ariel alba

Hello. What could those truths known only to Jom be? How could Jom know secrets surely jealously guarded by powerful people, perhaps for years, within a month of being in that house, sitting in the garden and collecting frangipani flowers? The story told in the series occurs in the year 1923, that is, 100 years before the present when Jom travels to the past. There would still be 16 years until the start of the Second World War, since it took place from September 1, 1939 to September 2, 1945. What could be the arguments used by Jom to get Yai's father to cancel a wedding that would be beneficial for him financially, to raise his social status, as well as trying to avoid a scandal if it were publicly known that his son is homosexual? Their goal is not only to cancel the wedding, but to get the family's approval of the love relationship.
In the previews, Jom presents a show, in which Neuy, the Green Queen, as the villagers call her, apparently performs. Apparently, through this show he intends to reveal Yai's homosexuality to those present. If that is his purpose, I don't know how this revelation like this could benefit Yai and himself.

No, I don't think Jom exposes women. You get nothing out of this. I don't know what the traps, deceptions, frauds... of Kun Dech are. As far as we know, he only subtly alerted Yai's father about his son, we have his interest in his daughter marrying Yai for financial reasons and to obtain greater power by uniting the two families, as well as the discussed business plan with Yai's father, but this is neither illegal nor has any weight to be used by Jom or Yai to obtain the father's blessing to continue with their relationship. If Jom were to reveal something negative about Kun Dech that affects the family, he might be able to cancel the wedding, but does he guarantee that the father will agree to allow his son to have a homosexual relationship? I don't believe it. Furthermore, it would be credible that in a matter of hours and without leaving the garden of the house he knows about secret and so sensitive issues (if they exist) that Yai's father, his assistant, other members of the family and the owners, bankers, Landowners, businessmen like them, involved in business, haven't discovered it in years?

Jom's goal is to get Yai's father to agree to the two of them having a romantic relationship. I don't see any use in that regard if you reveal what you suggested.

According to the previews of the next episode, Jom is the one who "sticks up" for Yai, that is, for his love and "they end up eating partridges." What Jom does or says to resolve the situation couldn't Yai have done or said in person? Did Yai exhaust all possibilities to avoid having a wedding imposed on her against her wishes? Why rebel against his father, accept being gay, claim to be in love with Jom and categorically reject any attempt by his father to impose his will on him and then accept an unwanted wedding? Did Yai do enough to save his love? I understand that the situation in the series is a very different social situation from the current one, in which there are greater rights for homosexuals, but those rights were won NOT by people who acted like Yai, but by others with different behavior due to having faced discrimination, homophobia, intolerance, prejudice against homosexuals throughout history without fear and without hesitation. Will Jom be unethical and reveal that Yai's sister is a lesbian? Will this miserable way solve the problem? And what effect would this revelation have for Yai's father to accept that his son maintains a romantic relationship with Jom? I do not doubt that Jom will reveal that Khun Eeang Peung is a lesbian, if he previously revealed that Fong Kaew was seeing her lover secretly from Sir Robert, without considering the damage that his words could cause, and all because he was upset because the lover Fong Kaew seemed similar to her ex-boyfriend from another life.

Unhappy Yai. Pusillanimous. He had the courage to rebel against his father, he told him that he loved Jom and from that moment on he would do whatever he wanted. In other words, he would follow his dreams. He would follow his heart. He was defending his right to love. That resistance did not last long. He hid what happened from Jom. Not a day had passed when she learned, from her mother, that she was about to get engaged, and she did not rebel against this situation. Annoyed, he allowed them to continue taking his measurements for his engagement suit. And annoying, yes, he allowed events not approved or desired by him to continue. He did not even face Jom throughout that fateful day for him. If he doesn't tell him anything when he finds out from third parties, I highly doubt that Yai would have had the courage and dignity to tell him about the situation he was in and into which he had dragged Jom due to his cowardice. He is all a puppet in the hands of his father, who manipulated him at his whim and whim, yes, without much effort. With just a tailored suit. He followed his father's orders and did not value his love. Pusillanimous. For not defending his love, he allowed his father to complain to Jom so that he would break the existing relationship between the two. Unhappy Jom, who had the courage to show up at a dinner where he was not invited to defend his love. And from the images in the next chapter, it seems everything will go “smoothly” between the two. Jom should have gone on the boat with Maey to some other place in search of someone with the courage to love and respect him.

Hello. If the events occur 10 years after the two boys met, and they met at secondary school age, between 15-17 years old, then we could obtain the age of the two, in particular, and answering your question, that of Suansoon when he traveled to the past.

I trust they can explain and save the series. Don't hesitate, I will continue watching the series, even with its errors. Thank you.

