Unbelievably Beautiful, Robust Story
This is the most beautiful drama I have ever seen. The money spent on scenery, sets, costumes, music, CGI must have been astronomical!The beauty of the costumes and CGI is BEYOND THIS WORLD. I can only imagine being able to create such beauty back in the day when the folks in charge had thousands of slaves to sweat and strain for thousands of hours to achieve such effects. No kidding! I have never seen outfit after outfit covered in sparkling beads, layers, and jewel-toned colors. A true level above all the other wonderful costumes I have ever seen. I don't know how they made all the costumes and accessories given that, I think, they need multiple copies to film in them day-after-day. They absolutely have to win an award for costuming in this, especially considering the different costume themes needed for the different "segments" of the drama.
Re the CGI, the trend for purple, pink, blue, and sunset jewel tones that I noticed in "Love You Seven Times" (an underrated gem) was continued here to its fullest. Stunning! And the sets as well were creatively planned, visually extremely interesting, and jammed with lovely colors, textures, and items. I could practically yank out my eyeballs and not be sad for the rest of my life from having seen enough beauty to last.
The OST music was to die for. I was singing along because the songs were so good (such as "Under the Moon"). Another one, "Flowers Fall With No Trace," has this plaintive wailing tone combined with a bit of a rapping driving energy that is incredible.
Oddly, the only visual area where they were a bit light was the make-up. In one "segment," for instance, in the world of the Outlanders, actors seemingly didn't wear any foundation/base at all, with their real skin flaws showing through: very unusual!
The story was typical in a few basic aspects (such as under-cover villains), but putting it all together it was immensely entertaining, had multiple segments with different characters and focuses, and more than enough life-and-death drama to fill two shows.
Beyond the main stars (Bai Lu is all you really need, right, since she is SO GOOD), all the other actors, including well-know character actors, were all quite good.
There were a few areas where I did think the drama fell a bit short: the evilness and the emotional scenes.
The evil characters really didn't seem that mean to me. Yes, they did bad things, but their manner did not seem all that menacing or ugly, so I couldn't really feel the horror. One villain was, I think, supposed to be creepy and "slick" in his elegant and calm evil, but it just felt flat to me. Felt the same way about the other main key evil guy. Just not evil enough. And the terrible world-wide impacts of the evil guys didn't seem too evil or we didn't see them. In fact, the ML also didn't seem "heavy" enough to me. I could have used a bit heavier, more grounded, more adult feeling from him to match the larger-than-life feeling of the female lead. Maybe they thought that would make the drama seem too comic-book-like, but I could have used just a bit more here and there. (I think about the drama "Till the End of the Moon" and the sharp and grounded presence of Luo Yun Xi.) A bit more hissing, ranting, and cruelty from the villains, please.
The hardest part I had with the drama were the emotional scenes. They were excessive and left no stone unturned; every single relationship and nuance was worked through in exhaustive detail, EXCEPT the scenes where the ML and FL were going through the process of falling in love and then the love scenes between them. Yes, there were a lot of heads-resting-on-shoulders scenes, but joy, amazement, curiosity, intrigue, all the emotions a "person" goes through while falling in love happen off screen or not at all. There is also no flirting, teasing, stomach-fluttering, line-crossing sexiness, and no physicality except for hugging and kissing, some great and some not-so-great.
And I want to give a shout-out to Dai Lu Wa for being so good at playing the 2FL role. Yes, she is stunningly beautiful and the role/character is a heart-wrenching and pitiful one, so it would be hard NOT to like her, but she played it very well.
So very beautiful and immersive, the highest-quality production I have ever seen. Far and above any others in production values.
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GREAT Acting, Story, Cast, Humor, Production Values, Length. It's Both Sweet and Realistic.
