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  • Last Online: Dec 22, 2025
  • Location: Lands Between
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Replying to Pinky Dec 15, 2023
Review Jeong Do Jeon
you rated a drama a 6??!! i’m adding this to my priority watchlist asap
Yeah, this goes mostly for the first half and for both leads' performance. I think it's still worth it even for how they fumbled the 2nd half. If they were to be consistent, this could've been a good 7.5-8 for me.
On The Merchant: Gaekju 2015 Dec 15, 2023
It started off on a decent note but hit a major roadblock somewhere shortly after, a big nosedive out of nowhere! Disrespectful atrocious writing, to say the least. You may witness one of the worst written plot devices and tension management here. I was willing to give it a chance in the beginning despite the setback, but my interest plummeted faster than a rock when the male lead got entangled with that deplorable love interest plot. In fact, this applied to all of the four female leads. The momentum sputtered and stalled like a car running on fumes and the leads were stuck in first gear the whole time. The potential for a captivating narrative was there, hanging in the air, but the execution was practically non-existent. I'm fairly certain this is the worst drama Jang Hyuk picked up in his career, hopefully the last.
On Hwa Jung, the Princess of Light Dec 15, 2023
To say I'm frustrated with this drama is an understatement. From reading the synopsis and from watching the first batch of episodes, it became quite clear that the prominent characters are Prince Kwang Hae and his sister, but alas, this was barely the case. Cha Seung Won left the drama half way through making the plot irrelevant later on for everything that was established earlier. His departure didn't leave an impact either for what's to come. Subsequently, Princess Jeong Myeong became a side piece to roam around the plot with little to no meaningful contribution. The second half in general was a significant downgrade in all regards. It was almost incomparable to the first half. It became as dull as you can imagine without much "character" left in these characters. It reminded of The Great Seer (2012) how there was a massive shift in every regard with the second half.
On Jeong Do Jeon Dec 15, 2023
I found the earlier parts to be quite good with a reasonable pace. However, 25 episodes later things started to change in a weird direction and the initial spark faded away. Yet, the reality was a letdown. Jeong Do Jeon, the pivotal figure, felt like a distant acquaintance rather than someone I could understand. His struggles and triumphs failed to resonate the longer the drama kept going, leaving me disconnected from the heart of the story by the end of the drama. The ending was very typical with these kind of shows, everyone lose their marbles abruptly so they can jump to the historical ending, if there's any. Jo Jae Hyun and Yoo Dong Geun did a great job as leads, they simply carried the drama with their performance. Even their character was methodical and well written. One thing I wanted to see is having Do Jun's wife playing a bigger role in supporting her husband. I really appreciate their casting choices. Going for a mature looking cast was the correct choice. New to semi-new generation cast with soft looks in their mid 30s would have been disastrous.
On The King's Face Dec 15, 2023
A snoozefest by definition. It felt like an endless, meandering road leading absolutely nowhere, like a book with no chapters, just pages and pages of the same old, same old. This what an AI is capable of generating when giving it the prompts "power, struggle, palace" in no particular order. It would have been less tiresome if it were only half its length. They were so desperate to prolong the drama that they added a war in the middle despite being outside the theme and scoop of this drama. The writing was abysmal and shameful, they made the characters like clowns. Although we were introduced to face reading at the start but that played little to no importance later on and was rarely used outside some fillers.
On Diary of a Night Watchman Dec 15, 2023
The drama attempted to explore the supernatural realm through the eyes of night watchmen which were a small tiny portion of a drama titled after them. The drama actually had a reasonable start but a few episodes later it got lost and scattered with no clear direction. It got increasingly messy the longer it went as it was struggling to fill its 24 episodes. There were some strange out of place pieces of dialogues that can be labeled as incoherent nonsense. In addition, a lot of inconsistencies with the characters, poor motives and sudden changes contrary to their established and developed character. The OST was awful, it was like listening to a bad cover band in a dive bar. There were moments that caught my attention but they fizzled out quicker than a damp firecracker.
