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It's Hard to be a Phoenix
"Beauty of Resilience" is an enchanting tale of love between a phoenix and a son of God, intertwined with themes of duty, sacrifice, and the pursuit of immortality. In a world where chaos looms over the three realms, the forbidden romance between a beautiful phoenix, disguised as a human girl, and a handsome young man, burdened with the task of ending her existence, takes center stage. As their love transcends time and challenges, they must navigate a treacherous path of love, loss, and the relentless pursuit of power. Unbeknownst to everyone, the fateful mission to kill the phoenix is driven by a personal obsession for immortality, setting the stage for a series of life-altering choices.As the story unfolds, the true motivations behind the decree to kill the phoenix are revealed. It is discovered that the insatiable desire for immortality drives the selfish personal obsession of the one in power. The phoenix possesses a mysterious spirit flower called "hua rong", capable of enhancing its power and granting immortality. This misguided and deadly fixation wreaks havoc on the lives of the main characters, causing them to experience a rollercoaster of emotions, including love, hate, happiness, pain, gains, loss, togetherness, and separation, across multiple lifetimes.
Ju Jingyi delivers a convincing performance, taking on multiple roles throughout the series. As Wei Zhi, a humble and low self-esteemed maid servant with a mysterious power, she embarks on a journey that leads her to the cultivator academy. Her portrayal captures the essence of Wei Zhi's transformation into a phoenix, showcasing a delicate balance between strength and vulnerability. However, in her role as Sima Wangyue, a male military general, Ju Jingyi's feminine appearance becomes a noticeable aspect, though her ability to deceive the entire army is reminiscent of the conventions in Chinese cross-dressing dramas. Nevertheless, her overall performance remains commendable and believable, despite her lack of character change as she assumes the roles of the sacred lady of the demonic sect and the demon queen.
Guo Junchen's portrayal of Yan Yue is commendable, showcasing his versatility as an actor through multiple character interpretations. However, there are instances where the writing of his characters seems inconsistent and confusing. In his role as the conflicted lover tasked with killing the phoenix, his lack of emotional display during crucial moments leaves the audience longing for a deeper connection with his internal struggles.
The drama introduces several memorable supporting characters, adding depth to the storyline. Yi Er, portrayed by Lu Tingyu, captures hearts with her bubbly personality as an explorative cook betrothed to Yan Yue. Liu Dongqin's Mu Nan, the secret admirer turned demon chief who is unable to laugh, and Lin Fengsong's reluctant sit-in heavenly king, Yan Luo, also bring unique elements to the narrative. Additionally, Zhang Zhihao as Ou Ya, the wolf, and Song Xinran as Lan Su, the fox, add intrigue and depth to the story. On the other hand, the antagonists, portrayed as atrocious and hateful, provide a sense of relief when their fate is sealed. However, their actions also result in the loss of beloved side characters, which feels like a missed opportunity for more nuanced storytelling.
The drama excels in its authentic and visually stunning portrayal of the settings, costumes, and overall production design. While the headgears worn by Ju Jingyi may appear distracting in some scenes, the attention to detail and commitment to authenticity are praiseworthy.
My Verdict
One recurring flaw in the story lies in the characters' repetitive experiences and their failure to learn from past mistakes, resulting in a somewhat predictable narrative. Additionally, the presence of loose ends, plot holes, and weak logical explanations can detract from the overall viewing experience. The ending leaves certain aspects of the main characters' fate ambiguous, leaving the audience wondering if Wei Zhi and Yan Yue have returned to a time where their lives can begin anew without the burden of the phoenix. Furthermore, the conclusion for Yi Er feels far-fetched and some of the side characters' untimely deaths seem unnecessary, suggesting a lack of creativity in the writing process.
Despite these shortcomings, " Beauty of Resilience" remains an engaging drama, albeit with less humor and a heavier emphasis on evoking emotional responses from viewers. Although it may not have garnered favorable ratings on MDL, it still deserves recognition as a decent production with compelling performances and an intriguing storyline.
In conclusion, " Beauty of Resilience" is a captivating love story that explores themes of sacrifice and redemption within a fantastical realm. Its visually appealing aesthetics and committed performances make it a worthy addition to the genre. Don't miss the opportunity to experience this enchanting tale of love and fate.
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Epic Production. Absolutely Intriguing & Captivating!
The Qin Dynasty Epic depicts the odyssey of Qin Shi Huang aka Ying Zheng (259 BC – 210 BC) from childhood to the time when he became the First Emperor of China (221 BC). The drama is enthralling and fascinating. Over the years, there have been many other movies and dramas made about Qin Shi Huang. Whether this account comes any closer to the actual truth is anybody’s guess. For me, this story is captivating and has successfully put all the events and historical figures into the perspective that can be easily understood by the viewers.Being a novice, I’m in no place to judge the accuracy of the story with the actual historical account. Traditional Chinese historians have always depicted Ying Zheng as a brutal tyrant who burned books, buried scholars alive, feared death and was obsessed in seeking elixir for immortality. Many of the writings are fragmented, inconsistent, and unable to reconcile with logic and actions. In recent years, historians are beginning to acknowledge the inconsistencies and misleading accounts, and reevaluate how we view Qin Shi Huang.
In Sima Qian’s Shi Ji (Records of the Grand Historian) of which many historical writers based their writings on, the inconsistencies were glaring. In it, two accounts were provided for Ying Zheng’s birth father, one was Ying Yiren and the other Lǚ Buwei. Other controversies include the burning of books and killing of scholars. It is not hard to see the motive behind the controversies. Different ideologies or justification of own existence, among others, may have led to biased accounts of events and truth. Later historians found that Sima Qian may not have been objective as he was a Confucianist who opposed to Ying Zeng’s Legalism ideology, therefore his account made against the first Emperor cannot be given much historical weight. They (the historians) feel the text was likely written to smear the emperor, justifying their own existence.
This drama tries to look at Qin Shi Huang from a different angle, emphasizing on his achievements, piecing together all the events and historical figures that have been officially documented. What I see is a benevolent genius of compassion and wisdom with unlimited patience and vision. He’s a man with love and blood, not as depicted for 2,000 years as a coldblooded monster. This new account is enlightening because it explains a lot of the missing pieces and joins the dots of logic and actions.
Qin Shi Huang shows wisdom of a modern-day politician. He recruits talents from all over the land including non-Qins. He favors meritocracy over nepotism and entitlements. He doesn’t emphasize on rituals and traditions, instead he values law codes which don’t change according to family or parochialism. The goal unification is constantly on his mind and brought up in almost every conversation with his generals and ministers. The drama shows how he maneuvers and outwits his opponents. He uses embargoes, espionage, sabotages and any conniving and deceptive strategies to undermine and weaken other states. Together with his strategists who made up of his most trusted generals and ministers, they read their enemies like a book and strike them at their weakest points. Having the best minds working for him, Qin State always comes up winning against the other states even with them forming alliances against Qin. Many of such historical figures and actions in the drama were well documented, and the timeline matches the sequence of events in the drama perfectly.
Watching Ying Zheng reminds me of watching Mei Changsu in “Nirvana in Fire” who always works with seamless plans and capable people. To conquer other states is like playing a game of chess, his generals and ministers brainstorm with him. They understand his mind and work with him in unison – they all have one goal – unification. It is really very interesting to see how crafty, deceptive and conniving each is and together they play their adversaries into their traps. The desperation of each state to remain alive catches the viewers’ sympathy, and yet we all know that they’re doomed.