I finally signed up for an MDL account just so that I could write a review to balance other reviews that seem to be written by people who did not actually watch this excellent and professional show.This is a VERY GOOD show: a bit sweet, a bit funny, a bit modern, a bit warmhearted, a bit tear-jerking. It was just the right length for me, without all the excessive political intrigue and evil characters. The "recommendations" include What's Wrong With Secretary Kim, so that gives you an idea of the "feel," just a bit more compact. The production values are high (with the exception of one blue screened backdrop of the city of Madrid), the music is good, everything is top-notch even though it is a shorter length. The script is tight with good dialog that enters a relationship mid-way and then references back to previous events (as many dramas do). I like the unusual 10-episode length, and it is possible that they arrived at that because of production scheduling issues. Any cuts that might have removed the storylines or scenes of peripheral characters are all good as far as I am concerned. The story as shown is tight as a drum and still includes the now standard "social issue" message, this time against violence and bullying. (There is, however, too much drinking going on, even more than usual in a Korean workplace-based shows.) What really blows my mind are the reviews that say that the script/plot/story is bad or not understandable. This is IMHO totally UNTRUE. Some reviewers seem to take exception to the idea that the FL could agree to stop dating the ML. In real life many woman stop seeing their current boyfriend when they realize that a long-term relationship won't work out. And many of these women in real life still like or love their boyfriends when they decide to end the relationship. It happens all the time; many relationships unfold just as that of the ML and FL does. Many of the negative reviewers mentioned that they did not understand the title of the show. It is explained in the first episode, further explained mid-way through, and referenced a number of times with "glass slipper/broken shoe" events and references to Cinderella. The actors include some excellent newbies and many, many seasoned favorite actors with tons of experience. Their acting is pitch-perfect for this comedy/drama. The ML did a wonderful job of portraying the sweet, devoted boyfriend and the FL did a great job portraying the dedicated professional woman. Their love/chemistry was very warm, joyous, and, later, realistic. The secondary couple and the two mothers are actors that are the best in the business for both campy comedy and melodrama and bring additional energy and chemistry. I don't understand what is behind the poor reviews. What could motivate people to be so false?
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Ahead of It's Time: Superb, Immersive Masterpiece
I watched this because it was Yang Yang's first role, and a lead role at that. As the family's troubles (mostly troubles for the women) grow, the scenes get darker, narrower, and moodier. The cinematography was superb, with a narrowing and darkening of view taking you deeper and deeper into the horror story of the terrible lives and indifferent cruelty of these women and men. I loved all the things that I understand the Chinese audience did not like upon its release: the hairstyles, the music, the casting. The clothes were beautiful and realistic and the sets stunning! The music was atmospheric and amazing, although I benefited by not being able to understand the slow lyrics; they were just moody tones to me. Yang Yang's performance (and that of Jim Yu, the actor who played him younger) was superb! Yang Yang showed much greater facial expression and honest feeling than I have seen him exhibit in other roles. So he has a lot of natural talent. (Maybe he is trying hard now to be "a cool star, an idol.") And, of course, the director did a great job pulling wonderful performances out of all the actors. For example, nearly all the crying scenes were the realistic blubbering that you would expect of characters in these positions, rather than the boring masked, one-rolling-tear exhibited in other dramas. I would compare this to "My Journey to You" in its investment in artistic realism and moody subtlety. Given that it was 50 episodes long, it maintained just the right balance between staged production and heart-wrenching, wretched realism. One negative is that the show probably could have made its point in fewer episodes. Half-way through, you know where it is going, and you have to commit to staying on the ride. I have the feeling that this plot line must have been a very true translation of the original book. The narration throughout was very helpful in clarifying plot points, and I understand both it and the dialog were close to the book as well. As I stated in the title, I think that this was ahead of its time for artistic development in a production.Was this review helpful to you?
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INCREDIBLE Story, Acting, Production; Sure to Be Re-Made by Production Crews Across the World.
The spoiler is at the end and marked.I concur with everything written by Shinnosuke_Lee, including the evaluation of the ending.
This was an INCREDIBLE show in all the ways that reviewer mentioned. Loved it all. They all were incredible performances. I double-foot stomp BIBI's performance. It was great and a needed breath of fresh air in the overall cast of characters. The story really is stellar with constant twists and edge of your seat drama. (When the violence got too much for me (as an older viewer), I just turned off the audio and/or covered my eyes.) The cinematography, the editing, etc. were phenomenal. I expect this to be remade a number of times by various artists across the world, because the story holds up so well and can be set in many parts of the globe. What more would you want in a cops-robbers/love story? I am surprised that the rating overall on MDL is not higher.
(I did have an issue with the Disney digitization which gave a slight green cast to the footage. This emphasizes the film noir effect, but I don't like it. I was a video editor, so most people, other than folks like me, will likely not be bothered by it.)
SPOILER:
I note that some reviewers think that the drug boss's motivation is money/success. I concur only in that he believes that this will win the love/respect of his childhood sweetheart, which is his ultimate goal--the same goal as that of the ML, which is to win the love/respect of his wife. (A reviewer compared the drug boss to Jay Gatsby in the novel "The Great Gatsby" and I concur.) The FL has "the face that launched a thousand ships," as they say of Helen of Troy. And I think that the FL lead was able to feel empathy (NOT love) for the drug boss, just as the ML was able to feel empathy for the Chinese drug negotiator--but the true love remained between the ML and FL, as evidenced by her continued pleads for him to be pulled from the operation.
