This review may contain spoilers
A Thriller Built on Clichés and Convenience
Manipulated” tries to sell itself as a dark, complex thriller, but ends up collapsing under the weight of every cliché it borrows. The series builds its entire premise on an innocent man wrongly accused, a flamboyant rich psychopath, a corrupt politician, an incompetent police force, and even a survival car race straight out of Death Race (2008). Instead of suspense, it delivers absurdity packaged as drama.
The investigation never feels real. The prosecution presents circumstantial “evidence” that would be dismissed instantly in any believable legal system. Procedures vanish, logic disappears, and the script constantly removes the presence of the State just to make its villain work. By episode five, the show abandons any sense of grounded storytelling and leans fully into cartoonish spectacle.
Ji Chang-wook once again gives his all, but he’s trapped in a script that confuses intensity with incoherence. The series tries to evoke emotion through exaggerated performances, recycled tropes, and overdramatic set pieces, but never earns the tension it demands.
In the end, Manipulated doesn’t manipulate the story — it manipulates the audience, expecting them to overlook every narrative gap just because the packaging looks thrilling.
It’s not suspense. It’s noise.
The investigation never feels real. The prosecution presents circumstantial “evidence” that would be dismissed instantly in any believable legal system. Procedures vanish, logic disappears, and the script constantly removes the presence of the State just to make its villain work. By episode five, the show abandons any sense of grounded storytelling and leans fully into cartoonish spectacle.
Ji Chang-wook once again gives his all, but he’s trapped in a script that confuses intensity with incoherence. The series tries to evoke emotion through exaggerated performances, recycled tropes, and overdramatic set pieces, but never earns the tension it demands.
In the end, Manipulated doesn’t manipulate the story — it manipulates the audience, expecting them to overlook every narrative gap just because the packaging looks thrilling.
It’s not suspense. It’s noise.
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