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Talking and communicating are two different things.
This movie is not about the deaf culture; it’s a story of a mute-deaf couple. They are two people who are different in many ways, yet they fell in love and got married. Two people with different perspectives on life, struggling to keep their marriage. The premise of this movie is ironically showcased that there’s a huge difference between talking and communicating by showing people who are mute and with hearing impairments suffer from a lack of communication in their marriage, just like any normal couple would. In other words, poor communication is a problem between people, and it has nothing to do with one’s disability.Janine Gutierrez and JC de Vera succeed in showing the emotional struggle and tension of two people in a troubled marriage. The facial expression, their gestures, and the way they express every emotion are good, showing the beauty, pain, and chaos of love where no spoken words exist. However, ML and FL do not appear to be as fluent in sign language as those who are deaf and mute and who have ‘spoken’ with sign language their entire lives. It’s understandable that they are actors who learn sign language for the movie, but if you're going to portray a character with a certain condition, at least make it convincing. Even the child actors playing as their children signed more fluently. So, ML and FL succeed in one part and lack in the other. I feel like if they had actually cast PWD actors in lead roles, it would have made this movie better.
This movie has good plots, but the storytelling pace is inconsistent. The present day and the flashback are vaguely moving back and forth without much change in appearance to distinguish the different timelines. There are some loose-end plotlines as well, making the flow go flat toward the end.
Above all, I praise this movie for its ingenuity and authenticity while presenting the complexity and conflict that we often see in everyday life without really focusing on the disability. It’s one of the rare depictions we’ve seen on the big screen. However, the execution is rather flawed, and the good concept alone is not enough to make it a great movie.
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Is 365 days enough for someone to move on?
First of all, I give this movie a clap for Bela Padilla for being the woman on screen and behind the camera. It’s worth noting that she is a triple-threat actress. This movie shows how she brilliantly conveys all emotions with her acting and visual direction.The premise is not something that we haven’t seen in a romance genre movie before, but it's still something you can enjoy despite its clichés. The movie moves at a nice pace with two different tones. The first half is filled with the weightiness of grief and pain, letting the melancholy mood sink in immediately as the movie opens, which, in my opinion, managed to draw the audience in and invite them to stay in the emotional depths of the movie. The second half has a lighter mood and slowly turns into corny romantic plots, but the transition seems abrupt, and it alters the seriousness of the movie. The back-and-forth change in tonality slowly affected the story flow and the emotional rollercoaster this movie intended to give. It’s kind of a bummer to me. There are also some loose ends that detract from the overall quality of this movie.
Here are two aspects of why I think this movie deserve a 7. 1. The cinematography. The indie-like camera work boosted all sorts of emotions this movie has to offer: love, happiness, pain, loneliness, heartbreak, despair, and encouragement. 2. Acting. While the emotional rollercoaster is not crazy enough, the acting is what stood out the most. Bela did an excellent job portraying a bereaved lover, showing the genuine and realistic way that grief is expressed through character and narrative. Even though JC Santos is not the ML and he didn’t have many scenes he shared with Bela, this tandem still managed to show their good chemistry and make you feel the sweetness they were showing from their few scenes together.
The movie subtly makes the point that letting go and moving on are two different things. It also showcased the guilt in moving on. It’s okay to keep old memories without necessarily erasing them, but knowing when to let go is crucial to healing. Time heals everything, as the saying goes. However, a person's willingness to truly let go of the past and go on, no matter how painful it was, is what matters most.
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While there are many ways to die, there can be one reason to live.
This movie is not your typical romance drama where you’ll find yourself smiling and go ‘aww’ all the time. It touches on the sensitive topic of suicide with a touch of romance. Even though the theme is pretty dark and sad, this movie finds a way to inject humor here and there while maintaining its relevance and seriousness. The idea of two people who met in an unfortunate circumstance – when both of them tried to commit suicide but later connected and decided to do it together – is executed quite nicely, but with some flaws that detract from the overall impact of the idea. Just when you think the movie is going to follow the romance drama formula for Mark and Carmina, the movie suddenly takes a different turn, making you gasp for a second. The plot twist really gets me. I can’t really say I like it, but I don’t hate it either.The elegant cinematography and production design are the aspects that I really like about this movie. It gives a dark, old, and vintage ambiance to the movie, which is different from other Filipino romance dramas I've watched.
Character-wise, Toni and Piolo did so well. Toni is always fun to watch. She has a knack for playing characters who are both humorous and poignant. Carmina has a cheerful and lively personality that makes her easy to love. But I wish the character could be developed better.
