jiritwist

When I watched the first time, I found the short more and more stupid, stupid to the point where it was almost funny and constantly jumping between drama, comedy and stupidity. But when I thought about that story, read a review on MDL, I wondered why his classmate was so pointlessly explaining quantum mechanics using the example of a cat in a box. Who has ever encountered, seen, read or studied this, when a particle is thrown at an obstacle and it avoids it from above and below, it simply develops, always the way we look at the matter ... so I thought the conclusion was GENIUS and I would agree with the opinion that a lot of viewers don't have time to perceive it precisely because it is a very complex field of science, not for us "average viewers" and I could be wrong, but maybe Ji Ho didn't leave the two of them with that in the very end that the friend got what he wanted, but that he FINALLY LEARNED THE MATERIAL FOR THE NEXT EXAM* ("... The cat can be both alive and dead. We can only decide when we open the box ourselves and see what the reality is. Then it will depend on how the observer reacts. According to the reaction of the observer ... it will become reality...")*

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A different film, it would fit on the boards that mean the world, a film about two characters and a constant conversation, a chamber piece where, after a bland beginning, when the viewer does not know what to expect, it develops into a cleverly written story full of surprises and tension, and both actors , both Elijas and Romnick proved that they can be trusted, they played it convincingly. Interesting...

Film jiný, hodil by se na prkna, co znamenají svět, film o dvou postavách a neustálé konverzaci, komorní kousek, kdy po nevýrazném začátku, kdy divák neví, co má očekávat, se rozvine v chytře napsaný přiběh plný překvapení a napětí a oba herci, Elijas i Romnick dokázali, že se jim dá věřit, zahráli to přesvědčivě. Zajímavé ...

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Scud is a concept for me, originality, and we have several of his creations here, of which I was most interested in Permanent Residence and partially Amphetamine. But this was seriously a ride ... and as usual pre-selected nice actors, nudity, erotica. Crazy story. The spirit of the "curious person in the shower" gradually visits three other Asian countries, even Spain, and one of the characters is his trans sister. Pleasantly chaotic, light, and the only unpleasant point for me was the bodyshop, I would completely throw it out of the story, that's why I put three minus points for the story and the film in second place behind Permanent Residence in Scuda. Viewers with an open mind will appreciate the film rather with insight and light comedy...

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That it's one of the best series, there's no question about it and that's where my rating comes from, I respect all those viewers who experienced it to the fullest (and that's what it's all about) and shed hectoliters of tears worldwide, because this series hit a large part of the world of BL viewers , but I'll take a few digs anyway, don't take me too seriously.
I had a lot of fun with the opposites in the first episode. The brawler and brawler, Mok, a stubborn debt-ridden slob, who has also been in prison, with a girlfriend and, as a contrast, Day, a stubborn adult child, perhaps spoiled by his mother and a little spoiled, and in the next episode, a very fast incomprehensible turn ... From a wolf, he became a lamb with a whip, from a greased up hetero mechanic to a patient nurse in love with a young man, and Day's character suddenly changed quite a bit as well. Here, I would have liked more time for mutual "learning", grinding the edges of the characters, instead of the fact that in the next episodes the time was increased with cotton wool such as walking, cooking, running and other more or less lengthening scenes, and the plot stood a lot except for the matter with August. then everything will return to the first plan, counting on the assumption that the audience will be wistfully talking about how poor Day is blind over the slow-moving plot ... and they would go crazy with tons of snotty tissues and tears in their eyes even if it was filmed Day going to the bathroom to poop and unable to find toilet paper.
On the other hand, the blindness was played very nicely and convincingly by Day, and kudos to the creators for a very tasteful and sensitive portrayal of a blind person, I mean it quite seriously and now again a little lightly - so nice that after the first eye surgery, the instrumentalist nurses apparently blew through his bandage hair dryer and hair straightener. But for a long time, I didn't believe Daya actually had feelings for Moka. Mok, that's a chapter in itself, it's cuteness in itself. I liked the character of Phojai (but also some other characters in the series), no hysterical and heart-wrenching scenes like how her partner "turned gay" and doesn't love her anymore. In ep.11, I was turned off by the predictable "artificial" breakup, instead of Day proving to his mom, who has to ask when he can fart, while he is a disabled but grown-up guy, how much he loves Mok and that he could leave with him despite his mother's ban and Mok, his love, would be able to take care of him even without his mother's money. And with Mok banging against the wall, that was a scene where I couldn't believe Mok and laughed out loud with rage at how they artificially lengthened it to make the last episode even sweeter. What bothered me the most about this series, which caught the attention of so many viewers, including me (!), was the incredibly fast transformation of Moka in the second and third episodes, the somewhat long-winded and sentimental slowness of the first plan, and above all the separation for a few years, I really hate that in Asian projects, and also that a relationship based on falling in love has to be worked on in order to grow into lasting love, and that requires an agreement, mutual respect, sanding the edges and not immediately insisting on a breakup (in that case, the one who insists on a breakup cannot to love the other to the bottom of the soul and to seek a compromise), that's why I can't give the story a ten.