The Characters and The Acting
This drama boasts an enormous cast with, among others, soldiers, generals, ministers, palace attendants, and most of all, prominent characters from various states. Despite having such a huge budget, I was disappointed with the selection of actors playing the juvenile Ying Zheng. It was confusing to watch a 3 year-old future emperor in a 9 year-old body, and then a 9 year-old in a 15 year-old body, worst, a 13 years old king in a 40 year-old body and voice. However, when Ying Zheng becomes a grown adult, Zhang Luyi becomes a perfect Qin Shi Huang. According to some account describing Ying Zheng’s look, he was said to have a tall bridge with pointed nose, and sharp eyes. Zhang Luyi fits that description perfectly. With his regal charisma, he and Qin Shi Huang become one. Seeing the earnest in his eyes, feeling his turmoil, torments and predicament, the viewers feel his loneliness and empathize with him. Zhang Luyi has rewritten history by giving the viewers a brilliant and benevolent ruler.
There are so many lovable and respectable characters here. Duan Yihong’s Lǚ Buwei is simply brilliant and convincing. What an incredible performance here by the actor. Li Si is another important character and Li Naiwen’s performance renders me speechless; he is believable and immaculate. My other favorite characters include Yao Gu, Dun Ruo, even the despicable characters such as Lao Ai (we had had a field day with him) and Guo Kai because both the acting and the characters themselves are incredible to watch and fascinating. All the characters have their flaws and strengths and the whole cast has successfully captured every single detail and performed to their best. A big kudo to the whole cast.
The OSTs (Official Sound Tracks)
We hear drum beats for the opening music. It’s solemn and heart pounding, grandiose and mysterious. The closing music is agonizing, resigned with dream and vision. I love the verses the Qin soldiers sing in unison. The male chorus is somber and touching, bringing viewers back to the ancient times of more than 2,000 years ago.
My Verdict
This is a serious and heavy drama that can be dry for some viewers who are not into Chinese history. For me, this is one of the best dramas I’ve ever watched with no noticeable plot holes nor flaws. The Qin Dynasty Epic is definitely a very difficult drama to make. The number of actors, horses, costumes and logistics used here is mind boggling. The war scenes are epic and breath-taking with war machines, spears and arrows, soldiers and horses, and everything is believable and impressive. This drama is really an eye opening experience into ancient China more than 2,000 years ago.
It is amazing to see how much legacy Qin has left in modern China and the nations around it including Korea and Japan; the name China has come from the character Qin. How the story is being written, putting all the fragmented accounts into proper place and being linked together, is simply a work of art. The writing is tight and immaculate. Superb cinematography with beautiful and awe-inspiring scenes makes this drama second to none.
I watched all 78 episodes without skipping a beat because every moment is pivotal and absorbing. How Ying Zheng has led his strategists and generals in trapping and playing out their adversaries is really an intriguing and convincing watch. Upon completion of this drama, my afterthought is, how a great man as such succumbed to his eventual untimely ending. Like most of us, his fear of death and quest for eternity become one of the keys to the downfall of his short-lived dynasty.
If you are a history buff and can stomach atrocities, cruelty and bloodshed, you would definitely enjoy this drama. This is a must-watch for all who love history, in particular Chinese history.
TWO THUMBS UP!
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Sweet & delightful story, top notched acting, wonderful bromance
This drama is adapted from a very popular Japanese manga (comic) which was later also made into an anime (cartoon) in the early 2000s. The adapted story tells the struggle in bringing awareness of weiqi and retaining interests in the game among the youths, and the arduous path to fame and glory for the successful players. Weiqi is also known as GO in Japan and Baduk in Korea.Despite being one of the oldest board games and was started in China more than 2,500 years ago, weiqi has not received a lot of attention, especially among the Chinese youths who favor Chinese chess. For years, Korea has been the champion and in recent years China produces multiple world class players to challenge the champions. Weiqi is a must-have and common item in all Chinese historical dramas today. All emperors, scholars, officials and generals are expected to be well versed at the game.
What seemingly a very simple board game, using only any drawn grid boards or tiles on the ground with any black and white pieces, weiqi is one of the most complex games. There are no complicated pieces, no complicated moves. Anyone can play it anywhere, any time. And yet it can be challenging and difficult to master. For me, weiqi is a philosophy; it helps us realize many analogies in life and understand the philosophy of life. It has no restrictive form and yet there is a name for every position on the board and a term for every action a player takes; it is intriguing and mesmerizing.
All the actors are unrecognizable to me, but their acting is one of the best - natural and believable. Shi Guang (played by Hu Xian Xu) is just like a kid in your neighborhood. He’s not very fond of academic work and fully absorbed into his toy cars (when he was a little boy). He is restless and at times, reckless, but he is the most endearing character who has great dynamics with everyone he encounters. Often, he is unintentionally funny.
When the spirit of Chu Ying (played by Zhang Chao aka Juck Zhang) appears to him, they become friends. Chu Ying uses Shi Guang as a medium to play weiqi, and his first opponent is Yu Liang (Hao Fu Shen) who is the youngest and the best weiqi player and his (Yu Liang’s) father is the nation’s number one weiqi player. To Yu Liang’s dismay, he loses the game and it is the most unforgettable event for him. He vows to work harder and wins back his honor. Since Shi Guang is not interested in weiqi in the first place and doesn’t want to be used by Chu Ying, he refuses to comply to Chu Ying’s instructions in playing the game. Chu Ying disappears. For years Shi Guang is happy with his life and has forgotten about Chu Ying until one day he’s back playing weiqi again in high school. Chu Ying returns. This time, they become pals. Chu Ying teaches Shi Guang all the skills, polishing him up for competitions. They love each other and they are inseparable. Chu Ying is Shi Guang’s angel but others think Shi Guang is having an active imagination and an imaginary friend. The path to become a professional player is covered with challenges and obstacles as Shi Guang finds out. Like all other weiqi players, his daily life is mundane; he plays weiqi eating, sleeping and all the time. I wish the drama has focused and showed the viewers more on how he has won playing with the more seasoned players with his strategic and unconventional moves. Unfortunately, all these are skipped and we only know of the results at the end of the competitions.
When the time comes and he has to leave, Chu Yin leaves without saying goodbye. Shi Guang is devastated. He grieves for the loss of a good friend who is also a part of him. For months, he’s lost, rendering him dropping out of weiqi. He returns when he realizes Chu Ying is now in his weiqi; they have become one.
Hu Xian Xu’s acting here is amazing. He captures the whole essence of the character of Shi Guang who is a happy-go-lucky kid with not much on his mind. He loves his friends but at the same time, mischievous to everyone. He may not be intelligent academically, but he is quick witted and can always find a way out of his predicament. His final few episodes are heart wrenching, crying for the loss of his soulmate, and I cry with him. Hu Xian Xu’s acting is so natural and so authentic, making the viewers laugh and love him.
Chu Ying is the spirit of an ancient weiqi player who is being slandered and whose name disgraced. He comes to Shi Guang by accident and piques Shi Guang’s interest in weiqi. They form a formidable alliance and become soulmates. For years, he helps Shi Guang realizing his potential. To others, Shi Guang seems like having an imaginary friend, speaking to himself and playing with himself all the time. The scenes are sweet and funny.