On The Scholar Who Walks the Night Dec 11, 2023
The poorly written prologue wasn't a good sign going into this drama. The leads didn't develop their relationship naturally, most of what we got to signify their romance was long dreamy stares. That's pure lazy writing. This what their romance was based off which made it hard to care about their romance, let alone their unmatched chemistry. If we were to ignore the romance, then we are left with the vampires which were equally lacking. The pacing of the storyline seemed uneven, resulting in moments of sluggishness followed by rushed progress. The bad guy barely showed up in the first half. Although I didn't expect much but the ending was just too boring.
On Jang Young Shil Dec 11, 2023
A boring start, it certainly took some time to get going. Even then, it wasn't a smooth sailing after that. Whenever the drama managed to pick up a good momentum, they shove in a massive intervention with their palace politics. Disrupting the flow and the main attraction of the drama. Like pulling the sheets away on a cold winter night. Which is why this was its biggest problem, being wrapped around politics instead of giving it its independence. This was easier for the writers so they don't have to go into too much details and technicalities, instead auto generate some mindless palace drama to fill the gaps. I found the ending to be quite distasteful to this man's journey.
On The Emperor: Owner of the Mask Dec 11, 2023
I found the main cast to be quite dislikable. Heo Joon Ho was the only one who had a decent performance. Yoo Seung Ho was overexaggerating with every breath and Kim So Hyun was a plank of wood. Their characters were equally as bad and underdelivering. The most important plot device in the drama was the mask, however, although its introduction was okay, but how they handled it later on was disappointing and its conclusion and reveal made the whole journey worthless to care about the mask. At the beginning, I thought they would do something clever with the mask play but it turned out it was just some random element to kick-start the story and give the drama its title.
On Hwarang Dec 11, 2023
Title Hwarang
I wanted Lee Kwang Soo to take on a meatier role in that drama, but alas, he was just there as a guest. I usually like Choi Won Young in serious roles but I hate Choi Won Young when he pretends to be looking serious which was what he went for in this drama. Don't expect a 20-episodes worth of content, it was mostly a boring slice of life cosplay-drama with little to no story. As shallow and thin as the slice of pizza you would get from your teacher shared between 40 students. You technically ate, I guess? The gags, the tomfoolery and the pizazz that filled its content were all unpleasant to watch. The romance and the relationships aren't even worth talking about, a total joke!
I found the beginning to be quite poor, it took a handful of episodes before the drama started going. By then, most viewers would have dropped it already. A good initial hook is necessary, especially for a longer drama. The storytelling was as shallow as a kiddie pool. It felt like they were trying to cram an unedited history book into it. The drama really needed to be shorter with a better structure because the potential was already there. The characters were as two-dimensional as stick figures, most of them were unable to convey the necessary emotions to the viewer. It would've been awesome to bring Japanese cast to play the Japanese. One thing the was missing was its own signature OST to match the atmosphere.
On Maids Dec 11, 2023
Title Maids
Despite the intriguing setup focusing on the lives of servants, the drama missed the mark when it came to delivering a good dynamic storytelling between maids and nobles. It felt like a jigsaw puzzle scattered all over the place with no clear picture, just random bits and pieces all jumbled up from the typical lens of servants and maids back then. I don't think they did a good job with their portrayal that servants/maids are equal as people. Honestly, I was left hanging, craving some real depth and a solid story from what could've been something different and unique.
On Gunman in Joseon Dec 10, 2023
The drama fell flat in so many ways. The whole idea of a sharpshooter tackling the Joseon era should've been thrilling but the way they pulled it off was dull. The characters were generally dislikable. Their emotions and connections felt about as deep as a puddle after a sprinkle. And that forced romance was cringe central. No spark, no real chemistry between these characters, making it hard to care about their lovey-dovey moments. They tossed action, romance, and politics into a blender without a recipe, which resulted in a messy unattractive artificial mix.
On Secret Door Dec 9, 2023
Title Secret Door
The drama just didn't hit the spot for me. It had all these grand plans to dive deep into history and stir up political intrigue, but somehow, it lost its way in keeping things engaging. There were these bits here and there that had me hooked, they were pretty intriguing. But the storytelling was all over the place, and the characters barely had time to develop. That lack of consistency seriously put a damper on my enjoyment. I was left feeling like there was this untapped potential, they could've given us more depth and made everything gel together better. Anyway, the ending felt like it was missing some scenes before the credits; not smooth.
