Zii3

Director's Cut Completes The Story (watch this, not the series!)

Realistic, honest, and overall heart-warming.
General spoilers. The biggest thing is that this director's cut has an extra 10 min that makes the end immensely more satisfying than the rushed & abrupt series end! (There's a great & helpful review by MusicalVeggies too.)

The cinematography and coloring were symbolic and beautifully done. Yuuki is like the sun and brings soft orange warmth. When he and Akira aren't together, life is a lonely cold-blue.

The mental conflict Akira went through was so realistic and hit home for me. Though it was hard to forgive the character it was an honest portrayal of a struggle that, sadly, not everyone conquers. At least Akira finds a way through it, as messy as it is for multiple people's lives.

The screenplay did a great job with that moment one realizes the ideology behind their thoughts and actions are not actually their own, but rather learned from family or society. And then also with the moment where something snaps and the determination to finally accept and choose what's best for oneself leads to the resolve to stop pretending to be "normal" and stand up for oneself.

For those struggling to understand certain actions of Akira, keep in mind that in Asian culture especially, there is tremendous pressure to marry and have children because society (and even status) is extremely family-oriented. This pressure is not emphasized in the screenplay because, I believe, it is already a cultural understanding.

Raiku as Yuuki was perfect. Yuuki didn't have as big of an arc in character growth to go through, but Raiku embodied all of his emotions deeply. It came through in his face, voice, and body. Every emotion he felt, especially when he was hurting, I felt deeply too.

Shirasu Jin was very good but his emotional experience as Akira felt flatter even though the character had more emotional arcs to go through. There was just a little something missing in nuances and behind the eyes for me. It was largely because of this that the shorter series end wasn't satisfying. Continued below but there is a spoiler on the ending...

ENDING SPOILER.
I needed to see more than 1min of them being happy in their life together to be able to feel their happiness myself after the 8(?) years of pain Akira put Yuuki through before going back to him. The director's cut gave me that.

The music fit well and was often beautiful. There were two specific songs I added to my playlist.

Read More

Major Slow Burn (falling in love with souls, not appearances).

General spoilers only. For enjoyment, I'd recommend watching for the interactions between characters and not taking the plot too seriously. Despite the weaknesses in plot, pacing, and some of the dialogue, I only fast-forwarded through some blatent product placement scenes and some of the secondary couple (which weren't a large focus anyway). The way they tried to determine who was their portkeys was drawn out in odd and contrived ways, and I could see that getting a bit annoying for some people. Overall I found it entertaining and enjoyable and easily binge-watched it.

The story was intriguing but it took a couple of episodes for me to get invested in the characters. Once I did, I was along for the ride and able to shrug off the weaknesses in the screenplay. I liked and cared about all of the main and secondary characters, everyone was cast well, I smiled a lot, it tugged at my heartstrings multiple times, and was resolved satisfyingly.

Jimmy and Sea have good chemistry but it comes across differently than many BLs. The focus is on their growing affection for each other as humans and not on physical attraction because they are in other people's bodies for most of the series. This purely mental-attraction type of slow burn was something new and I enjoyed it. It added emotional impact when they did finally kiss. I thought the story could have done something about them getting used to each other's physical appearances once they're back in their own bodies though, and maybe introducing physical attraction. I feel that was something obvious that the screenplay missed entirely.

The production handled the body-swap between universes very well. It's very clear and easy to follow. What I loved is that once they made it clear that Sea and Jimmy were in the bodies of Ohm and Nannon, they transitioned back to Sea and Jimmy playing their characters. You know they look different in that universe, but you get to see the actors play their character all the way through.

They did okay with world building and kept to the "rules" they established. The dialogue got a little cheesy with a couple cliche lines in the last couple episodes, but it was bearable. Music worked well but nothing really memorable for me. The coloring of scenes was often pretty or appealing. I'll certainly be more aware of this aspect of post-production going forward (the series prompted me to learn more about colorists and their job).