Zhang Chao’s depiction of Chu Ying is commendable. His portrayal is so real and makes the character such a lovable and beautiful ghost for all to enjoy. The contrast in their outfits is just so hilarious and yet so outstanding. His chemistry with Hu Xian Xu is undeniable.
Shi Guang has many buddies like Hong He (Zhao Hao Hong) and Shen Yi Lang (Sun Can), but none have the chemistry like he has with Yu Liang (Hao Fu Shen). Though they have met each other in episode one, they have not been together until the final episode when they are building a double team for the world championship. They bicker and banter a lot like young boys do, but their chemistry is amazing. I wish they have shown the scenes how the duo beat other renown weiqi couples with their unspoken communication, a look in the eyes, reading each other’s body language. For Yu Liang, Shi Guang is the light that brightens him up, and with his brightness, Shi Guang shines (their names).
This drama deals in depth with the relationships of Shi Guang with his mother, with Yu Liang, with his friends, and most of all, with his teacher, Chu Ying. It is delightful, funny, humorous and meaningful. The characters are flawed, interesting and well developed. This is one of the dramas that I’ve enjoyed thoroughly. It is also one of the very few that respects viewers’ intelligence. I love how they use the child actors for juveniles Shi Guang and Yu Liang, both children have resemblances of the older Shi Guang and Yu Liang, and the kid actors are adorable and great in their acts. I find myself smiling from episode one until the last. My only qualm is perhaps with the fan that Chu Ying has left for Shi Guang. I wish the writer has done it differently than giving a physical object of Chu Ying to tell the viewers that Chu Ying has never left Shi Guang but with him in his weiqi. I would love to have thought there has never been a Chu Ying but an inner voice of an unwoken prodigy. But with the fan, this has ruined the scenario for me; Chu Ying does exist but it’s hard to fathom how his immaterial fan materializes and becomes a solid object in front of Shi Guang.
Seeing the dedication of each player, their respect for each other and their humbleness, really makes my heart warm and brings a warm tear to my eyes. Winning is not everything, but the process in taking part in a competition is the most exhilarating experience one can enjoy. As with everything we may do in life, winning doesn’t really mean success and losing doesn’t really mean failure; it’s how we look at winning and losing.
As the world moves towards popular culture, ancient board games such as weiqi is being forgotten. Like ancient languages, fewer and fewer people know how to play and have the interest in weiqi. This drama tries to create awareness of the most wonderful game and promote interest among the youths. I hope after this drama, more people pick up playing weiqi. As for me, I am definitely doing so, crossing out one of the items which has been on my bucket list forever.
My verdict
This drama does not have all the big names, and yet it is well written and performed. The attention to details, in particular the norms of the era, is both immaculate and applaudable. This is an endearing and my most favorite non rom-com drama that evolves around weiqi and competitions. Even if viewers think weiqi is not their favorite subject, this drama is still an amazing watch because the story is so well told, the acting is fabulous and authentic, and the subject weiqi is deep and fascinating.
Some viewers have complained the final few episodes that the director has spent too much time dwelling into Shi Guang's pain and his breaking down. I actually love this breaking down period. It's a period of discovery and realization for him; I feel many people have missed that element here and therefore couldn't understand what the director's intention is. I wish the director has also delved further into Shi Guang's relationship with Yu Liang after Chu Ying, how the duo have communicated with each other silently, especially during their double competitions. Their body language part is too short and shallow without the depth like how it's been done for others.
This is a drama that deserves to be on everyone’s to-watch list. Strongly recommended.
TWO THUMBS UP!
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Two thumbs up. Strongly recommended!
Finally, I completed watching this drama, almost 6 months after its airing. My delay in completing this drama was not only because it’s a long drama of over 70 episodes, but also for other reasons. This is a drama that is totally different from most other historical dramas – in visuals, sound effects, costumes, etiquettes, how people speak, how real families lived more than 1,000 years ago, to name a few. Unlike most historical Chinese dramas which emphasize on its beautiful eye-catching costumes, unreal politics and dramatic effects, “The Story of Ming Lan” tries to depict how the Chinese society was like more than 1,000 years ago. The producers even used the sepia tone effect to capture the mood, making it even more so authentic. How accurate such depiction is to actual life in that era perhaps only historians can tell.The real reason for my delay was how much I relished this drama that I didn’t want to simply skimp through the episodes without truly understanding and appreciating every nuance of the story. I researched into Chinese history of the Song Dynasty, in particular during that era, and tried to understand its social ethics and geo-politics.
The period depicted in this drama is a very interesting one, with political turmoil and constant worries of foreign invasion from the north. All these political upheaval and socio-cultural scenes were captured realistically in the drama.
I love the OST of this drama, sung at the end of the episodes. The lyrics (also the Chinese title of this drama) was from a poem by a very famous female poet, Li Qingzhao, during that era. She was a rare breed, not only living in a suppressive environment in the Chinese society, also in the world. Her poems were mostly very free-spirited or of care-free style, something unthinkable from a woman of that era in that society.
It is painful to see how women were oppressed and suppressed in the orthodox conservative Chinese society, and such treatment of women is still prevalent in many modern societies. The glaring injustice in gender inequality is so entrenched in most cultures that it is literally an uphill battle if one wants to change it. Sadly, a lot of the enhancers for the inequality are also women themselves. On the brighter side, the current trend in women liberty is very encouraging especially in the western world. I hope, we will one day, truly achieve equality for all.
This drama is truly a gem, and one deserved to be watched and relished by all.
Two thumbs up. Strongly recommended!
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Complex, Intriguing and Heart-Wrenching
This story is complex and twisted, but at the same time intriguing and heart-wrenching. The plot is initially very hard to understand, as I have felt I needed 10 brains to dissect and digest the story. The journey to discovering and finally understanding the plot is littered with blood and romance, love and hate, trust and betrayal, friendship and animosity. The story telling and the acting are amongst the best in recent dramas.Yu Sifeng (Cheng Yi) is a son of a human mother and Golden Bird race which disguises as a cultivator sect wearing masks. He's the top disciple of the sect and his biological father is the sect leader. Their masks are never to be removed but somehow Yu Sifeng's mask is removed by Chu Xuanji (Yuan Bing Yan aka Crystal Yuan). This is their 10th lifetime meeting each other. For his past 9 lives, Yu Sifeng has loved and been devoted to Chu Xuanji but dies in her hands or under her who doesn't even know of his love and devotion. In this tenth lifetime, she finally falls in love with him but he's now a Golden Bird that is considered demonic and persecuted by the cultivation sects. The couple goes through a lot of trials and heartaches, especially for Yu Sifeng. In every episode from beginning of the drama till the end, he suffers enormous pains, both physically and emotionally, and each time, his love and devotion for Chu Xuanji never wane. Their love story and romance are beautiful and heart-wrenching. All the viewers' hearts go out to Yu Sifeng because of his sufferings and committed devotion to Chu Xuanji. As the story develops, we begin to see this is only part and puzzle of the overall plot. Who is Chu Xuanji? Who is Yu Sifeng?
Cheng Yi’s acting is fabulous. As Yu Sifeng, he’s quiet, patient and reserved but compassionate and passionate. He’s the kindest being ever, protecting others and sacrificing himself. He’s always the last to speak and endures all the mistreatment others throw at him. His face is always emotionless and leaves everyone guessing what he is thinking. And yet, Cheng Yi speaks with his emotions. The viewers can feel his agony, torments, despairs, pains, resignation and anger. With Chu Xuanji, he is always patient and forgiving. He loves her so much that viewers can feel his affection by how he looks at her, so tenderly and lovingly. Cheng Yi delivers 100 percent of Yu Sifeng to the viewers.
