Park Min

Literal kids playing mafia. Anyway, the drama was full of cardboard characters and you may expect an amateur level of performance, editing and writing to match it. The plot felt convoluted and disjointed, struggling to maintain a coherent narrative throughout the show. Characters lacked depth and development, making it challenging to emotionally invest in their arcs or connect with their journeys. Their personal relationships didn't intertwine well with the story either. I was looking forward to see Uhm Tae Goo but the drama wasn't worth it. I find this period and setting of Japan/Korea to be the worst to watch through any media. They "almost" don't know how to go on about it. I could count a few rare exceptions on one hand.

It's a villainess drama which we don't get to see a lot of. Knowing Kdrama, they generally give the same immature treatment for 99% of all villains ever. Even when we have a villain lead like this drama, they don't break the rule to have a better portrayal of a good villain character. Instead we get a silly dumbed down version of a baddie. You may as well add squeaky sound effects and air it on Sunday morning cartoons. To boil it down, you'll be watching 50-episodes of this king and concubine being clowns until they reach their demise because the drama ran out of episodes. I was hoping for a smart cunning play but we got a reckless uncalculated short-sighted arrogant one. Also, the drama had this habit of re-using the same evil tricks over and over instead of coming with something creative. Setting up the same traps is a case in point. On the bright side, Kim Hyun Joo was keeping the drama afloat.

This drama didn't deserve to be longer than 10-12 episodes at best for the amount of material it had to offer. Quickly enough, they deviated from pottery making in favor of typical bland drama antics. Pottery making was its selling point but we barely got a slight tiny glimpse of that field. They kept all details and technicalities to minimum, how do they expect the viewer to care? I guess having a love square is more important to them. Looking at the cast it seemed promising but it turned out to be quite disappointing. Nonetheless, did we really need that awful nasty 17-years timeskip before the end credits? Massive yikes!!

Why the hell do we need a love square in a horse/medical drama?! Really trying to inflate the 50-episodes runtime as much as possible for such a straightforward material. The drama itself was too vanilla and bland. I wish there was more to the drama than that, maybe exploring more interesting medical cases/areas. Speaking of medical, this is another drama with a godlike doctor and a godlike acupuncture skills that can resurrect the dead and create new life with little to no room in having reasonable stakes. Other dramas with godlike acupuncture skills that comes to mind are: Heaven's Order (2013) and Hur Jun (1999)/the Original Story (2013).

The late-2000s/early-2010s extreme edgy vibes were too damn strong with this one, from the awful OST and soundfx to the comical acrobatics and the pretentious attitude. Moreover, an obvious poor job from the directing department worth a slap on the wrist for their empty shots, lousy compositions, hasty transitions and un-cinematic pretentious edits with no purpose trying to mimic cinema as if they were following a template. This is not how you create a slow-burn. The leads story, their entangled relationship and their journey to fall in love all were the furthest thing from being natural and smooth. If the edgy writing full of cringe was playing against them then the directing was the cherry on top to cross the point of no return.

The kid was pulling this drama together from the very beginning. While the chase was interesting to follow at first but soon enough it became tiring and boring and a change of scenery was due at that point which took longer than expected to get to. The drama had some nice side characters which didn't become overbearing, namely So Baek and her father which provided a little distraction from the long wait for the story to move. There were a lot of elements I didn't like in this drama but I probably will remember this drama for the kid. However, there was one particular major issue the drama suffered from and that is the godly impervious plot armor eliminating any sense of danger or stakes driving the drama in an extremely predictable bland route.

Casually confirming for nth time how unappealing Choi Soo Jong is in historical dramas as always since the start of his career. Just from reading the synopsis you may expect a big historical drama with big sets, big battles and big production, but this drama was embarrassingly scuffed with minimal efforts after the initial batch of episodes. As always with these type of shows, they blow their budget early on on flashy scenes then left wondering how to produce the rest. You may expect inconsistencies along the way, like having two or more camera angles of the same scene with different color grading and quality. I suppose an intern was editing that day. Anyway, the drama itself was underwhelming and almost nothing about it stand out, not even the cast nor their performance. All of their dramatic creative liberties proved to be unsuccessful and dull, as expected. A lot of petty fights that are always annoying to watch and lasting too long can be found here. At least the drama served as an example for how not to tell history in an entertainment medium.

Reminds me of some cheap fantasy anime. Executed as a one and equally as garbage. Terrible writing from the get go. Poor storytelling and structure. Painfully underutilizing the generous long runtime. Filled with irrelevant nonsense that doesn't contribute to anything, not even for a side gag or filler. While the cast may not have been terrible, but they were definitely careless and under-performing. It's not like that had much to work with in the first place. The director doesn't seem to be helping in that regard either. I don't think this drama would have worked even if it was just a 2-hours movie.

Reminds me of some cheap isekai anime. Executed as a one and equally as garbage. Terrible writing from the get go. Poor storytelling and structure. Painfully underutilizing the generous long runtime. Filled with irrelevant nonsense that doesn't contribute to anything, not even for a side gag or filler. While the cast may not have been terrible, but they were definitely careless and under-performing. It's not like they had much to work with in the first place. The director doesn't seem to be helping in that regard either. I don't think this drama would have worked even if it was just a 2-hours movie.

