scenophile

Beautiful and un-cliche

It's been a long time since I enjoyed a serious movie this much; going into this I had been worried that it would be pretentious and boring, but that wasn't the case at all.

In fact, I felt like the plot never stopped moving, the story's pacing was great, and the movie actually took me by surprise in many scenes. I thought that something was going to happen and the movie was going to go the cliche route, but they didn't and instead I watched something that felt much more realistic and emotionally-charged, rather than needlessly dramatic.

We're given just enough information about every character and situation to make us emotionally invested — it really feels like we're given a intimate peek into the tensions between family members.

Cinematography was beautiful as well; overall, the tone of this movie is so nostalgic and warm. I was surprised that there were some parts that were truly funny, albeit a little bittersweet. I won't lie — it stressed me out a lot in many places, but that was partly due to my misplaced expectations. Go into this without any preconceived notions and you'll find yourself in love with it, I promise.

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Great beginning

So it pains me to give this such a low rating because I was absolutely in love with the episodes that took place in high school and the hate-love relationship between the leads. Both characters had unique personalities and could clearly hold their own, but their banter was just so FUN to watch.

Past those six or seven episodes, however, the story just gets messy. They use a bunch of tropes but it's like they never buy fully into it, with characters either being underdeveloped or shifting in wayward directions. By this I mean the characters have flawed logic again and again just to make the story move forwards, and there was just too much noble idiocy in this for it to be enjoyable.

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Light-hearted

This was cliche but cute, non-toxic, light-hearted, and just downright wholesome. I really appreciated the relationship between the lead characters — there was just so much trust and understanding between them, and the drama did a really good job of showing how two people can accept the different parts of each other. They also did a good job with the childhood connection trope; it made sense and played a huge part in the story and didn't feel thrown in haphazardly.

One issue I have with a lot of these kinds of dramas though is that they always try to incorporate some deeper traumatic backstory, but for the sake of maintaining a light-hearted mood, it's like they don't dare to go into the details. The same goes for the side characters, who are funny and endearing but have cookie-cutter personalities and no deeper character development.

There were other parts of the plot that were very cliche and used common tropes but nevertheless, for a light-hearted drama this is a really good go-to.

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Takes time to love

This was a drama that really had to grow on me, because I started out hating every single character except for the main male lead, who was the most straightforward and righteous one of them all. As the drama went on, the characters really grew in subtle yet obvious ways, and it was really nice to see. This goes especially for the two teens still in high school, who grew to be really lovable and relatable for me.

The biggest plot point that I hated was the goddamn AMNESIA, which really annoyed me because he was the only character that I cared about and we essentially had to start from scratch for no good reason. It also led to a bout of noble idiocy, which didn't end up terribly but is still one of my least favorite tropes.

I'm also a sucker for the little tidbits of fantasy that are in this screenwriter's dramas (dreams in WYWS, hiccups in Pinocchio, mind-reading in IHYV) and this was no different, but I kind of wish he was more involved in the different cases, like going on investigations. It's understandable he wasn't because he was still in school, but I felt like there was a lot you could do with the mind-reading and it was all confined to him passively reacting to things around him.

Another thing that annoyed me about the mind-reading was just how it was filmed, with frame holds on random faces and voiceover. It made the production value of the drama seem very cheap and took me out of every single thing where that happened. I understand that it's hard to depict something so internal, but still.

Finally: No SLS here. I never liked the second lead.

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I highly wonder if I would have enjoyed this better if I had watched it as one of my first dramas, because now all it seems like is a mash-up of tropes with none of them done well.

The thing I had heard most about this drama is that the male lead was the rudest they've ever met, but it actually didn't seem so bad to me, mainly because the main female lead could hold her own and fight back. This definitely tapered off as the drama went on, and I wish she had stayed that cold instead of crying so much.