Yuan Bingyan’s portrayal of Chu Xuanji is close to perfection. She is beautiful and young with a naïve and innocent look. Time and time again as Chu Xuanji, she hurts and torments Yu Sifeng, either unintentionally or intentionally, physically or emotionally, and then she would return to him to help him heal, only to throw him back into his misery again. However, when the lives of those she loves are threatened, she changes into a fearsome warrior that is completely different from that silly young girl. Yuan Bingyan is very believable as Chu Xuanji and has had a great performance.
Other cast members are equally impressive in their acting. I’m particularly impressed by Bai Shu’s acting as Teng She; the way he talks and slithers, exactly like a snake which he has transformed from.
The CGIs in this drama are not too bad. The backgrounds are pretty well done. I love the golden wings that come out from Yu Sifeng. They’re so beautiful and look so authentic, and Cheng Yi’s acting blends right in with the wings naturally as if those are part of him. I absolutely love those ethereal visuals of him.
Of all the three realms – heaven, underworld, and mortal world, both Yu Sifeng and Chu Xuanji want to live in their current lifetime in the mortal world – as they put it, it’s great to be humans. The endings are satisfactory to most viewers with all characters having proper closures, the deserving awarded and the villains redeemed.
Despite its length of 59 episodes as I was hesitant initially, this drama is a great watch that tugs at our hearts. I have truly enjoyed the journey. Strongly recommended. Two thumbs up!
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Tears, Humor, Love & Stunning Looking Actors
After a hiatus of more than a year from watching dramas, I was eager to dive into something captivating. Fangs of Fortune caught my eye, largely because I’ve enjoyed Neo Hou’s performances in his previous works. All the stunningly good looking main cast members have also attracted me. However, the 4.9 rating on Douban gave me pause. Still, knowing how meme bots, stealth accounts and contemporary competing dramas can skew ratings hence opinions in today's world, I decided to take the plunge.I’m glad I did. For the past two weeks, I’ve been immersed in a breathtaking journey with a group of closely knitted friends who love and trust each other, and willing to die for each other. Almost 100% of the dialog time between our main characters, the actors have tears streaming down their faces as the writer(s) and directors try to capture viewers' heart. The sheer volume of tears is astonishing—this is, without a doubt, the most tear-filled series from the actors I’ve ever watched. It felt like every conversation started and ended in tears, to the point where crying became so normal that it lost its emotional impact on me.
Storyline
The plot is surprisingly compelling. It revolves around a love story between a demon who has a conscience and a human girl, exploring themes of redemption, transformation, and the power of love. Another human who vows vengence against the demon, but becomes empathizing with the demon as he turns into one himself. The story takes the characters through harrowing trials, strengthening their bonds and forcing them to grow amidst relentless antagonists who seem nearly invincible.
If not for the hints of romance between the demon and the girl, viewers might mistake the dynamic between the two male leads for a bromance, which is one of my most enjoyable moments. It's heartening to see a deep confidant friendship between the two main male characters.
While the central narrative relies on familiar xianxia tropes, the journey itself is engaging. The characters' struggles, setbacks, and triumphs create a tapestry of perseverance and emotional growth.
The Characters
I thoroughly enjoyed all the characters, but I was particularly drawn to Zhu Yan/Zhao Yuan Zhou (Neo Hou) and Zhuo Yi Chen (Tian Jia Rui). Their interactions are captivating, and the chemistry between them is both endearing and compelling. Despite Zhuo Yi Chen's vow to kill Zhao Yuan Zhou for vengeance and Zhao Yuan Zhou's desire to sacrifice himself for redemption, their emotional struggles are portrayed so authentically that viewers can't help but be moved as their relationship evolves into a deep bond of mutual understanding and trust.
Although Wen Xiao (Chen Du Ling) is a main character meant to complement Zhao Yuan Zhou, her role feels comparatively weak, ultimately overshadowed by the more dynamic presence of Zhuo Yi Chen.
I also found myself appreciating the character of Li Lun (Yan An), despite his role as the antagonist. His character elicits a complex mix of emotions—hatred intertwined with pity—as his tragic backstory gradually comes to light, adding depth and nuance to his character.
Performances
The acting is another highlight. The young cast is talented, particularly the two male leads, who deliver strong performances and exhibit great potential for their careers. The ensemble cast is full of visually striking actors, making even the villains such as Li Lun, Fei, Ran Yi, Cheng Huang etc charismatic and memorable.
Dialogue and Humor
The dialogue is often predictable and at times even childish, but as I settled into the story, I began to find its quirks endearing. There’s a paradoxical charm in the light-hearted humor that surfaces during dire situations. The rivalry between the two alpha male leads, for instance, injects a layer of amusement as they constantly try to outdo each other and earn approval, eliciting genuine chuckles from viewers.
Visuals and Special Effects
As is typical of xianxia dramas, the fight scenes are fast-paced and visually dazzling, with special effects that are remarkably well-executed. The visuals are well polished, and the characters, even the demon antagonists, are stunningly portrayed. With the flip of a coin, the pace slows, allowing viewers a moment to catch their breath. These slower, dialogue-heavy scenes often unfold with an abundance of tears from our characters, adding an emotional weight that permeates the narrative.
Music
As a fan of Chinese historical music, the OST is a major draw for me. The songs are beautiful, especially Zhao Yuan Zhou’s character song which is my favorite. The lyric is deeply moving and capture the essence of the character, allowing listeners to visualize the emotions and scenes of the character even without context.
Ending and Final Thoughts
Like many dramas in this genre, Fangs of Fortune doesn’t shy away from bittersweet endings. Some beloved characters meet untimely fates, which might leave viewers with heavy hearts. If you’re someone who gets attached to characters, prepare for an emotional rollercoaster.
While there are occasional editing flaws—some scenes feel out of sequence or poorly spliced—the drama overall is enjoyable. If you can handle a few heartbreaks and a steady stream of tears, Fangs of Fortune is worth your time.
Two thumbs up! Great watch! Don't miss this great drama!
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大道无为 (Dàdào wúwéi) For The Noble Deeds
Since “Nirvana In Fire”, I have dreaded watching a grown-up Wu Lei (he was only 15/16 in Nirvana In Fire) because I fear his grown up image may ruin my fond memory of the juvenile Wu Lei as the Fei Liu (Nirvana In Fire) character. To my pleasant surprise, Wu Lei has grown up into a fine young man with a chiseled good look. Together with Dilraba who doesn’t seem like an ideal partner in the beginning, this drama has taken me by surprise and totally out of my expectation.Adapted from a manhua (comic), the story begins at the Xuanwu Gate incident in 626 during the Tang Dynasty when Li Shimin assassinated his brother the Crown Prince, Li Jiancheng, and his younger brother, Prince Li Yuanji, and later became the emperor (Emperor Taizong) himself. This story is based on real historical events and people, interjected with fictional characters and incidents. The story is captivating, nail-biting and well told. The fictional parts fit in perfectly with the actual historical events.
Li Changge is a fictional character whose father was the Crown Prince assassinated by Li Shimin. She vows revenge. Her quest takes her through the plains to the steppes. She meets friends and foes. She loses ones she loves and meets new ones. Ultimately, she finds the love of her life whom she would sacrifice everything to be with.
