Zii3

Ep 1-5 are the strongest. Light & easy watch with great chemistry.

Ep 1-5 (and 9-10) were better than comments lead me to expect. The story is simple and not that memorable, but if you want an easy watch with sensual, realistic making-out, some sweetness, and decent acting, then you might enjoy this. Or at least parts of it.

Viewing recommendation: If you like jumping back to see the ML's point of view, watch Ep 9-10 after Ep 3; it integrates well with the story at that time. Then Eps 4-5 would have been a satisfying ending to me, so you could stop there. If you want to see the leads navigating their life choices at the end of college watch Ep 7-8. Skip Ep 6 altogether (I explain why in general terms below). Eps 6, 7, & 8 aren't very well written and aren't needed to have a satisfying conclusion.

The intimacy between the leads is both hot and sweet. The kisses contain emotions and are realistic. And there are a lot of them (in Ep 1-5, not so much after that). Very satisfying in that regard.

GENERAL SPOILERS below.

Notes for Ep 1-5:
The ML lead's revenge thing is short lived once he and the FL talk through their mutual misunderstandings from 4 years ago. They are uncertain of their footing but really sweet and do communicate (even if there are lags in communication it's not super drawn out or unresolved ).

I liked how the ML and FL never wavered in their affection, and really appreciated how the ML *didn't* get upset at the FL when he learned that the SML had forced a kiss on her. I was expecting all the usual unreasonable jealousy clichés, but the ML handled that whole scene/situation really well.

Kazuha (SML) and and Nina are horrible "friends" to Kaeda. Their one-sided feelings, for the FL and ML respectively, are obviously not reciprocated yet they do morally grey things because they can't accept that. They are the most annoying and trope-filled thing about this show.

Skip Ep 6 because almost the whole thing revolves around Nina being nasty in ridiculous ways. At the end she's given excuses and understanding and not only forgiven, but praised. I get the point they were trying to make, but she didn't deserve such consideration, and the writing was really ham-handed with it. It detracted from the story instead of adding value.

Ep 7-8 are full of telling vs showing and thus feel rushed, a bit empty, and not that satisfying (in my opinion). The writing is clunky and the time skips don't help.

I can see re-watching parts of Ep 1-5 (& 9-10) at some point, but I won't re-watch the rest.

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Psychologically Intriguing. What Voids Can/Can't Be Filled?

Psychologically intriguing and emotionally haunting; a seemingly "happy" ending on the surface but in actuality very precarious as it was hollow. The story lingered in my mind and I really wish there was more of it.

21 minutes long. The script and directing/editing was smartly done and to-the-point. Acting, cinematography, and music supported the storytelling well.

The 11th SungKyu wants a nice home and family so much that he stands in to fill the voids the other family members have. But he is a shell of a person himself, can HIS void be filled? Maybe over time, but we don't get a clear-cut answer, and that's why my thoughts on this short film keep percolating and drive me to dissect it.

It's well done and good for one watch if you're in the right mood for it.

SPECIFIC SPOILERS below!
... ... ...

I can easily understand SungKyu learning how to interact, and puting effort into play-acting, with the mentally fragmented mother (who can't accept that one of her real sons is gone).

I feel sad at his decision to be physically intimate with the brother, SungWoo, though. Sad for both of them because it seemed the result of individual desperation. Maybe they both end up being what the other needs and have a healthy future together, but that seems a fragile hope. More realistically, SungWoo may develop feelings while SungKyu's interest would remain in question; does he really care, or is he trying to fill his own void, or is he just maintaining his place in the family?

And whatever drove SungKyu in that scene, it doesn't seem to have given him much. The next morning, SungWoo feels accepted and is noticeably lighter and happier but the smile that SungKyu returns slides off when he's not being looked at, and his eyes remain vacant throughout. SungKyu said he was "nobody" and seemed to remain empty himself even as he filled in what the other family members needed.

For me, it's really hard to leave the story at that moment because I crave more emotional resolution, so I likely won't re-watch. I am glad I saw it once though.