Regarding the ending, IMHO the ML again sacrificed himself and his marriage for both the FL and drug boss, with whom he had developed a strong relationship. The drug boss had an "honorable" death and the FL didn't have to take the blame for his death. Therefore, the ML remained true to his character of protecting those that he loved, he didn't "turn evil." If the FL realizes this in time, then perhaps there may be a way for them to get back together.
Regarding the title of the drama, I wonder if the writer is trying to say that the worst evil is often the things we do for love. Did both men destroy themselves to gain the love of a woman? (Back to Helen of Troy) It is true that people do terrible things to protect their loved ones or to protect/foster the God they love or to avenge those that they love. Food for thought.
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Lovely Little Jewel With Old Stars and New
First, the script and story ROCK! I am so, so, SO glad that they didn't try to turn this into a 12- to 20-episode show by adding more misunderstandings and digging pointlessly deeper into side character's storylines. It was perfect at 10 episodes. It was about meaningful issues regarding love and life, beautifully filmed, written, and acted. The second half was even richer than the first, bringing everything together in a very satisfactory way.While the plot is built around two love stories, as usual in Korean dramas, don't expect everything to be "happy, happy." Essentially, the main theme is loss, letting go, and moving forward. Every critical character faces this challenge. One storyline revolves around the issue of falling in love at a young age. I think that this storyline would be very compelling for any young, attractive actor or actress who is lucky enough to play a role in this production. (Maybe even some of the actors in this very production.) Yet really, it should be compelling for anyone, because these storylines are true to "real life" and quite relatable, even if you aren't currently experiencing similar issues.
Regarding the acting, it was SUPERB! So many stand outs! I concur with other reviewers that Kim Jae Wook has been under-used in the industry. I don't know why, since he is a standout in every show he performs in. (Watch him in "Antique" if you can.) He always shines, so I have to believe that it is his choice or industry prejudice. He was lovely here. And, while I usually think Ko Chang Seok is disturbingly over-the-top in his roles, this time he hit the nail on the head and was absolutely perfect as a seasoned, although failing director. He was a breadth of fresh air in the dense emotion of the show overall. To be honest, as usual in these Netflix shows, I find the secondary characters generally are more realistic than in Korean or Chinese-produced shows. Here, this lower-key approach helped not only Ko Chang Seok's performance, but also Kim Young Woong's.
ML Choi Woo Shik's role seemed to have been made for him. He almost stepped right out of one of the cooking variety shows in which he has appeared directly into this role. So he was perfect in it and did an amazing job, his best since Parasite, IMHO. (Although he was fabulous, and even a bit more lovable in "Our Beloved Summer," but maybe I just related better to that OBS character?)
In the role of second ML, Lee Jun Young KNOCKED my socks off. He was AMAZING, carrying so much of the visceral depth of the show! Such a nuanced and heart-felt performance. He nailed every scene, wearing his heart on his sleeve in every one. (I look forward to seeing him in his other roles.) And the script thankfully gave the second ML and FL as full a storyline as the main leads'.
Honestly, while the drama was deeply moving all around, as far as acting, most of the heart came from the men's performances. The women all ran a bit cold, and I had trouble seeing the FL's softness. I guess that was in the casting and intentional to balance the men and give them the spotlight. The women's acting was great, don't get me wrong, and each had her moments to let her character shine but for real on-screen emoting, it was the men. Oh, and also the child actors who portrayed the ML and FL. They were great as well, with each hitting their "primary emotion" out of the park.
The only thing that I was not as happy with were the songs that were included in the show. This was disappointing to me, since the second ML was a composer/song writer and much ado was made about a film's "OST" as they call it in Asian dramas these days. While I LOVED the general instrumental background music (all original, I presume), the vocal "songs" for me were very "meh," if not outright irritating for their poor translation into English or quirky modern lyric style (whichever is the reason for their odd wording). Maybe it was the translations or the tunes that made them seem much more immature than the story and characters? But, all in all, the songs really had very minor impact on my experience.
So overall, a great re-watch value and a great little jewel box of a show (just like all the locations, come to think of it: little jewel boxes each.). Congratulations to all involved! This show definitely deserves a 9+ rating.
*********Also, FYI, in a research tour-de-force MDL reviewer "Arthur" let us know where the episode titles came from. Check it out!
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Stunning! Like a movie. DO NOT miss it.