Both Dilraba and Wu Lei were not on my favorite actor list. I also didn’t think very highly of the matching of the couple. I was so wrong. Here in this drama, both are amazing, in their acting and their styling. As Li Changge, Dilraba is strong, tough, decisive and strategic without the cringe-worthiness which I have always associated her with. The two strands of her hair become her trademark and is very pleasant to watch but criticized by some viewers. Whether dressed as a man or as a girl, Dilraba is beautiful and her acting is convincing. Wu Lei has an aura of a man with few words but a lot goes through his mind at every instant. As Ashile Sun, he’s extremely charismatic and authentic, looking stunning in tribal costumes with braids on horseback, fearsome and stunning in war helmet. With Li Changge, their chemistry is wonderful and reassuring.
My Verdict
I love all the characters, friends or foes. Each has a story and the cast is well selected. The acting is convincing and authentic. Some scenes can be heart wrenching and tear jerking. The pace is just right with actions and connivance packed for every episode, making the whole drama irresistible to watch. And the OSTs are some of the best.
Everything looks good until the fighting comes. The substitution of expensive scenes (such as wars) with cheap manhua blemishes this wonderful drama. For me, it hasn’t diminished my pleasure and would have given this a 10/10 had it not been the little blemish.
An absolutely wonderful drama. Highly recommended!
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A Ventriloquist in an Isekai
“Catch Up My Prince” is an isekai story in which the main characters enter into a game world and experience various events including falling in love. The ventriloquist here refers to Liu Yichang’s way of speaking. As this is not a serious historical palace story, the tone here lacks the usual palace decorum. The female lead behaves and speaks just like a modern-day youth, and a Cinderella story whereby a lowly maid becomes a prince consort. It’s quite an enjoyable watch which I had not expected.Lu Ranran (Xu Ruohan) is a young doctor. One day while playing a virtue game in an ancient world, she is somehow trapped in the game world and unable to return to the real world until she completes the task of marrying one of the male characters. In the ancient world, she meets 4 princes. While searching for the one whom she likes the most to marry, she finds herself falling in love with the 4th Prince, Zhao Chenyi (Liu Yichang). Having spent a lot of time with Lu Renjia (Xu Ruohan), Lu Ranran’s character name in the game, Zhao Chenyi finds her different from other girls and begins to fall for her too. However, when Lu Renjia checks her dashboard for the princes’ fondness of her, she finds, while all princes are very fond of her, Zhao Chenyi’s fondness score remains at zero. No matter what Lu Renjia does, his score continues to stay at zero. Out of desperation, she agrees to marry any prince so that she can get out of the game, which she comes to regret and replay the game.
Though not a breath-taking beauty like other more popular actors, Xu Ruohan exudes an aura of modern-day youthfulness and optimism. Watching her feels natural and soothing, and her portrayal of Lu Renjia is lovable and convincing.
Looking cold and indifferent, Zhao Chenyi is actually a romantic and affectionate person. He puts up a front as a playboy so that he can be considered as useless by his enemies and stay away from palace politics. Hidden, he is waiting and planning to avenge his slain teacher together with the teacher’s surviving daughter whom he had rescued. Constantly he faces assassinations from his enemy. To safeguard Lu Renjia and to prevent her from being embroiled in his scheme, he repeatedly rejects Lu Renjia and sends her away to live in his brothers’ palaces so that she can be protected.
Visually, Liu Yichang’s portrayal is very good. Unfortunately, he lacks the appropriate facial expressions especially when he speaks; he is like a ventriloquist, speaking without moving his lips. Having said, I do like the Zhao Chenyi character though Liu Yichang’s performance is lacking.
There are multiple very interesting characters in the story, such as the Crown Prince and his beloved wife, the second prince who is cold and nasty but devoted to the Crown Prince, the eleventh prince who is inventive, playful, pure and innocent, the villain who is in love with Lu Renjia’s best friend, etc. The actors give an impressive performance with their respective roles.
My Verdict
As the story mainly revolves around a game, whatever plot holes there might be, they can be taken as deliberate, just as stop-start and replay in a game. Though not shown for some, most characters face their consequences at the end. Some plots remain open as the game continues even after the drama has ended. Whenever Lu Renjia makes a mistake or gets a result she doesn’t like, such as the death of a character, she presses replay and returns to the point where she could change her choice or the scenario, hence an alternative outcome. In the real world, we don’t have such luxury; when a choice is made, good or bad, we’ll have to face up to the consequence.
A fun and non-serious watch. Recommended for the fun.
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Old Style Wuxia, Best Martial Arts Fighting Scenes
I have always thought Jin Yong’s novels are better read than watched. That's because many of the elements, such as nei gong (內功), qi gong (气功) and qing gong (轻功), are better described in the written form than acted in the visual form, as these could not be shown on screen convincingly without good special effects. Though I love Jin Yong novels, so far, I have not fully enjoyed any of the drama adaptations. The Side Story of Fox Volant (The Young Flying Fox) is totally out of my expectation as the wuxia elements are excellently captured with no CGIs nor apparent camera tricks.Over the years, this novel has been made into various movies and dramas. As with all Jin Yong stories, there is a lot of Jianghu martial arts fighting of various styles. In most today’s wuxia dramas, fighting is normally not the main focus, hence not given much screen time. But here in The Story of Fox Volant, martial arts are the essence. Most of the fighting styles are captured in details with great martial artists executing outstanding fighting choreography. These are some very impressive real fighting skills without too many camera effects as in other dramas. The fight choreography is authentic and stunning.
The story is set in China during the reign of the Qianlong Emperor (r. 1735–1796) of the Qing dynasty. I normally don't like pigtail stories but this drama is exceptional. The actor who portrays Hu Fei the hero, is not your usual young idol with beautiful ethereal looking face. Qin Junjie looks rugged and common, and fits in realistically as the Hu Fei character who is upstanding and carries the noble “xiayi” (chivalry) motto of "路见不平拔刀相助" - drawing the sword to helping those unjustly treated. Unlike Donnie Yen Chi-tan or Bruce Lee, Qin Junjie is not known as a martial artist, but here, his body double (if any) seamlessly weaves into his fighting posture, making the overall fighting scenes very believable. Indeed, all fighting scenes, including the fighting scenes executed by the female characters, are so good and believable.
Apart from Hu Fei, Miao Renfeng (Lin Yusheng) is perhaps the most loved character. Holding his beloved daughter in a bundle in one arm, and wielding a sword in the other hand fending off assassins while the baby is sound asleep, this is perhaps the most iconic image of old time wuxia. His ending may tear many fans, but I say, "Fear not!", for a hero doesn't go down in silence.
Yuan Ziyi is Hu Fei's love interest and a very good martial art fighter with a whip. Together with Hu Fei, they set out to punish the bad and help the mistreated. I love the Yuan Ziyi (Liang Jie) character, but not so much Liang Jie's portrayal because the actor is rather stiff and lack the charisma for the role though she is very beautiful. The way she speaks is also quite unnatural.
Cheng Lingsu is a poison genius master who uses poison to heal and for defense. She is in love with Hu Fei but her love is not being reciprocated and she magnanimously accepts the outcome of their relationship. I find Xing Fei’s portrayal of Cheng Lingsu very good and convincing.