I found Bearr's MDL review good and insightful too.

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Two Friends Moaning On Every Bite Of Food.

If you like watching other people eat while exclaiming their exaggerated pleasure loudly then I would recommend this, otherwise there's not much there. It's kind of cute but I mainly found it annoying. 50% of it is over-the-top "OMG" noises when eating and 40% is yelling/screeching so the 10% when anybody talks normally I had to briefly turn the volume up for before turning it back down again.

EVERY bite of food (or drink) is the SAME level of moaning/squealing inducing "orgasmic", lol! Rice with mayo is just as amazing as a gyoza with kimchi and cheese, or a sip of beer, or a sundae, or ramen with vegetables, or a plain baked sweet potato, etc. It's ridiculous and boringly repetative. The only thing that got a normalized "yum" was the corn soup (likely because it had an emotional tie-in with the characters' joint history).

General Spoiler below.

The movie also felt like only part of a story. It's a slow burn bromance that barely grows before the movie is done. The characters individually come to some conclusions about how important the other is to them in a way that is alluded to vs spelled out. With each other, they confirm they will continue on together as they have been without really saying why. And that's it. The movie does stop at a good pausing point, but that's not very satisfying as an ending.

The acting is decent except Aki is vocally childish. There's not much plot or script that isn't noise for the actors to work with so it's a bit difficult to ascertain their talent.

Cinematography was good and soft.

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Tongue-In-Cheek Clever-Silly And Romantic.

Lighthearted, fun, sweet, and cute with emotional depth that kind of sneaks up on you.
It's special because while it has many tropes/clichés that are often predictable, they're purposefully taken 1 to 2 steps further in unexpected ways. Because of this, the whole series is very humorous instead of cringworthy. They do it very well. Things are done/acted a little dramatically but earnestly at the same time. I was really impressed with the whole cast.

In real life the type of behavior Noey exhibits towards Thi is full of red flags and could lead to trauma bonding (unpredictable hot/cold, threatening/rewarding, etc). In this fictional tale however, I was able to enjoy the well done tropes of enemies-to-lovers, bully/nerd, and hard to others but soft to the love interest. It takes some time but Noey's character does mature and redeem himself beautifully.

FYI in the last episode keep watching because the epilogue continues through the credits and all the way to the end.

It was a little tricky for me to tell the grades and age difference of the main characters, especially at the beginning. I believe Noey starts the series about 16 yrs old and Thi is 5 years older as a junior in college, so about 21. Noey starting so young in the story works because he's young enough to act as immature as he starts out being.

The age difference was never made weird in this story, which I appreciated. Young people can fall in love too. And as MidwesternLibrarian says on Reddit, "I don't mind their fictional age gap because there is no way Thi is manipulating Noey. Noey is going to do what Noey wants to do." Truer words were never spoken, lol!

General Spoilers below.
There is a good amount of romantic attraction/tension that is tastefully done keeping the age of the characters and actors in mind, two interupted almost-kisses, and a very basic kiss at the end. (Which I was totally fine with, especially since Tar who played Noey would have been 17-18 at the time of filming.)

I loved how the miscommunications in the first few episodes lead them into falling for each other instead of falling out, lol.

There is some medium angst near the end but it is resolved and the ending is satisfying.

I likely won't watch again on my own but it could be fun to see with other people.

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Epic Friendship More Than Romance

Overall I enjoyed it and I would recommend it, just know you'll be watching for an epic friendship more than a romance. As a story it's an 8, as a romance it's a 6. A good ensemble show.

The sci-fi element was really well thought through and there were no plot holes or threads left hanging. Everything stayed true to the "rules" that were set for this world. There were quite a few moments I laughed outloud and only a couple of spots I fast-forwarded (either because it felt slow or because the messages were repetitive to what I've seen in other shows).

All of the characters were written and acted like real people (no 2-dimensional caricatures), except for maybe the main character Kawai who was borderline a little shallow as a character. Kawi did have some character development but he was often annoying and rarely acted his age (both in how he was written and acted).