Incredible scenery, cinematography, music, acting, plot. It was all fabulous, like a high-budget movie. The acting was sensitive and realistic. The story was dark and heart-wrenching. It had the appropriate number of twists and minimal distracting subplots. You could truley feel the fear, desperation, hate, and hope lived by these characters. So moving! There was a new beautiful actor who blew my socks off. I hope fake social media gossip doesn't ruin his very promising career. This production raises the bar for other dramas. It should have much higher ratings.Was this review helpful to you?
Sweet, Warm Unicorn Drama with Momentum and Some Teasing/Risqué Situations
I agree with reviewer Susie Queue. This was a nice show of the right length with decent actors, good script, and worth the wait outcome (the cliff-hanger had me hoping for another season). I didn't notice any plot loopholes, but I tend to fast-forward past all the planning and subterfuge to get to the next romantic scene more quickly. (You would be surprised to find out what information/exposition is really not needed to still follow the plot at a reasonable level.) So, it's a sweet show that also happens to push the envelope on women's roles. I am also wondering, and this could be my imagination, but with a script that has a woman choosing between two men for the greater part of the drama, if there isn't a little civic investment in raising the birth rate by pushing the message that a woman ought to be able to date two men at the same time. Just a thought. And given that the FL states in the show (I'm paraphrasing) that it may not be too bad to watch two men being close if they are both handsome, I also wonder if iQIYI isn't trying to boost the ratings of their BL offerings by providing a soft-sell to women who ordinarily wouldn't see the appeal of such shows. Again, just a thought. I hope all the young actors and character actors in this show have opportunities to move into longer, A-list dramas, as they did a great job here and are all very pretty.Was this review helpful to you?
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What I Didn't Know: Unfinished Love Story. Part 2 is Planned.
This drama ends with a note from the producers essentially saying Look Forward to Part 2. So now I see why they dragged out the love story, which is the only reason why I watched. It had better come soon, as they set up some new actors and launched some new vendettas in the last few episodes. So fair warning, if you are looking for even a kiss in Part 1, keep dreaming.The main reason to see this, beyond the women's suffrage message, is the incredible acting of the three leads, which is great across the board. Even among three people, Wei Zhe Ming stands out; primarily because the script gave his character so many places to go. He has really demonstrated his acting chops here, including some blubbering crying at his lowest point. He has definitely "gone for broke," as they say. Li Xian just beams at Yang Zi throughout the show. I have rarely seen an actor do such a great job at glowing with manly love while also exuding a suave playboy character trait. So pretty to watch. I am as straight as they come, but on behalf of this ML, even I want to reach out and give the pretty FL a good squeeze--the yearning is so palpable. Speaking of pretty, the only small downside in Yang Zi's performance is that, even when she is at her lowest, she still is looking so beautiful and calm. (I have watched a lot of her shows and have never, ever, seen her looking so good, way beyond the "beauty skin filter" effect.). With dirt and blood all over her, it is still hard for her to twist her face into something that looks gritty and desperate. Still, as always, her acting is great.
An irony here, which perhaps with be touched on in Part 2, is that the FL states that she can live well without a man. That might be true for many women, but the FL has faced so many near death experiences (a lot for a 32 episode series!) and importantly has been rescued or helped by the ML just as many times as she has helped herself. So frankly, while she can help herself, she wouldn't be alive to do so without the ML having helped her.
Also, if you don't like people who focus on accumulating wealth, skip this, because, in Part 1 at least, the ML and FL are all about the money and calculating every nickel (yen) owed. It can get tiring, as it is, IMHO, not an American value. Fingers crossed that the focus on money is also one of the issues they will address in Part 2. Since I didn't read the book, I have no clue as to what lies ahead. I hope they release Part 2 before I cease to care.
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All It Needed Was Better Chemistry Between the Leads
I have updated my review after watching all 20 episodes. What I found out in the last three episodes is that there is nothing wrong with the acting of the two leads: they finally showed the palpable love and romance that I was waiting for. So it must have been the direction or script that didn't allow them to go to this place sooner. This is a serious flaw in the story. Often shows have the couple achieve "love" 50-60% of the way through a show, then there is a misunderstanding which is resolved in the end and "true love" prevails. This is so that viewers are not waiting past their patience tolerance for the romance. Because this romance was strung out so long, with a very, very slow burn in the first 60% of the show, it difficult, but ultimately satisfying.==========================
I am enjoying this program. It is filled with great actors and it has a great storyline. The writers are top-notch. I see many parallels between this storyline and Alchemy of Souls, which blew most viewers away. Overall, it is entertaining and fun. As another reviewer mentioned, the costumer for the men went all out to have them looking AMAZING. The costumer for the women was asleep at the wheel. Even if the women were not as dramatic as the men, they still deserved more. After all, the female lead is rich and can wear almost anything she wants.
