This review may contain spoilers
The best historical Cdramas so far for me
If you want a show with the perfect balance between romance, soft comedy and political plot : you should totally go for it.
I've seen some people talk about the romance of The Prisoner of Beauty, but I feel like the political plot is really underrated by most people. I'm really hard to please in historical dramas because I love politic plots but I also need very-well written characters and relationships (not necessarily romance, but romantic relationships are the most common). Most historical dramas I've watched always had the same problems to me : either they had an interesting romance but not enough politics, or there were enough politics, but the romance and/or characters were not well written.
Well, let me tell you : the prisoner of beauty is the exception! I found it was very, very well balanced. I saw some people saying it was more romance than politics but I found the politic plot almost always there. The power struggles between the families, and even the "enemy bond" the Qiao and Wei have is politic. Every plot around the canals in the cities is political. There were some parts more romance-focused and some more family-centered, but I wouldn't say the drama was mostly romance. I felt like it was the perfect 50-50 between politicals struggles, and romance/familial struggles.
I absolutely loved Wei Shao's and Xiao Qiao's bond. How they distrust each other at first, and Xiao Qiao manipulates him, how he separates her from the other Qiaos from the start, how he protects her in front of his family but does not trust her at all, into how they slowly discover what is hidden between each other's mask and struggle between their feelings and their filial duties. The chemistry was amazing, and some dialogues struck me as peak enemies-to-lovers dialogues. One, specifically : when Xiao Qiao is accused of cooking the grains to fool the people, and Wei Shao defend her by saying "I would trust you if you told me she tried to poison my whole family, but I would never trust you if you told me she tried to harm the people." This was such a powerful dialogue to me; he was willing to defend a woman he thought capable of killing his family.
However, what I loved more than anything else was the flawless characters' writing. I am a sucker for complex and coherent characters, and I definitely did not expect this drama to serve this. Romance dramas, and especially enemies-to-lovers one, tend to give big character developpments to their character, sometimes too big to be realistic. By that, I mean cold and cruel characters becoming too kind and soft; or characters changing too much or too suddenly just to serve a plot device. Which is okay, as long as it's enjoyable.
But this drama does not do that. Like, ever. Every character's writing is so deep and coherent I was surprised.
I am going to start with the most obvious one : Wei Shao. He doesn't have that switch male leads often have in romance dramas, from "cruel and cold" to "silly and lovestruck". He keeps the same qualities and defaults from the beggining to the end, but some are developed while some are tamed. His hatred is slowly tamed, and his kindness, noticeable since the beggining with how he did not want Xiao Qiao to struggle too much in his family even when he disliked her and didn't trust her, takes more and more place and makes him warmer. But those traits did not appear suddenly, they were there since the beggining. Wei Shao has always cared most about the people, and he stays this way until the end. Even when he has to chose between defending Panyin or Yunjun, he stays loyal to his values. He choses to defend the people instead of his family. That is a very coherent and well-written decision, especially when you notice the parallel between Xiao Qiao's grandfather who had to go through the same dilemma. Having to chose between his family and the people made him understood why the Qiao betrayed his family 15 years ago. That was a beautiful way to end this arc.
Liu Yan and Yu Lou are very good exemple of how coherent and deep the writing was. If you think about it, they repeat the same errors again and again until it kills them, and I find that to be a very realistic writing. As Wei Shao told her, Yu Lou fails to notice other people's love for her right until the end. Even when she is warned about it, she doesn't notice and change, because humans don't change that easily. Liu Yan, on the other hand, only knows how to be obsessive. His "love" for Xiao Qiao was an obsession, and that almost killed him in the beggining. Did he learn his lesson? No, he reproduced the same kind of obsession for Yu Lou and died because of that in the end. I found his character development very interesting because I did not expect him to become the biggest villain of the show. Him killing his parents and little brother shocked me to the core, but then, when you think about it : that, too, was there since the beggining. As Xiao Qiao told him in the beggining : I know you treat me as a jewel, but the problem is you don't care about other people. And that's how he acts for the whole drama. He's blinded by what he wants (first Xiao Qiao, then power, then Yu Lou), and never cares about anyone or anything else. His unability to change is what kills him in the end.
