yeah...that didn't make sense to me. when the 4 sea lords are standing together giving speeches before they go into the throne room for the fight scene, yingden is literally on luiming's immediate left. 🤣
i like that this drama shows that no one is perfect. Woong, Babi & Yumi all have baggage they inevitably bring into their relationships. they're not bad people, just that they make decisions based on their emotions, past conditioning & thought sets. in the end it boils down to communication. woong was terrible at it, babi is better communicating, but lately not so much, and yumi is kind of in between. glad we still have the cells to keep us entertained, b/c some episodes that's all that's keeping me watching. would still welcome a S3 if it means seeing the soonrok arc.
could be cute and funny, but instead is just really annoying. The way FL is soooooo easy influenced by every word…
agree. you may not know exactly how much they make, but you'd have to be pretty clueless not to have a general idea of your significant other's financial situation after two years of dating. there are so many clues...the clothes and accessories they wear, the type of vehicle they own (or don't own), what level of restaurant they prefer to eat at (cheap vs expensive), where they live and the furnishings of the home, their profession....and the list goes on.
i actually really enjoyed grid, but some of the writing got really confusing especially in that last episode. so thanks for this comment section explaining it. i also could have done without the cliffhanger ending, as it's likely we won't get a second season...but i suppose there is always hope.
some of the characters could have been better constructed/fleshed out, and sure, some of the pacing was slow, but with our shorter attention spans nowadays, which drama doesn't suffer from this? nearly every comment section on MDL always has viewers (myself included), stating how a particular drama dragged, no matter how good the drama is. that's probably why networks like netflix have been trending the shorter 8-12 episode format, because a lot of dramas really don't need a full 16 episodes to effectively tell a story.
that said, the flaws weren't enough to stop me from thoroughly enjoying bulgasal....especially any moments when lee joon was on screen. i've always liked his acting, but wow, he was a scene stealer here. i also really liked the non-linear narrative, which fed us bits and pieces every episode, and kept us guessing at the mystery of how everyone was connected in their past lives. going into the last episode, i already knew there would be no easy way for everyone to be happy and together at the end, so the finale was as expected, even if bittersweet.
EP. 15. There are so many people to hate and despise in this drama. If that girl hadn't kept silent about witnessing…
i chalk it up to the girl being a young and scared college student who didn't know what to do in that situation, plus her mother and the negative internet comments didn't help, so i don't really hate or blame her.
what i don't understand is if the daughter was too scared to speak up when she was being molested, why she didn't just move to another part of the bus, or when she was frantically making a scene with the bus driver, why she couldn't have just told him there was a pervert molesting her, and that's why she wanted to get off? plus it makes absolutely no sense the bus driver wouldn't have at least pulled over to the farthest lane before opening the door.
Are we saying goodbye to MinHwal without a single proper kiss scene? If This is a love story of thousand years,…
it's not really a love story though. and if it were, it's not between MinHwal. i find it ironic how the family he has "loved" for over 600 years, is the one that tried to kill him 1000 years ago. i now get why ok eul tae kept saying hwal's relationship with all of the characters was an ill-fated and tenacious union. lol.
her character as sang un is tooooooo goooodie goooooodie there is no layers for a female lead I don't if it is…
agree. i feel like she's TOO nice/self-sacrificing/trusting for someone who saw their mother and sister killed, and has been living in hiding for fear of getting killed most of her life. had she been written to be more tsundere/cynical/badass, i think i would have related to/understood her character better. the other thing is that she seems to have eul tae's soul, who wasn't the nicest of people 1000 years ago. from what i've gathered, the monsters in past lives have rotten souls, so they reincarnate to be evil/murderers. if we apply this reasoning to sang un, shouldn't she also have reincarnated to be a bad person? or maybe this rule doesn't apply to bulgasal and they keep their inherent natures no matter which soul is inside of them.
Not a big fan of the story pacing, it's kinda of all over the place like one minutes it's in the present then…
if they didn't sprinkle in flashbacks into the present, we'd have linear storytelling which would take the mystery out of it. there's nothing wrong with a linear narrative (if that's what you prefer), but personally, i think skipping around to different points in time is what has allowed this drama to be more interesting and complex. they flashback just enough to keep us guessing how the characters are connected, and now that we are in the final few episodes, the bits and pieces are all coming together nicely.
overall I enjoyed the drama...the action scenes were decent, the zombie special effect makeup was done well, and a few of the characters really stood out for me. what I didn't like as much was the plot repetitiveness -- zombie chase >> find a classroom/area to hide >> arguments or conversations until the new area becomes compromised >> attempt to move to another location >> repeat the sequence over and over again. this format works for 2 hour movies, but for a 12 hour drama, not so much. fewer episodes would have been better, or keep the length, but have better characterization -- ie, delving more into back stories via pre-zombie flashbacks. they did this for a few of the characters, but it would have made the story stronger and more interesting had they done this with more of the roles.
i'm too lazy to hate-watch and analyze everything that's wrong about a drama. it's just easier to drop and pour my energy into a drama that i really like. it's also gotten to a point that i rarely comment in or bother reading the MDL comments section of a drama anymore. it can get so toxic sometimes between the hate-watchers and the love-watchers going at it, that it just ruins it for me.
i'm amazed with folks who have hundreds on their PTW list. that would just give me anxiety. like a giant "to-do" list. lol. these days i limit my PTW to no more than 25 (mostly movies). and i don't even bother using the on hold list as once i've lost enough interest to place it on hold, it's a sign to just drop it.
Time loops are one of my favorite tropes. 365: Repeat the Year is another one....although it's a mix of time travel and loops. One of the characters has repeated the year various times, while the others are on their first run.
the product placement for BB labs collagen supplement had me cracking up at how obvious it was. lol. anyhow, gonna miss jirisan. it wasn't perfect, but it was still nicely done.
that said, the flaws weren't enough to stop me from thoroughly enjoying bulgasal....especially any moments when lee joon was on screen. i've always liked his acting, but wow, he was a scene stealer here. i also really liked the non-linear narrative, which fed us bits and pieces every episode, and kept us guessing at the mystery of how everyone was connected in their past lives. going into the last episode, i already knew there would be no easy way for everyone to be happy and together at the end, so the finale was as expected, even if bittersweet.
what i don't understand is if the daughter was too scared to speak up when she was being molested, why she didn't just move to another part of the bus, or when she was frantically making a scene with the bus driver, why she couldn't have just told him there was a pervert molesting her, and that's why she wanted to get off? plus it makes absolutely no sense the bus driver wouldn't have at least pulled over to the farthest lane before opening the door.