My Verdict
This drama takes a very different style and vibe. It may not appeal so much to the young viewers who may prefer watching their idols, nor appeal to romance buffs who prefer more romance as romance here is very subtle. However, if you are a martial arts buff, you’ll love this drama. As with all wuxia stories, this has a great wuxia philosophy of sacrificing self in upholding justice and righteousness, and that has also become the ending of some of the main beloved characters, to the dismay of many viewers. Most, if not all, of Jin Yong’s stories are very political, this one is no exception. Some of his novels were banned at one time or another (not banned anymore) in China and in Taiwan for political reasons. This story shows the hypocrisy of the government, its tyranny and its atrocities. Many of the depictions still ring true in today’s world. As the three brothers in the Qing guards dodging their duties say, “We don’t try to win, but we also don’t want to mess up”. In other words, "Let's just be mediocre and keep our heads", a satire of the current bureaucratic system.
Great watch! Recommended for martial arts buffs!
TWO THUMBS UP! BRAVO!
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Perfect!
I started watching this series after a long day of work. My cloggy mind didn't allow me to digest the story properly. Heck! I couldn't even distinguish the bearded characters one from another; they all looked alike to me. This was such a heavy drama for me wanting something light and funny to end my day, so I put it aside. Then I read my good friend's, PeachBlossomGoddess's, amazing review. Her articulation and insightful analysis piqued my curiosity and encouraged me to pick this drama up again. I'm glad I did. Since then, there's no one moment that was not filled with heart pounding excitement, suspense and intrigues.The Wind Blows From Longxi is not your normal Chinese historical drama with beautiful faces and costumes, light hearted dialogues or "wirefu" fighting scenes. There are no wuxia elements nor romance here. This drama is heavy, authentic, and fast moving, with vicious killings and amazingly believable combat scenes. The acting is immaculate. The plot is tight with plots within plots, and twists and turns. Every episode is nail-bitingly tensed and enjoyable.
Set in the Three Kingdoms period (220 to 280), some very famous historical figures such as Zhuge Liang, are featured (not main role), with the capital city of Chengdu, and the chants of restoration of the Han Dynasty are repeatedly echoed. The settings, costumes, decorum and some events follow closely the historical records though the main characters are fictional.
I have thoroughly enjoyed this drama. This is a must-watch for history buffs and anyone who loves spy stories and espionage, and values authentic acting and believable settings with great plot.
TWO THUMBS UP!
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Grace and Kindness Beat All Evil
“Ni Chang” is my 4th drama in a row with a weaving and/or embroidery theme. For the main leads, I only know Bi Wen Jun from “In A Class of Her Own”, and I have never watched any of Li Jia Qi (aka Nicky Li)’s work. The first episode with an amnesiac Luo Wang (Prince of Luo), a cute energetic little girl with an amazing business acumen, and a big sister disguises as a big brother shouldering the burden of a family business and household, have pulled me into the story and I have come to enjoy it very much.What seemingly a light fluffy romance drama turns into a dark, murderous watch with multiple villains that are corrupt and continue to break the law with impunity. The plot propels the story, giving viewers a fast growing up Ni Chang (performed by Li Jia Qi) after she loses everything and becomes a fugitive, and a free-spirited leisurely prince (king), Quyang Ziyu (performed by Bi Wen Jun) who develops into an important official that brings fairness into the palace supply system.
I love the determined, indefatigable and quick-witted Ni Chang. Despite her devastating loss, she remains kind and unselfish that wins her many friends. Many kind hearted female characters portrayed in dramas tend to be gullible, but not Ni Chang. She is smart and not easily cheated. Li Jia Qi may not have the face of a beauty pageant queen, but she grows on viewers. Her character becomes stronger and stronger throughout the story - she is cute and playful as the juvenile Xie Xiao Ni, and later develops into a stoic Ni Chang who is not afraid to face her greatest challenges. Her acting is convincing and she has great chemistry with Bi Wen Jun.
As Ouyang Ziyu, Bi Wen Jun brings his free spirit charisma from “In A Class of Her Own” to this drama. Tall and good looking, Ouyang Ziyu’s love for Ni Chang is unselfish and inclusive, contrasting to Su Wen Yu (acted by Will Song)’s imposable and selfish love which Ni Chang detests. A good businessman himself, Ouyang Ziyu is prepared to give up everything, including his princely title, to be with Ni Chang. He helps her grow, placing her needs in front of everything else. Bi Wen Jun gives viewers a very relaxed feeling, unrestrictive and yet confident in everything he does; he is very believable.
Come the villains. Yan Wen Xiu (acted by Sun Jia Lu), Yuan Dao Cheng (acted by Li Yu Xuan) and that official Gao guy with a giant mole, are vile, blatant, hideous and despicable. The actors’ performances are so good that these characters really turn the viewers’ stomachs and we all wish them dead with no regrets. Every step Ni Chang takes, Yan Wen Xiu is there to harm her, but each time Ni Chang comes up winning, though not without the sacrifice of others who have come to her protection.
My Verdict
This is an easy to watch and to follow drama with clear logic and flow, and yet packed with heinous antagonists with hideous motives in the open. Everything is pretty straight forward in black and white. The ending concludes very well with all ends tied – the good is rewarded and the bad punished. In fact, the climax ends in episode 39, and episode 40 devotes to new life for all our protagonist characters, with a hiatus of two years for our main leads in order to completing their personal missions – Ni Chang to rebuild her family business and Ouyang Ziyu to revamp the government system making it transparent and fair.
This is a drama transient with grace and kindness, and that enables our characters to find their common grounds. A sweet drama for all in the family. Don’t miss it!
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A Revenge Story with Mystery That Keeps You Watching
At first, I thought The Legend of Zang Hai would be a treasure-hunt adventure, something like The Mummy (1999)—especially with a name like "Zang Hai" setting that kind of expectation. But it is actually a revenge story packed with political scheming. It tries to be Nirvana in Fire with all its twists and layered revenge plots, but the writing isn’t as tight or compelling. There’s also a romance subplot meant to soften the main character’s hardened heart, but it’s… divisive. Some viewers hate it, saying it feels forced and unnecessary, while others want more, complain it’s not developed enough.The Story
When Zang Hai was a kid (around 10 years old), his entire family—all 14 of them—was murdered over a forbidden artifact called the Ghost Seal. Apparently, this thing can raise an undead army, so of course, everyone wants it. His father hid it, and even when the villains slaughtered his family to force him to talk, he never gave it up. Young Zang Hai (then called Zhi Nu) witnessed the whole thing from a hidden tunnel.
Later, a masked man rescues him, sends him to a secret sanctuary, and has his face altered so no one recognizes him. From then on, he’s raised with one purpose: revenge. The masked man constantly feeds him names of his enemies, and by the time Zang Hai grows up, he’s laser-focused on vengeance.
Fast-forward ten years—he returns to the capital, climbs the political ladder with insane speed (becoming a high-ranking official in just a year), and starts taking down his enemies one by one. Just when he thinks he’s finished, the masked man drops a bombshell: there’s a third killer involved.
Characters & Acting
Zang Hai (Xiao Zhan) is a genius—strategic and great at puzzles, always ten steps ahead of his enemies—but he also makes mistakes, which makes him a character with flaws. Xiao Zhan’s performance is solid, but I’ll be honest: I didn’t fall in love with his character (or him, for that matter). And that’s saying something because he’s usually one of my favorites! Surprisingly, the one who stole my heart was young Zang Hai (Zhi Nu), played by the incredibly talented child actor Jiang Rui Lin. He brought so much intelligence and curiosity to the role—way more charm than the adult version.
