scenophile

Wow.

Wow. As someone who's had a lot of trouble getting into historical dramas, I found myself going into this one with a bit of hesitation, but it ended up hooking me and never letting go.

This drama balances romance and royal politics perfectly — there's elements of the show that are extremely romance kdrama-esque (you know, the slow motion falling, the silly misunderstandings), but the story still chugs along, all while keeping the tone very consistent.

I'm also just completely floored by the chemistry between the leads. Fantastic performances all around, and this drama reminded me just how great it is to see ACTUAL YEARNING on my screen.

There are some subplots that I found a little too long, or weird ones (like that tiger one lol) but ultimately, I found the show very cohesive and enjoyable.

On the ending...I was also a little nervous knowing the 17th episode was added later, but it really felt perfect to me. The pacing made sense, and it managed to come full circle while still letting the viewer do some of the lifting. Just a stunning show from beginning to end.

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Sweet, but

This was an extremely sweet movie and it really hit the right notes to get the feeling of nostalgia and youth friendship, without making anything too over-dramatic.

I do have one big gripe with this movie though; the tone stays pretty consistent and light-hearted throughout but it does what a lot of Asian movies seem to do in the third act: the noble idiocy break-up, followed by the time jump reunion. While this movie subverts the trope a bit (thank god for that), I'm not the biggest fan of it being there in the first place and felt like there had to be a better way to incorporate character arcs without doing it.

Still, a cute film.

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Cute and comforting (other than the...you know)

I loved the vibes of this one a lot. It felt extremely comforting to follow a character that came to terms with not having a dream and just being comfortable with enjoying the day-to-day. The romance is subtle, but its still there — and it matches the characters really well.

The main hiccup in this drama is the — yep, you guessed it — the murder plot. It really came out of left field, with suspects that were barely hinted at before. Then it was resolved in less than an episode, and it felt like everyone just...moved on. I don't think we needed it at all, and there were much more down-to-earth subplots that we could've gone for.

Nevertheless, it was sort of a blip, so it didn't bother me so much. My other minor con would be that the drama seems to redo the "drunk" subplot far too often, but other than that, I still really enjoyed this one at the end of the day.

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Calm

Rating this (and the sequel series) a little above the median. I think the most important thing is that I'm extremely impressed with its portrayal of lesbianism and asexuality, and even more so with its commentary on how it ties into housing discrimination, as well as gender roles in family units. I don't think it's something I've ever seen tackled so head-on in an Asian drama.

With that being said, while I do think this is ultimately a peaceful and cozy watch, with leads that are refreshingly mature, I feel like everything ended up feeling just a little too polite for me. I don't mind the lack of skinship — I actually love that this drama talked about different levels of comfort and going slow, but in terms of relationship dynamic, as a matter of personal preference I enjoy couples that are a little more high-energy and have banter. The leads here are very much not that, and after a while they start to feel a little one-note.

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Half a season

There are some interesting premises and character dynamics here: reunited exes, Gi-hun and the Front Man, the perspective of No-Eul as a guard...but nothing really comes to fruition because S2 feels incomplete. I think calling it S2 and S3 is kind of a stretch; it's S2 part 1 and S2 part 2. I like seeing the push-and-pull between the character pairings, and the show does a good job of adding tension using dramatic irony, but other than that, it's a lot of set-up without any pay-off.

I have the patience to wait for S3, but it just feels like Gi-hun, as a returning character, is quite under-utilized. I'm not sure I buy into the idea that he's some kind of revolutionary leader who everyone falls in line behind, and I also feel like he's approached the games on too much of a surface level. He yells for everyone to listen and follow him to overthrow the game makers, but doesn't spend actual time thinking about why the games exist, or if they planted a player the way they did in the last game. Wi Ha-jun's character (whose name I can't even remember) is underutilized too. He's on a boat, but largely irrelevant.

I also think the games just aren't as good. I understand that the show needed to go beyond the games this time and couldn't just have the same thing play out again, but I felt like there was a missed opportunity here. Now that we have a guard character, I imagine — what if the protagonists planted people in the guards the same way the antagonists had planted a player? Or what if the players found loopholes to the games? Part of the chart of S1 was that the games were very simple: cut out this shape, pull the rope, cross the bridge, play marbles. This time, in making the game so complicated — have a team of five with each person playing a different childhood game as you walk around the track with your legs tied together — it felt like we lost something. We didn't get to see how each character approached a simple game because there were too many characters and games and we were just flashing through all of them.