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Simply Philippines ... I had watched the series, now finished.
Pros: the acting side of many and also that some of the actors and actresses were watchable (Kajo made sure of it...), from the beginning it looked like a fresh piece, the music wasn't so great anymore, it seemed very, very same to me, as with other pinoy projects, the trannys were less and they weren't even that dismembering, in that they were surpassed by the affected acting maid, which in the Philippines is a "normal" acting actress.
I liked less that everything was stretched "on a shoestring", the middle part is about almost nothing, all the time, minutes of credits before and after and that some creators try to instill in the audience that everyone can love everyone, regardless of orientation and gender . It's just that everyone has a given orientation, even though they may behave differently, ambivalently or completely opposite sexually. But overall satisfaction for a pleasant finish, freshness and openness.
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Prostě Filipíny ... seriál jsem měl rozkoukaný, nyní dokončeno.
Klady: herecká stránka u mnohých a též, že na některé z herců i hereček se dalo dívat (Kajo to jistil ...), ze začátku to vypadalo na svěží dílko, hudba už ne tak top, zdála se mi hodně, hodně stejná, jako u jiných pinoy projektů, transek méně a dokonce nebyly tak pitvořící se, v tom je předčila afektovaně hrající služka, což na Filipíny je "normálně" hrající herečka.
Už méně se mi líbilo, že vše bylo natahováno "na skřipec", prostřední část skoro o ničem, pořád dokola, minuty titulků před i po a že někteří tvůrci se snaží divákům vštípit to, že všichni mohou milovat všechny, bez rozdílů orientace a pohlaví. Prostě orientaci má každý danou, i když sexuálně se může chovat jinak, obojetně nebo zcela opačně. Ale celkově spokojenost pro příjemný závěr, svěžest a otevřenost.

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Relationships between beings are so complicated and raise a lot of misunderstandings and questions ... This is also the case in this very successful Pinoy movie, when Gabriel and Jared clarify the weight of their relationship. The film is intimate, modern, I was particularly attracted by Gio Gahol in the role of Gabriel, good script and flair, but I would have liked to edit some of the scenes of the little people around a little, but that's just my opinion and taste. Anyway, a very above average project.

Vztahy mezi bytostmi jsou tak komplikované a nastolují řadu nedorozumění a otázek ... Tak je tomu i v tomto velmi podařeném pinoy filmu, kdy si vyjasňují mezi sebou Gabriel a Jared tíhu svého vztahu. Snímek intimní, moderní, oslovil mě především Gio Gahol v roli Gabriela, dobrý scénář a švih, ale klidně bych některé scény těch lidiček okolo malinko sestříhal, ale to je jen můj názor a vkus. Každopádně vysoce nadprůměrný projekt.