I had also been warned that the body switch plot was really minor, but it turned out to be even less than I had expected, which was kind of disappointing because it would've been a plot I was really interested in. Despite this, I still really appreciated the acting of the two main leads when they were body switched. I do think that it was a little confusing the way the visual effects kept switching them back and forth, but I get that they're trying to make it clear who's in whose body in the scenes.

The second ship's plot also dragged out for soooo long, and I have to admit that I'm not a huge fan of Yoon Sang Hyun. He just yells a lot and I always have to adjust my volume ? Honestly the same could be said for the main lead's mother as well, and overall there was just so much overdramatic crying that's pretty typical of older dramas.

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Heart-breaking but also heart-warming

AHHHHHH!!! I had been putting off watching the Reply series for a long time because I was too scared of my sky-high expectations after hearing over and over again how good it was. In the end I loved it and wasn't disappointed, but I also didn't find myself with a massive drama hangover after it was finished. Disclaimer though: I was born in 1999, grew up in America, and didn't grow up with Korean culture at all, so the references and nostalgia was definitely not as strong for me.

Firstly, I love Shi Won and Yoon Jae to death. I'd been looking for a best friends to lovers drama, and this hit the nail on the head. I loved how different yet compatible they were, and it was super refreshing to have a loud-mouthed, not-afraid-to-stand-up-for-herself female main lead. They're so similar, and yet opposite in the biggest ways: like how he did nothing but think about his crush for years, whereas she found it so easy to confess hers, and when she did, he just stared at her because it's something he could never even think of doing. Honestly, his confession scene was amazing but it broke my heart and for that reason I'm probably never going to watch it again, because it just hurts that much. Overall, the two had an amazing relationship dynamic, and I love that it didn't change all that much after they got together.

The drama had a habit of jumping around, which is understandable considering the premise, but also really confusing for me at first, because I wasn't sure what order the scenes happened in. Because of this, I felt like I was missing pieces of the puzzle when I watched, and there were scenes that I wanted that I never got. For example, I wanted more domestic moments between ALL the friends—like Hak Chan and Sung Jae, who I felt lacked a lot in character development and purpose, especially when I thought Hak Chan was going to be a big character, considering he was THE NEW KID. I always wondered to what extent they knew about Yoon Jae's crush on Shi Won—if they knew at all, and I wanted to see their reactions when they found out they got together. Another thing I never got to see: Yoon Jae's reaction when he found out Shi Won kept the couple ring he gave her all these years.

Now to talk about the time skip. I usually HATE time skips, but I didn't hate this one. I just felt this confusing sort of unsatisfaction. Even after the time skip, I felt like the characters didn't have enough time to develop, because they acted too similar to the way they did six years ago. Luckily, the plot after the time skip didn't drop off like so many other dramas do, but I still feel as though nothing could compare to the school days. Going off of that, I missed the voiceovers and monologues a lot, but I'm glad they brought it back for the last episode. The last episode was also definitely more like a feel-good compilation, though I loved it still for all its adorable moments.

Joon-Hee was another one of my favorites, though he broke my heart over and over again. This drama did an amazing job with being able to make you feel all the feels and letting you know everything without ever saying a word. And Joon-Hee's silence always hurt the most, because it was more than just an unrequited love.

The family and friendships in this were really powerful. I loved how loud and argumentative Shi Won's family was, but when it came down to it and she was going off to college, it became clear how much they cared for each other. Tae Woong and Yoon Jae also had a lot of development in their brother relationship, and I loved that in the end, the episode about the love triangle (ep. 15) wasn't about which couple got together, but about the sacrifices that the brothers had made for each other. In the same episode, though—even though I knew the parallel plot with the parents and the dad's uncle was similar, the character was so new that it almost felt just convenient.

Some things I didn't like:

1. Yoo Jung. I'm sorry, I just found her super annoying and almost unnecessary at times. I liked the little sismance moments (like when she cut her hair in solidarity with Shi Won) but her relationship with Hak Chan made me want to tear my hair out.