Regardless of all this, I think this season is a decent set-up for whatever comes next.

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Mature in some ways, overdramatic in others

Trigger Warning: Suicide, Rape

This is a drama that simultaneously feels ahead of its time and VERY of its time.

The way it handles sexual assault, PTSD, and grief is overall very mature, and I thought that the more raw and unedited type of directing and the more down-to-earth dialogue and acting really helped. The humor is subtle but there. The good-girl-bad-boy trope is present, but doesn't feel over-the-top, and each of our main characters feel like they've each carved out their little worlds before we get to watch them collide.

The chemistry is quite good as well, and I did find our leads really cute. The banter is fun — even though the female lead is shy and quiet, she and the male lead have a very good back-and-forth when its just the two of them, and we get to see how he gets her to come out of her shell.

The friendships are really great to see too, and that is such a crazy thing for me to say considering the intense way Qing Mei bullied our FL at the start. But once we get past that, I really liked her character and the way she supported the main lead. With that being said, however, this is definitely a drama that focuses only on the two main leads, so her character's personality and storyline isn't developed much beyond that.

Those are all the ways in which the drama felt ahead of its time.

Now, the way it feels exactly of its time (2004) are the subplots and just how dramatic they get. I enjoyed a few of them, like the sociopath/psychopath character who wanted to mold Chen Ling into the same as him, but the drama lost me a little bit when it went into his backstory. There's his twin's suicide, his mother's death, the dangers of motorcycle racing, the estrangement from his father, who is actually a wealthy chairman of a big corporation. That last reveal of him being a secret chaebol was the worst one for me because it's just so 2004 and made the drama seem a lot less grounded than it previously was. Overall, however, having so much backstory for him just made it feel a little unfocused.

The way the female lead's r*pist came back and everything with him blew up into stalking and a fistfight...I know this does happen in real life, unfortunately, but for the purposes of this show I wish it had stayed in the backstory instead of being blown up into something so big, which was then tied into the storyline of the ML returning to his rich family.

I know this is based off a manga and I'll probably read that at some point because I do think it's an interesting story, but I can already tell that I'll enjoy the earlier chapters more than the later ones, which is what I felt about the show.

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A good old case-of-the-week

Taiwanese dramas of the "comedy" variety are really a hit or miss for me because it's either extremely witty or extremely cringe. I'm happy to say that this is the former. The comedic timing is impeccable and the three main leads (and even all the side characters) bounce off each other very well.

The cases are pretty interesting, but I admit that none of them really stood out to me as much the main arc of the lead recovering from the accident that killed his father, or even as much as just seeing the trio be goofy together.

It's the humor and the family theme that really make the show. I won't lie — I shed a lot of tears whenever the ML shared scenes with either of his parents, and I think it's those scenes that will stick with me the most.

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Eccentric lead, Underrated drama

This drama is so underrated. From the very first episode I was captivated by the female lead — there's something about these very eccentric but straightforward and socially unique leads that just feel so relatable and immediately create a different dynamic wherever the drama takes place, which, in this show, is a newsroom.

I really enjoyed the episodic format of this one as well, and it was even more interesting than typical episodic dramas because of how well they tied in the subplots of each side character with different cases. By the end of the show I truly felt like I knew every single person working in that newsroom.

My only criticism is a minor one: I enjoyed the backstory arc of the main female lead, which was revealed about halfway through the way, better than the actual ending arc, which was treated like the finale. It's not a dealbreaker by any means — in fact, logically it makes sense for the story to wrap back around to present day, but I just felt like it wasn't as emotionally hard-hitting.

Overall, I still really enjoyed this drama and I'm sad at how underrated it is.

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Warm and comforting

This was a really comforting movie despite its original premise being so sad; the entire vibe of the family spending time together just cooking or cleaning while it rains outside makes you feel really warm.

In terms of plot and story, I honestly don't think it offers up anything new, but it still successfully makes use of one of my favorite tropes — one person has been pining for a long time just for you to find out the other person has been pining for even longer — so this isn't even even a complaint.

I do wish this was longer. I'm not sure how or where it would go, but I felt like I didn't get enough scenes with the leads and their son for me to see them as parents, as opposed to just being a couple (since we got a lot of their love story, which I loved). The theme seemed to bounce between romance and family without being able to make it cohesive.