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Two almost incompatible stories in one. The confusion of an eleven-year-old boy (played convincingly by the Taiwanese boy) after being abandoned by his mother and a grown man who likes men. Really inner emptiness and search, hope.
The film is excellent, needlessly tucked away somewhere in a drawer, forgotten, it doesn't deserve it. On MDL, I at least voted for myself, rated, because it seems to me that the film is misunderstood on this server, there is not even a cast, it is at least partly here: https://en.hkcinema.ru/film/48004
Acting, processing, music, everything at a level. I had to look again, confusion in names, confusion in soul. But still, everything is depicted in the end by the desire to live ...

Dva téměř neslučitelné příběhy v jednom. Zmatek jedenáctiletého chlapce (ten taiwanský kluk to zahrál přesvědčivě) po tom, co jej opustila matka a dospělý mladý muž, co má rád muže. Opravdu vnitřní prázdnota a hledání, naděje.
Film je to výborný, zbytečně zastrčený kdesi v šuplíku, zapomenutý, nezalouží si to. Na MDL jsem alespoň sám za sebe hlasoval, hodnotil, protože se mi zdá na tomto serveru film nepochopený, není tam ani herecké obsazení, to je alespoň zčásti zde: https://en.hkcinema.ru/film/48004
Herecké výkony, zpracování, hudba, vše na úrovni. Musel jsem se dívat znovu, zmatek ve jménech, zmatek v duši. Ale přesto všechno je na konci vykreslena touha žít ...

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"...When you love, keep a part for yourself, because at the end of the day, no one will help you but yourself..."
The short film with this motto was partly interesting to me, especially when the characters find hope through sex in times of sadness and alienation. Solid music. Sad and slightly above average.
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"...Když miluješ, schovej si část pro sebe, protože na konci dne ti nikdo nepomůže, než ty sám..."
Krátký film s tímto mottem mě částečně zaujal, především tím, kdy postavy v době smutku a odcizení najdou prostřednictví sexu naději. Solidní hudba. Smutné a lehce nadprůměrné.

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The film did not impress me as much, despite the awards at festivals, as it probably should have. But I appreciate the quality of the copy and the main character of Ambet. The style of the camera and the alternation of "real" shots with film and black and white, and above all the involvement of the little girl who watched some of the sex scenes and crimes, did not do me any good. The film has certain qualities, I admit, but from my point of view I rather do not recommend the film.


Film mě až tak nezaujal, i přes ocenění na festivalech, jak by asi měl. Oceňuji ale kvalitu kopie a hlavní postavu Ambeta. Styl kamery a střídání záběrů "pravých" s filmovými a černobílými a především zapojení té holčičky, která přihlížela některým sexuálním scénám a zločinům, mi nedělal dobře. Jisté kvality film má, to připouštím, ale z mého pohledu spíše film nedoporučuji.

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Yes, friendship plays the most important role in the film, it is the main line and it is graduated in the end, but everything else is just average and the BL component - downright weak, I expected more from Jerome Ponce, rather a concoction, as I know him with Ben X Jim . Tony Labrusca solid and Albie Casiňo joined him, not only in acting, but also in appearance.


Ano, přátelství ve filmu hraje nejdůležitější roli, to je nosnou linkou a graduje v závěru, ale vše jinak jen průměrné a BL složka - vyloženě slabá, čekal jsem víc od Jerome Ponce-ho, spíše odvar, jak jej znám se seroše Ben X Jim. Tony Labrusca solidní a k němu se přidal Albie Casiňo, nejen herectvím, ale i supr zjevem.

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The Taiwanese adaptation of the manga Orenchi no Furo Jijou was very successful. She was witty, funny and the imperious merman played by actor Bruce He was played absolutely brilliantly and with gusto. Cute moments, sometimes more serious, but mostly those that lighten our mood and there is no need to look for connections or dig into whether it is possible or not. The two main actors played an excellent relationship, and sometimes I was rather sorry that it was conceived only as a bromance, because they had far more, but the original blueprint had to be followed. Pleasant fool.