On The Three Musketeers Dec 9, 2023
The drama made my skin crawl from this godawful screenplay. Yikes. No wonder why it received poor broadcast ratings, honestly well deserved. It was infested with problems too glaring to ignore. In addition, a general distasteful feeling was always roaming around. None of the characters and their interactions felt natural. The romance was too embarrassing to even call it a romance. The sound design was poor in general, from the OST to the mixing and dialogue. Although it was 12 episodes, the story barely moved; not much was accomplished.
On Kangchi, the Beginning Dec 9, 2023
The introduction wasn't encouraging at all with this extremely superficially imaginary cuts of pseudo romance. Even after the time-skip it didn't improve much in that regards. The romance throughout the drama was overbearing with prolonged dreamy shots that made the lengthy runtime even worse. The drama featured your typical low-level boring villain to keep you bothered. Bae Suzy was too soft to play the role she was given. No matter what she does, she doesn't look intimidating or fierce enough. Sung Joon's acting is usually better than this, I don't why he was so bad here.
On Six Flying Dragons Dec 9, 2023
I hate how this was a prequel to "Tree With Deep Roots", I already hated what they did with the roots plot in that one. This one simply followed its predecessor in that regard, just an extension of the same aggravating plot device structure but this time it's double the length!! Doubling down on Tree With Deep Roots' biggest weakness without fixing its fundamental problem. I would presume they have gotten enough feedback from "Tree With Deep Roots" to do a better job but it doesn't seem to be the case here. There were some interesting moments, interactions and ideas but these were overshadowed by everything else. The cast was an even split for me, some of them were likable while the rest I really disliked throughout. Shin Sae Kyeong was a literal plank of wood for most of the drama. Anyway, if I had to really pretend to be blind for 2 seconds then the drama had some nice action sprinkled scarcely and that's probably what I would be remembering it for. In comparison, it's slightly better than "Tree With Deep Roots" but can be categorized equally the same.
On Shine or Be Mad Dec 9, 2023
Ignore the ending, the prologue itself was appalling and distasteful enough to eliminate my expectations despite the drama having Jang Hyuk on deck. Speaking of which, once again, Jang Hyuk is playing the same character from The Slave Hunters (2010), if you've seen that one then you know what's up. Characters, while initially intriguing, suffered from inconsistent development. The pacing felt uneven, with moments of rushed storytelling followed by prolonged and uneventful sequences, disrupting the overall momentum of the show. The whole poison plot was painful to tolerate and sit through. The story was so terrible it just kept getting worse with every episode. The last 4 episodes in particular were poorly planed, marking them as the worst part of the drama. Once again, Jang Hyuk wasn't enough to save this drama although he was the only highlight.
It's the usually daily format so temper your expectations accordingly before proceeding any further. Both Seo Hyun Jin and her character contributed a lot to the drama to keep it decent enough. Her interactions were the most memorable. On the other hand, the writer robbed off Seo Woo from making her a decent character, writing wise. Meanwhile, Jo Hyun Jae was as static as always throughout his entire career, the man would rather die than changing his expression. There's no justification for the long runtime other than they were contractually obligated to follow the template dedicated to this time slot. At least give the high moments more time to sink in. Especially the ending, there was no need to make it this short, they had the time to take a more relaxed approach.
On Jang Ok Jung Dec 9, 2023
Title Jang Ok Jung
A slightly different take on Jang Hee Bin. The drama suffers from the exact same problems any profession focused historical drama attempt. Very similar to Goddess of Fire with its storytelling, transformation, progress and conclusion. The drama didn't deserve to be longer than 16 episodes at best for the amount of material it had to offer. Quickly enough, they deviated from fashion design in favor of typical bland drama antics. They kept all the details of fashion design to minimum. Looking at the cast it seemed promising but it turned out to be quite disappointing. This drama and its other remakes were all equally as problematic and disappointing. Maybe Jang Hee Bin as a historical character is cursed to be portrayed in media.