Krist and Fluke (Gawin) have best friend vibes but not romantic chemistry. Fluke was believable as a gay character who is somwhat attracted to Kawi and wishes for more, but it never feels truly reciprocated. Krist has difficulty acting attracted, and the writers and director didn't help by making his character freak out and avoid physical affection apart from a few kisses.

Even after they've been together for many years Kawi seems put-off by touching, teasing, and sweet words. This trend in BLs is so unrealistic, annoying, and frustrating to me. It's like disguised homophobia that is supposed to be viewed as "cute". It's not, and it negatively affects my satisfaction with the series.

There are a couple of catchy songs, one of which I added to my playlist.

Great for one watch but I probably won't see it again.

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Cute & Sweet With Earnest & Thoughtful Characters.

Edit Jan 2024: increased my ratings after re-watching with proper subtitles after the international release. These two boys do actually put effort into communicating with each other, and keep trying even though they are interrupted at almost every turn. I think the only thing that didn't interrupt them was an animal, lol.

A simple but very well done childhood friends to lovers story with good acting, soft cinematography, and no unlikable characters. Lots of mutual uncertainty and sweetness. All angst is resolved by the end.

An easy watch with eight 20min episodes. Also known as "I Cannot Reach You".

In the USA, I first watched it in Nov 2023 with fan subtitles, which were obviously awkward but better than nothing. In Dec 2023 it was released internationally and became available on Neflix and I re-watched it. The proper subtitles made a big difference! It noticeably increased my enjoyment and satisfaction with the characters, their bond, and their efforts at navigating their complex feelings with each other. Though I tried to give the dialogue a pass in my initial review because of the circumstances, I have now raised my rating a full star (to 9/10). I will watch again.

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Lead Actors Are Great, The Rest "Sucks".

Vampire BL. A General Spoiler on the ending only. Acting 8.5, Chemistry & kiss 10, Plot & script 3, Cinematography 5, Music 6, Rewatchability 2.
Pointlessly stupid choices by ALL of the characters at least once, and an unnecessarily sad ending. Left me with an incredulous and irritated "WTF, WHY???" feeling. Most of the contrived angst could have been so easily avoidable.

I can't recommend this unless you are a fan of the lead actors (as I am). Watch them in Roomates Of Poongduck 304 instead, which is a fun and better fleshed-out series. Then after that, maybe watch the kiss scene here as an extension of those characters in your mind. It's at the beginning of Episode 8. I would have found that immensely more satisfying than how I felt watching this whole series. I will say Kim Ji Woong's visuals really work well as a vampire though!

The two leads and their magnetic chemistry with each other are the best reason to watch this very short series. Seven 10min episodes and the eighth episode is 20min. It's obvious why they were cast in Roomates Of Poongduck 304 after this. Their kiss is realistic and full of passion and there's even a brief morning-after scene, which is uncommon in Korean BLs.

The story is very generic and the only surprises are how stupid and unrealistic character choices are. There are also an untenable amount of plot holes because the world building is so poorly done.

There's not enough time spent building up the connection between the lead characters to warrant the deep love they have. The "explanation" of the lead vampire's past, which drives all his current decisions, was barely touched on and left a lot of remaining questions. Like, what lead up to him being in that state in the first place? The female friend, and certainly the male vampire "friend", are arguably unnecessary. The time on them would have been better spent focusing on the emotional and relationship arc of the leads.

Also, MJ Koontz's review is absolutely hilarious:
https://kisskh.at/profile/soundinfinite/review/195237

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Naito Shuichiro Makes It Watchable

Cute premise and starts out fairly strong then becomes less interesting for a couple of reasons. You might enjoy this if you're looking for something kind of cute, awkwardly funny, light & easy, and with one really good lead actor.

