I get that she’s shy, but I’m ready for her stop with the timid stammering all the time. The first few times it was understandable. But now, it’s time to speak clearly and directly.
In the novel, the mother and child who Lin Yiyang helps on the train are a black family (because the setting is New York). The drama changed the setting to Finland however; so, we don’t get to see that same diversity. But, it would have been a nice touch. The Director missed a nice opportunity by excluding that from the drama. That element gives us an added insight into Lin’s character, his unprejudiced, global, broad-mindedness. He’s a kind and thoughtful guy who helps any mother dealing with a fussy baby. He’s a good guy. Green flag! 🇸🇦
Wow! This drama is living up to the expectations that I knew it would. Leo Wu, can we talk about him. I know everyone…
He’s courting her. It’s really pretty to watch. He’s using the only means he knows, and that which is most meaningful to him—food. It might seem like a mere meal, but it represents the depths of his fondness for her.
Enjoyable drama—eye candy galore—but, man, things were all twisted up. I love Kim Min Jae (such a beautiful smile), but I didn’t care for his character here. The FL character was too slow-witted and impetuous. I adored the King!
Calling Su Min “crazy” is too good for her. That gives her an “I couldn’t help myself” pass for her bad behavior and is an insult to people with real and legit mental disorders. She’s just a straight-up bad seed who is deliberately, knowingly making the choices to be bad. She’s not crazy. She’s just bad to the bone.