The thing that dropped this from a feel-good 8 to a 7.5 is the screenwriter's inane decision to make one of the leads (Talay) averse to affection after they confess to each other. I hate this trend in BLs. It's a cheap, unrealistic, and ineffective way to create sexual tension once a couple gets together. Seriously, "I love you but I'm going to freak out if you try to be affectionate, let alone kiss me" just does NOT make sense if you love someone and they love you too. They could be shy, sure, but not constantly uninterested, avoidant, asking "what are you doing", and giving bombastic side-eyes. Sigh.
At least Sea only acted moderately put-off and didn't act disgusted (like many actors do when it's written like this).

Overall there's some skinship and a couple good kisses.

I could see myself rewatching this in a few years.

Read More

Adorable & Fun Though Screenplay Has Weaknesses.

Adorable & Fun Though Screenplay Has Weaknesses.
Watch when you want something simple to digest yet interesting, with some really cute moments, and also some angst with emotional performances (that gets resolved). Don't take it too seriously and enjoy!

Six 20min episodes. FYI watch past the title page at the end of episodes; most of them have another short scene. For Ep 6 there's a small scene with a kiss right before the credits roll.
There's also an hour long special (Ep 7 on Viki) of the two lead actors watching the series, reacting, and talking.

The screenplay is more like a 6/10, however, my overall enjoyment makes it 7/10. It's just so cute & adorable and funny in spots! It's also an intriguing premise. It made me smile alot, tugged at my heartstrings and made me tear up despite the shortcomings in the screenplay (mostly due to time constraints), and left me with a warm feelings.

The acting is good, an 9/10 overall. There are micro-facial expressions and line delivery feels natural. Jin Gun is especially watchable and I'd give him a 10/10. He has good comedic timing, his facial expressions and reactions while his character is confused are so good, his crying is realistic, and he nailed the depressed hollow feeling in a later episode. I would watch this again at some point mainly for him.

The biggest weaknesses are with the arc of the relationships in the story and the timing constraints of such a short series. Character emotions evolve super quickly and the plot is very rushed. If you can shrug this off and go with the flow you might enjoy it for what it is, if you want something that's well fleshed-out this isn't it!

It's not high budget but the audio was clean and mostly consistent and the camera work, though fairly simple, was smooth. The music wasn't noticeable but didn't distract either.

There's some skinship and a couple light kisses that actually look sweet and like both characters are engaged (a couple steps above a dead-fish-kiss).

There's so much potential for more to be done with this premise, but I can recognize that time constraints curtailed this. While the writers could have decided to do a deeper exploration with only the first half of the plot, that might not have been a satisfying point to end at either. That makes it easier for me to forgive the screenplay's shortcomings and just enjoy what is there.

Read More

So Much Potential But Super Rushed Last 2 Episodes.

General spoilers. Eight 16-20 min episodes. The first 6 episodes completely drew me in and tugged hard at my heartstrings. I was fascinated to see how things would unfold. It perfectly explored pining and unrequited love. What this did differently, and what I found special, was that it also explored how a friendship could be effected by this from BOTH points of view. In addition to that, it realistically portrayed how struggles with family and money can effect kids and sometimes strain their interactions with even their closest friends. (The kids in this case are seniors in high school.)

The last 2 episodes were rushed, introduced more plot than it had time for, and took the focus away from the evolving connection between the lead characters. It was slice-of-life and following the interactions and emotions between the two friends so I expected that to continue. Instead, the story started to jump large spans of time in episode 7. We go from not knowing how things will actually work out romantically to being 62 days into their dating, and then 100 days.

The ending was happy but unsatisfying because we didn't get to see/experience Jo Yoo Jae's emotions progress into romance. I couldn't help thinking the character might have decided to date Seo Han Joon just to keep him in his life. Which I don't think is the intended message, but the script and editing didn't really give us examples of it being much more than that. Episodes 7 & 8 showed us romantic milestones but didn't actually show the characters being romantic with each other.

The acting was very good. Especially Kim In Sung who conveyed so much through his face, eyes, and voice. Very natural, a lot of micro facial expressions, and captivating.

I would have been fine with the one lead-up to a kiss and not getting more if the script, directing, and editing had shown examples of them being sweet with each other. Even just staring into each others eyes and smiling. Something! Their physical interactions didn't change at all once dating. We especially needed to see something from Yoo Jae to believe his feelings had grown past platonic affection.

