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  • Last Online: Dec 22, 2025
  • Location: Lands Between
  • Contribution Points: 3,628 LV12
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  • Join Date: September 1, 2021
  • Awards Received: Flower Award6
On Military Prosecutor Doberman Mar 7, 2024
We've had plenty of prosecutor shows, but now it's set in a military setting—what a revolutionary twist! The drama was alright and had an interesting introduction, but the overarching story was delayed too often, and interest began to plummet. It would have fared better if the side cases weren't so bland and were better interconnected. Even though there were moments of tension and drama but there was something missing that prevented it from being impactful. The characters were a mixed bag, some of them were great while the rest were too annoying to tolerate. While the ending was fine but I wish there was more to it.
On Kill Heel Mar 7, 2024
Title Kill Heel
It's not a good sign when a drama start off on the wrong foot. In this case, we had a poor opening and an equally poor introduction to the story and the characters. Which is unfortunate because earlier parts made it seem worse than it actually is. However, later parts had their own set of problems that were too glaring to ignore. Pacing problems were noticeable after 5-6 episodes. It would have been much smoother watching experience to have the three female leads stories to fully run in parallel. The lack of sensible direction made the drama jarring. At one point, the FL's family was prominent in her life and then they were completely shelved off. Most of the side stories were poorly managed, they started out of nowhere, ended up nowhere and their inclusion did little to nothing. The rivalry within the company and the work environment, which occupied most of its runtime, were all uninteresting in the slightest. With all that being said, after long mundane fights between the three leads, some comebacks were enjoyable but that's where the enjoyable part ended.
On I Have Not Done My Best Yet Mar 7, 2024
It had a pretty normal start with introducing the story and the characters, nothing about it peaked my interest. The story itself was too safe, tame and outright boring, they didn't attempt any challenging situation even when they wanted to create conflict or tension. The comedy was a hit or miss, they didn't have a lot of material to work on in the first place. The main running joke was the unemployed main guy which got really stale overtime. The drama also lacked good dynamics between the cast, the small size of the active cast didn't help either. The side stories ended up being white noise. Too many of them had a good potential to craft something meaningful but the drama refused to take any of them seriously and gave each one a halfhearted resolution at the end. I can see problems and gaps from translating the manga into a live action format, something didn't click. I'm sure the manga fared better for such themes and stories.
On Never Give Up Mar 7, 2024
It had a pretty normal start with introducing the story and the characters, nothing about it peaked my interest. The story itself was too safe and tame, they didn't attempt any challenging situation even in a comedic setting. The comedy was a hit or miss, some parties were genuinely unfunny and cringe while others like Pil Soo and his one-liners were keeping it alive with a decent dynamic and comedy. Speaking of cringe, there were a handful of kids and everything related to them was painfully cringe, even with their poorly attempted satire and parody. These parts were just too bad. It kept this momentum throughout its entire runtime.
Replying to MelonIceCream2100 Mar 6, 2024
It's interesting how we have opposite opinions, as the words you used to describe the final ml's acting are what…
It's true that the replacement was called to fill in a main role at short notice. While preparing for a role in advance can make a difference, in situations like this, it makes one wonder what the director's job was in the first place, especially when there was a point of reference from the original lead. When the replacement began to display entirely different expressions and deliver different emotions, altering the overall tone of the scene, it went beyond the actor's responsibility. This is where the production crew and the director should have paid attention to ensure that they were fulfilling their roles properly.
On Insider Mar 4, 2024
Title Insider
It started with a lousy introduction and a decent premise that was simple on paper and then began to jump between one plot after another until the end. There was a desperate need for a better coherent structure and pacing. The plot got overly convoluted for no practical reason. Up until the end, it kept introducing more and more new characters to widen the connection and keep the story running in circles. The characters were more or less fine but a lot of them came off in the form of a generic gangster in a Korean thriller. I appreciate not shoving romance between the leads, it would've been out of place for sure. I liked what they've done regarding the resolution of the bad guys, it had all the ingredients to end horribly but it didn't.
On Grid Mar 4, 2024
Title Grid
It started with a lousy introduction that was too ambitious on paper and then began to jump between one plot after another until the end. There was a desperate need for a better coherent structure and pacing. The characters were more or less fine but, despite being one of the most important characters, the ghost lacked a better characterization to make her role more impactful. The last 1-2 episodes were fundamentally bad, their main purpose was to lay down a handful of new elements for an imaginary sequel. This is a bad common practice streaming services have been pulling since forever to keep hold of the viewers attention regardless if they were planning for a sequel or not. The only acceptable scenario for such a practice is to have a direct sequel to follow it. Anyway, the drama was very mediocre Sci-Fi with a handful of failures.
On Recipe for Farewell Mar 3, 2024
Touching exploration of loss, love, and the amazing healing power of food where cooking serves as the thread that binds the characters' stories together, creating this rich journey that really resonates. The plot unfolds with this perfect blend of heartwarming moments and raw vulnerability, letting the characters navigate through their grief while finding comfort and connection. I found it cruel and beautiful whenever they were celebrating a happy moment while the over narration was delivering a heartbreaking news at the same time. Devastating! While most of the drama was great but every now and then there was an awkward piece of dialogue or an awkward shot that was just out of place.