Hi. Another unfortunate gaffe in Absolute Zero: both the teenage Suansoon and the young Suansoon were friends of the old man who owns a DVD rental store. Let us remember that both of them were their main client. When no one had gone to rent a DVD that day, Suansoon appeared. For some reason the man's daughter gave him the obsolete records that were left in the store when the old man died. That is why the lack of reaction on the part of the old man when he meets the young Suansoon at the entrance to his store is not credible.

I don't have cats, but I imagine that I would be much more surprised, more perplexed, stunned and stunned, if my cat got lost on the rooftops one night after a cat in heat and returned two days later, than what happened to Suansoon. realizing that he traveled back in time. Ugh, it reminded me of Jom (Nonkul), one of the protagonists of I Feel You Linger In The Air when he also traveled back in time, but not 10 years ago, but 100.
Too many coincidences: Suansonn got out of the taxi, walked three steps and met, in a populated city, Ongsa. And he immediately agreed to help him.
And the cafeteria... how could Ongsa be working and practically living in that cafeteria and Suansoon had never known this? Did you never talk to him? Have you ever invited him out for coffee? Have you ever asked him to pick you up at that time, when you were leaving work, to go to the movies or for a walk? Let's even assume that when he met Suansoon at the cinema he had already stopped working at that cafeteria (I doubt it due to his familiarity with the owner and the owner-like character he has in having the cafeteria without consulting Nan beforehand), when they talked As a couple in your lives, did your time at the cafeteria never come up? And how is it possible that Suansoon never met Nab and Ongsa's three friends, Na, Mangkorn and Ohm?
Did Ongsa suggest to Suansoon to stay the night with him? He didn't want to leave after taking him to the room above the cafeteria and telling him that he usually sleeps in that bed many nights... it's an obvious insinuation, especially considering that it doesn't end there.
When Ongsa hears his name from Suansoon's lips, he tells him that it is a strange name. It doesn't look familiar. It is not a common name. Apparently this is the first time he has heard this name. It is evident that the two boys have not met yet. But it's not long before the two meet for the first time in the cinema, as this occurs a few days after Suansoon visited his parents' grave on his sixth birthday. The first episode begins with Suansoon visiting his parents' grave on the sixth anniversary of their death, and in the second episode, while the teenage Ongsa already made contact with the young Suansoon, we see that same visit to the cemetery. How to reconcile and make it believable that in the same timeline Ongsa can begin to meet, get close to and date the teenage Suansson, having the young Suansoon waiting for him in the cafeteria?
In the first episode, around minute 24, while Suansoon and Ongsa are eating ice cream and talking, after Suansoon tells him why he likes to go to the cinema to watch movies and how he doesn't feel alone even when he goes to the cinema alone because the movie can connect the thoughts of everyone who watches it at the same time, Suansoon asks Ongsa: “Do you also like watching movies?” To this Ongsa replies: “Actually… I don't really like watching movies, but now I'm starting to like it.” In other words, going to the movies with Suansoon is what sparked his interest in movies. So, it is not understandable that Ongsa's friend and schoolmate assumes that Ongsa always liked going to the cinema to watch movies, because when she asks him why he did not come to the tutoring and the boy challenges her to make an assumption, she responds: “If it's not a new movie, it's because of someone.” And he answers: “This last one.”
Ongsa constantly makes advances to Suansoon, puts her face close to his, looks at him with desire, speaks to him in a sweet, slow tone... In short, she flirts with him. And he doesn't hide it from his friends. And he even idealizes it and thinks about Suansoon. Everyone says that they will have a date, or that they didn't go to that activity or that they were late because they were on a date: “Who is this?” they ask. In the same timeline, the two Suansoon intersect, that is, the adolescent and the young Suansoon.
Ongsa's long-awaited date takes place when the two meet in the cafeteria and he asks Suansoon to explain the subjects he did not understand in class. For him, this is equivalent to a date, a loving encounter. So to anyone (including me) who thought Ongsa's first love was teenage Suansoon, “rewind the tape,” which was young adult Suansoon.
Suansoon has to thank Ongsa, but not for taking him to the police, but for providing him with a roof over his head, a job in the cafeteria, making him free breakfast...

But you can also be from India, as Bengali is one of the official languages ​​of the states of West Bengal, Tripura and the Barak Valley region of the state of Assam. It is also the most spoken language in the Andaman and Nicobar Islands, as well as in the Bay of Bengal. Other large populations in the states of Arunachal Pradesh, Delhi, Chhattisgarh, Jharkhand, Meghalaya, Mizoram, Nagaland and Uttarakhand speak Bangla. The Bangladeshi diaspora and Indian Bengalis, located mainly in Pakistan, the United Kingdom, the United States and the Middle East, also speak Bangla.​ Very interesting.