Though the topics of suicide and mental issues that lead to suicidal thoughts are frequently discussed and read about, there are very few depictions of these subjects on the big screen, which adds an interesting element to the concept. But this movie pretty much romanticizes suicide in its efforts to illustrate a narrative of distraught people on the brink of taking their own lives. All in all, it’s a brave attempt to break free from stereotypes, but the outcome is rather flawed.
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It's simply okay.
I watched the 2016 drama series before watching this drama. I think this drama is meant to be an introduction to the 7th Section aka Higanbana. The concept of an all-female police unit that's designed to protect female criminals and female victims is good, but somehow the plot falls short in some ways. The idea of having the main character with sixth sense is fascinating, but it doesn't deliver well, which makes the whole storyline less impactful. Overall, it's not bad, but it's not very good either.If I may suggest, watch the 2016 series first and then give this drama a shot if you like.
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Medical Team Lady da Vinci's Diagnosis
1 people found this review helpful
It’s a worth watch
I remember watching this drama years ago, and I loved it. Now I’m rewatching it again and still love it. It’s nice to watch a drama that centers on medical analysis, especially with mostly female casts. It’s like House MD, but with a team of all-female specialized doctors.Instead of a full-fledged medical drama, this drama has some suspense and mystery and some comedies, which I’m drawn to. It’s witty, surprising, and shows a human side of disconnection through attention to detail. This show seriously has so much to teach. It provides a lot of diagnosis and symptoms from which we can learn something.
The Analysis Diagnosis Department doctors are divided into two cliques, which are Tachibana’s team and Iwakura’s team, but despite their different approaches in diagnosis, the women would usually put their differences aside when it comes to saving lives. Their clashes and arguments are mostly professional. It’s good to watch a drama where women are not at each other’s throats, fighting over men.
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A masterpiece; a work of art. It's simply DEABAK!!
Out of all the historical dramas that I’ve watched in which the main character is the queen, I personally think this one has the best queen.Kim Hye-soo did a fantastic job portraying the Queen. She’s the perfect actress for the role. She is simply outstanding throughout the entire series. Her gesture, her facial expression, her emotion, the way she conveys her lines – everything is on point. I really like how the Queen is presented as a strong-willed, fierce and hot-tempered woman who is also a compassionate, doting, and thoughtful mother - traits that is uncommon in most historical series.
Unlike other historical dramas, this one shows a diversity of parent-child relationships. The King, Queen, and Grand Princes demonstrate how strong family ties may persist in the face of difficulties.
Even though the resolution for some villains isn’t very satisfying, I love how the ending concludes the meaning behind ‘under the queen’s umbrella’.
The supporting characters are also good, especially the Grand Princes and the concubines. Each of their roles complements the plot perfectly. Other than the Queen Hwa-ryeong, I personally like Consort Hwang (Ok Jayeon). I’ve watched other of Ok Jayeon’s projects, but it seems like she’s being typecast with similar villain character. But she nailed it anyway.
The series is sooooo good that I even watch the behind-the-scene clips and enjoy every bit of it, just like I did with the series.
Brilliant acting ✅
Emotion rollercoaster ✅
Intense conflict ✅
Pure evil villains ✅
Potential young actors ✅
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A unique blend of horror, but lacking somewhere
This film offers a unique and fresh perspective on Thai horror films by blending two distinct beliefs into one captivating story. It is a rare gem in the horror genre that manages to seamlessly weave Christianity and animism together, creating an engaging narrative. The contrast between the two belief systems adds depth to the story, creating a rich tapestry of cultural and spiritual elements that set it apart from other horror films. The integration of both beliefs adds a layer of complexity and intrigue to the narrative.The performances in this movie are quite remarkable. James Jirayu and Mean Phiravich deliver compelling performances that bring their characters to life with authenticity. In particular, Mean Phiravich shines with his portrayal of Mae Muang Sopha, showcasing his versatility and talent as an actor. Pearwah's performance is equally good, pushing the boundaries of her acting abilities.
This movie has its fair share of strengths, but it also has some weaknesses. At times, the pacing feels a little off and some plotlines may seem repetitive. The story's resolution can feel somewhat anticlimactic. The scary level of the film is also quite mild, which may disappoint viewers looking for a more intense horror experience. Also, the characters' backstories could have been fleshed out more to give us a better grasp of their motivations and actions.