2. The relationship between Shi Won and Tae Woong. I was honestly so surprised when he was revealed to be the other part of the love triangle. He never got screentime with Shi Won and they had zero chemistry; putting aside the age difference, add the fact that he dated her dead older sister (a topic which I thought was never sufficiently addressed) and the entire relationship creeped me out, especially when their maturity levels were just so obviously different. It was definitely less weird after the time skip when Shi Won was a grown adult, but when she had just graduated high school and he was giving her apartments and rings while she was crying over a washed t-shirt of her pop idol...I never saw them as anything other than siblings.

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Amazing OST, Story

I read a review of this before going into it, from a person saying that they ended up dropping this because the villains were too conniving and it was too frustrating, so, as someone who gets attached and emotional easily, I was ready to feel the same amount of fury. BUT IT NEVER CAME. The so-called villains were surprisingly three-dimensional and characters who I thought I'd hate ended up with a conscience and even contributed to the humor.

I ended up loving this drama a lot more than I expected, especially the romance aspect. The other parts of the story definitely were not built upon as much, like the backstory of the parents, and I wish that we saw the friends play a bigger role.

I'm also usually not a fan of time jumps, but this one pulled it off surprisingly well, and it pushed me to tears. There's definitely an argument for it being cliche, but I personally enjoyed it nonetheless.

And how could I forget the OST? The music for this is SO GOOD. It'll be stuck in my head forever.

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To be honest, I'm not a huge fan of Seven Tan as an actress, and I wasn't a huge fan of Yun Duo as the female lead. While I liked her compassion and kindness, there were also some parts that just felt cheesy.

The main ship was quite cute at certain points, but they never really went through any actual adversity. I didn't ship them as much as I shipped the second pairing, and that second pairing was the main thing keeping me watching.

The so-called "second male lead" for the love triangle was honestly just downright annoying, and there were a lot of sub-plots that I felt were interconnected but in a very messy way.

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Mellow and quiet

This is a character-driven drama for sure — if that's your thing, then this drama pretty much does it perfectly. It's just a drama about relationships (family, friends, lovers) and there's never really any outside pressure. The characters and relationships are all pretty unconfrontational; things just happen as they do and this drama is more of a ferris wheel, as opposed to a roller coaster. What that means is that if you prefer a more plot-driven plot, it might feel like the drama is dragging and that there's nothing happening.

With that being said, I definitely skew towards the latter; there were scenes and progressions that I was craving and never really got. At the same time, I really loved how all the characters were portrayed — nobody was over-the-top, there were no true villains, and I liked how even minor side characters had their distinct personalities come through in very little screentime.

Overall, this is just a warm, soft drama — for me, it wasn't a tear-jerker or a heart-wrencher, but it'll make you feel fuzzy and cozy.

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Light-hearted fun

This drama starts out really promising, with lightning quick pacing and really interesting characters. The ML was more stoic but never unkind, and the FL was bubbly but not annoying. The snowboarding theme is fun, and the OST has two songs in particular (one upbeat and one slow and romantic) that really clicked with me and added to the great vibes.

I’m not completely sure the second half of the show keeps the same energy. Both the ML and FL’s arcs seem a little anticlimactic and vague. While I don’t need the show to get in the weeds about the manhua industry, I would’ve loved to see a clearer journey, starting from storyboarding the story, pulling inspiration, actually drawing it, and especially going back to conferences with volumes and merch, since that’s where the first episode started. Instead, it felt like she was just constantly “gathering research” and then the next thing we knew, her manhua was steadily successful. For the ML, I think there also wasn’t much to his snowboarding journey; he was good at it and never stopped being good at it. While 23 episodes is short and doesn’t really allow for a lot of arcs, I think having some more organization and struggle could’ve made their journeys feel more worth it.

The romance is really cute, but it also sort of hiccups in the second half. The leads go on a break (or whatever that was) but they basically don’t interact for a stretch of episodes, which is unfortunate because it could’ve been an opportunity for each of them to support each other in their blossoming careers. The “getting back together” scene is just fine, but I think this is the type of more emotionally-charged scene where the cutesy acting of the FL doesn’t quite work.