The most disappointing thing for me was that the sincerity of character attraction felt one-sided by the actors. Naito Shuichiro acted in-crush then in-love so convincingly. You could see the intensity and depth of emotions in his eyes and his face was full of nuanced reactions. Compared to him, Seto Toshiki felt miscast as the main character. He did okay at the beginning with the simplicity of being in awe of his idol and nervous, but his portrayal of deeper emotions fell flat. He became more and more of a disappointment to me as the series went on. (Also his bleached-orange hair didn't suit his timid/self-conscious character and was distracting; poor judgment on someone's part.)

The story itself became more boring as it started to rely on clichés to keep it going. If it wasn't for Naito I probably would have stopped watched sometime during episode 6 (out of 8).

There were more physical interactions to build tension than there were affectionate ones after the characters fell for each other. I might not have felt the lack of physical closeness as much had Seto been able to match the affection and desire Naito showed with his eyes.

I did think the end credits were very clever as they they showed a little bit more of the background scene with every episode.

There were multiple moments of second-hand embarrassment that made me cringe and want to fast-forward, but I am fairly susceptible to that. There were a few non-cringe comedic moments too.

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Fun dynamic between leads as a fantasy (yellow flags IRL)

A vertically filmed micro drama (I rate these on their own sliding scale). General spoilers further down. I thoroughly enjoyed this, but it won't appeal to all. I'll definitely watch again.
The writing, acting, and directing presents everything in a slightly humorous way, which lightens things up and makes the interactions and reactions fun. Both lead actors are fantastic. The ML is extremely domineering and occasionally manhandles the FL but is not violent (no slapping, choking, sadism, etc). He does raise his voice and can have an imposing or threatening demeanor, and the FL is afraid of him in a flustered way. To me, both actors did it in a way that wasn't heavy and both had great comedic timing that played into the fantasy of it without making it feel uncomfortably real. There are some sweet moments between them too.

The FL is super clumsy and shy but earnest, cute, and a good worker, and the ML is sometimes exasperated/miffed yet drawn and attracted to her. He does ask her questions and gives her a chance to explain things in different situations before judging her, which is rare! He grows suspicious over time that she is keeping something from him but continues to give her the benefit of the doubt. He steps in to help and/or save her a couple of times.

This story does multiple things slightly differently than expected (in the micro drama genre).
One of them is that the ML continuously chooses to gives the FL the benefit of the doubt (as mentioned above).
Another is that no 3rd wheel wanna-be pretends to be the woman the ML slept with when drugged.
Another is how the FL acts when drugged; not only does she become aggressive with intimacy, she also gets more dominant with a hazy predator look in her eye (their starting scene is the first time I can remember seeing a FL grab a ML's throat in that way). The two leads have great chemistry and seem comfortable with each other (underneath how they act as their characters). There are multiple moments of sexual and/or romantic tension and a couple great, realistic kisses with small to medium movements.

General Spoilers below:

Expansion of synopsis that sets up the story:
The FL works as one of the ML's assistants and the two of them end up drugged and sleeping together one night. The FL wakes up first and sneaks away. She knows the ML hates women who try to seduce him, so she is comedically afraid that he will think this of her and run her out of town if he finds out. The next day the ML tasks the FL and his main male assistant to find the schemer who stayed with him in the hotel. He suspects that it was manipulated by his stepmother. The FL's best friend, who also works at the company, helps her cover up the evidence (surveillance and hotel workers). Over the course of the story the best friend continues to advise the FL to cover up the truth, afraid of retribution. Thus the lies get bigger and the FL gets more and more flustered, especially as she starts to like the ML.

There is also:
Family debt that the FL is trying to pay off, a contract relationship that slowly turns into more, an unexpected pregnancy (that the FL wants to keep), later in the story there's a 3rd wheel for a bit (the ML's girlfriend from the past who comes back to the country), drugging of the FL and attempted rape, and a kidnapping. Still, for a vertical drama, things don't feel overly crazy. The focus remains on the interactions between the leads.

The ending is sweet, ends with a kiss, and is satisfying enough; it's not long, but it didn't feel rushed either.

