too) so he always comes across a little flat.

The subtitles weren't great so I did not understand what business maneuverings made the ML so worried about the FL changing her opinion of him once it was found out. Even so, the couple of tense emotional moments they had because of that in the last 1/4th felt contrived, especially since they were both deeply in love, had professed and showed each other that, and had zero other issues. But it wasn't drawn out or blown out of proportion so it didn't annoy me.

Read More

Unrealistic plot but sweet, mature slow-burn romance.

(I rate vertical dramas on their own sliding scale.) General spoilers only.
I enjoyed watching the leads fall for each other through mutual respect blossoming into attraction. Though their relationship started as boss and subordinate, they both learned they could trust and depend on each other.

The leads are both into the 1-month waiting period of their divorces before they start letting themselves entertain the idea of liking the other more romantically (not knowing that they are, in fact, each other's "long-lost" spouses). Things start out professionally and then they try to keep it that way for a long time. They are also aware that the other thinks their own spouse hasn't treated them well. So, their relationship didn't feel immoral to me in this specific context.

As for the plot, it's the same as many others, and it's one I'm a little tired of. But I started watching because of Yang Han and ended up enjoying it more than I thought I would, though I did employ fast-forwarding at times. Is the plot ridiculous, yes, but I liked the romance anyway! It's slow-burn and not that steamy. There are more moments of romantic and sexual tension than there are kisses (but there are quite a few of those moments!).

I did really like the ML's internal dialogue about not blaming the kid for his mother's "cheating" (misunderstanding), and their interactions were really nice. The kid is written more like an 8-10 year old (than a 5 year old), but quite cute anyway.

If you are a stickler for logic, this story will drive you nuts. But if you can shrug off glaringly obvious plot contrivances, then give it a try. Just imagine it's an alternate reality where people can't make calls or send emails or letters outside of the country they are in. Also, that a woman has absolutely zero contact with her own family or her husband's family without him. That's the only way to explain why the leads never communicated for 6 whole years while the ML worked abroad immediately following the wedding night when the grandma's drugged both the leads so they would consumate their marriage. And that would explain why the ML's grandmother, and he himself, never knew that the FL was pregnant and gave birth to his child. And that the FL appears to have no relatives at all even though she had a grandmother at the wedding. Lol.

Read More

Good twist on rebirth plot.

Vertically filmed micro drama (I rate these on their own sliding scale). General spoilers only below.
Okay for one watch, especially if a fan of one of the actors. The most interesting thing to me was the plot; it was different and intruiging to have both step-sisters reborn and retaining their memories! The leads are cute together and have some sweet moments, but the chemistry is a little flat and there's barely any physical closeness. The ML did a better job showing affection and some desire with his eyes. The FL felt like she was smiling at a good friend, but didn't quite reach an in-love feeling before the show ended. The show is only 65 minutes long though, so the screenplay did a fairly good job balancing all the plot elements given the time constraints. Ending is a little rushed, but it's complete and happy for the leads.

Read More