As so many reviewers have mentioned, the main problem with KO is that there is no spark between the leads and no emotional depth in their portrayal of their love. By the time the FL started to show a tiny bit of softness when she looked at the ML, it was so far into the show as to not matter. The FL has a tough job, to make an emotionally and socially isolated, lonely career woman come to life through love and her power over her situation. Unfortunately, I don't think she was able to meet the challenge here, for whatever reasons. I can speculate: maybe she was sick during filming; maybe she knew that there was no chemistry with the ML and gave up; maybe she didn't gel with the ML because in the first few episodes, he wasn't a jerk who can be redeemed through love, he was just a pure, remorseless bastard with no redeeming qualities. It is hard to start developing loving feelings for a man like that. Perhaps the ML is a method actor and put the FL so out of sorts that they couldn't develop the "secret spark" needed for such a romance. Who knows. It is easier to have a romance bloom when the woman is hard on the man, because men tend to like Alpha Dog women (no comments, please) versus having the man be hard on the woman. It happens, but the man has to be seen as having some charm somewhere. Unfortunately, here neither of the ML's nor FL's faces or voices came alive when they were together in most of this show. In the show "It's Okay to Not Be Okay" FL Seo Yea Ji was able to present a standoffish FL with deep emotional depths just under the surface, but here we couldn't really see it. As for the ML, he seems to act in more action comedies than romances; maybe romance just isn't his strong suit. I don't know, since I haven't seen him in anything else. Being a jerk-with-a-redeeming-side is hard to play, unless there are some scenes early on where the character can demonstrate those redeeming qualities/softness that will allow both the FL and the audience to fall for him.
It could have been the direction. When actors veer off the mark, the directors are supposed to save them and help them realize the characters appropriately. I don't see evidence that the FL and ML got that guidance. OR.... maybe this is supposed the be a reflection of the title "Korean Odyssey." Maybe the script writers are conveying that Korean couples, for most of history, have been thrown together by circumstance just to survive, and are more similar to those in arranged marriages than are couples who are truly "lovey dovey." I do see many exemplars in dramas of loving Korean couples crabbing and yelling at each other and showing no or minimal traces of warmth or affection. Maybe, this is what they were aiming for?
And, the story does let the couple down in that there is no real reason for them to fall for each other. She is falling for the first person/monster to be "nice" to her (the ML), and he is falling for her "beauty" only because he is magic-ed into it (No other positive traits are mentioned about her, so I guess that is an FL's only requirement, to be beautiful.). The script doesn't really have them working together, learning together, appreciating each other's good qualities, and so forth. Even when the ML is saving the FL, it is supposedly because he has to. Somewhere along the line we ideally see on what basis he is truly falling for her. Usually, when we have a couple who are not sure if the other loves them, we, the viewers know that they do. Here, we really don't and are left as uncomfortable as the ML and FL are; it is not the "good" edge-of-your seat feeling a viewer should have.
Even so, with the other characters bringing the "heart" (shout out to Lee Hong Ki, Lee Se Young, and Cha Seung Won) it is pretty darned good.
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Great Drama, Even Better: LEE JUN YOUNG
As all the reviews state, this drama is great. You don't need me to add accolades. I love IU, Park Bo Gum, all the other actors. The story and production values are top notch. Everything is great about this show.MOST IMPORTANT, I have to give a big shout out to LEE JUN YOUNG. I have seen him in a number of roles. He is phenomenal, a true gifted chameleon who makes each role come to life in full, vivid color. When I saw him in Brave Citizen, I swore that he must be a sociopath in real life. In DP, my heart was ripped out when he played the victim turned revenge killer. Here, his love-sick school boy to reality-burdened adult was AMAZING. There is nothing that he can't do. Other stars are always clearly themselves, no matter what role, take Bai Lu or Esther Yu or even Park Bo Gum, for example. Lee Jun Young can turn himself into any character in simply mesmerizing performances. I can't believe that he debuted as a singer/rapper/dancer and didn't focus on acting initially. To know that he not only acts but also has all these other skills makes me wonder why I am allowed to live, having no talents whatsoever.
Lee Jun Young is one of the best actors not just of his generation, but of all generations. He shines like diamonds. I can't wait to see his next performance.
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