Wei Yan's writing also surprised me. I thought I would despise him; he turned out to be the most lovable character of the show (to me). While he is described as a shameless man, he actually respects boundaries. He has never tried anything toward Xiao Qiao, and is even willing to leave his grandmother just to not bring shame to his cousin and cousin-in-law. Watching him yearning for a home and family and recognition was so interesting. He could have made the "wrong" choices so many times but never did. I saw people say that his love for Xiao Qiao was some misplaced lust; I disagree on that. I think he said it himself to her when he's suspected to have an affair with the Yu girl. While his grandmother and Wei Shao suspected him to have done something wrong but were still willing to protect him, she was the first to not assume he did something wrong. Which was new for him. He said it later to Wei Shao : he doesn't want his family to forgive him for his wrongdoings, and he resented them for that. Instead of doing that, Xiao Qiao has always assumed the best of him and tried to prove he was not guilty. I understand why he would fall for her after that.
Xiao Qiao's writing was also very coherent, though I don't have much to say about it because I feel like the show has said enough. This quote sums it up : "Water only flaws gently when the path is smooth. Block it with wind or earth, and all you'll do is stir up towering waves". One thing I loved is how her pretending to be all-weak-and-gentle at the beggining while scheming for her family in secret actually blew up against her in the end. She had to apologize for that and I think that was fair. Wei Shao was not perfect but he, at least, never tried to deceive her. She had no choice but to do so, but she could've come clean later and still didn't. I liked that the writers didn't brush it off easily.
I could go on and on about each character, because every single one of them was written with care. Qiao Fan and Bi Zhi, for exemple, are also very coherent in their decisions and actions. Wei Shao's mother, too; she changes, but stays a quite selfish character till the end (the only reason she didn't flee Yunjun at the end is because she wanted to be appreciated by Lady Xu).
At the end of the day, I feel like a drama that stays true to their characters writing all along and ends its plot with a beautiful parallel (Wei Shao having to choose between people dear to him and the people, like the Qiaos 15 years before) deserves a 10/10. I know it's very different from the novel, but I feel like every change only made the drama better.
I've seen some people talk about the romance of The Prisoner of Beauty, but I feel like the political plot is really underrated by most people. I'm really hard to please in historical dramas because I love politic plots but I also need very-well written characters and relationships (not necessarily romance, but romantic relationships are the most common). Most historical dramas I've watched always had the same problems to me : either they had an interesting romance but not enough politics, or there were enough politics, but the romance and/or characters were not well written.
Well, let me tell you : the prisoner of beauty is the exception! I found it was very, very well balanced. I saw some people saying it was more romance than politics but I found the politic plot almost always there. The power struggles between the families, and even the "enemy bond" the Qiao and Wei have is politic. Every plot around the canals in the cities is political. There were some parts more romance-focused and some more family-centered, but I wouldn't say the drama was mostly romance. I felt like it was the perfect 50-50 between politicals struggles, and romance/familial struggles.
I absolutely loved Wei Shao's and Xiao Qiao's bond. How they distrust each other at first, and Xiao Qiao manipulates him, how he separates her from the other Qiaos from the start, how he protects her in front of his family but does not trust her at all, into how they slowly discover what is hidden between each other's mask and struggle between their feelings and their filial duties. The chemistry was amazing, and some dialogues struck me as peak enemies-to-lovers dialogues. One, specifically : when Xiao Qiao is accused of cooking the grains to fool the people, and Wei Shao defend her by saying "I would trust you if you told me she tried to poison my whole family, but I would never trust you if you told me she tried to harm the people." This was such a powerful dialogue to me; he was willing to defend a woman he thought capable of killing his family.
However, what I loved more than anything else was the flawless characters' writing. I am a sucker for complex and coherent characters, and I definitely did not expect this drama to serve this. Romance dramas, and especially enemies-to-lovers one, tend to give big character developpments to their character, sometimes too big to be realistic. By that, I mean cold and cruel characters becoming too kind and soft; or characters changing too much or too suddenly just to serve a plot device. Which is okay, as long as it's enjoyable.