Director Kui Taweewat deserves praise for his ability to produce horror films with a unique flavor that sets them apart from the rest. His skillful direction and vision shine through in every frame. One of the noteworthy features is its exorcism scenes, which are nicely crafted to evoke a similar feeling of Western horror films, with intense moments of tension and suspense.
Overall, while the film may not be a groundbreaking masterpiece, it is a refreshing take on the horror genre that offers something new and exciting for fans of the supernatural. But if you're looking for something really terrifying with a solid execution, this probably isn't it. Still, it's worth a watch for the unique twist it provides.
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Not worth your time.
‘Malee’ is probably the first Thai horror film I’ve watched that features a sapphic storyline. While combining sapphic love, Manora dance, and horror seems like a refreshing departure from the usual tropes seen in the genre, unfortunately, everything is just all over the place.The most important thing about a horror film is the suspense buildup. Without a solid story progression, the fear and horror the film tries to deliver surely won’t work. And this is exactly what this film failed to deliver. The poor script and the lackluster acting from its cast are this film's major downfall. The first 40 minutes of the film are slow and dull, failing to build any real tension or suspense. Additionally, the jumpscares in the film fall flat, lacking the necessary build-up and payoff to truly frighten viewers.
As a big horror enthusiast who also follows GL, I’d say this film is ultimately a bland horror movie with nothing memorable to offer. Definitely not worth your time. 'Malee' may have had the potential to be a standout Thai horror film with its intriguing concept and sapphic backstory, but the film simply fails to fully explore and develop any plot point properly, leaving everything seeming underdeveloped. And if you’re a GL fan who would watch everything with sapphic/WLW elements regardless of the quality, I advise you to at least set some standards and just skip this film.
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A good attempt to tackle darker themes, but don't quite hit the mark.
There aren't many Singaporean dramas that dare to explore darker and adult themes before, so this series is considered a fresh take in Singaporean entertainment.The drama kicked off pretty well, promising viewers an intense and thrilling ride. It has all the elements that make for a great thriller-mystery murder drama. The premise was intriguing, the characters were well-developed, and good setting. However, as the drama moved along, it began to lose its momentum. I like the premise and the storylines and while the execution is good, it suffers from loose plot development. The twists and turns that are essential to a good thriller-mystery drama lack its punch. The tension that had been building up in the beginning slowly dissipated. The pacing was a bit off too, with some episodes dragged on unnecessarily. It would be great for a miniseries instead of standard 12-episode drama.
Despite the shortcomings in the plot and the pace, the actors delivered strong performances. Jessica Hsuan, in particular, shone in her role and truly embodied the character she portrayed. The rest of the cast also performed well. One aspect of the drama that I liked was the inclusion of religious and spiritual themes. These added an interesting layer to the storyline, providing a unique perspective on the characters' motivations and actions.
Overall, while this drama didn't quite pack a punch as a compelling murder drama should, it’s not entirely bad. It serves as a good attempt in Singaporean drama to tackle darker themes. While it may not have hit the mark entirely, it does show a promising direction for future endeavors in the genre.
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A lighthearted approach to a sport flick.
Unlike other sports films that lean heavily into dramatic, tear-jerking moments, this film takes a more fun and humorous approach as it follows Kim Woo Jin, a volleyball coach who has never won a single match in his career, guiding a team of underdog and substitute players who are dealing with their own struggles both on and off the court in pursuit of that one victory.While the film may not offer groundbreaking storytelling, and the overall plot pretty much follows a predictable sports movie formula, it still manages to entertain with solid acting from Song Kang-ho and Park Jeong-min, plus its great camerawork, and high production values.
As the first Korean film that centers on women’s volleyball, this film, like many Korean sports flick, is visually impressive, particularly during the game scenes. The fast-paced action and athleticism of the players are captured in stunning detail, making the volleyball matches exciting to watch. Featuring Korea’s volleyball stars, the matches in the film bring an extra layer of realism. Although the title itself gives away the ending, the tension and emotional highs of the sports scenes manage to keep audiences on edge until the end.
One main issue of this film is its weak character development. And while the film does a decent job of setting up the motivations of the characters, the supporting cast is not given much backstory and conflict punch, resulting in less emotional depth. If they had explored the theme of teamwork a bit more, it could've turned this film into a great one.
In conclusion, "One Win" may not win any awards for originality, but it's a fun story with great production values that make it a worthwhile addition to the sports drama genre. While it may not leave a lasting impact, this film still manages to deliver a satisfying conclusion that will leave audiences feeling uplifted.
