I lost interest when Nobu started talking about honor in war and getting angry at people for being happy during…
Most young people bought into the official narratives from "governments" throughout history. Anti-establishment are often seen as suspicious, since there's a fine line between groupthink and a societal unity based on an organic consensus (not manipulated by government/media.)
Two huge plot holes/implausibilities/impossibilities that took this from maybe a 9/10 to a 6.5/10 for me. I HATE…
There's a scene in Ayano's Let's Go Karaoke that's played like a new version of The Lady Eve. He also packed more details than ever into Tokyo Swindlers. If this is even better, wow.
"BUSAN — Japanese movie director Nagata Koto said she aimed to sound the alarm on the problem of poverty…
Wealth gap that impacts the younger generation adversely comes down to devaluation of currency (increase of money supply). It's government's monetary policy. It's why actor Kanata Hongo said savings in gold and precious metals is important because the yen is doomed.
Way more engaging than PICU. Go Ayano handles the ridiculous sensationalism of "mad pianist" to a believable human with his hands full. Dr. Storks > PICU, just as Let's Go Karaoke! > Babanbabanban Vampire:P
I've never laughed harder. Enough of the gags have an alien's "Why?" about aspects of Japanese life. The reality of dorama shooting schedules...ANSHIN shite KUDASAI 7x. The Kaku/Kubota showdown is instant classic. In fact Kubota is the most spectacular villain in a Fukuda yet.
As a superfan of Mr Nietzsche, seeing Mamiya/Sato interact just kept me fed. Sato brings out the best in Mamiya as he's more expressive than in other works. This could be an entry in Tales of the Bizarre hosted by Tamori, ie. keep your expectations low in terms of adaptation.