I would easily watch the first 6 episodes again so I'm really disappointed with what they did with the last 2 episodes. Feeling this unsatisfied by the end brought my rating from a potential 9 down to a 7.

Nothing remarkable or distracting about music or cinematography.

Read More

NEW Take On 18 Yr Old, Bodyguard, Rich-Kid-Poor-Kid Story!

Overall 8.5 rating. Story 7.5, Acting 8.5, Chemistry 9, Music/Audio 9, Cinematography/Lighting 9, Rewatchability 6.5, Secondary Characters 9, Suspension of disbelief required is moderately high, Emotional angst level (mostly resolved) 9, Character emotions & psychology make sense.

Not a typical highschool, bodyguard, or rich kid poor kid story! The dynamics and interactions between multiple characters really kept my interest and the script was mostly written well. What didn't work for me is mentioned in the "general spoiler" section at the bottom of this review.

I really liked how they showed the class divide between Nuengdiao's world and Palm's through everyday examples; in both big and subtle ways. It really ties into the psychology of Nueng and Palm and their actions/decisions throughout the series stay true to character and are believable (especially for 18 year olds in love).

There is a definite magnetism between Nueng played by Phuwin and Palm played by Pond. There is a lot of great physical tension between them as they fall for each other, then a lot of skinship and some very emotional kisses.

This series had a fantastic secondary cast. Both of the moms are wonderful (yet very different from each other), Uncle Kit is an antagonist who feels like a real person (not just a one-dimensional "villain"), Chimon as Ben is charismatic, and Perth as Chopper is phenomenal with inner conflict and emotional depth.

I especially loved the dynamic between Chopper and his dad (Uncke Kit). They were both completely emotionally convincing in some very high-tension scenes.

Sound and silence were were utilized really well to enhance emotions and tensions. There were 3 songs I loved and have added to my playlist. Many of the songs have English lyrics so it was easy for me to tell how well they fit the scenes. What was odd is that there were 2 or 3 times (brief) where instrumental Christmas carols were used as background. That seemed really out of place to me and mentally took me out of the moment each time.

Pond and Phuwin are strong actors and easily had me invested in their characters quickly. They felt a little bit flat or not quite comfortable, however, in scenes that required panic (of which there are a couple). It wasn't a big detraction, but it was noticeable to me.

I really appreciated the little scene about gun safety that was added in as the young adults were training.

I will likely rewatch this at some point. I'll probably view episodes 1-8 and 12 the most frequently.

GENERAL SPOILERS below

My biggest issue with the story was how unrealistic it was about some very common-sense things. Some examples:
A very wealthy family has members who are injured or threatened yet no professional bodyguards are hired, at all? But then late in the series they are? Things pertaining to safety come up multiple times so this had me rolling my eyes.

When various people are shot the first, second, and third instincts are NOT to apply pressure on the wound to slow bleeding. Facepalm.

Palm refuses monetary payment or assistance multiple times yet later in the series is somehow able to obtain what he needs when he needs it.

Read More

Lackluster, Generic

General spoilers only. The story moved too fast in eight 15min episodes for the main relationship to build any real connection or emotional depth. We get one montage of them happily dating and yet the characters are invested in each other like it's been months.

You might enjoy this if you want something quick and simple while you're sick or to have going on in the background. It's not bad, it's just not very meaningful.

I felt that Ho Yeon, the 2nd male lead, aka the the third wheel with unrequited love, had more depth to his feelings for Seung Jun than Jae Hyun. Jae Hyun has a simple love-at-first-sight obsession. There's no reason behind it. Whereas Ho Yeon has been steadfastly by Seung Jun's side through thick and thin and is so caring and supportive. I would have been much more invested if the story had focused on him and Seung Jun.

I thought the actors did well with what they were given. Lee Dong Won (Seung Jun) and Shin Myung Sung (Ho Yeon) kept my attention the most.

Otherwise, the storyline in generic, there's nothing new or insightful in the script, the cinematography is decent but unremarkable, and the music is sung well but not interesting enough that I would want to play it on it's own.