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Potentially Frustrating, Character Study, Sweet & Angsty, Dreamlike, Great Chemistry.

(General spoilers only.) The atmosphere and sweet tension are alluring but there is more character based angst than a viewer might initially expect. If you like character studies and growth you might enjoy this. Love is the main theme and catalyst, but this story is about more than just romance.

Very General Spoilers below.

Things that frustrate some viewers (but didn't frustrate me, as I explain further down):
- Vague sense of time and non-linear flashbacks.
- Night continuously struggles to understand his own feelings and then communicate them.
- Dream is avoidant as a self-preservation mechanism.
- Love triangles.
- The ending is positive but a bit rushed (this one I agree with).

I like character studies and there is an interesting symmetry between Night and Day: Night mentally "runs away" while Dream physically runs away. They often hinder themselves from getting what they truly want because of their personal coping mechanisms for fear. I found watching them navigate that interesting, pretty realistic, and meaningful.

I thought the actors did a great, naturalistic job, and got me emotionally invested in their characters. The magnetic pull of affection and attraction between Dream and Night is palpable.

Namwan, Night, and Day seemed kind of unlikable shortly after being introduced to them, but as more of their character was revealed, the more I was able to empathize with, and like, them.

Night DOES have character growth but the process is messy and everyone, including himself, gets hurt. A lot. But Dream contributes to that too. Both Night and Dream are young and still figuring life out, so that came across fairly realistically to me.

I didn't mind the love triangles in this so much because they really do serve a purpose in propelling Night's character growth forward. Especially since there aren't that many episodes in which to tell this story. Night has to get to a certain point emotionally and mentally so he can gain clarity, self-resolve, and purpose in the whole of his life.

The cinematography and editing felt dreamlike in a way that I was surprisingly not annoyed by. There were partial flashbacks that, after awhile, would be returned to with more of the flashbacks shown. They also aren't shown in chronological order, so they add to the *feel* of the past relationship without having to tell the full story. It was slightly confusing at first, and then it drew me in and I was able to roll with that and the unspecified time skips through the series. Reminded me of how it feels when just waking and mentally replaying bits of interesting dreams and trying to remember what connected them. It wasn't linear but it all tied together in an atmospheric way. I'm not sure if I've explained it well, but it worked for me.

My only disappointment with this show is I wish the ending had had more to it. It was sweet but just too short to fully balance out the tension from the whole series and the recent heavy feels. If the show had frustrated me, as it did some viewers, then the ending probably wouldn't have been enough to soothe that and leave me in a good mood.

The reason the professor gives for not passing Night's thesis is realistically ridiculous and requires suspension of disbelief.

MEDIUM General Spoilers below.

If the following resonates with you, you may find this story moving, as I did. If not, you may find Night, and even Dream, annoying (as some reviewers do):

Being unfamiliar with, and confusing different types of love. Never seeming to be able to meet parent and teacher expectations. Not receiving approval or emotional support from family members. Sibling rivalry. Worrying about and being stifled by societal norms. Severe insecurities about self-worth. Being so scared of more failures that it hinders trying for desired things.

Dream's biggest flaw is his main coping mechanism of running away and ghosting.

I may not rewatch often, but I know that I will want to watch again.

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Comedic Melodrama Odd Mix, Worth 1 Watch For Leads.

General Spoilers only. The interactions of the two lead actors make this worth one watch. They are endearing even when their characters are written frustratingly. Without them I would not have enjoyed this series much. It starts as a romantic comedy, then spins into a melodrama, then whip-lashes back.
Story: Ep 1-7 are 7.5/10 but Ep 8-10 are 5/10. Acting 9, Chemistry 10. Nothing great or distracting about cinematography or music.

The story itself is trope heavy but mostly cute, though the character Shang Zhou is rather pushy (the cliche excuse is that he's never learned how to communicate feelings). There's a lot of tension with physical (and mental) attraction between the leads.