Then there’s Xiang An Tu (Zhang Jing Yi), a princess from Dong Xia sent as a hostage. Secretly, she runs a tea house that doubles as a shelter for women in need. She falls hard for Zang Hai, and though he’s cold at first, she eventually wears him down. Zhang Jing Yi does a decent job, but like with Zang Hai, I wasn’t blown away by either the character or the acting.
The real standouts? The villains. Huang Jue as Zhuang Lu Yin and Xing Min Shan as the creepy eunuch Cao Jiang Xian are fantastic. Their performances are so gripping, they almost make up for the weaker leads.
Final Thoughts
The biggest hook for me and many viewers was guessing the identities of the masked man and the third killer. Even by Episode 33, the show keeps viewers in the dark—is it the Emperor? the Dong Xia Queen? Deputy Minister Zhao? That other eunuch, Sun? The theories on MDL are wild, and the debates are heated.
Speaking of heated—Xiao Zhan’s fans are… intense. Some can’t handle any criticism of him and attack anyone who isn’t completely obsessed. Look, I get loving an actor, but it’s just a drama. We should be able to discuss it without turning it into a battlefield.
A lot of viewers dropped this show as it went on, and I get why. The writing isn’t always strong, and some performances are just okay. But that mystery—who’s behind everything?—keeps people watching.
The Legend of Zang Hai doesn’t come close to Nirvana in Fire (which had way more compelling characters and tighter storytelling), but it’s still an entertaining ride. Not a blockbuster, but a great watch!
Strongly recommended!
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Great Acting, Boring Story, Not Really a Sequel
Though anticipated, the ending of “One and Only” gives the viewers tears and broken hearts. Most have been waiting anxiously for its sequel “Forever and Ever” which is believed to have a happily-ever-after ending that is needed for closure. This drama (“Forever and Ever”) is originally a story about karma and reincarnation but as the Chinese government bans the reincarnation subject in all drama productions, this essential element becomes subdued, if not totally eliminated, rendering a great shift of the story away from its original work.From the beginning, our main couple from “One and Only” meets and gets married, almost instantly in their modern lifetime. For three quarters of the drama, viewers are shown a chronicle of daily life of the newlyweds, with a hint of something nefarious lurking beneath what seemingly a blissful life. As much as I love watching the love development of the couple, I find the over extension of love play rather boring had it not for the exquisite ancestral home and antiques hidden in a tranquil city. The daily life of the inhabitants of such a traditional home with complicated extended family members, is a reminder of how some large Chinese families still live today - with a lot of useless protocols and mindless burdens. The plot thickens slightly from episode 23 on, but still takes a leisurely slow pace till the end.
Many characters in the drama are said to have reincarnated from its prequel “One and Only” which is supposed to have taken place some 2,000 years ago. However due to the censorship, all the character links are downplayed or totally non-existent, except for some weak inklings for the main couple Zhou Sheng Chen (Ren Jialun aka Allen Ren) and Shi Yi (Bai Lu); they retain the same names in both dramas. Had it not been the repeated mention of the Xiao Nancheng Wang (Prince Nancheng Junior) in the FL’s voiceover project, there is really nothing linking the two dramas until the last episode when Shi Yi describes her dream which is also the story of “One and Only”. Not totally brilliant, but at least it manages to tie the 2 stories at the end (well, kind of).
Zhou Sheng Chen is a prodigy and a chemistry researcher working in a university in Germany. He returns to China to try salvage his family’s declining traditional businesses that are being run to the ground by his younger brother. His mission is to promote traditional crafts and to ensure their sustainability in modern times. As the oldest son in the family, he is entrusted the family inheritance and all the baggage that comes with it, with a caveat that he has to first get married, as stipulated in his father’s will. As a hermit, Zhou Sheng Chen doesn’t date nor know any eligible girls for marriage. Comes Shi Yi. He figures he could make do with her. Little did he expect himself to fall in love with her so deeply, and for her, she has known the name Zhou Sheng Chen from her work and falls in love with him when she hears his name mentioned, which to me, is a rather weak explanation.
Zhou Sheng Chen is passive, bashful, unromantic and uneasy with public intimacy. You can say he makes a very boring boyfriend as he doesn’t really know how to reciprocate a kiss, a hug, or any romantic play. But then again, romance, like beauty, is in the minds of the beholders. Many readers are angry over the adapted character as they claim the original Zhou Sheng Chen has a much more forceful and proactive personality in the novel. Many even lash out on the actor for changing the character or for not portraying it right or even for poor acting. I have not read the book but from my understanding of the adaptation, I find Ren Jialun delivers 100% of the Zhou Sheng Chen character in the drama. He captures every nuance in his every hesitation, embarrassment, bewilderment which is so real and so authentic, and very appropriate for the adapted character traits.
Bai Lu is natural and beautiful. Her portrayal of Shi Yi is commendable. As for her chemistry with Ren Jialun here, I find it not as great as in the prequel “One and Only” despite there is hardly any intimacy in the earlier drama as compared to the more kissing and touching scenes in this one. Understandably, as “Forever and Ever” was made before “One and Only”, this may explain the slight missing spark.
My Verdict
Not having read the novel, my expectation is quite different from what is delivered here. Perhaps I had expected a more arduous journey for our characters to find each other, and to overcome multiple challenges and tests - the usual drama stuff which may be less realistic. Here, the story is very realistically portraying life of very traditional big and complicated Chinese families with undesirable feelings and occasionally unfortunate events taken place.
The two dramas, “Forever and Ever” and “One and Only”, don't really connect to each other except for the repeated references to the historical one by Shi Yi in her work and finally in her dream. Initially there seems to have no plot and no story, merely a chronicle of the daily life of a couple. The overall plot is rather subtle and only in the last 8 episodes, it becomes more apparent, making the story realistically ordinary.
I love how artistic and poetic the whole drama is, from the poems to the antiques, to the traditional crafts passed down for generations, encapsulating the overall Chinese culture and treasure we want to preserve.
A drama well made and deserved to be loved.
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Convoluted, Great Plot, Great Scenes
This could have been an intriguing watch had it not been the senseless editing, cutting from 70 to 36 episodes; the drama should have been made into a 2-season series. As it is, many scenes are cut relentlessly, rendering it confusing and disjointed with new characters popping up out of the blue. Without proper background and explanation, the characters seem to be god-like, knowing everything in advance. Having said this, I have enjoyed the overall story.The Story
Two brothers of royal blood fall in love with the same girl. Due to a misunderstanding, the girl marries the older brother who later becomes the emperor and she becomes the empress. As always with palace politics and harems, the empress is poisoned and died, but not before her soul and memory switch with her younger sister’s. Though her body has died, she lives in her sister’s body and vows for revenge. As her younger sister, she meets the younger brother of the Emperor and both fall in love with each other.
Had the story played out as described, it's pretty straight forward and easy to understand. However, this is not it. When Yao Moxin's and Yao Mowan's spirits switch, it appears that Yao Mowan's memory still partially remains within her body. Then the confusion arises: who has fallen in love with Ye Junqing, Mowan or Moxin? It's unclear until towards the end when Mowan confesses that she is indeed Moxin who has fallen out of love with the Emperor due to his evil deeds, and in love with Ye Junqing after all the years of yearning for her. Their love for each other is unmistakable and their bond is enviable.