It wasn't necessarily a waste of time since it's so short, but I won't re-watch it.

Read More

Enjoyable & Lots Of Wonderful Hugs

Acting 9.5, story 7, script 8, good chemistry, kisses short and simple but lots of skinship & tons of wonderful hugs, music 5 (one main song used for almost all big scenes and there were times when the music didn't match the nuances of a scene's mood and pulled me out of it a bit).

Very cute and sweet (a couple slightly cheesy moments but they didn't detract) and straight-forward.

The pacing of the main relationship and plot was great all the way through the 10 episodes. Well-crafted tension and a nice long arc of light to medium angst that was resolved satisfactorily.

The lead actors where great in their roles and gave really distinct energies to their characters.
It was also different and interesting having one of the leads being a professional potter.

I will likely rewatch at some point.

GENERAL SPOILERS:
I didn't understand the crux of the issue that continued to hold the second couple back. I did like the actors and how they portrayed their characters though.

I really appreciated how it took a while for trust to be rebuilt between the main characters (not fixed in just one episode); it felt more realistic and was ultimately more satisfying when they reconciled.

Read More

Lacks Focus & Skill

Tries to be too many things and fails at pretty much everything. This movie came off as a juvenile attempt at "indie art". It is INCREDIBLY BORING. I read that the director was inspired by Japanese pink films, as well as a few other things. This does seem like it fits that genre, it's just poorly done.

The only thing that kept me curious and watching was the character Playboy, acted by Steven Isarapong Furher (who is actually pretty good despite the crappy script). It's the first time I've seen a very masochistic character ALSO be such a dominant personality. I find that duality fascinating and wish that had been the focus of this film and explored further.

The directing, pacing, plot, script, cinematography, and music are all terrible. But I was able to finish it with some fast-forwarding and without feeling totally scarred by it so I'll rate it a 1.5.

When a character replies to another there is a pause the average of 3-5 seconds (sometimes longer!). It's ridiculously slow. Maybe the director really wanted the actors to fully feel the lines before speaking them but it completely dissipates any tension the incredibly vague and stupid plot tries to build up.

There's not a lot of background music/noise. When there is, it starts and stops abruptly and feels out of place. It always detracts instead of inhances. The simplistic drum beat during sex is awkward and distracting. The rap about rape is completely out of left field, bizarre, and disturbing. There's no cohesion.

If you want something extreme with a hopeful ending watch Dangerous Drugs of Sex instead (a 2020 Japanese film). That is very well done.

Read More

Hollow

There wasn't enough of an emotional connection (with any character or between any of them) to make up for all the disturbing and shock-value scenes (sexually and non-sexually). Gruesome in parts. It's not philosophical or psychologically interesting either.
I wish I hadn't given it a try.

The "bond" between the student and teacher is thin and forced. Their motivations, especially regarding each other, are weak and shallow. They had very little chemistry. The "romance" is flat and actually had me rolling my eyes a couple times.

The acting was okay but no one was charismatic.

Out of the many sexual scenes, the 2 that weren't disturbing weren't good either. They felt blocked-out and not natural at all. Rather awkward and perfunctory.

To me there was nothing redeeming or in any way enjoyable about this story.

Read More

While watching my rating went from 7.5 to a 3

While watching, my thoughts on what I might rate this show went from a 4 to a 7.5 the slid down and ended at a 3.

Acting was strong by all. They really did a good job despite the drek they were given. Dialogue was very simple but at least had a flow to it. The weaknesses lay in the storytelling and reliance on ridiculous plot devices to keep it going. Also, the further the story got, the more distasteful some of the topics and relationship dynamics became. By Ep 10 I was pretty fed up with the writers, by Ep 12 wished it was over already. Only continued for King and Ram (one of the secondary couples) and THEIR story is why I'm giving the overall story rating a 3 instead of a 2. If seperated from the rest, I would rate their scenes a 9/10. One basic kiss per couple. PG for intimacy, PG-13 for themes.

King and Ram was the only healthy relationship, and had a very sweet progression. The only ones whose actions matched their words; were consistently thoughtful, sweet, and supportive of each other. Until Ep 14 when the writers suddenly wrote them out of character (I felt) to be dramatic and force romantic confession. These writers are so lazy and unimaginative.