Truly inconspicuous! The drama made me mentally and physically drained and exhausted with each single episode from the ridiculous godly amount of insane lousy shouting. I went to an ENT doctor and he told me I needed a new brain transplant since the old one was incapable to perceive any type of sensory stimuli. Huh. This drama was the equivalent of a nagging little spoiled brat roaming around you non-stop for no purpose other than seeing you losing your sanity or equivalent to a fleet of mosquitos determined to penetrate you as the last human left with suckable blood. What I'm trying to say, if the director was really entranced by vibrating vocal cords then he should've brought a real man to do the job. On a small side note, I find this period and setting of Japan/Korea to be the worst to watch through any media. They "almost" don't know how to go on about it. I can count a few rare exceptions on one hand.

The narration and its subsequent transitions were overdone and jarring. Regardless of the historical accuracy, everything was portrayed and delivered as poorly as possible to maximize the trashiness and spitefulness, guaranteeing to make you hate the palace power-struggle themed dramas just a little bit more. This was a very painful and redundant 60 episodes. There was a big massive disconnect of the characters' writing after the timeskip. The awful OST the drama didn't help enduring its journey. With the ridiculous overdramatization of the last 5-6 episodes, the drama reached its ultimate clown status. I pity those who had to endure this drama serializing weekly.

They shouldn't have had made Wol Ah / An Shim be played by the same actress regardless of their intent to have have them share resemblance to one another. Wol Ah had her own role and was a turning point in the story. Since An Shim came to the picture, up until the end she was nothing but Wol Ah's replacement and had no real character. The drama, unsurprisingly, shared a common problem with others of the same genre. The drama started with the backstory and the hero journey but later on it striped the personal attachments and turned it into a battlefield between nations instead of mixing both elements together. It got turned around the other way back and forth 4 more times, making each transition more jarring than the last. This is why there was a massive disconnect after the timeskip in the early second 1/3. In addition, the last 15 episodes were too long to endure.

The first paragraph of the synopsis felt like and turned out to be a big copium moment to whoever wrote it. The first couple of episodes started with a big bang, big sets, big budgets, a few sex scenes here and there, a casual killing for the sake of it, and a god awful laughable open mouth kissing scene. It was obvious they were trying to pull all the strings to attract viewers because none of that lasted shortly after. The cast performance was attractive at first before they turned into generic soulless zombies right after the first half. In fact, the second half in general was a significant downgrade in all regards. It was almost incomparable to the first half. It became as dull as you can imagine without any "character" left in these characters. They stripped every ounce of character from Ji Sung.The trend continued towards the end since it ended abruptly, I refuse to believe this was planned. When zooming out and looking into the drama as a whole, nothing seems to be properly planned from the beginning.

What even was that?! I would have rather gotten lost in a liminal space than watching this. The entire portion of the plot involving the kids was absurd and uncomfortable. They had no idea how to structure the narrative with the kids which led to a handful of subsequent problems that couldn't be fixed. About 80% of the drama was wasted on a single weak point of tension. The longer runtime made the tension even weaker. The following events didn't matter for how little investment the viewers have had in the first place. While the cast was mostly okay, Han Ga In didn't feel right in this drama.

Well, this was a painful watch to get through. The comedy was genuinely bad and the jokes were godawful. What made it even much worse was the terrible background music of these "comedic" scenes. It killed me slowly bit by bit with every attempted joke. The long runtime drove me insane. Just like any other drama with a similar formula, the story doesn't move until the last few episodes. The story itself was weak and padding it with comedic relief characters and side stories wasn't feasible to begin with. The cast performance was fine but they didn't have much to work with in the first place.

Unfortunately, Jang Hyuk playing the same character he played in The Slave Hunters (2010) and that alone was problematic in that one. Unlike The Slave Hunters (2010), this one had a lot of interesting ideas and plot threads but they never reached their full potentials because it came at the cost of shoving flashy fantasy elements instead of keeping it grounded to reality, a case in point super-swordsmen flying and dashing. On the other hand, the "deep roots" plot was a massive clusterfuck of bullshit and was its weakest part. Not only that, the final battle/fight that we were anticipating for so long turned out to be quick, short and utterly disappointing. The ending isn't even surprising, it was obvious from the first episode that the ending will certainly flop. Add to the fact this type of ending was the dominant trend in 2000s/2010s, especially with project that managed to have a good viewership.

Not enough "duo" action when taking into consideration the 32 episodes runtime. I don't feel the drama managed to accomplish anything with its story. The entire drama was structured around the duo but we barely got a few "duo" moments. Their paths don't intertwine as often as you might think. On the other hand, I found the romance quite problematic. It overshadowed big parts of the story and ruined some plots more often than not. Love interests and romance rivalry were two poor elements the drama tried desperately and continuously to shove in our faces. Of course, the ending was terrible as expected.

Any intimate scenes were hilarious to watch from any point of view, even from 1995. As if watching 2 animatronics getting physically close to each other. The first half of the drama was okay but the second one was a mess, it was all over the place. Once other sides started to intervene and the scope went beyond Jang Hee Bin, the drama became a generic palace power struggle royalty bullshit. The king portrayal probably the worst performance out of all the characters. The actor 'Im Ho' looks like a cartoon character when he gets angry. Amateur actors will bring more to the table than him. No wonder why he barely gets low tier main roles and the rest is between support and guest roles. I wonder why this drama managed to get 3 remakes. It would be interesting to see the 2002 version since the cast looks more appealing. The Jang Ok Jung (2013) remake was equally as problematic as this one. Maybe Jang Hee Bin as a historical character is cursed to be portrayed in any media.

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