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It’s either love or luck; you can’t have both.
The concept is relatively new – it’s literally about love and gambling – something you rarely see focused on every now and then in Asian movies. The premise of this movie is straightforward: two strangers use their 'luck' to gamble their way out of debt and fall in love. The main conflict has already been established right from the beginning, making it easier for the audience to just enjoy the whole story without having to think much about it. The only thing that will leave the audience anticipating is how they will deal with the cardinal rule of being ‘life charms’ – that neither of them can fall in love with each other. Even though the plots flow smooth and nicely, they leave little to the imagination. The clichés are expected too. But since it’s a rom-com, I’m well aware that I shouldn't expect much.In my opinion, Jericho Rosales and Bela Padilla’s acting is what elevates this rom-com. It’s refreshing to see Jericho play an imperfect, pitiful, uncharismatic character, which deviates from the serious-sappy persona he usually portrays. Bela naturally and effortlessly nailed the typical hopeless romantic character - I love her! I’m amazed by the great chemistry Jericho and Bela have, considering that this is the first time they are paired together. The 'falling in love’ scenes are so natural, making it impossible to not smile like an idiot. Despite not being a love team, the tandem of the two actors makes the movie a very entertaining romantic watch. I hope they can act together again in the future. Overall, this is well-made and well-acted escapism fluff, and I enjoyed it.
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The battle of the comebacks
The idea of the "battle of the comebacks" appeals to me because it gives exposure to some groups and soloists who are not very popular and gives them a good comeback platform. Queendom has some of the greatest stage performances - AOA's rendition of Mamamoo's Egotistic is incredible, G-IDLE final stage 'Lion' is wow!If I based my review on the performances alone, I would rate this show a 9. But, knowing how biased Mnet's survival show voting system is, I can't rate it higher. It's frustrating to see some good performances being robbed of their deserved victory. It's obvious that fanbase size determines the winner. And the misleading editing will always be a bummer. Favoritism in Mnet shows is insufferable.
On a broader note, I recommend watching this if you enjoy music, dance, and performances. Seeing the contestants' level of production in each stage performance is very exciting.
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Not a bad adaptation
As someone who follows the anime, I think this movie accomplishes what Jigoku Shoujo ought to have. Although this version has better and darker plots than the 2006 series, there are a few key points that are missing, such as the tattoo and the boat scene, that make the movie slightly unsatisfactory. Overall, it's not a bad adaptation. Tamashiro Tina did a good job of delivering the similarity of the Enma Ai eerie vibe from the anime version. The supporting characters - Hone Onna, Ichimoku Ren, and Wanyoudo, could have more engaging plots than simply being the assistants with little dialogue.Was this review helpful to you?
The title truly captures the essence of the drama.
I finished the drama in two days, and there wasn’t one bad episode. Each episode has such a smooth flow and satisfying arc that it makes it hard for me to stop watching.I was skeptical at first, especially when most political dramas are usually heavy, slow-paced and draggy. But I was wrong. Although this drama revolves around dirty politics, corrupted people, and revenge, which is not far from other political dramas, it’s centered on how public relations plays its role in crisis management, narrative control, and image shaping.
Kim Hee-ae, as Hwang Do-hee, is unquestionably the best character. She, being the mastermind, had carried the story brilliantly, with great emotional effect in each episode.
This drama has well-crafted main plots and subplots that weave all characters into a nicely woven storyline, including the revenge plot. I’ve watched many revenge dramas, but sometimes the revenge plotting gets dull towards the end. This drama, however, keeps evoking exciting and unexpected retaliation from both sides.
The villains – there’s none of them that you don’t hate, which means the actors did a good job portraying them. Even the least hated or evil one (in my opinion, it’s Seo-jin) is also good. You hate every single one of them to bits, but at the same time, you can’t help but anticipate the wicked things they'll do next and how they’re going to get burned. Watching the revenge games between the protagonists and the antagonists is like watching a Grand Slam match. One side hit a big serve, another side returned it with a strong smash, and the game continues with suspense about who and how they are going to win.
This drama’s only shortcoming was that some plots involving certain characters were left unresolved. The ending was ambiguous, as if hinting at a second season. But overall, it’s one of the most satisfying revenge dramas I’ve ever watched. Even with no romance whatsoever in this drama (well, there’s an affair, but it didn’t count as romance), it managed to make you hooked.
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