But this drama does not do that. Like, ever. Every character's writing is so deep and coherent I was surprised.
I am going to start with the most obvious one : Wei Shao. He doesn't have that switch male leads often have in romance dramas, from "cruel and cold" to "silly and lovestruck". He keeps the same qualities and defaults from the beggining to the end, but some are developed while some are tamed. His hatred is slowly tamed, and his kindness, noticeable since the beggining with how he did not want Xiao Qiao to struggle too much in his family even when he disliked her and didn't trust her, takes more and more place and makes him warmer. But those traits did not appear suddenly, they were there since the beggining. Wei Shao has always cared most about the people, and he stays this way until the end. Even when he has to chose between defending Panyin or Yunjun, he stays loyal to his values. He choses to defend the people instead of his family. That is a very coherent and well-written decision, especially when you notice the parallel between Xiao Qiao's grandfather who had to go through the same dilemma. Having to chose between his family and the people made him understood why the Qiao betrayed his family 15 years ago. That was a beautiful way to end this arc.
Liu Yan and Yu Lou are very good exemple of how coherent and deep the writing was. If you think about it, they repeat the same errors again and again until it kills them, and I find that to be a very realistic writing. As Wei Shao told her, Yu Lou fails to notice other people's love for her right until the end. Even when she is warned about it, she doesn't notice and change, because humans don't change that easily. Liu Yan, on the other hand, only knows how to be obsessive. His "love" for Xiao Qiao was an obsession, and that almost killed him in the beggining. Did he learn his lesson? No, he reproduced the same kind of obsession for Yu Lou and died because of that in the end. I found his character development very interesting because I did not expect him to become the biggest villain of the show. Him killing his parents and little brother shocked me to the core, but then, when you think about it : that, too, was there since the beggining. As Xiao Qiao told him in the beggining : I know you treat me as a jewel, but the problem is you don't care about other people. And that's how he acts for the whole drama. He's blinded by what he wants (first Xiao Qiao, then power, then Yu Lou), and never cares about anyone or anything else. His unability to change is what kills him in the end.
Wei Yan's writing also surprised me. I thought I would despise him; he turned out to be the most lovable character of the show (to me). While he is described as a shameless man, he actually respects boundaries. He has never tried anything toward Xiao Qiao, and is even willing to leave his grandmother just to not bring shame to his cousin and cousin-in-law. Watching him yearning for a home and family and recognition was so interesting. He could have made the "wrong" choices so many times but never did. I saw people say that his love for Xiao Qiao was some misplaced lust; I disagree on that. I think he said it himself to her when he's suspected to have an affair with the Yu girl. While his grandmother and Wei Shao suspected him to have done something wrong but were still willing to protect him, she was the first to not assume he did something wrong. Which was new for him. He said it later to Wei Shao : he doesn't want his family to forgive him for his wrongdoings, and he resented them for that. Instead of doing that, Xiao Qiao has always assumed the best of him and tried to prove he was not guilty. I understand why he would fall for her after that.
Xiao Qiao's writing was also very coherent, though I don't have much to say about it because I feel like the show has said enough. This quote sums it up : "Water only flaws gently when the path is smooth. Block it with wind or earth, and all you'll do is stir up towering waves". One thing I loved is how her pretending to be all-weak-and-gentle at the beggining while scheming for her family in secret actually blew up against her in the end. She had to apologize for that and I think that was fair. Wei Shao was not perfect but he, at least, never tried to deceive her. She had no choice but to do so, but she could've come clean later and still didn't. I liked that the writers didn't brush it off easily.
I could go on and on about each character, because every single one of them was written with care. Qiao Fan and Bi Zhi, for exemple, are also very coherent in their decisions and actions. Wei Shao's mother, too; she changes, but stays a quite selfish character till the end (the only reason she didn't flee Yunjun at the end is because she wanted to be appreciated by Lady Xu).
At the end of the day, I feel like a drama that stays true to their characters writing all along and ends its plot with a beautiful parallel (Wei Shao having to choose between people dear to him and the people, like the Qiaos 15 years before) deserves a 10/10. I know it's very different from the novel, but I feel like every change only made the drama better.
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