I think the issue is that it is impossible to adapt the entire manga storyline within 2 hours, therefore the time…
I didn't assert that the entire manga should have been crammed into a 2-hour movie. I didn't say time jumps should be disallowed, but that this one was handled badly.
I rarely say this, as I think the vast majority of dramas drag out beyond all reason, but perhaps in this case, the source material would have been done justice more by eight hours than by two. However, if you have a no-homo actor in a lead role, it's only going to extend the homophobic agony.
firstly what happened in the film has nothing to do with keita machida he is casted for these roles because he…
I'm not sure if you meant to respond to me, or if this is directed at someone else, because you seem to be responding to assertions I never made.
Gee...his character was conservative? Wow, I never would have guessed. Really? lol Not all relationships are "easy?" I had no idea!
If you didn't see him holding back from kisses on the train, after running like a wild man for two miles to get there, then you saw only what you wanted to see.
You think the Cherry Magic issue was someone else's issue? Sure. I think you are a big Machida fan, and thus unwilling to see the pattern right in front of you. I'd be a fan too, if he'd do his job.
Unless there are rare contractual restraints, producers/director/screenwriter are free to adapt source material however they please, taking out and adding in as they see fit. Your assumptions about Machida playing gay roles are naive to say the least. BL and gay films in Asia are chock-full of idols and cowardly actors who sign on to play gay, but only to a point and no further, to protect their brand in homophobic Japan/Korea/China. I suspect the director wanted Machida for his marquee value and thus bent to his no-homo contract requirements.
In the future, please consider using paragraph breaks. I almost skipped your comment because it's one, solid block of text.
Can someone explain to me why I shouldn't be annoyed af at that abrupt, messed-up, inconclusive ending? Felt like…
So they sort-of made out on the train (well, as much so as Machida was willing to pretend to, anyway), and there was all this supposed passion, but then, not only did they NOT do what any normal two gay men would do that night, which is to go home and bang their brains out, but that never became an issue during two months of rehearsal for Blackpool? Sizuki, who was clearly besotted with Sugiki, and a passionate, sexual man, never raised the issue during that time? He rehearsed for two months and they never slept together and it was never addressed? Spare me.
I call BS.
Later, we had Sugiki showing up late at night to the room of a drunk, horny, and frustrated Sizuki, but wait, he's only there to...what, exactly? Do some more cock-teasing, roll on the bed a bit, and leave?
Off and on through the movie, I thought "OK, Sugiki is torturing Sizuki to get the best performance out of him, and that's it," but that didn't turn out to be the case either. So, Sugiki's dance partner not showing up on the floor for their dance so that he would ask Sizuki to dance instead, which was a huge stretch, which seemed like it had to be this massive coming out, joyful thing, turned into a weird montage with the announcer proclaiming like a used car salesman, Sizuki magically taking his shirt off and changing outfits mid-dance or something, and ending with Siguki saying "see for the 10Dance," and walking away...wtf?
Lame. It feels like a feature film, huge budget, big star version of the cop-out, bizarre ending of the very early Thai BL "The Love of Siam." I half expected Siguki to say to Sizuki as they left the dance floor, "I love you, but I can't BE with you because my mother guilted me into taking care of my dying, alcoholic father instead."
Fuck that shizz. Right now this is a 1/10, homophobic disaster for me. I don't like being slapped in the face at the end of films.
Can someone explain to me why I shouldn't be annoyed af at that abrupt, messed-up, inconclusive ending? Felt like a huge cop-out to me. I was so pissed when the credits began to roll that I pulled off my headphones and threw them to the end of my couch.
I'm seeing a pattern with Machida Keita here. He seems willing to PLAY gay, as long as he doesn't have to commit all the way. That ending made no sense whatsoever. He clearly held back from the mid-movie smooches. He pulled the same BS with Cherry Magic. I don't know why directors cast this dude in gay roles he's unwilling to own. He was Heaven to behold in that tux, but he seems to be a cowardly actor.
Takeuchi Ryoma, who 100% slayed as Shizuki here, on the dance floor and off, deserved to play opposite an actor with the courage and commitment to match his own. Machida ain't that actor.
The film is gorgeous, the acting is excellent, and the dancing is spectacular. All of which only made the conclusion more of an insult to the audience. The through-line of the "romance" or whatever the hell that was, not so much. I was going to watch this at least one more time before rating it, but now I see no point. There are a great many films just as beautiful, well-acted, and technically proficient. Knowing how this one sells out at the end, why would anyone re-watch this?