Taiwanská adaptace mangy Orenchi no Furo Jijou se moc povedla. Byla vtipná, zábavná a panovačný mořský muž v podání herce Bruce He byl zahrán naprosto skvěle a s chutí. Roztomilé momenty, někdy vážnější, ale většinou takové, které rozjasní naši náladu a netřeba hledat souvislosti nebo se hrabat v tom, zda to tak je možné či nikoliv. Oba hlavní herci zahráli výborný vztah a někdy mě spíše bylo líto, že byl pojat jen jako bromance, protože měli daleko navíc, ale původní předloha se zřejmě musela dodržet. Příjemná blbinka.

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Something else entirely. Three young people figuratively representing three types of biscuits, all wrapped up in a short BL musical. I didn't even mind that the sound gradually started to move slightly with the picture and the subtitles. The idea was perfect, I liked the songs a lot, the boys looked a bit clumsy as actors, but anyone who likes musicals knows that singing is always prioritized at the expense of "body play", which is more figurative than real. The creators even messed with my taste. I probably wouldn't buy the watermelon cookie either, but I would not only buy the chocolate one, but "eat" it right away. And at the end, a little tear in the eye... Distracted and eternally dissatisfied people will not like this project.

Naprosto něco jiného. Tři mladíci představující obrazně tři druhy sušenek, a to celé zabalené do krátkého BL muzikálu. Ani mi nevadilo, že zvuk se postupně mírně rozjížděl s obrazem i s titulky. Nápad bezvadný, písně se mi moc líbily, kluci herecky vypadali trošku neohrabaně, ale kdo má rád muzikály, tak ví, že je vždy upřednostněn zpěv na úkor "hry těla", která je více obrazná, jak skutečná. Dokonce se tvůrci strefili i do mého vkusu. Melounovou sušenku bych si asi také nekoupil, ale tu čokoládovou bych nejen koupil, ale hned i "snědl". A na konci až malá slzička v oku ... Roztěkancům a věčným nespokojencům se tento projekt líbit nebude.

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For me, a very nice visceral Korean short film, which could certainly be translated, but English. the hardsubs were so thin and translucent that I had a problem in many passages, too bad. Maybe another viewer will condemn the piece for the fact that the story is slightly metaphorical to absurd, but are we even able to evaluate what thoughts, ideas, memories or wishes are hidden from the immeasurable depths of the human soul? The actors played it very nicely, I could feel the emotions coming "out" from the inside and the recent past, the slow shots were very tasteful and suited the overall concept. A powerful experience...

Pro mě moc hezký niterný korejský krátký film, kterému by jistě slušelo přeložení, nicméně angl. hardsuby byly tak titěrné a průsvitné, že jsem měl v mnohých pasážích problém, škoda. Možná jiný divák dílko zatratí za to, že příběh je mírně metaforický až absurdní, ale jsme vůbec schopni hodnotit, co za myšlenky, představy, vzpomínky či přání je ukryto z nezměrných hlubinách lidské duše? Herci to zahráli moc hezky, cítil jsem z toho ty emoce, co prostupují "ven" z nitra a nedávné minulosti, pomalé záběry moc vkusné a hodily se do celkového konceptu. Silný zážitek ...

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The short is mainly about Jongin, who is played by the very likeable Yoo Kyung Seon, and what I appreciate most about the Hanyang University story is that it doesn't differentiate between hetero relationships and same-sex relationships and puts them on the same level. What bothered me a little was the frayed camera in many shots, which at least made no sense to me. Overall, however, above average for the message that the film conveys.


Kraťas je především o Jonginovi, kterého hraje velmi sympatický Yoo Kyung Seon a na příběhu z Hanyang University si cením především toho, že nedělá rozdíly mezi hetero vztahy a vztahy se stejným pohlavím a řadí je na stejnou úroveň. Co mi trošku vadilo byla v mnohých záběrech roztřepaná kamera, což alepoň mě nedávalo žádný smysl. Celkově ale v součtu nadprůměr za to poselství, které snímek přináší.

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