Ep 1 & 2 were silly when setting up the story between the two leads (Bohn & Duen) & I fast-forwarded bits. But Ep 3-6 had me invested in them and the side couples, especially King and Ram, and I didn't fast-forward. There were multiple genuinely funny comedic moments that had me laughing out loud. I was feeling really positive about this show, but that started to slide in Ep 7 and things just got worse from there.

GENERAL SPOILERS BELOW:
I liked Mek but his best friend and unrequited love Boss was whiny and annoying. Wanted Mek to have a happy end but at the same time didn't care about Boss. Frong starts with completely unexplained/inexplicable deep animosity for Thara. In Ep 9 started to enjoy their interactions but their start felt like just a plot contrivance without any thought behind it.

Ep 7 started fast-forwarding small bits again. Ep 8 was ridiculous; the hot/cold dynamic between Bohn and Duen was getting really repetitive and the "plot" devices sprung up to keep that going were getting more and more stupid and annoying. Ep 9 and the relationship between the lead couple is so juvenile, immature, thoughtless, rather mean, and all for completely STUPID reasons. First it was over-reactive Jealousy, then who is the "wife" and who is the "husband" because of comments made by others. It's getting really hard to keep caring about them. I mean, they are supposedly into each other but are each offended, almost disgusted, at the thought of being "the bottom"? And all the friends feed into this and make fun of them about being the bottom? WTF???

The BL obsessed and delusional sister is so awful. It's one constant cringe whenever she's in a scene. Also every background female and their friends loudly shipping whatever guys were hanging out in front of them was rude and toxic. Normalizing that behavior, when it's none of their business and can impact people's real lives negatively, is psychologically unhealthy.

Ep 11, seriously, who is THAT scared to be kissed by their boyfriend of multiple weeks? (Bohn & Duen). The actors are doing what they can with what they are given, it's just the script making them do inane and ridiculous things.

Ep 12-14 fast-forwarded most of it. King and Ram are the only ones I kept watching.

After showing some promise of an enjoyable show at the beginning, I was really disappointed, frustrated, and annoyed with what the writers did with it. Very juvenile.

Read More

Best Friends And No Stong Emotions.

Endearing and brought a smile to my face, but it was also... full of nothing. The characters didn't portray or evoke any deep emotions. I often like the Japanese slice-of-life approach to storytelling but it felt especially empty in this one. And it's only four 20min episodes. The kids are written like actual highschoolers and fill their days with semi nonsensical talking tangents and not doing much.

The message that is spelled out for the viewer, mainly in a voice-over at the end, is cherish what you love in the present even if you're afraid it may go away someday.

The thing is, it feels like best friends cherishing each other and not more, despite the little kisses. I think it would have been more satisfying if left at close friendship but because the screenplay tries to *say* they love each other as more, *without showing* that in their interactions, there's obviously something missing.

The characters themselves say that nothing at all has changed since they both confirmed their feelings for each other. I think it's because they have a best-friend-soulmate connection instead of a romantic one; that's how it comes across anyway. And that is also a very special connection and worth cherishing. I wish the screenplay had focused on that message instead of forcing it to be a "romance", which negatively impacted my satisfaction and rating.

General Spoilers below.

There's barely any plot but the couple of threads there are, are left hanging at the end (does Sakura actually play in the school show? how does he sort out his next steps with or without music? who is the creepy kid knocking into people and does it keep happening?).

Read More

Awkward Script And Tedious Overall.

Review for both Part 1 (19min) and Part 2 (17min). Found on YouTube (Nov 2023 in the USA).

Very poor writing and mediocre acting. Both parts felt tedious even though they were so short.

The interactions between the two leads are written very simply and are kind of cute but mostly boring. The 2nd lead is pretty wooden and I didn't feel much chemistry or magnetism between them.

The girl character is more a creepy fujoshi than a friend. The second season has a contrived love triangle. The way the new rival interacts with the the guy who can't figure out his feelings is so bizarre and laughably unrealistic.

The music (especially in part 1) and audio quality were good for a low-budget production. Cinematography was basic.