The storytelling starts to fall apart in episode 8. Up until then it's very obviously a comedy with an over-the-top feel. It's not my favorite type of humor, but Hsiao Hung as Shun Yu has very dynamic facial expressions with a good sense of comedic timing and did make me laugh.

In Ep 8-9 the melodrama starts to build and gets really heavy. It does pull at heartstrings thanks to the acting, but it’s also annoyingly unnecessary. The angst requires a lot of plot contrivances in addition to miscommunication. The dialogue doesn't sound natural or realistic because the plot obviously needs certain things to remain un-said.

In Ep 10 it's like a switch is flipped and all of a sudden we're back to romantic comedy without a care in the world for realistic technicalities. The bits with Shang Zhou's mother were weirdly contrived/written and completely awkward. The only thing I liked was that we got a good amount of screen time with the leads being happy together, though I had to just throw up my hands to roll with it.

I would easily watch the lead actors if they were in another show together, but I probably won't re-watch this one.

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Well-Crafted, Practically Perfect Romantic Drama With Rom-com Feel.

I loved the strong female lead; both the actress and the way her character is written. The actress had great comedic sense and portrayed a wide range of emotions with nuance. Her eyes are very expressive. The male lead is well matched with her and they have great chemistry. He was good at acting stoic as the character with emotions underneath the surface. I couldn't always tell what the emotions were, but I could see they were there. I also had second lead syndrome (for the actor and the way the 2nd male lead was written) and I liked the way the triangle was sorted out in the end.

Consistent build of emotions and tension through all 8 episodes. Did not fast-forward through anything, even the third time I watched it. The blend of sweetness/cuteness, humor, desire, pining, love, and angst lead to a very satisfying experience. There's a lot of well done comedic moments, many of which nade me chuckle or laugh out loud. I'm especially impressed with the consistent undercurrent of emotional angst that was built on easily believable emotions, perceptions, and misconceptions based on story situations. Yet the plot never felt forced. The angst was so well balanced with feel-good moments that it didn't make the series feel heavy, even though there was a lot of it. It was satisfactorily resolved, so it hurt perfectly!

The ending is a clever twist on a common rom-com cliché and was very satisfying.

The mostly instrumental music fit very well and there were some beautifully shot scenes. The script and dialogue are very natural and didn't have any clichéd lines (at least none that I remember).

Ep 7 is from the ML point of view.

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Better Upon 2nd Viewing.

Updated Jan 2024. I watched this again knowing that I had found both characters really unlikable the first time, and was actually able to appreciate the story more. So I've raised my rating from a 4.5 to a 6.5.

While both characters are morally dark grey (cheating and coercion/dub-con/stalking), Otomo does have character growth. The changes are incremental and very subtle until the end when his actions suddenly make the extent of his internal growth obvious. Upon second viewing, I was able to empathize with his character a lot sooner (40min before the ending instead of 7min before).

Imagase, on the other hand, has no growth and is not fleshed out. He was just as 2-dimensional in my second viewing as he was in the first. Also, it's hard *not* to feel like whatever misery he feels, he brought upon himself (multiple times). He may be kind of pitiable, but I still struggled to sympathize with him because he was just one thing on repeat: an obsessed gay man who was very insecure about his straight friend/lover whom he kept pushing into an intimate relationship.

The way Imagase is written remains my biggest dissatisfaction with the film.

As with the first viewing, I was not that invested in the characters because, first, they aren't likeable, and second, because their connection lacks depth and affection (there doesn't seem much reason for them to like each other except for maybe being able to be comfortable around each other, which isn't nothing, but there's not a lot of that shown either). However, already knowing what I didn't like about it, I found the second viewing more mentally intriguing and enjoyable, and was able to better appreciate how the cornered mouse metaphor came into play throughout the story.

Another thing I was able to roll with better the second time around was the very loose sense of time. The movie somewhat disjointedly jumps from scene to scene and exact markers of time (days, weeks, etc) are never mentioned. Knowing where the story was going allowed me to string things together in my head. For the first watch, it was like reading a book with chunks of pages torn out at random; I could piece the story together, but it felt like multiple scenes were missing.

