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An entertaining movie-watch, good for exorcizing WWII resentments. It is violent, as was the Japanese colonial occupation, and in one instance near the end of the film it is gratuitously violent. Our sympathy by then for the elderly protagonist avenging the deaths of his father, brother and sister is almost able to excuse his actions. But not quite.
Lee Sung Min and Nam Joo Hyuk are outstanding as an accidental pair: Freddie/Han Pil Ju, an elderly waiter whose family was brutally destroyed in the Occupation, and the student In Gyu, also a waiter, burdened by his fathers hospital bills and loan sharks. Lee Sung Min has some recent and well-deserved success and Nam Joo Hyuk is about to finally make his post service comeback, which is why I picked this to watch.
Pil Ju carries out a meticulous plan to murder three Korean collaborators and one Japanese colonial official whose actions caused the deaths of his family. They are also now powerful people in South Korea who profited greatly from their betrayal of innocents. To begin with In Gyu innocently takes on the paid job of zooming Freddy around Seoul in a lovely little red Porsche. Then in increasing agitation as he realizes what Pil Ju is doing he comically tries both to stop his friend and extricate himself all at the same time .
Yes, the Occupation is long over (80 years now). Perhaps one should not encourage the holding of historical grudges. But as long as families still have remembered pain, resolution must be sought. This film justly abhors profiteering from war crimes.
Whether or not dramatic art actually encourages political violence via catharsis or not, has long been debated. See what you think. For my part the film is comical enough for sadness to be the dominant emotion rather than anger. The pain, brutality and cruelty of the long World Wars of the 20th century still casts a shadow -- but for those who do not know this history the film may lose some resonance.
Lee Sung Min and Nam Joo Hyuk are outstanding as an accidental pair: Freddie/Han Pil Ju, an elderly waiter whose family was brutally destroyed in the Occupation, and the student In Gyu, also a waiter, burdened by his fathers hospital bills and loan sharks. Lee Sung Min has some recent and well-deserved success and Nam Joo Hyuk is about to finally make his post service comeback, which is why I picked this to watch.
Pil Ju carries out a meticulous plan to murder three Korean collaborators and one Japanese colonial official whose actions caused the deaths of his family. They are also now powerful people in South Korea who profited greatly from their betrayal of innocents. To begin with In Gyu innocently takes on the paid job of zooming Freddy around Seoul in a lovely little red Porsche. Then in increasing agitation as he realizes what Pil Ju is doing he comically tries both to stop his friend and extricate himself all at the same time .
Yes, the Occupation is long over (80 years now). Perhaps one should not encourage the holding of historical grudges. But as long as families still have remembered pain, resolution must be sought. This film justly abhors profiteering from war crimes.
Whether or not dramatic art actually encourages political violence via catharsis or not, has long been debated. See what you think. For my part the film is comical enough for sadness to be the dominant emotion rather than anger. The pain, brutality and cruelty of the long World Wars of the 20th century still casts a shadow -- but for those who do not know this history the film may lose some resonance.
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