I hate the ML's big brother for not attempting to make amends at all when he was the who left the ML. I hate that…
It seems like something ominous might have happened to him as a kid. The brother was so distracted about the father’s release/ ML seems to be under the impression he has no family.
Low key gives me Castaway Diva vibes (the ML’s backstory I ,exam).
One of my acquaintances told me they completely ruined this with the use of AI. Is that true? Is it ruined?
Honestly didn’t notice anything off putting personally. The story itself seems rather promising so far and the MC is good. The child having AI characteristics didn’t really alert me (then again, I don’t really focus on this area unless it affects the drama ambience which wasn’t the case in ep1).
Just wait and watch the following episodes and you'll know more about them and their story... instead of judging…
Sang Yan’s sister explains his obsession quite nicely honestly. Life was easy for Yan before he met Yifan. Losing her, crushed him - specially since he didn’t know why (even after stalking her for years). If their “breakup” back in high school wasn’t so dramatic, he probably wouldn’t have been this intense🙈
Yifan’s lovely too, was the source of his inspiration, and was able to match his sass in her own awkward way so in a way, it’s not really a surprise why he didn’t really even try.
The Princess Royal (cdrama)- difference is that the MC will join forces faster than the other 2 dramas recommended above by Juhi.
"Prisoner of Beauty", "Are you the one" and "The Story of Kunning Palace" are also kind of similar (not exactly the same but they low key have similar misunderstandings stemming from secrets to a certain extent)
I think next time I watch a series, I'll just avoid the comment section. I know everyone has different tastes,…
This is so true. I expected the worst after reading all the comments but it was surprisingly interesting. I was in it mostly for Do Rami but the rest of the characters and how they reacted made sense once it’s clear this isn’t a typical romcom like what was teased in the initial teasers (I haven’t watched the extended trailer/ didn’t read the summary before starting so wasn’t aware of the twist).
My instinct was right on target the first time that it was Hyejoo! I was completely over analyzing it lol! Too…
She was initially planning to leave the country with Laik but because he refused she had no choice but to leave alone -her father(?) made it clear that she had to leave in an episode. Now knowing what happened after their breakup, it's understandable why she didn't dare to throw a tantrum with the father.
I'm on episode four, but getting a bit creeped out by the fan girling being done by the lawyer/FL. It's weird…
It's not just the fact that he was in a relationship at point, it's the fact that he had denied it to his fanbase. Kind of like when a close friend denies a fact and it later is proven- only the feeling of "betrayal" is more intense here🙈
The K-idol world is wayyy too complicated for non fans😅. What seems strange/ overstepping boundaries to us isn't as black and white to them. Personally I still don't get the logic behind it but at least it's nice to see that more recent artists are willing to face their fanbase with logic instead of accepting the worshipping mentality 🙈
To those who are left confused by her father's retrial-Sena proved in court that the prime witness who spoke against…
This makes sense. The only focus on her past was on proving her father's innocence and making sure Kwak Jr learns a lesson for practically ruining her life over his father's 💩 verdict.
She gracefully accomplished both objectives so there's nothing further required.
knowing who the killer is now makes so much sense lol but its just not written well like their fingerprints was…
Seeing how even in real life artists are used as scapegoats whenever the government wants to distract the public/ make an example, it's sadly not that surprising.
I did like how Idol I used it's platform to showcase how tough things can be behind the glitz 🥲
Maybe is the Prime and Netflix effect. I saw a documentary named How Netflix destroyed Kdramas for ever by Asian…
It's just a difference in opinion.
Hollywood has it's flaws and can be overrated but assuming that Asian entertainment wasn't raunchy/ reprehensibly violent or didn't use frills before Hollywood "infected" it is a bit too simplified. In fact it can be even worse like with Oldboy (2003 K-movie).