Felt like a waste of time to me.

Read More

Feels faked. Like writer&director looked up kinks on Wikipedia & actors are poorly playing pretend.

Dropped after Ep7. I can't force myself to keep watching, not even for the sake of keeping my review current. General spoilers only.

Not mentally or emotionally engaging or satisfying as either porn-with-plot OR porn-without-plot. It's mostly quick cuts to and away from 10-60 sec vignettes of "action" with not much to string them together. Akin to scrolling through porn search results; it's mini previews of scenes I might be interested in watching more of without actually getting to see them. Many of the snippets are at the point of highest shock value and then they are over or the story jumps away. There's rarely any build of anticipation or sexual tension and the BDSM scenes get more campy as the series goes on, especially when gear is involved.

The story also has a tendency to cut away right after the pinnacle of non-sexual, emotional confrontations, which comes across as lazy writing not putting in the effort to comple scenes. It's also frusterating because it keeps the audience at a distance from character's experiences leaving huge gaps between scenes/events, which makes it hard to connect with and invest in the characters emotionally.

I was looking forward to a grittier BL story with intrigue that explored sex and kinks more freely but this is so far disappointing. The characters are written 2-dimensionally (simple & shallow) and acted flatly, and the sex/kinks often feel forced/fake. Like the series is trying to sell a showy shell of a vaneer without a fundamental understanding of the dynamics that would drive the more extreme types of desires and scenes in real life. Like BOTH the writer and director looked up kinks on Wikipedia and the actors are poorly playing dress-up; interactions are poorly faked simulations that no one seems to enjoy convincingly.

I can't believe it's the Only Friends screenwriter (which had it's weaknesses but was overall enjoyably chaotic while the characters were understandable and many were easy to empathize with and root for). The quality of storytelling in this is so disjointed and weak. There are too many characters that don't get introduced or followed properly and the mess of thin plotlines are shallow and often confusing.

I continued to watch in the hopes that it would get better, since I thought the screenwriter was capable of it. Ep 4 actually made me laugh out loud twice at how bad it was with poor and overly dramatic writing, acting, and music.

Ep 7/14 update: This episode showed a couple improvements after the holiday hiatus but it had a different feel to it, which I think would be even more noticeable if someone was binge-watching. It was weird how 'in love' many of the characters became suddenly.

There was still confusion about what exactly was going on in some scenes, the way multiple relationships are progressing don't quite make sense, multiple character choices are illogical, and Zouey still feels like a different character than how he was presented at the start of the series. He seems to have somehow moved past the physical/sexual/psychological eccentricities that originally made him so different and interesting.

What I thought was improved: Power dynamics were the focus in the various types of relationships. The themes of the episode and their execution were more clear. There was a better rhythm to scenes because the editing didn't interrupt and bounce back and forth in the middle of scenes as much. The editing between scenes was less choppy, the interactions between characters were more focused, and the music was well suited to each scene. This allowed some tension to build over the course of the episode leading to a more intense cliffhanger.

I watched the Uncut version on GagaOOlala in the USA.

General Spoilers for Ep 1-3 below.

There's some tension/anticipation built with Zouey and Teena but then Ep3 breaks it. Zouey uncharacteristically feels "in the mood" (to go all the way no less) and they start a slow exploration then SNAP, the camera briefly switches to the middle of a sex scene with a different pair! and SNAP, we're back to Zouey and Teena and they are about to try 'the main event'. And it quickly doesn't go well.

Wait. First, you deliberately don't show us the interesting part of seducing a body with pleasure (especially Zouey because we're not even clear in what way he does/doesn't experience pleasure or arousal) then second, tell us a sex worker doesn't know how to adequately prepare someone for bottoming?!?!? Really?

How in the world did they even get that far- what was Zouey's reaction to anything leading up to that point? That's what made that scene/relationship interesting and they didn't bother to write it in. *Facepalm. And where was the Japanese overvoice that was present before? (And why weren't subtitles included for that by the way?) It feels like Zouey and Teena were written out of character just so their plotline dilemma could line up with one of Zouey's friends for this episode.