The side characters are fine. The ships have their cute moments, but they’re also not that memorable.

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Political Strategy

For the record — this is my first saeguk, so I have to admit that some of the political positions, customs, and terminology was a little confusing at first. I don't think that necessarily has an impact on how much you might enjoy the show, but I just noticed that this was one of those shows that doesn't really explain itself.

I think the blurb that I read was a little misleading with how it was marketed as lovers to political enemies/rivals. While it's true that the leads are technically on opposing ideologies, I don't think that ever bled much into their emotions in the form of hatred or even as physical clashes. It was more about the political strategy, and for me I think I was definitely expecting something that was much more action-packed and fast-paced. Instead, the characters had plans, executed them, and had conversations about it.

And so I also really expected the main leads to reach an emotional hatred, but they never clashed much — it was more about keeping each other in check and conflicts of interest. And I think I was just hoping for something a little more harrowing and angsty, but something about the show felt very passive.

However, all that is not to say the show wasn't good — but rather it wasn't for me. Objectively I can tell the writing was solid and I really liked some of the relationships between the characters, particularly between Yoojung and her servant friend Ttongeum.

Plot and characters aside, the cinematography was beautiful and the OST was great as well.

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Sweetness overload

This one was really sweet but I do think it was strongest when there was some sort of conflict going on. It was interesting to see the main leads work through their past misunderstanding, and while I know the second lead is very much hated by the viewers, I liked his character and the FL's arc with it as a representation of how poisonous insecurity and self-sabotage can be.

When there wasn't conflict, I found the show kind of...flat? The main leads are nice together but they have a lot of cheesy lines that start getting quite repetitive and surface-level; the other story elements with the corporate scenes about solar panels was also something I didn't really care for, so those speeches were a lot of nothing.

I also think there are similar issues I had with this author's other works (Love O2O and You Are My Glory) where the main leads are just a little too perfect sometimes. It makes for an easy watch but hinders the depth of the story — like how financial hardship is a very real and difficult thing. I'm not expecting a show like this to write a PhD thesis on the socioeconomic landscape, but it brought up these issues and then never quite addressed them. The FL is given a pass because she's kind and a hard worker, but I just wish she had a little more of a confrontation with her own privilege. That might just be my own political leanings shining through though.

Regardless, I think this show works if you're looking for a light-hearted watch, and the chemistry is good. I appreciate that the relationship between the leads is mature. Kind of a good second screen watch.

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Heart-poundingly fantastic

I was a huge fan of All Of Us Are Dead and that's why I jumped at the chance to watch this; despite that, I went into it with middle-of-the-road expectations, and was actually really surprised by how much I ended up loving it!

I think the biggest hurdle for me was just the sheer load of characters there were. In other ensemble dramas like AOUAD, Alice In Borderland, or Squid Game, characters are either split into different groups with different subplots, or the big group is very quickly whittled down to about five, and then new characters are introduced gradually. Here, we're following the entire class, and even though there are some losses along the way and the occasional split-up, the cast is gigantic and there's about 20 characters you need to pay attention to. A few stand-outs are easy to remember but the rest blur together for a few episodes. Even as I got to learn everyone, I don't think I found a "favorite" the way I did in other shows and that's just mostly because our knowledge of backstories are still pretty thin.

As a result, the drama is more plot-driven, as opposed to character-driven — and whether or not you enjoy that will just be up to personal preference.

After a while, however, I really grew to appreciate that it was a big group because the dynamic of everyone sticking together and growing up in unison was so interesting. You see common classroom dynamics come out in a high-stakes situation and it exemplifies everything I love about the high school survival genre.

For this genre, the show is surprisingly heartfelt. I didn't expect this show to make me emotional but it definitely did by the end. Anxiously awaiting part 2!

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