Personally one of the things I really liked about this drama was CMH and Yong U's friendship. They were so wholesome together. Even better, there was no unnecessary pining from his end for her unlike the recent trend we've been getting. In fact partnering him up with the expected rival was a relief since that was one less headache to worry about.
ep 6: wait what happened in the last few scenes ????im confused af.......she confesses that she likes him but…
My intepretation was that eventhough Ju liked Cha Mu Hi alot, he wasn't at a place where he could handle her erratic behaviour? He'd just recovered from a very long and messy one sided love afterall and with all the Do Rami drama, it might have been too much for him?
(There could have been some context lost in translation too though)
Maybe is the Prime and Netflix effect. I saw a documentary named How Netflix destroyed Kdramas for ever by Asian…
I was referring to the comment you mentioned on how all Disney plots are always evil, hopeless, and dark. While Disney+ does have a lot of dark themed plots that end in an ominous note, there are some positive dramas too.
The dramas I suggested are considered as Disney+ originals but their genres are not connected to violent horror/ thriller.
"Call It Love" for instance is about 2 introverted/ socially awkward/ burnt out adults learning to love again. Some found it slow and slightly melancholic in the beginning but I personally loved the poetic side of the MC's story. The fact that they purposely used a pink hued filter to simulate them being in their "lavendar haze" phase was an interesting choice.
I agree that S*x violence and school violence in kdramas at first did surprise me but honestly after reading a lot of real terrible cases that were unfotunately mishandled by their justice system (IMO), I'm no longer surprised why more kdramas cover this topic now.
I'm not really into horror / violent genres so haven't really come across many awful MLs so you probably know more than me on this.
I'd say redeamable morally grey MLs are trending right now globally (beyond Hollywood) so writers are trying to make the most out of it while it lasts?
Kim Jae Yeong doing that little smiley scrunchie face while she's trying to buy merch has completely erased whatever…
lol even I felt the same - there’s just something so irresistibly charming in the way he kept trying to get her attention…you just forget about everything else🙈
Low key gives me Castaway Diva vibes (the ML’s backstory I ,exam).
Yifan’s lovely too, was the source of his inspiration, and was able to match his sass in her own awkward way so in a way, it’s not really a surprise why he didn’t really even try.
"Prisoner of Beauty", "Are you the one" and "The Story of Kunning Palace" are also kind of similar (not exactly the same but they low key have similar misunderstandings stemming from secrets to a certain extent)
Jae Hee : Sorry I blamed you for WS’s death/ lost my cool with you and nearly broke the band for good
Laik : Sorry my unstable ex murdered WS and tried to pin it on you/ almost murdered you.
Jae Hee : Bros? 🥺
Laik : Bros 🥹
*Meng Sena and Youngbin cheer in a corner🥳*
The K-idol world is wayyy too complicated for non fans😅. What seems strange/ overstepping boundaries to us isn't as black and white to them. Personally I still don't get the logic behind it but at least it's nice to see that more recent artists are willing to face their fanbase with logic instead of accepting the worshipping mentality 🙈
She gracefully accomplished both objectives so there's nothing further required.
I did like how Idol I used it's platform to showcase how tough things can be behind the glitz 🥲
Hollywood has it's flaws and can be overrated but assuming that Asian entertainment wasn't raunchy/ reprehensibly violent or didn't use frills before Hollywood "infected" it is a bit too simplified. In fact it can be even worse like with Oldboy (2003 K-movie).
(There could have been some context lost in translation too though)
The dramas I suggested are considered as Disney+ originals but their genres are not connected to violent horror/ thriller.
"Call It Love" for instance is about 2 introverted/ socially awkward/ burnt out adults learning to love again. Some found it slow and slightly melancholic in the beginning but I personally loved the poetic side of the MC's story. The fact that they purposely used a pink hued filter to simulate them being in their "lavendar haze" phase was an interesting choice.
I agree that S*x violence and school violence in kdramas at first did surprise me but honestly after reading a lot of real terrible cases that were unfotunately mishandled by their justice system (IMO), I'm no longer surprised why more kdramas cover this topic now.
I'm not really into horror / violent genres so haven't really come across many awful MLs so you probably know more than me on this.
I'd say redeamable morally grey MLs are trending right now globally (beyond Hollywood) so writers are trying to make the most out of it while it lasts?