I somewhat appreciated that safe words were a topic in Ep 3, but it was very rudimentary in its explanations and kind of put blame on Zouey for not remembering to use a safe word instead of "wait/no" for his first time. The discussion by the group of friends compells me to add:
FYI you can incorporate "What's your color?" or "Say your color" to check in with your partner using the traffic light system (green = go, yellow = slow down or reduce, red = stop). Prompting a response in this way is especially helpful when trying something new or with those that have a hard time thinking and/or verbalizing while exploring (like those in subspace).

Read More

Gentle, sweet, and fluffy romance.

A vertically filmed micro drama (I rate these on their own sliding scale). The story focuses on the interactions between the main leads and how their relationship grows. There are no major interferences or crazy plot shenanigans. It's a gentle love story.

General Spoilers below. Expansion of synopsis that sets up the story at the bottom.

I would not consider this a steamy drama, though there are a couple moments of medium-high sexual tension, and a couple brief kisses with small to medium movements (where the lips touching are actually shown, unlike some of the other productions these two have done together that had none or were head-blocked). It is satisfying how the two characters look at each other, especially later on as the FL falls in love. Her smiles of joy and eyes filled with adoration were lovely and very believable. It was also fun to watch when she decided to woo her husband in return, and try to figure out how to entice him to take further steps with intimacy. The way she got a little embarrassed though nervously excited was adorable and also very realistic.

The ML is quietly steady and a little too perfect, lol, but the FL deserves it. He pampers the FL every single day, often with lots of gifts. He trusts, supports, and encourages the FL.

The actor of the SML deserves a special mention; he gives a fantastic performance! His character is not evil or sadistic, but he's not really likeable. He is a self-absorbed man and has been taking the attention of the FL for granted. While his temperament is not likeable and he is not good husband material, the acting and writing still manage to make him pitiable. It would be really easy to turn this character into a cartoonish caricature, but the actor is nuanced and believable in his delivery, and makes him feel like a real person.

A little more on the set-up synopsis (within the first 7 minutes):
The FL has been chasing the SML since highschool (10 years) and now works as one of his secretaries. They have an ambiguous relationship and one day the FL overhears him say, essentially, that he won't consider her for marriage because she's an adoptive daughter and not on the same level as his family. It's not shown how they meet, but the FL then drunkenly sleeps with the ML, who is another highschool classmate from a wealthy family that is now a CEO. Afterwards, the ML essentially asks her to "take responsibility" for him and marry to keep things above board in the public eye. He persuades her saying she can keep half his property after they divorce. A short while later, when explaining their quick marriage to another, the ML reveals that he has secretly loved the FL since highschool. The FL, however, believes he his just acting for show. Thus begins the story of the ML wooing his wife by showing his sincerity through actions.

Read More

An okay watch for a Suzuki Jin or Noona-romance fan.

Suzuki Jin is what got me through this. He is a good actor and charasmatic enough to keep me watching and to make me want a good ending for his character even if the screenplay is written simplistically.

While the screenplay does bring up various concerns one might have with an age gap romance, and social and familial navigation, it doesn't explore them well or deeply. It's not very insightful or thoughtful. A couple things come up repeatedly though they feel only partially discussed (like they're being used as a writing crutch), while others are resolved with unrealistic ease. There's way too much going on with the plot and side people so there's no time to explore things with more meaning. Character psychology and development stays simplistic as a result.

The set up is insanely fast. There wasn't adequate time for me to get invested in the characters before they started doing things that strained their likability. The first Ep of 20 min has Mayuki confess to Shino and them starting a relationship of sorts and growing some feelings, then it's all angsty struggles from then on. Shino's character was bland and I couldn't get invested in her.

There is a good amount of sweetness, skinship, and hugs, and a couple of kisses. The hottest scene is in the first episode (shows a bit of the lead up to the two main characters sleeping together).

Some suspension of disbelief is required for various things throughout the story.
General Spoiler below.
(Ex: who would start living with the person they are in love with and *immediately* leave their home in that state of disarray every day? Especially when it's a usually thoughtful character who is still trying to secure the other person's affection! That really came across as a forced plot point because the writer needed it to happen early on to prompt the "kid" arguments.)

Read More