The sex is very realistic and the atmosphere created with light, colors, and cinematography was very well done and cohesive.

GENERAL SPOILER On The Ending:

......

It is an open ending, but I think the pattern of what will happen is pretty clear, only this time there's more hope for stability in it. The only thing left in question, in my mind, is when.

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Weaknesses Kept Pulling Me Out Of Immersion.

Slow yet mentally intriguing. I really wanted to like this but the frusterating and unbelievable aspects kept accumulating and pulling me out of being immersed in the story. Mentally I was really intrigued by the premise and curious about what would happen so I kept watching. At 7 episodes in, however, it was not really engaging my emotions.

Update: I completed the series on 11/19/23 and episodes 8-11 were the best to me. The story was more focused and things did start to get emotional, mainly due to Bright's acting as Yai. There's also a little less stupidity by characters overall. I did love the change in family dynamics with the mother, that was one thing that was written well. The intimate scenes were full of love and emotions and beautifully shot. I appreciated that the eroticism of undressing each other was frequently included.

Ep 12 was rushed, choppy, not explained well, and thus not very satisfying. The set up for a second season was interesting though and I will probably give it a try out of curiosity if it gets made.

The director and screenwriters have worked together before and their weaknesses are consistent throughout their work. This series is their strongest work to date though. Maybe it helped that they had a whole book as source material to work from.

There's a lot of telling vs showing. It's like we get the highlights but the stuff in-between is skipped over so sense of time is really muddled (and not in an intentional way). Characters will say things like 'we've been together a while now' or ''you've been avoiding me for a while' or 'since this time' and we see the most recent example of being avoided but not the multiple times leading up to the current conversation. Because of this, the emotions of the characters feel rather shallow and mercurial because we don't get to experience the building of their emotions in-step with them.

We see Yai's process of falling for Jom over multiple episodes, but not the other way around. Yes, Jom has to go through some things/emotions before he can fall for someone new, but Yai is obviously drawn to Jom like a magnet and that doesn't feel reciprocated.

At the same time, the way the story is directed and shot is super slow. I would have dropped this series if I didn't have the ability to watch at 1.5 to 2 x the speed. And even then I still skipped through some bits. So the script could have fit in more examples of the main characters interacting and growing their connection with each other.

There's also a huge lack of self-preservation instincts in an era that was even less accepting of queer relationships, which is unbelievable enough to pull me out of the fantasy they are spinning. Especially since they are depicting social sentiments in a serious manner and in-line with an older era. So to have a 20 year old young master (Yai), with a very strict and traditional father, and frequently in the spotlight, who is not at all paranoid about showing affection out in the open or in broad daylight (but will jump apart and act nervous when caught), is ridiculous to me.

GENERAL SPOILERS below.

Example, in a later episode Yai's dad confronts him about his relationship with Jom and tells him his man has been watching them. Yai is alarmed and nervous and says "we never do anything explicit in public". Yet, even knowing the above, the very next day he has his arms half around Jom & is holding his hands out in the porch on the river in broad daylight when, gasp, someone "unexpectedly" comes upon them. JUST like someone did before at that exact spot. It's so reckless it's just dumb and obviously contrived by the writers. It makes the characters seem way less believable AND of low IQ to boot! *Facepalm.

Other things that keep pulling me out of the story:
Jom is acted pretty woodenly and he comes across as a simpleton the way he's written, directed, and acted (seriously, the amount of times he's asked a question and takes 10 to 40 seconds to answer while there's not much going on in his face or behind his eyes is frustrating).

Yai is supposed to be 20 but isn't written or acted like he's that young until a much later episode when young naivete and determination bubble up.

Robert is reportedly able to be charming because he's won over Yai's father, but all we and everyone else sees is a very obviously bad man, which makes that important plot point unbelievable. (And it's a missed opportunity to make in interesting two-faced, charismatic but dangerous antagonist.)

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