4
Come for the food porn and stay for the clichés
It pains me to pen this as this show starts promisingly. (Why does it sounds like a curse?) However, like our amateur attempt at cooking a soufflé, it only looks good when it comes out of the oven and then it goes flat.
Similarly, this series serves up a table full of typical dynastic/dirty business clichés but they lack impact. The bark is worse than the bite.
For instance, the central plot is a young and beautiful chef who left a famous restaurant in Japan to start her own diner in a backwater Korean town. She struggles to even pay the rent most of the time. Yet within days of the ML joining the restaurant, they became the talk of the town. When you consider the food hasn't changed one bit, it is very . . convenient.
Ditto, the whole concept of a restaurant being bootstrapped to amazeball just by repeatedly stealing other chefs' recipes is dubious. It takes a lot more than just yummy food to reach the pinnacle.
Put it another way, it would work if it is the FL's restaurant as she puts her heart and soul into it. If you just drop her dishes into a glass and chrome palace, there would be a disconnect. Dammit, you need that special sauce and backstory!
This extends to most of the other subplots. They are mostly trope du jour. The queen bee role is front and centre. While she is the puppet master and more than happy to pit her sons against each other. It feels like they are just going through the motion. Their roles are shallow. Everything is skin deep.
The same goes for the "antagonist" chef, who is also young and beautiful (where are the old crotchety ones?). She is just a pawn in the power game with little agency. Of course, she has her own redemption arc.
This lack of depth runs deep. While the noona sous chef appears to have the most interesting personality, we know so little about her. She does her job and then what? I would love to know more about her.
It is not all tepid dish water through. The romance of our leads does has its swoonworthy moments. The nuns and monks are chef's kiss. Full of wisdom and humanity. Blessed are their scenes. Same with the food porn. More chef's kisses!
BTW, the cameo by Yoo Yeon-seok is a highlight, but you can also see it as a cynical ploy to give the show a rating boost just when the storyline starts to flag. Thank you! Come again!
The final do-or-die cook-off feels contrived. When you consider the FL wasn't even cooking during the competition, what's the point? The inevitable ending arrives and we definitely have mixed feelings.
In the end, this rom-com feels like reading an old style Chinese restaurant menu. 100 dishes but nothing new. The decor is gaudy yet tired, samey. It is hardly a gourmet feast and more like Uber Eats. One time watch. Peace.
Similarly, this series serves up a table full of typical dynastic/dirty business clichés but they lack impact. The bark is worse than the bite.
For instance, the central plot is a young and beautiful chef who left a famous restaurant in Japan to start her own diner in a backwater Korean town. She struggles to even pay the rent most of the time. Yet within days of the ML joining the restaurant, they became the talk of the town. When you consider the food hasn't changed one bit, it is very . . convenient.
Ditto, the whole concept of a restaurant being bootstrapped to amazeball just by repeatedly stealing other chefs' recipes is dubious. It takes a lot more than just yummy food to reach the pinnacle.
Put it another way, it would work if it is the FL's restaurant as she puts her heart and soul into it. If you just drop her dishes into a glass and chrome palace, there would be a disconnect. Dammit, you need that special sauce and backstory!
This extends to most of the other subplots. They are mostly trope du jour. The queen bee role is front and centre. While she is the puppet master and more than happy to pit her sons against each other. It feels like they are just going through the motion. Their roles are shallow. Everything is skin deep.
The same goes for the "antagonist" chef, who is also young and beautiful (where are the old crotchety ones?). She is just a pawn in the power game with little agency. Of course, she has her own redemption arc.
This lack of depth runs deep. While the noona sous chef appears to have the most interesting personality, we know so little about her. She does her job and then what? I would love to know more about her.
It is not all tepid dish water through. The romance of our leads does has its swoonworthy moments. The nuns and monks are chef's kiss. Full of wisdom and humanity. Blessed are their scenes. Same with the food porn. More chef's kisses!
BTW, the cameo by Yoo Yeon-seok is a highlight, but you can also see it as a cynical ploy to give the show a rating boost just when the storyline starts to flag. Thank you! Come again!
The final do-or-die cook-off feels contrived. When you consider the FL wasn't even cooking during the competition, what's the point? The inevitable ending arrives and we definitely have mixed feelings.
In the end, this rom-com feels like reading an old style Chinese restaurant menu. 100 dishes but nothing new. The decor is gaudy yet tired, samey. It is hardly a gourmet feast and more like Uber Eats. One time watch. Peace.
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