Overall, I'd say the story goes pretty much as expected, but it's still a really comforting watch.

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Draaaaaaag.

If this was a romance about Dao Ming Si and Shancai, it made no sense that the two of them maybe got about 60 minutes of screentime, with half of that all being in the first episode before everything went to crap.

It's all been said before, but there was absolutely no reason we had to wait 13 episodes for Shancai and DMS to meet again, and then ANOTHER 11 episodes for him to get his memory back, all for nothing to come of it until a 10 minute reconciliation at the end, all without any sort of meaningful communication between them before that.

I could write an entire thesis about why I hate the amnesia trope, and I know the source material is to blame for this arc even existing, but with that being said, I absolutely could not bring myself to care about anything that happened during the amnesia, much less any scenes between Ye Sha and Dao Ming Si. It was refreshing, sure, that she wasn't a manipulative mean girl like in the other versions, but amnesiac DMS was basically scrubbed so clean he wasn't himself. Most of their love story occurred in a world without familial or financial pressures, which made it feel low stakes. And all of that doesn't even compare to the fact that we, as the audience, knew how the story would end anyways and all the wishy-washiness just felt very dragged out.

We also get to see a little bit of Meizuo's romance and Ximen's family arc in this one. I didn't realize that Ximen's romance arc wouldn't get a conclusion (which is slightly disappointing as it was my favorite part of the Korean version), but overall I don't think I had the patience to appreciate either of these side stories because they took up screentime while the main story was still being frustratingly slow.

On the other hand, think my favorite part of this drama has to be Lei. He's come so far since the start of the show, and he got all the meaningful conversations Shancai should've had with DMS. I didn't have SLS in every adaptation of Hana Yori Dango, but this one...oof.

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About emotional turmoil

As someone who absolutely despises infidelity in shows, I went into this thinking that I was watching it simply for Puff/Jasper, who I had loved in Pleasantly Surprised. And yet, I turned out to be ~pleasantly surprised~ by this drama and the way it handled cheating and emotional turmoil.

For anyone who goes into this expecting a whirlwind romance and two people who can't help but be physically attracted to each other's touch, I give a few words of warning: this is not that sort of drama. Instead, this drama was really intelligent and emotionally thoughtful, which made me enjoy it much more.

This is a show about two people who are both trapped, in work, in life, and in their relationships. The physical attraction they feel towards each other is the first opening of that Pandora's box, sure, but what was always more important was the other things: what do you need out of a relationship? how do you deserve to be treated?

I know people found the female lead's restraint frustrating — and it truly does last throughout most of the show. But I actually really loved it because it was a lot more realistic. I think of people who have been in relationships for years and worry that it would all go to waste if they give up now, and worse, people who have been treated a certain way for so long that they start thinking that it's all they deserve. I found her internal conflict super relatable and was really impressed with how emotionally and morally intelligent this show was.

Overall, I loved how down-to-earth everything seemed. The show had its dramatic moments, but they made sense and it never felt like they were spitting out tropes to be dramatic. This is a show that really takes its time and lets its main character take as long as she needs to think, and dramas like that don't by very often anymore.

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I pretend I do not see it

Unfortunately it seems like this is one of those sequels I would prefer to forget about and likely will never watch again, except for maybe parts of that first episode and some scenes where the leads are just spending domestic time together.

The chemistry between the leads is absolutely still there, and all the intimate moments are still beautifully shot and make you feel like you're intruding on something very private and meaningful.

As someone who absolutely despises infidelity plots, it was really difficult to even give this drama a chance, and the end result was exactly as I expected — infuriating. It's not only that I feel like we went through so many learning moments about communication in part 1 just to feel like the characters regressed to a worse place, but also that the side characters involved in the infidelity plot weren't enjoyable to watch at all. There was none of the chemistry the show tried to convince us of, and all of the deep moments or life lessons felt icky considering the circumstances.

There are far too many time jumps, which felt lazy and meant that emotions seemed to appear out of nowhere without proper build-up and forgiveness happened without feeling earned. The subtle visual symbolism and showing-not-telling was also absent, despite the cinematography still overall being great.

I feel like the only reason I still don't absolutely hate this to the point of a 1/10 is because there's just so much magic between the leads when they're on screen together and because the scenery is still gorgeous.

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