Are you Bengali? Your language is Bengali, also known by its endonym Bangla, right? I never imagined it. Tell me about gay films from Bangladesh. How I would like to know about this topic.

Reiterated greetings. I don't have WhatsApp at the moment. The only way for now is email.

'Sex Education' is another British series of the comedy-drama genre that you should not miss. It broke stereotypes for teenagers and revamped the genre of youth series, showing a diverse generation to whom we could speak in an unprejudiced and open way about sexuality. Its fourth and final season has just come out, with 8 episodes each. It was created by Laurie Nunn and stars Gillian Anderson, Asa Butterfield, Emma Mackey, Ncuti Gatwa, Connor Swindells and Kedar Williams-Stirling.

I like Young Royals. I have seen both seasons broadcast so far. I'll continue watching the others as they air. You should watch then, if you want to watch Western series and films and shorts, the British series Heartstopper. There are already two seasons of 8 episodes each. What is the language in which you prefer to view the videos? I am Spanish-speaking, so most of the productions I see are, preferably, in the Spanish language. I have dozens of sites located in Spanish, but also others in English.
My email is [email protected] If you wish, we can continue communication through this other means, in addition to entering the page of the series we follow to comment on it. https://www.filmaffinity.com/es/film817757.html

Hello. What I like most about The Miracle of Teddy Bear is that it is not your average, typical BL. In other words, there is no boy knows boy here, and due to an absurd circumstance they are enemies. One of them is an athlete and the other, of course, is the classic school nerd, until one day the scholar and math genius falls while trying to grab a book in the library and, of course, lands in the arms of his archenemy and both feel a “current” run through their entire body and… No, the good thing about that series is that it does not repeat the same thing that we have seen ad nauseam. I have already seen that story 50 or 100 times. I want to see something new, and The Miracle... has been achieving it. The production, performances and story are phenomenal.
What I like most about The Miracle of Teddy Bear is that it constantly surprises us with a touch of reality that brings us back to reality, something difficult to see in BL-themed series. In these, their characters and stories generally have nothing to do with reality.
What I like most about The Miracle of Teddy Bear is the possibility it gives us as an audience to interrelate, interconnect stories and plots that at first seem isolated, unconnected.

Another film that I really liked is Chun gwong tsa sit (Happy Together), from Hong Kong. Its director and screenwriter is Wong Kar-Wai, and it was filmed in 1997.

I am currently watching for the second time “Da cven vicekvet” (“And Then We Danced”), the 2019 Georgian drama, scripted and directed by Levan Akin, which tells the story of Merab, a young man who from an early age rehearses in the Georgia National Dance Company with his dance partner, Mary. His life takes a complete turn when the carefree and charismatic Irakli, another young dancer from Batumi, arrives and becomes his most powerful rival, but also his greatest object of desire. Merab lives in a conservative atmosphere. So he will have to face the need to free himself and risk everything in the endeavor. And what are your tastes?

You are mine is another series that I follow. Right now I'm having a little more time, because I'm working at home and I can dedicate a few hours a day to watching series and films. My universe are short stories, with no apparent link between them. Perhaps the only one, besides being BL, of course, is having a fantastic touch, always with tarot cards or a premonition or a fortuitous and transcendental event, like the soul entering another body after an electric shock. These are not my favorite topics, but since they are short and unconnected stories, I have accepted them until now. On the other hand, I discover new talents for myself or I meet again with guys that I previously saw in other series, such as Earth and Bank, from Destiny Seekeer.
I also watch all the Asian BLs on streaming. I prefer to watch them while they come out and if I need to, I repeat after the last episode. To clarify any doubts, or another reason, I can watch previous episodes when the series is still broadcast.
I like westerns, but with so many things to see...
I really like social drama and drama in general. In this sense, Asian BL is not the right one, although there are good dramas from that continent, especially Chinese, and also BL or gay drama. Non-Asian favorite? It is difficult to answer this. “Call Me by Your Name,” by Luca Guadagnino; “C.R.A.Z.Y”, by Jean-Marc Vallée; “Consequences”, Darko Stante; the work of Xavier Dolan, such as “Juste la fin du mondeaka”; Canary, by Christiaan Olwagen, Le Bleu Du Caftan, by Maryam Touzani, and others.
His, the Japanese film by Imaizumi Rikiya; Girlfriend & Boyfriend, by Yang Ye Che; Eternal Summer, by Leste Chen; “Egoist, by Daishi Matsunaga and many more among Asians.
From the Asian BLs The Miracle of Teddy Bear, Call It What You Want I and II. As long as I remember I could tell you.

Do you only watch Asian BL or other Western audiovisual productions?

Do you only watch Asian BL or other Western audiovisual productions?