Critica sin filtro

Mantis is supposed to be a spin-off of Kill Boksoon, but instead of expanding that universe, it reduces it to a parody of itself.

The “recipe” of clichés is complete: villains cast only for their “evil face,” slow-motion walks, heads tilted back, lazy one-liners before killing, and of course, the eternal knife fights. Instead of building tension, they provoke laughter.

The opening airport scene says it all: what should be a tense introduction turns into a catwalk of arrogance. Later, when the protagonist’s company “goes bankrupt,” he’s surrounded by people offering him jobs as if he were a K-pop idol at a fan meeting. It’s impossible to take that seriously.

The pacing is slow, the acting mediocre, and what is meant to be stylish ends up as pure posturing. In the end, Mantis is not a thriller about assassins — it’s a catalog of recycled Korean clichés, where real tension is replaced with scenes so ridiculous they feel like a sketch.

It will only work for teenage fangirls who don’t care about the story as long as their oppa is on screen. For everyone else, this borders on trash.