The Acting
The overall acting is commendable. As having a more mature face, acting as a naïve and funny girl may be a tough sell for Li Mo Zhi portraying Yao Mowan, but as the consort whom she later becomes, she’s perfect – stunningly beautiful, regally elegant and poised. Cladding in dark red garments and somber, she exudes a fearless badass aura and commands respects from all including her enemies. I applaud Li Mo Zhi for her amazing acting.
Chen Zhe Yuan’s acting here renders me speechless as well. As Ye Junqing, he is tormented for the loss of his true love whom he can only view from afar. The yearning and heartache distinctly exhibit on his face and are felt by the viewers. Though having a baby face giving viewers the impression of a very young actor (Chen Zhe Yuan is in fact very young), Chen Zhe Yuan’s acting is mature. He’s able to capture all the essence in his character and has given a wonderful performance.
I must also applaud Zhang Junning (aka Johnny Zhang)’s performance. As a dark, insecure and angry emperor in Ye Hongyi, he is perfect. Good looking and yet devious at times, viewers can totally feel his inner torments and come to empathize with him and at the same time, despise him.
My Verdict
I have really enjoyed this story despite its seemingly randomness and disjointed editing. It doesn’t only just have the usual palace politics and harem fights, it also has dark supernatural witchcrafts as in spirit swapping and face changing, among others. Viewers can never be certain who they are watching and if the characters are who they say they are. Though with all the usual tropes such as memory loss, falling off cliff etc, the production is impressive with good sound effects, epic battle scenes with thundering war horses and soldiers, thick plot with twists and turns, lovable characters, wuxia, great CGI and more.
Though I can’t say this is a must-watch because of the poor editing, this production deserves some praises for its plot and acting, and a very satisfactory ending that viewers love.
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Witty, Humorous and Happy
Set in the Song Dynasty, Perfect Match follows the unwavering Madam Li as she embarks on a singular mission: securing the best possible husbands for her daughters—no matter what it takes. Widowed and left to raise five daughters, a son, and an adopted daughter on her own, Madam Li’s resilience is tested time and again. Tragedy strikes when her young son vanishes after an accident, leaving his fate uncertain. To make matters worse, the family is ruthlessly stripped of their home and possessions by greedy relatives.Rather than succumbing to despair, Madam Li instills in her daughters a sense of unity, independence, and fearlessness—qualities rarely seen in women of their time. Her daughters grow into strong-willed, capable young women, standing in stark contrast to the traditionally meek and homebound women of the era.
Determined to rebuild their lives, Madam Li moves the family to Bianjing (Kaifeng), the capital city, where they start anew. Together, they establish an eatery directly across from the most prestigious restaurant in town. With each daughter contributing her unique skills, their business flourishes, proving that perseverance and family unity can overcome any hardship.
A Mother’s Role in Marriage
In ancient times, a parent’s duty extended beyond raising children—it included arranging advantageous marriages. Madam Li is no exception. However, unlike many parents of the era, she carefully selects husbands who will not only elevate the family’s status but also truly cherish her daughters. The daughters, though dutiful, are not passive in this process; each love story unfolds with mutual admiration and heartfelt connections.
The drama weaves together these individual love stories with humor, charm, and intrigue. As one couple’s journey concludes, they gracefully step into the background, allowing the next romance to take center stage. This seamless transition keeps the narrative fresh and engaging throughout.
Characters and Performances
I have no complaints about the acting—everyone delivers their roles convincingly, and I can’t get enough of the main characters.
Madam Li (Ni Hong Jie) – The Unyielding Matriarch
Madam Li is an extraordinary woman for her time—fierce, shrewd, and devoted to her daughters. Having lost everything to greedy relatives, she rebuilds her life through sheer willpower and business acumen. Despite being known as a "shrew" in her neighborhood, her daughters adore her, returning home often for family reunions—an unusual dynamic in a time when married daughters rarely visited their maternal homes. Their bond is a testament to her unwavering love and sacrifice.
Shou Hua (Liu Xie Ning) – The Strategist
The eldest daughter, Shou Hua, is a widow—intelligent, reserved, and deeply thoughtful. A natural strategist, she offers wise counsel to her sisters. She agrees to remarry as per her mother’s wishes, and fate rewards her with Du Yang Xi (Chen He Yi), a brilliant scholar who tops the imperial examination and rises to prominence as a government official.
Fu Hui (Wu Xuan Yi) – The Matriarch-in-the-Making
Married into a wealthy family, Fu Hui’s husband, Fan Liang Han (Huang Sheng Chi), is naive and childlike, often yielding to her authority. Despite living under her in-laws’ roof, she establishes herself as the true head of the household.
Kang Ning (Lu Yu Xiao) – The Sharp-Tongued Twin
Kang Ning, twin to the lost brother, is quick-witted with a razor-sharp tongue. She clashes with Chai An (Wang Xing Yue), a proud and cunning businessman who owns the rival restaurant across the street. Their fiery banter and stubborn personalities make for an entertaining and endearing romance.
Hao De (Ke Ying) – The Pure-Hearted 4th Child
Unlike her outspoken sisters, Hao De is kind, naive, and sincere. She falls for Shen Hui Zhao (Liang Yong Qi), the stern and incorruptible magistrate of Kaifeng. With numerous enemies plotting against him, Shen vows never to marry, fearing for his wife’s safety. However, Hao De’s unwavering honesty and warmth gradually melt his icy exterior.
Le Shan (Huangyang Tian Tian) – The Fearless Youngest Daughter
Le Shan despises the powerful who prey on the weak. Ironically, she ends up marrying Yang Xian (Winwin), a wealthy man she initially detests. Over time, she discovers his hidden vulnerabilities, and their rocky relationship gradually evolves into a deep and meaningful bond.
The Sons-in-Law Alliance
One of the most enjoyable aspects of Perfect Match is the camaraderie among the sons-in-law. They form their own alliance, frequently gathering at Chai An's restaurant to strategize, support one another, and solve both family and external conflicts. It is deeply satisfying to watch a group of intelligent, upstanding men work together, balancing their individual strengths to navigate the challenges that arise. Their interactions add depth to the drama, showcasing the importance of partnership—not just in marriage, but in brotherhood as well.
My Favorite Son-in-Law: Shen Hui Zhao
Among all the sons-in-law, Shen Hui Zhao stands out as my favorite. As the eldest of the group, he embodies righteousness and unwavering integrity. In court, his cold, unreadable demeanor strikes fear into wrongdoers. Yet, in private, his subtle smirks reveal a hidden tenderness, making his character all the more compelling.
My Favorite Couple: Le Shan & Yang Xian
Every couple in this drama is well-matched, but the most intriguing transformation belongs to Le Shan and Yang Xian. Initially despised by everyone—including the audience—Yang Xian evolves into a devoted and responsible husband, while Le Shan matures into a woman who learns to love and respect him. Their journey is one of the most satisfying arcs in the series.
Final Thoughts
Perfect Match is a refreshing, witty and heartwarming drama. It is not a mindless comedy, but a story of resilience, love, and familial strength. Despite the hardships the Li family endures, they stand united, facing challenges with intelligence and unwavering support for one another.
With the addition of their capable sons-in-law, the family gains even more strength, proving that love and partnership can be powerful tools against injustice. Amidst crime, danger, and false accusations, they emerge victorious, stronger than ever.
If you enjoy well-written dramas with intelligent humor, compelling romances, and strong female leads, Perfect Match is a must-watch.
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