Another oddity was that bizarre two-month time jump midway through, between the subway train cock-tease scene and the Blackpool competition. The rest of this point is behind the spoiler button below...
found this movie on your profile and gave it a go, i agree with this - “large handbag” looool 🤣
I'm simply asking the question I just asked. I don't dislike the film, but it's on none of my custom lists, so I've no idea why it would come up as "featured."
Another day, another poverty porn gay indie film with tragic and depressing plot rom the Philippines! 😤😤😤
There are about 4,589 ecstatically joyous, screeching, over-the-top campy Pinoy gay flicks out there. Go watch those, then come back to this one in 20 years when you've finished them all.
I didn't say time jumps should be disallowed, but that this one was handled badly.
I rarely say this, as I think the vast majority of dramas drag out beyond all reason, but perhaps in this case, the source material would have been done justice more by eight hours than by two. However, if you have a no-homo actor in a lead role, it's only going to extend the homophobic agony.
Gee...his character was conservative? Wow, I never would have guessed. Really? lol
Not all relationships are "easy?" I had no idea!
If you didn't see him holding back from kisses on the train, after running like a wild man for two miles to get there, then you saw only what you wanted to see.
You think the Cherry Magic issue was someone else's issue? Sure.
I think you are a big Machida fan, and thus unwilling to see the pattern right in front of you. I'd be a fan too, if he'd do his job.
Unless there are rare contractual restraints, producers/director/screenwriter are free to adapt source material however they please, taking out and adding in as they see fit. Your assumptions about Machida playing gay roles are naive to say the least. BL and gay films in Asia are chock-full of idols and cowardly actors who sign on to play gay, but only to a point and no further, to protect their brand in homophobic Japan/Korea/China. I suspect the director wanted Machida for his marquee value and thus bent to his no-homo contract requirements.
In the future, please consider using paragraph breaks. I almost skipped your comment because it's one, solid block of text.
I call BS.
Later, we had Sugiki showing up late at night to the room of a drunk, horny, and frustrated Sizuki, but wait, he's only there to...what, exactly? Do some more cock-teasing, roll on the bed a bit, and leave?
Off and on through the movie, I thought "OK, Sugiki is torturing Sizuki to get the best performance out of him, and that's it," but that didn't turn out to be the case either. So, Sugiki's dance partner not showing up on the floor for their dance so that he would ask Sizuki to dance instead, which was a huge stretch, which seemed like it had to be this massive coming out, joyful thing, turned into a weird montage with the announcer proclaiming like a used car salesman, Sizuki magically taking his shirt off and changing outfits mid-dance or something, and ending with Siguki saying "see for the 10Dance," and walking away...wtf?
Lame. It feels like a feature film, huge budget, big star version of the cop-out, bizarre ending of the very early Thai BL "The Love of Siam." I half expected Siguki to say to Sizuki as they left the dance floor, "I love you, but I can't BE with you because my mother guilted me into taking care of my dying, alcoholic father instead."
Fuck that shizz.
Right now this is a 1/10, homophobic disaster for me.
I don't like being slapped in the face at the end of films.
I'm seeing a pattern with Machida Keita here. He seems willing to PLAY gay, as long as he doesn't have to commit all the way. That ending made no sense whatsoever. He clearly held back from the mid-movie smooches. He pulled the same BS with Cherry Magic. I don't know why directors cast this dude in gay roles he's unwilling to own. He was Heaven to behold in that tux, but he seems to be a cowardly actor.
Takeuchi Ryoma, who 100% slayed as Shizuki here, on the dance floor and off, deserved to play opposite an actor with the courage and commitment to match his own. Machida ain't that actor.
The film is gorgeous, the acting is excellent, and the dancing is spectacular. All of which only made the conclusion more of an insult to the audience. The through-line of the "romance" or whatever the hell that was, not so much. I was going to watch this at least one more time before rating it, but now I see no point. There are a great many films just as beautiful, well-acted, and technically proficient. Knowing how this one sells out at the end, why would anyone re-watch this?
Another oddity was that bizarre two-month time jump midway through, between the subway train cock-tease scene and the Blackpool competition. The rest of this point is behind the spoiler button below...
I don't dislike the film, but it's on none of my custom lists, so I've no idea why it would come up as "featured."
For worthy films, one watch is never enough...
Thanks.
If it's half as good as the trailer makes it look, I will likely wet myself.
Obsessed with external, social media BS to the exclusion of any real interest in the content and quality of the what's on the screen.
As long as this bot and others keep posting this slop, I'll keep showing up under their posts, "...being hateful and snarky." I'd call it even.
That's crazy. I would have guessed a decade younger.
Promotional articles for Asian dramas are a hoot. :)