On Stock Struck Mar 3, 2024
Title Stock Struck
This drama was a lot of fun. Right off the bat it had a gripping satirical portrayal of the cutthroat world of finance and investment. Despite some initial skepticism, the drama turned out to be a breath of fresh air compared to the usual supposed "comedy" dramas. Full of lively characters with unique characterization. This set of characters was a prime example to how a great dynamic should be. They bounced off each other seamlessly. The comedic scenarios were great and blended nicely with the overall finance theme. However, the romance side plot began to take over the drama in the later parts and it was a bit out of place. I wish they kept it to minimum so that we have more comedic scenarios.
On Hunted Mar 3, 2024
Title Hunted
The drama managed to deliver a decent mystery in a short time without making big compromises. The unique premise provided a good hook to get you quickly into the story. Accompanied with a good selection of cast consisting of a wild group of people as they tackle both the challenges of nature and their own personal demons. The drama also had a good production value for its short format. The drama was decent in all regards but it never did anything exceptionally well or had elements that stood out. Something about it felt missing to give it the needed spark. The school related parts weren't good.
On House of Lies Mar 3, 2024
Even with a short runtime of 45min 12 episodes, a lot of it felt redundant. The mystery started to get really bland by episode 6, there was no rhyme or reason to it. The writer had a few ideas for the first 4 episodes but she was clearly lost with how to proceed with the rest. The side plots around the complex didn't blend well with the rest. Cutting them out wouldn't have made a difference. The plot holes were too obvious to ignore here, that's not good for any mystery plot. No good mystery is complete without an equally good reveal, which was really disappointing in this drama. The last 2 episodes were really bad. The drama ended with a teaser for an infinitely larger plot but I hope we don't get a sequel.
On A Superior Day Mar 3, 2024
Disappointing and underwhelming with its lackluster execution and uninspired storytelling. Insufferable and bland thriller/mystery mix that doesn't attempt to put the slightest of efforts. Pretty straightforward and linear story, everything is laid down lazily. Bad dialogue all around that was probably machine generated. Abysmal pacing by amateur director, big chunks of every episodes were silent while the characters roaming very slowly with an awful royalty free background music. The cast performance was suffering as well, maybe the ML was passable but the remainder of the cast were barely average and the main villain was just bad and cringe. On the bright side, at least they didn't push it for an agonizing 16 episodes so that's a win?
Replying to Peephole Mar 2, 2024
Title Say You Love Me Spoiler
It doesn't look like it, but does this by any chance have a happy ending?Or how does it end?
It's a happy ending but it happens on the very last second before the credits
Replying to Nyx7Heian Mar 2, 2024
"This is when the genre lost its direction "What do you mean? Which genre? Sorry I'm just curious😅
The historical epics
On Big Bet Season 2 Feb 29, 2024
I really hate what streaming services do with dropping projects in batches. Either drop the entire thing or make it serializing. I couldn't help but feel a twinge of disappointment after a decent first season (more like the first half of a 16-episodes drama!). The plot ended up being all over the place, with twists that felt more like they were forcing us into paying attention than actually adding anything interesting to the story. Some side plots were only there to buy time. I wasn't a fan of the ending either, they should've just ended it in a normal fashion. The characters were fine but I wish there were more interactions between Moo Sik and Seung Hoon. I'm not sure why the drama had 18+ rating considering it wasn't that violent, although it had one tiny quick intimate scene and some smoking? The opening theme was cool.
On Big Bet Feb 29, 2024
Title Big Bet
I really hate what streaming services do with dropping projects in batches. Either drop the entire thing or make it serializing. I couldn't help but feel a twinge of disappointment after a decent first season (more like the first half of a 16-episodes drama!). The plot ended up being all over the place, with twists that felt more like they were forcing us into paying attention than actually adding anything interesting to the story. Some side plots were only there to buy time. I wasn't a fan of the ending either, they should've just ended it in a normal fashion. The characters were fine but I wish there were more interactions between Moo Sik and Seung Hoon. I'm not sure why the drama had 18+ rating considering it wasn't that violent, although it had one tiny quick intimate scene and some smoking? The opening theme was cool.
On Yonder Feb 28, 2024
Title Yonder
Amidst all those full length dramas out there, this short series really stood out by packing a serious punch in just a handful of episodes. The concise storytelling allowed for a focused exploration of its central theme, providing a satisfying narrative arc without unnecessary filler. Both main leads were well characterized and provided a solid performance. However, the other characters weren't on the same level, you can notice the gap. The pacing was brisk yet effective, keeping the viewers engaged from without feeling rushed. I wish it had an extra episode to have a better introduction/first episode. The drama also had a decent cinematography and production value. One last thing, I didn't understand why they based the drama in the 2030s. It was such a big stretch, they went overboard with the sci-fi elements for something set in 2030s. There was no real reason to specify the date, so why not set it further into the future, like the 2060s?
On Yonder Feb 28, 2024
Title Yonder
Amidst all those full length dramas out there, this short series really stood out by packing a serious punch in just a handful of episodes. The concise storytelling allowed for a focused exploration of its central theme, providing a satisfying narrative arc without unnecessary filler. Both main leads were well characterized and provided a solid performance. However, the other characters weren't on the same level, you can notice the gap. The pacing was brisk yet effective, keeping the viewers engaged from without feeling rushed. I wish it had an extra episode to have a better introduction/first episode. The drama also had a decent cinematography and production value. One last thing, I didn't understand why they based the drama in the 2030s. It was such a big stretch, they went overboard with the sci-fi elements for something set in 2030s. There was no real reason to specify the date, so why not set it further into the future, like the 2060s?
On The Fabulous Feb 28, 2024
Title The Fabulous
Netflix should just stop it already. This is the type of show that will have you embarrassed putting it in your list.